A View from A Broad
By Bette Midler
3.5/5
()
About this ebook
This book was a kind of last hurrah. When I read it, I hear a disarmingly younger, sweeter voice…I am not sure that this little confection captures a whole time, but I think it’s an accurate picture of the spirit and tone of what I was doing in those days...I hope it holds up, and that you find your best younger self in it as I do...
With her brassy voice and bold performances making the world finally pay attention, this ambitious Jewish girl from Hawaii, needs no introduction. Grammy award–winning singer, Academy Award–nominee, Broadway star of her critically acclaimed one-woman show, and beloved actress in The Rose, Beaches, and Down and Out in Beverly Hills—Bette Midler is a household name whose career and fans span generations.
In A View from A Broad, Bette relives her career through memories of endless rehearsals, her fear of flying, crazy schedules, and wisdom she learned from Thai Gondoliers with her trademark razor-blade wit that her fans have grown to know, love, and expect.
Filled with photographs, a new introduction, and heartwarming stories that highlight only a portion of a brilliant career, A View from a Broad is the perfect gift for anyone who loves music, theater, or just plain fun—and will be cherished by the fans of Divine Miss M for years to come.
Bette Midler
Bette Midler has been nominated for two Academy Awards, won three Grammy Awards, four Golden Globes, three Emmy Awards, and a Tony Award. She has sold over 30 million albums worldwide. She lives in New York City.
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Reviews for A View from A Broad
20 ratings1 review
- Rating: 3 out of 5 stars3/5I read this on kindle-paperwhite and I bet I'd give it more stars if I got to see the photos and other layout bling in better quality - my first kindle total fail on quality of translation to e-reader format - Bette gets five stars who ever did the kindle edition gets 2 at most, ugh .
Book preview
A View from A Broad - Bette Midler
•INTRODUCTION•
Long, long ago, around 1980, through a veil of hot, briny tears, I seem to recall that I toured the world with my show, for the first time, and lived to tell. The book you hold in your hands was the confaction
that came out of that tour. I was thirty-five years old, cute as a button and excited beyond belief. I was going to see the world, and the world was going to see me. I knew so little of the world: Slander, not geography, had always been my strong suit
. . . and there was more than a grain of truth in that. I was clueless. My international travel was limited to an earlier trip to Paris, where I was surrounded by schoolchildren who made fun of my shoes.
We were a motley crew; a quarrelsome band that murdered the time; three libidinous girl singers; and many, many attractive soundmen, stagehands, road managers, drivers, and fans. It was a powder keg, to put it mildly. Add in new and various faces and races that wanted to be our best friends every third day, new drugs to try and new bars to visit, and you can imagine how hard it was to keep chaos at bay.
One of the things that surprised me most was that the world knew me! And they seemed to love me and showered me with affection at every stop: bouquets, gifts, letters, notes, telegrams, confetti, invitations and standing ovations. It was a whirlwind, a mob scene; I was at the center of it and it was hard to separate the best intentions from the worst.
And the shows were great; some of the best of my life.
In those days, if I had even the germ of an idea, someone would move heaven and earth to make it happen. I am a reader, and have been my whole life. I love books, and love all the romance associated with them. The bindings! The illustrations by N. C. Wyeth, Maxfield
Parrish, Jesse Wilcox Smith, et al. . . . The dreadful lives that everyone led, being paid by the word, too tragic. Those green eyeshades! Fabulous! I even adore editors: How marvelous to be squirrelled away in some dank corner spinning literary dross into gold!
I had decided I wanted to do a book before we started rehearsals, and lo and behold, the publishers were lined up in droves. What clout I had in those days! My best friend, Jerry, and his boyfriend, Sean (not his real name, which was Wesley—don’t ask), searched maps and guidebooks to decide where we could shoot pictures to accompany whatever was to come. We did many by-the-seat-of-our-pants photo shoots when abroad, like the Penguin Parade in Australia, and though most of the photos never made the book, I remember many of the charming, out-of-the-way places we found; the taxidermy store in Paris, the monastery outside Munich, musty old London bookstalls.
Things happened. There were fistfights, fires, drugs, accidents, arrests, screaming matches, phones thrown at old friends and way too much press to face, day after day, bruises and all. It was not a pretty picture. Couples paired off, or didn’t . . . one couple married after that tour is still married; a driver I adored got sick and died not long after we left.
The challenge was to make it funny, and when I finally got home, I found that a lot of it was. But a lot of it wasn’t, and I finally had to face it. After this tour, I knew that certain things were not for me, and that I had to make a choice. Could I continue to make a joyful noise when I was angry, ill and hungover? Some can, but I couldn’t. My manager, Aaron Russo, and I broke up after a series of violent fights, and I had to live without the kind of support I had had for more than ten years. It’s not an exaggeration to say that that tour changed my life.
So this book was a kind of last hurrah. When I read it, I hear a disarmingly younger, sweeter voice, a character I adore, but whom I don’t hear from much anymore. I loved her, and mourn her from time to time, like Márgarét on page 129.
By 1980, the ’60s were finally over. The cloud of HIV/AIDS was about to descend on the blue-sky world I lived in, taking with it a whole generation of artists, performers and friends, including Jerry and Sean. I am not sure that this little confection captures a whole time, but I think it’s an accurate picture of the spirit and tone of what I was doing in those days. I hope it holds up, and that you find your best younger self in it, as I do.
—Bette Midler
October 2013
• IT BEGINS •
I knew so little of the world, really. Slander, not geography, had always been my strongest suit.
• IT BEGINS •
I will never forget it! Only moments before I found out that a world tour was being planned for me, I was exactly where I most like to be—flat on my back on my lovely redwood deck, overlooking the glorious, ever-changing moods of the Santa Ana Freeway. I was truly at peace. And I was truly a mess, having just forged my way through the potentially crippling round of severe calisthenics I dutifully perform every evening of the year. Well, almost every evening. If I happen to be at home.
Actually, I shouldn’t belittle my exercises so by calling them calisthenics when they are, in fact, a unique distillation of semi-classical semidance movements designed specifically with my very own body proportions in mind by the well-known physiotherapist Dr. D . . . , who, though only thirty-two, and having no congenital defects worth mentioning, can barely stand up straight. This apparent conflict between what Dr. D . . . claims his program can do for the human physique and what it has actually done to his seems to have had no effect whatsoever on his Hollywood following. In fact, there is a small, shrill clique of high-profile Hollywoodites who claim that Dr. D . . . , is the very Messiah of Serious Body Building. Not body building, of course, in the sense of that atavistic desire and/or need to lift heavy metal to face level, but body building in the more mystical sense: training that complex jumble of tissue and electrochemical reactions to become an instrument totally subservient to one’s will, ready to meet life’s every challenge no matter how sordid or bizarre.
Little did I know what challenges I was to face—or how soon—when sprawled out and panting on my deck I suddenly realized that the loud knocking I was hearing was not the frenzied beating of my heart but someone beating frantically at my door. As I ran, still dazed and blinded by sweat, to answer the insistent call, I took, quite literally a turn for the worse and ricocheted off a mirrored wall colliding, tete a tete, with the life-size statue of the Bloated Buddha I’d unearthed just recently at a swap meet in Anaheim. I had placed the porcelain wonder in my vestibule in the fervid hope that from it might emanate a flow of tranquillity to counteract the general uproar of my household. Now the statue lay shattered in a thousand pieces. Not a good omen.
As my maid, the unflappable Aretha, began to vacuum around me, I made one or two unsuccessful attempts to rise out of the debris. I was just about to despair of ever walking again when suddenly the knocking stopped and I heard a key turn in the lock. Only one person had a key to my house. I wish I could say it was a lover or even a close and dear friend. But no, it was my manager, a man of direct action and some girth, whose emotional response to any given event was generally the exact opposite of mine. One look at his smiling face and I knew I was in trouble.
Little did I know what challenges I was to face—or how soon . . .
Here,
I said holding up one of my ex-Buddha’s ears, it’s yours. I’ve decided to become a Taoist. I go into retreat tomorrow.
Without even the slightest acknowledgment of my offering or my bruises, the heartless man pulled a thick purple folder from his pocket and threw it a few feet from where I lay collapsed on the floor.
Read that!
he commanded in a tone most often used by major generals and some minor household gods.
Brushing away the hair from my eyes and the evil thoughts from my heart, I crawled through the litter of broken mirror and porcelain limbs towards the mysterious folder.
Itinerary!
he said proudly as I retrieved it.
You what?
I began, then stopped short, dumbstruck, as I stared open-mouthed at the very first page:
BETTE MIDLER WORLD TOUR–
Opening Dates—Number of Performances
Sept. 11—Seattle (three nights)
17—London (five nights)
27—Brighton (one nights)
30—Gothenburg (one nights)
Oct. 1—Stockholm (one night, two shows)
2—Copenhagen (one night)
3—Lund (one night)
6—Hamburg (one night)
7—Frankfurt (one nights)
8—Munich (one nights)
10—Paris (two nights)
13—The Hague (one night)
14—Antwerp (one night)
16—Amsterdam (two nights, four shows)
25—Sydney (five nights)
Nov. 1—Melbourne (one nights)
4—Perth (one nights)
7—Adelaide (one night)
9—Brisbane (one nights)
12—Sydney (three nights)
17—Honolulu?
I couldn’t believe my eyes! It was truly an astonishment of nations. I looked up at my manager, then back to the purple folder, flipping frantically towards the middle, where the entire project was fully outlined in all its fearsome detail: