The Girl on the Swing
By Ali Cooper
4/5
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About this ebook
This book has enjoyed considerable success and sales during 2010/11. It is still available for download and POD print although it is not currently being actively advertised or promoted.
Ali Cooper
I'm a singer/songwriter/guitarist and I teach guitar. I currently live in rural Devon - came here for the solar eclipse and stayed! I have degrees in psychology and archaeology (I'm already published in archaeology non-fiction) and these subjects tend to crop up in my writing. The Girl on the Swing is my first novel to make it into print. It's published by Standing Stone Press in association with Year Zero Writers collective. It's also available in print with Amazon, B & N, Waterstones etc in US and UK.
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Reviews for The Girl on the Swing
1 rating1 review
- Rating: 4 out of 5 stars4/5I downloaded the sample of this book after seeing Ali on the forums, where several of the others had praised it greatly. I dithered a bit because it really didn't sound like my sort of thing, but downloaded the sample out of curiosity and by two paragraphs in had bought the book.The first thing I noticed about "Girl on a Swing" is the intricate, almost poetic use of words (this was what sold me on it). If you want a taste of the writing style, definitely have a look at the sample but bear in mind that while the sample covers the beginning which is quite still and slow, the action gets more intense and exciting later in the book.The story is told in the first person, mostly in the present; the heroine, Julia, lives a very isolated life, emotionally speaking, and this is communicated with the barest minimum of implications but permeates everything else. In some ways her life seems much less real than her remembered lives - at the beginning of the book I had a good idea of what was going to happen, and then it baffled my expectations at every turn, which is always gratifying!It is very atmospheric; very gripping; and very unusual. The only reason for which I gave it four stars rather than five is that when the action comes to its climax, I would have liked to have heard a little more from Frank about what / how much he remembered, just to give the ending a little more symmetry and definition. (That said, you don't notice at the time because you're so into it; only when savouring the aftertaste of the book, so to speak.)It's such an unusual book, with such a fresh use of words; it's very powerful. Julia isn't cheerful, and yet she's leavened with enough cheerfulness from other characters that you're certainly not left in a cloud of depression. The development of Julia from her grief and isolation in the beginning of the book to the better, happier, more fulfilled self as she finds relief from various sadnesses at the end works quite naturally and is ultimately rather uplifting.Should you try it yourself? Absolutely yes. And bear in mind, if it's not your sort of thing - it's not my sort of thing either! But excellent things are, and this is excellent.JAC.
Book preview
The Girl on the Swing - Ali Cooper
CHAPTER 1
It takes a while for my eyes to adjust then gradually I see it.
It is a garden of high summer. Where hollyhocks turn their faces to the sun. Where oriental poppies, full and red, grow taller than I have ever seen. Where roses twist and turn over timber archways. Where delphiniums reach from their hiding places to erupt in a surprise of iridescent blue.
I pause and half close my eyes while I digest the scene before me, then I return.
At the edge of the borders pinks spill out across pathways and white alyssum creeps between flagstones. There is a lawn sprinkled with daisies, ready to be picked and threaded into chains, and, in its centre, an old apple tree that groans as though pained by arthritic joints and aching limbs. On the lowest branch of this tree, a rope is looped, its ends knotted through a wooden seat. And here a young girl sits, swaying to and fro, kicking her legs as her lace-edged petticoats ripple in the breeze.
I have been the spectator but now I join the game. I feel the warmth of summer on my skin. I smell the sweetness of honeysuckle and the soporific lure of lavender. I feel the rope, rough against my fingers as I cling on tightly and urge my body to fly higher. I ignore the heat of the dress and pinafore and the tightness of the laced up boots. Instead I savour the joy of childhood and lose myself in a carefree moment.
I don’t know how long I am there. I am in a place where time has no meaning. The motion makes me dizzy and I close my eyes for a second. The warmth drains away and is replaced by an autumnal chill. The scent of flowers dissolves into the moist air. When I open my eyes the garden has gone. In its place is a gravelled yard with artistically placed palms and agaves in Italianate pots. The collage of flowers has become an intense green backdrop of ornamental conifers. The house, too, has changed. Casement windows have been obscured by an out of place lean-to conservatory, and bricks, previously a bright terracotta, are stained dark and ugly with the residues of mining and exhaust fumes. High on the wall, one thing remains the same; a clay plaque announces that the building is called Kimberley Place.
I stand on the grass verge, peering through a knothole in a tall wooden fence. I take a moment to return to the present. Then I hurry to my car and drive away, before anyone sees me, before a worried neighbour fears that I am a crazy person and calls the police.
But I know I am not mad. I used to live in this very house many years ago, in a previous lifetime, when I was the girl on the swing.
Stately arpeggios greet me as I open the front door. They are not fluid, rippling like water, but sombre footsteps, striding up and down the keyboard. I start, guiltily. I hadn’t expected Richard to be home yet. I hang my jacket and scarf in the cloakroom and swap my outdoor shoes for a pair of ballerina-style pumps. The music continues. It takes more form now. Beethoven, I think, lost and mournful. That’s all Richard seems to play these days.
In the morning room I try not to squeak my shoes on the polished floorboards. Beyond the shadows, Richard sits at the grand piano, man and music silhouetted in the backlight of the low, slanting afternoon sun that spears through the French windows. He doesn’t acknowledge my presence but plays on, as I know he will, to the end of the piece. His concentration is intense. His fingers move over the keys as precisely as if they were cutting through a chest wall or cannulating a blood vessel and he will not pause until the last suture is in place.
At last the music comes to an end. Richard looks up as he lingers over the final resounding chord. His dark eyebrows rise questioningly.
‘I’ve been out walking,’ I say, as though I have to account for my movements. I don’t tell him where I’ve been, or why. It isn’t a secret exactly, but rather an indulgence that I keep covetously to myself, like a box of Belgian chocolates or a bath scented with exotic oils. Besides, if I told Richard the truth he’d only worry about me. And he already has enough to think about.
He is silent for a few moments, looking away from me as he rehearses words that I will not want to hear. ‘I thought we could eat out tonight,’ he suggests.
‘Oh! Do you think we should?’ My answer flies back abruptly, impulsively. I am surprised, frightened even, at the prospect. Apart from a couple of informal dinners at the homes of close friends, we haven’t eaten out for months. Eating out is a celebration. And there’s been nothing to celebrate.
He persists. ‘It would save you having to cook. And I’m not on call. Perhaps we should take the opportunity.’
I hesitate, caught off guard. I fumble for a reason to stay in. I tell myself this is not the same as an excuse not to go out. ‘There’s steak in the fridge,’ I say. ‘And salad.’
Richard pretends he hasn’t heard. ‘It’s difficult for me too.’ He feels his way cautiously. ‘But we have to carry on living. We have to resume a normal life before we forget how.’ He doesn’t look at me as he speaks; instead he busies himself folding away his music.
‘I have a headache,’ I lie. ‘Perhaps another time.’
Richard stares at me now. He is a clever man, a doctor of medicine as, indeed, am I, but despite his qualifications and experience there are times when he doesn’t know what to do, doesn’t know what to say. On this occasion he doesn’t even try. ‘There are some journals I should read,’ he says. ‘I’ll be in my study.’ And with this he rises and walks past me without a glance. His footsteps resound decisively on the stairs.
The kitchen is an extensive room, too large for its purpose, too large for two people to be together. I take the skillet from the hook and scan the spice rack, pondering the possibility of a marinade. Then I select a recipe book from the shelf and begin to turn the pages. I can allow myself to relax now. Slowly I breathe out as I hug the safety of the Aga rail. Set in an alcove close to the window, it is a warm reassuring place to be. I can turn my back on the cupboards full of dinner settings that will never be used, the ridiculously long family breakfast table and the cold unnecessary space that still remains, and pretend that I am in a farmhouse, essential and familiar, with a dog, alert on the rug and a cat sleeping on an old winged armchair. I glance at the pictures of exquisite food without digesting the words. The instructions to chop, grind, sauté and blanch scare me with their demands for perfection. Microscopic surgery would be easier. I close the book in defeat, remembering that I used to enjoy cooking – though I rarely seemed to have time to do it justice.
Tonight, I feel I must make an extra effort, having denied Richard the chance to go out. He doesn’t understand how I feel. For a woman, providing food is a necessity, a reason for her to exist; eating out is a luxury. For a man, a meal in a restaurant is simply functional, it is a way of acquiring food and assuaging hunger. I think about what happened earlier this afternoon. For some reason that luxury is allowable.
It was over twenty years ago that I first discovered Kimberley Place. We had recently moved to Nottingham, Richard and I, we were newly married, newly qualified, taking up our first posts as junior doctors, getting used to the roles of husband and wife. It was by chance that I found it. I was lost. I’d turned off the M1 at the northern junction and, trying to circumnavigate road works, had wound my way around the outer edge of town. I remember how I pulled over, first to look at the map, then to ask the way. If I hadn’t got out of the car I wouldn’t have noticed it at all. But it was right outside that house that I stood on the footpath and tried to concentrate as a kindly old gentleman traced his finger across the road atlas that I held between us. There was a sparse hedge back then and I could easily see into the garden. I tried to focus on the directions the man was describing, but out of the corner of my eye I was aware of time slipping away, of decades, centuries of change unravelling. That was when it came to me, a flash of memory. It wasn’t just the sight but the sounds and smells of the past, the whining of the branch as the swing pulled to and fro, the laughter of childhood. My laughter. I had been lost but now I was found.
‘Will ee be all right?’ The man’s voice had pulled me back to the present. I’d nodded, smiled, thanked him for his help. Then, with a nostalgic glance at the modern garden beyond the hedge, I’d climbed into the car and driven home.
We lived in Wollaton back then. Our house was a semi-detached in a comfortable residential area, where calm crescents and cul-de-sacs gave onto avenues lined with cherry trees. I sigh to myself. I still hanker after the pink-blossomed, Japanese-scented springtime. When I arrived home that day I had plenty to busy myself with. I didn’t think much about what had occurred. And that’s how it would have stayed. How it always had before. Because, in the past, that sort of feeling had only ever happened with people I would never see again or places to which I would never return.
I might have forgotten about it, what with the rush of a new job, a new marriage and the surprise, not long after, of an unplanned, though not unwelcome, pregnancy. But chance took me there again six months later, when I made a social call just a couple of roads away. And I couldn’t resist it, just a quick look. And this time I saw it all, the girl, the flowers, the garden. I was overwhelmed by the happiness of that child. Or was I? At the time I was overwhelmed with love for my own, as yet, unborn child. The two events became linked together. I remember feeling a pull, a yearning to live more of that life. I felt sure I would want to go back. But then Jamie was born and of course that changed everything. I had all the things I could possibly want right there in the present. I had no reason to return.
Until now.
I glare at the book and replace it on the shelf then I take a red pepper and an avocado from the trug, and cucumber, spring onions and an iceberg lettuce from the salad box in the fridge. Chopping them will be therapeutic.
* * *
CHAPTER 2
Richard is leaving for work as I wake. Guilt sneaks up on me, punishing me for not having risen in time to cook his breakfast. While I was working it was different. We would rise according to our shifts, switch off our alarm clocks, shower in separate bathrooms so as not to risk disturbing one another’s routines – in happier times I used to joke that we were like the royal family in this respect. Sometimes we would breakfast together at work if we had an early schedule, but we would always travel separately in case one or other of us had to stay late. In short, we were equal. But in the weeks I have not been working the balance of power has changed.
It is different from when I had Jamie because during those early years he was my life’s work. Now I feel as though I should make up for my idleness with doting housewifely attention. So I reprimand myself as the front door clicks shut and Richard leaves. Yet, at the same time, I am relieved that I don’t have to spend time making small talk. The clock shows that it is not yet seven-thirty. Perhaps he has an urgent appointment, a heart valve replacement or a lung excision. But I think not. Immersing – or rather drowning – himself in his work has been Richard’s way of coping, just as I have sought refuge in the past.
A year ago, six months even, dozing and drifting leisurely into the day would have been a luxury; but these days, lingering in bed is not an option. I rise hastily and wrap myself in a towelling robe. I need to do things, any things. I need to grind beans for coffee and to carefully butter and eat my toast. I need to glance at the paper then make a list of things to do. I need to plan my day before I dare take a shower.
Prompted by the snap of the letterbox, I amble down the long thoroughfare of the hall. On either side, chequered floor tiles escape from under the runners of tasteful rugs. Richard wanted to leave it cold and bare but our footsteps echoed back and forth until we sounded like an army marching into the house. Eventually he was forced to give in to my pleas for something softer and more welcoming.
The front door is huge and ostentatious. In the jewelled light of its stained glass I stoop to pick up the scatter of envelopes from the mat. There are two white foolscaps for Richard – I recognise them as a magazine subscription and a bulletin from a pharmaceuticals company, there are the usual mail shots, inviting us to take out loans and have yet more double-glazing fitted, and for me there is an official-looking buff-coloured envelope. I know what this letter is and I know what it will say. I know it with such certainty that I don’t even open the envelope. Instead, I place it on the kitchen work surface beneath the notice board before taking Richard’s post up to his study.
The unopened letter will confirm my return to work the following Monday. It is not before time. The weeks at home have done nothing to heal me. On the contrary, they have only highlighted my unhappiness. Perhaps it would have been better if I had followed Richard’s example and chosen to focus wholeheartedly on my work. I could have got on with my job like a professional. I think that, had I had the choice, this is what I would have preferred. However, other factors played a part. There was an inquiry pending in my department. It was only a formality really but, in view of the added burden of my ‘domestic situation’, I was persuaded by the clinical director to take some time off. Domestic situation. What a useless euphemism. I wish people would stop pussyfooting around and say the words they mean - disease, divorce, or, in this case, death.
Back in the kitchen, I check the calendar on the wall and see that I am due to meet my friend Clare for lunch. It doesn’t count as eating out as we will rendezvous in the staff canteen at Nottingham General – Clare’s place of work and mine too. Clare is a psychologist, a behavioural therapist. Patients find her easy to talk to. Indeed, I often find myself telling her more than I should. We are meeting at one, so I am left with five hours to fill. As I bite into my toast I ponder what I will do with the morning.
After breakfast, I stroll into the conservatory. This is the only part of the house in which I feel truly comfortable. We moved here twelve years ago, soon after Richard became a consultant. If it had been up to me we wouldn’t have moved at all. I was content in our old home. It was cosy and familiar. We had enough room, I thought, especially as we knew our family would never be more than the three of us. When I think back to that house now it seems compact, at the time it felt vast. But Richard argued that we needed the space. With more responsibilities he needed an office at home, somewhere that didn’t get used for Jamie’s friends to sleep over or my parents to stay. Although he had a point, I see now that what he was doing was making a statement. Our new house in The Park was his way of announcing to the world that he had arrived.
Our house was built a hundred and fifty years ago. Like the others occupying the grounds of Nottingham Castle, it was intended as an elegant residence for Victorian gentlefolk. And that’s how Richard sees it. But to me it is a monstrosity. I find it impossible to feel cosy in the cavernous rooms with their high ceilings moulded and decorated like royal icing on a wedding cake. And as for communicating with one another - calling to say dinner is ready or a friend is on the phone - our voices chase down draughty corridors until they are halted, abruptly, by huge heavy doors. I used to tease Richard that he could commit a murder in the attic while I was in the kitchen, completely oblivious. I think Richard had hopes that he – perhaps both of us – would run private clinics at home, as though it were Harley Street. But, even if the estate had allowed it, our specialties took us into surgery and with it the necessity of working in a hospital complex. The idea never materialised.
As my breath mists on glass, I twist the curly wrought-iron handle of the latch and push a window open, breathing in the smell of moist grass and mouldering leaves from the garden. The conservatory makes living here almost worthwhile. It is like a miniature of those at Kew, with its steeply-pitched roof and ornate design. In it I grow bougainvillea and stephanotis, a vine whose grapes are too sour to eat (I have never got round to making wine) and citrus trees, their pots arranged as if in a grove. It is these I tend now. I stroke the shiny leaves, checking for the first signs of disease and peer at the tiled floor, looking for telltale sticky spots of honeydew. The plants are healthy enough. They are kept warm, watered and fed. But they are not fooled by the cold grey skies of the East Midlands; somehow they know they are not basking in Italy’s golden sunlight. The fruits ripen too slowly, slipping from youth to old age without ever reaching the firm bloom of adulthood. Eventually, when they begin to shrivel or droop sadly towards the floor, I pick them. But they are soft and waxy, only good for flavouring a cake or squeezing into a salad.
Even if the plants are not all they could be there is another reason I like it in here. It is the way I can be inside and yet out. It is a liminal space that tames the elements, distorting them like a dream. Standing close to the glass, I can imagine I am in the garden. I can feel the sun on my face and pretend it is midsummer rather than the start of autumn. In a storm it is like walking into a Hitchcock thriller. Best of all, I like it in the rain. I love the way the water clatters on the roof, streaming, exploding, making the panes appear to melt. Sometimes it drums so hard I fear the roof will shatter, that glass and water will cascade down, splintering on the floor and draping the trees as though they are decorated for Christmas.
I take some cotton wool and dip it into the water in the can. Then I begin to polish the citrus leaves, one by one, cleaning away the dust so they gleam in the morning sun. I think about yesterday and Kimberley Place. It has become such an important part of my life these past few months that I feel the need to talk about it, to share my experience with someone else. Yet I know from my work just how prejudiced, how narrow-minded, some people can be when presented with something outside their own understanding. The fact is I know that I have lived before. Many times. Not just here in Nottingham but all over the country, all over the world. I am not insane nor some New Age believer in all things esoteric. On the contrary, I am a rational person, a scientist, a doctor of medicine. I do not claim gifts of second sight or, indeed, entertain any beliefs in the supernatural. My awareness of my past lives is simply the knowledge that they exist. It is something I live with – have lived with – for as long as I can remember. It is not something I have probed or even questioned but simply accepted, the knowledge that, when I least expect it, some sight, some sound, some place will trigger a memory of a life long ago.
When I was young it would happen often. Sometimes during waking hours, as it did yesterday, but more often the visions would come at night. In the darkest hours I would wake, with a start, from another lifetime and scurry into my parents’ room to snuggle between them in their bed. Sometimes I would tell my mother what I had seen and she would reassure me and soothe me back to sleep. ‘It’s only a dream, Julia,’ she would whisper warm breath into my ear. And I believed her. I thought, in my child-like egocentric world, that this happened to everyone. I thought the word dream meant a previous life. But sometimes the memories would be filled with violence and pain. My mother had an answer for that though. ‘Maybe you dreamt someone else’s dream,’ she would say. And those words kept me safe until morning. The memories visited me less often as I grew older. Yet they were always there. As other children learned the difference between imagination and reality I learned to separate the present from the past.
I finish cleaning the last leaf then I bend down and, one by one, grasp each pot, twisting it a quarter turn so that every part of every plant will receive an equal share of light, so that each will grow steadily upwards instead of reaching, begging for its homeland. I stand upright and turn to face the adjoining wall of the house. Creeping along wires pegged into the brickwork, the last leaves on the vine are turning red. Soon they will fall; I will cut back this season’s growth and the remains of the plant will splay, skeletal, against the wall until next Easter. Last spring, a pair of robins built their nest amongst the twisted woody stems. We had to leave a window open so they could come and go, their beaks crammed with grubs, until the youngsters had fledged. At the time I thought it was a good omen. How wrong that turned out to be.
It is three months now since Jamie died. The nightmare of it replays constantly in my brain, as though on a never-ending loop. I remember how it was when I heard the news. Just like the whole world remembers where they were when Kennedy was assassinated, or John Lennon.
It was quite an ordinary day. Routine. Boring, even. I often wish it had been something more, a violent storm, perhaps, or a sizzling heat wave. I feel cheated that I did not sense, intuitively, that something was wrong (as surely a mother is supposed to do). I wish I could say that I felt a tug, a wrench, deep inside, at the moment he ceased to exist, that I was shocked yet not surprised when they told me. Perhaps, if I had felt those things, I would believe that I had somehow been there for him when his time came. But I have no such consolation.
It was a Thursday and I had spent the first half of the morning doing paperwork, tedious administration. Then I had performed some straightforward surgery – two tube ties and an investigative laparoscopy. I was still wearing my green theatre scrubs when they came to tell me. Two uniformed police officers, one male and one female. Not a good sign. But even then I didn’t realise. I assumed they needed to question me about one of my patients, I never thought it would be personal. I approached them smiling. Professional face. ‘Can I help you?’
The WPC asked if there was somewhere private we could talk. ‘Do you have an office, or a consulting room perhaps?’
My memory goes hazy after that, though in retrospect I can picture nurses and registrars looking worried, looking away embarrassed, looking anywhere but at me. I don’t know whether I actually fainted or whether my memory erased the words that were too painful for me to process. Suddenly Clare was there, kneeling next to me, cradling me like I should have cradled my son. Richard was in the same building but was in the middle of a triple heart bypass, there was no question of disturbing him, no sense in putting another life at risk.
It was Clare who shared my grief when the police officer repeated the words that shattered my life. ‘I’m very sorry Mrs Spencer but I have to tell you your son James Spencer has been found dead.’
I remember the compassion of the WPC. I have to tell you. I know she didn’t want to tell me. As a medical practitioner I know what it feels like to tell someone their loved one has died. I felt so sorry for that woman. I still do. Lucky Richard, he had a further hour of blissful ignorance before his life was torn apart.
I arrive at the hospital a little early. I walked in from home and feel invigorated by the exercise. I have felt nervous about walking anywhere these past few months, not for any reason of confidence or phobia but because walking allows so much time to think. Driving is easier, there is the road to concentrate on, and the radio; but walking, I have recently discovered, offers too much opportunity for self-indulgent, self-destructive thought. Today was different though, knowing I would be meeting Clare, and that I would soon be returning to work. I pause and consider calling into the administration offices. I decide against it though. Any papers I might have to sign will be at home in the buff-coloured envelope and the office staff will probably be at lunch. Instead, I fill in the extra minutes by browsing in the League of Friends shop.
Clare has already staked her claim on a small table when I arrive at the canteen. She is wearing a gorgeous tailored suit in Cambridge blue wool. She stands as I approach the table and I admire her grace, her elegance. I envy her, as I join her in my jeans and fleece top. But then, Clare is dressed for work, whereas, I must not be dressed for going out. Somehow this makes our lunch date more acceptable. Clare is younger than me, she has no children – although, for her, there is still time. She is one of those people who are naturally and effortlessly glamorous. She wears her long dark hair loose, sweeping it casually over her shoulder or twisting it into a corkscrew, yet it always looks as though it has been freshly brushed. Her tights never run, her shoes never scuff, and in the summer she wears crisp white blouses which, by five in the afternoon, are still as pristinely un-creased and unblemished as though she had just taken them from a hanger. If I were to wear anything like that it would be crumpled and stained in less than an hour. Sometimes I tell myself looking good is easy for Clare because she doesn’t do a ‘hands on’ job. But I know it is just an excuse.
She smiles and hugs me, stepping to the side of the table so nothing is in our way, so we can press warmly against one another with the whole length of our bodies. I am sure she has been taught to do this in the course of her training. I am equally sure that, without such learned prompting, she would do it naturally. And, whilst Clare has a gift for communicating with people, I am glad that she is a professional. I do not need to worry that she will patronise me, sit in silence, or pick her way over the broken eggshells that are my emotions.
‘How has your week been?’ She pushes a long gleaming strand of hair behind her ear.
I smile. I don’t need to force myself. Something in Clare’s demeanour elicits this response. ‘Good,’ I reply, thinking of yesterday afternoon. I wonder whether I should tell her about this. But I don’t want to seem obsessive. Conveniently I remember my manners, my friendship. I must give as well as take. ‘And yours?’ I enquire.
She nods. ‘Busy as usual. Shall we order?’ We are in a small restaurant area of the canteen with table service. There is more space, more privacy for conversation. We sit down and pull our chairs in close, an island in a choppy sea. The menu is predictable but varied. I choose a chicken salad with bread and butter pudding to follow, the healthy and the comforting.
Clare’s mobile rings as we wait for our food. I am relieved. It takes away the necessity to talk. Conversation during a meal is