The Twentieth Wife
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About this ebook
She came into the world in the year 1577, to the howling accompaniment of a ferocious winter storm. As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She is called Mehrunnisa, the Sun of Women. This is her story.
Growing up on the fringes of Emperor Akbar's opulent palace grounds, Mehrunnisa blossoms into a sapphire-eyed child blessed with a precocious intelligence, luminous beauty, and a powerful ambition far surpassing the bounds of her family's station. Mehrunnisa first encounters young Prince Salim on his wedding day. In that instant, even as a royal gala swirls around her in celebration of the future emperor's first marriage, Mehrunnisa foresees the path of her own destiny. One day, she decides with uncompromising surety, she too will become Salim's wife. She is all of eight years old -- and wholly unaware of the great price she and her family will pay for this dream.
Skillfully blending the textures of historical reality with the rich and sensuous imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in the emotional pageant of Salim and Mehrunnisa's embattled love. First-time novelist Indu Sundaresan charts her heroine's enthralling journey across the years, from an ill-fated first marriage through motherhood and into a dangerous maze of power struggles and political machinations. Through it all, Mehrunnisa and Salim long with fiery intensity for the true, redemptive love they've never known -- and their mutual quest ultimately takes them, and the vast empire that hangs in the balance, to places they never dreamed possible.
Shot through with wonder and suspense, The Twentieth Wife is at once a fascinating portrait of one woman's convention-defying life behind the veil and a transporting saga of the astonishing potency of love.
Indu Sundaresan
Indu Sundaresan was born in India and came to the US for graduate school at the University of Delaware. She is the author of The Twentieth Wife, The Feast of Roses, Splendor of Silence, In the Convent of Little Flowers, Shadow Princess, and The Mountain of Light.
Read more from Indu Sundaresan
Shadow Princess: A Novel Rating: 4 out of 5 stars4/5The Feast of Roses: A Novel Rating: 4 out of 5 stars4/5In the Convent of Little Flowers: Stories Rating: 5 out of 5 stars5/5The Mountain of Light: A Novel Rating: 4 out of 5 stars4/5The Splendor of Silence: A Novel Rating: 4 out of 5 stars4/5
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Reviews for The Twentieth Wife
335 ratings22 reviews
What our readers think
Readers find this title to be a captivating and excellent historical-fiction book. The charm of Meherunnisa and the author's storytelling skills make it a must-read for those interested in Mughal history. The book takes readers on a special journey, especially for those who have visited the places mentioned in the book. Overall, readers highly recommend this book for anyone who enjoys historical fiction, particularly about the Mogul empire and Hindustan.
- Rating: 3 out of 5 stars3/5I wanted to like it more than I did - there may not be enough skeleton for the story or it may be that the actions of some of the characters are morally reprehensible and distance a contemporary reader quite far from the characters preventing immersion on the story itself ?
- Rating: 3 out of 5 stars3/5While I wanted Mehrunnisa to succeed throughout the book, I couldn't help but compare it unfavorably to John Shors Beneath a Marbled Sky. Perhaps if I had read this book first? Mehrunnisa was not the most likable of characters and her instant attraction to Prince Selim seemed a bit superficial. Was it merely his splendor as the Prince that first attracted the child Mehrunnisa? But her interest in him developed, as did his character throughout the book. India was well described and definitely a presence, unlike other books in which it is only described a little as a background detail. I will be reading the sequels, for sure. This is a fascinating era of history, and Mehrunnisa seemed to be a woman ahead of her time but working within the boundaries of it.
- Rating: 5 out of 5 stars5/5One of the best Historical-Fiction books I've ever read. Could not put it Down! All of Author Indu Sundaresan's books have been excellent, just like this one. This was the first book of hers I had read and I had absolutely love it Her books have been very good and I highly recommend them to anybody who enjoys historical fiction especially historical fiction on the Mogul empire / Hindustan..
- Rating: 4 out of 5 stars4/5This was a random find and got amused by it. A must read for those who are new to Mughal history. Meherunnisa’s charm will definitely captivate you! Thanks Indu Sundaresan
- Rating: 5 out of 5 stars5/5I had the unique opportunity to read this book while in India and actually got to visit the places in this book. I think that experience made reading this book incredibly special.
- Rating: 2 out of 5 stars2/5Sometimes I wonder how much the liking of a book is tied to the time when you first read it. I wonder if I would still love some of the novels I first read in high school as much as I do if I'd been older and had a more developed critical eye than I did then. I started reading the Twilight series in the wake of a bad breakup, and I remain fond of the series (especially the breakup arc in New Moon) despite knowing full well that they're not high-quality literature. It would stand to reason, I think, that some books I've read right after something wonderful seem particularly lesser-than in comparison, and sometimes books that followed a dull and plodding one seem even better than they might actually be.So I wondered if The Twentieth Wife following the double punch of two brilliant novels in a row might have been contributing to my disappointment with it. Was I being entirely fair to the novel on its own merits? If I'd read it, say, after one of the Masks of God books would I have liked it more? Ultimately, I feel like the answer is that no, I'm not being harsh because it doesn't measure up to the two amazing books I just read, it's honestly not very good.To start on a positive note, it did introduce me to an era of world history I know precious little about: the Mughal Empire of India. I'd only really known two things about it previously: the rulers of the Mughal Empire were Muslim, and that the Taj Mahal was built as a memorial for a Mughal empress, Mumtaz Mahal. That's pretty much it. So the details that this novel provided about the empire and its courtly life were new, interesting information, and I particularly enjoyed the way each chapter opened with a quote from a historical source about the characters and events to be presented.What didn't quite work, though, was most of the rest of it. The writing quality isn't particularly high...it was difficult to find a highlight quote because there were few bright spots. That's not to say it's especially poorly-written either, because it isn't...it's just mediocre. The novel tells the story of Mehrunissa, the daughter of a court official under the rule of Emperor Akbar. Although she is married to a soldier as a young woman, she and Akbar's heir apparent, Prince Salim, fall in love and eventually marry after her first husband's death. He becomes the the Emperor Jahangir, and she becomes his twentieth but most important wife, Nur Jahan, one of the most powerful women in the history of the Muslim world. She must be quite the interesting woman, eh?Not really, as author Indu Sundaresan paints her. According to Sundaresan, when an eight year-old Mehrunissa catches a glimpse of Salim's first wedding at court, she decides right then and there that she will one day marry Salim. For no reason made particularly apparent, she attracts the interest of Akbar's most powerful wife, Ruqayya, as a companion, and spends her time at the palace thinking about how to attract Salim's attention so she can one day become an empress herself. Indeed, she spends her time at home thinking about the exact same thing. Even after she is married to another man, she keeps dreaming of a future with Salim. Mehrunissa is given no other real characterization besides "beautiful, educated woman completely obsessed with Salim". There's no depth or interest to her character. She has no close friends. Her first husband is presented as a one-dimensional brute who does not appreciate her or treat her very well. When the narrative shifts, as it does at times, to present Salim's story, he's presented as a weak-minded but ambitious man, easily manipulated, who is just as obsessed with Mehrunissa at first sight as she is with him. Neither of these people is given much of an inner life, nor are they at all compelling.Which is disappointing, because from the Wikipedia-ing I was inspired to do, she led a very interesting life and a book about her should be fascinating. But a complete lack of character development and clunky writing have doomed this one to the donate pile.
1 person found this helpful
- Rating: 5 out of 5 stars5/5This book describes life in the Moghual court of pre-colonial India. The Twentieth Wife recounts the story of Mehrunnisa, a Persian girl that eventually marries Emperor Jahangir. Her story is unusual in that she was a widow when she was chosen as his twentieth wife. Mehrunnisa not only captures Jahangir’s heart but rules the empire alongside him as his equal.
I have always found Moghual history fascinating, and this book, interwoven with historical fact and fiction to bring Mehrunnisa’s story to life is magical. The story flows seamlessly, despite the fact that there are so many different characters. From the author’s description of daily life in the Moghual court you can almost taste the different curries and sweets, smell the incense and flowers and imagine the colourful silks and jewels. I look forward to reading more of Indu Sundaresan’s work.1 person found this helpful
- Rating: 3 out of 5 stars3/5The story of Nur Jahan before she became that. As a novel I liked it: full of color, drama, a love story.History doesn't seem so accurate, but it's a novel and maybe historians don't agree between themselves.I'm very much surprised with some of the Indian vocabulary. Why is she called "beta"? She's a girl, so she should be "beti", even with the explanation in the glossary. Again maternal grand-parents should be Nana and Nani. Even in the 16th/17th centuries. Insh Allah is not a greeting.That's why I put only 3 stars
1 person found this helpful
- Rating: 5 out of 5 stars5/5I first read this book when it came out in 2003. The copy in the library was nice and fresh and just waiting to be cracked open. I fell in love from the first page. Over the years, I still had beautiful images from the book playing in my head. When asked to recommend a book this was usually my top pick. It is now 7 years later and thanks in part to a historical fiction challenge I decided to re-read this book. The same copy from 2003 has now passed many hands. I can tell the book has been loved by the many stamps on the due list and stains. I felt nostalgic while re-reading this book and reliving my first experience. The second reading was just as good as the first. The book pretty much as it all- Indian culture, beautiful descriptions, court politics, romance, etc. Oh and who can beat a harem full of beautiful, strong women?
1 person found this helpful
- Rating: 3 out of 5 stars3/5This was interesting - a loved the descriptions of setting and atmosphere. The main character, as I remember, is slightly annoying and impersonal, but I liked the book for other reasons.
- Rating: 3 out of 5 stars3/5I am sorry to say this book didn’t do it for me. I wanted so much to like it but it just dragged on and on. There were parts that were interesting but for the most part I just wanted it over. This is supposedly a love story but I didn’t get that at all. Also the characters all just fall flat and I was glad I had a hardcover of this book to go along with the audiobook because it was hard to keep all the characters straight.I can’t even really put my finger on just what I didn’t like. Maybe I wasn’t in the right mood maybe it was the writing I’m just not sure. So if this time period and India intrigue you give it a try because it might just be me. I probably won’t read the second book to this one as I just didn’t come to care about these people enough at all. Her historical details (from what I’ve been able to search for) seem like she does a good job at the accuracy. 2 ½ stars
1 person found this helpful
- Rating: 4 out of 5 stars4/5The Mughal Empire at its height . Great historical information with a juicy (true) plot!
- Rating: 4 out of 5 stars4/5The Twentieth Wife a historical novel set in India under the Mughal Empire in the 17th century. It chronicles the love between Mehrunnisa and Prince Salim. The author has stated that she based the story in factual information and took artistic license to fill in gaps where information was not available. This book had a list of main characters at the front, which was very helpful. I wish that it had listed all of the characters though – so many of them had similar names that it could get confusing at times.This is not only a love story but a story of women’s roles in the Empire and how they were able to influence and shape history even though they didn’t have any official power or really any rights at all. Learning about 17th century Indian/Muslim culture was fascinating, especially since I was so ignorant of it prior to reading this book.I loved this book and I’m looking forward to reading the sequel, The Feast of Roses.
- Rating: 5 out of 5 stars5/5Indu Sundaresan’s novels are composed with such skill and such exquisite detail that you can’t help but be immersed in the rich world of the Mughals. She weaves a tapestry of love that cannot be denied, that refuses to be denied. A world of immense power and velvet lined cruelty. Her work is carefully researched and so flawless is her attention to history and detail that whatever embellishments she may have made, whatever creative license she may have taken with the actual events remain unnoticed. The prose has a rhythm and her characters rise up beyond their inky existences until they are living and breathing inside your mind. You are lost in the grandeur of the palace and embraced within the fold of the family. And when the Emperor and his Empress face danger and hostility, your heart shivers in response. Everyone should read what was perhaps one of the greatest love stories that ever happened.
- Rating: 1 out of 5 stars1/5I couldn't finish this one. Too much Indian vocabulary made my head hurt trying to figure out the meaning and keep up with the plot.
- Rating: 3 out of 5 stars3/5I loved this book, as it put me solidly in India. I could almost *feel* the culture, taste it, live it. I admired the main character for her steely resolve and devotion, while always maintaining a demand for respect.Will read this again!
- Rating: 3 out of 5 stars3/5I was not as enamored with this book as most of the readers here. I found Sundaresan's writing only mediocre and the story very much dragged in the last quarter of the novel. It cannot be denied that the main character, Mehrunnisa, is an interesting woman and seemingly well before her time in intelligence, form and breaking from the very well-worn traditions that shackled women of the time. That said, it never amounted to a great novel. Salim is not that interesting (almost tedious and trite), mostly came across as a petulant child and not a person I cared to read about. The pagentry of the Mughal empire(s) and the infratructure of the harems and such was fairly interesting, but could have been done better. Overall, recommended only if you have some interest in the Mughal empire or thoughts on who Mehrunnisa might have been. But if you are looking for a grand, sweeping adventure, this is not it. I did not care for it enough to read the second book in the series.
- Rating: 5 out of 5 stars5/5The book is a first novel by author, Indu Sundaresan, who was born in India. This book tells the tale of a woman raised in the Mughal empire. At first she does not realize the limitations of being a woman but soon recognizes the power held by the Emperor's harem and seeks it for herself. I especially liked the author's ability to bring history to life. The rich descriptions of a foreign land and way of life drew me into the story immediately. It is full of adventure and intrigue. Anyone who enjoys historical fiction will enjoy this novel.
- Rating: 4 out of 5 stars4/5This book makes me realize that I am really only familiar with American, European, and some Japanese history. The book is about a famous empress of the Mogul empire in territory including India along with some other countries. However, most of the book seems to take place before the character becomes empress, and her life is very sad. I don't know a lot about the culture, so a lot of the words are unfamiliar (like the forms of dress). It's very educational, and the story is very romantic, if a tad melodramatic. Apparently the next book is more character-driven, which I'll like.
- Rating: 5 out of 5 stars5/5What a fantastic book! Sundaresan creates a wonderful love story set in the Mughal Empire in the 16th and 17th century. Mehrunnisa firsts sees Prince Salim when she is eight years old and instantly falls in love with him, deciding that she will marry him someday. She holds her devotion for him in her heart despite the fact that she is not a princess, and married to one of his enemies. Learning about the harem is very interesting and this book is a real page-turner. I recommend it to anyone who enjoys historical fiction.
- Rating: 1 out of 5 stars1/5OhGoodLordWhatAPieceOfCrap!!!This book was absolutely terrible.I cannot say anything more civil than this.How did this thing get published?Are standards really this low?!
- Rating: 5 out of 5 stars5/5As it happened I was reading this book and learning about Akbar in World History. The main characters are extreamly well developed. Props to the author on her first book. Had to read the second and am enjoying it as much as the first.
Book preview
The Twentieth Wife - Indu Sundaresan
PROLOGUE
THE WIND HOWLED AND SWEPT down, almost ripping the tent flap from its seams. Frigid air elbowed in, sending arctic fingers down warm napes, devouring the thin blue flames of the fire. The woman lying on the thin cotton mattress in one corner shivered. She clasped her arms around her protruding stomach and moaned, Ayah . . .
The midwife rose slowly from her haunches, aged joints creaking, and hobbled to the entrance. She fastened the flap, came back to the woman, lifted the blanket, and peered between her legs. The woman winced as callused dirt-encrusted fingers prodded her.
The ayah’s thick face filled with satisfaction. It will not be long now.
The brazier in the corner flared to life as the midwife fanned the camel-dung embers. The woman lay back, sweat cooling on her forehead, her face worn with pain. In a few minutes, another contraction swept her lower back. She clamped down on her lower lip to keep from crying out, not wanting them to worry outside the tent, unaware that the screeching gale swallowed even the loudest wail.
Outside, an early night closed in on the campsite. Men huddled around a fire that sputtered and crackled as the wind lashed about their ears, kicking sand in their eyes and under their clothes, stinging their faces.
A few tents, tattered and old, crowded in a tight circle at the edge of the desert on the outskirts of Qandahar. Camels, horses, and sheep clustered around the camp, seeking warmth and cover from the storm.
Ghias Beg broke away from the group around the fire and, picking his way past the animals, trudged to the tent where his wife lay. Barely visible in the flying sand, three children crouched against the flapping black canvas, arms around one another, eyes shut against the gale. Ghias Beg touched the shoulder of the elder boy. Muhammad,
he yelled over the sound of the wind. Is your mother all right?
The child raised his head and looked tearfully at his father. I don’t know, Bapa.
His voice was small, barely audible; Ghias had to lean over to hear him. Muhammad clutched at the hand on his shoulder. Oh, Bapa, what will happen to us?
Ghias knelt, drew Muhammad into his arms, and kissed the top of his forehead gently, his beard scratching the sand on Muhammad’s hair. This was the first time he had shown any fear in all these days.
He looked over the boy’s head at his daughter. Saliha, go check on your Maji.
The little girl rose in silence and crawled inside the tent.
As she entered the woman looked up. She stretched out a hand to Saliha, who came immediately to her side.
Bapa wants to know if you are all right, Maji.
Asmat Begam tried to smile. "Yes, beta. Go tell Bapa it will not be very long. Tell him not to worry. And you don’t worry. All right, beta?"
Saliha nodded and rose to leave. On impulse, she bent down again and hugged her mother tightly, burying her head in Asmat’s shoulder.
In her corner, the midwife clucked disapproval, rising as she spoke. No, no, don’t touch your mother just before the baby is born. Now it will be a girl child, because you are one. Run along now. Take your evil eye with you.
Let her be, Ayah,
Asmat said weakly as the midwife hustled her daughter out. She said no more, unwilling to argue with the woman.
Ghias raised an eyebrow at Saliha.
Soon, Bapa.
He nodded and turned away. Adjusting the cloth of the turban over his face, he wrapped his arms around his chest and walked away from the camp, head lowered against the shrieking wind. When he had reached the shelter of a large rock, he sat down heavily and buried his face in his hands. How could he have let matters come to this?
Ghias’s father, Muhammad Sharif, had been a courtier to Shah Tahmasp Safavi of Persia, and both Ghias and his older brother, Muhammad Tahir, had been well educated as children. Brought up in an increasingly prosperous household, the children were happy growing up, moving from one posting to another: first to Khurasan, then to Yazd, and finally to Isfahan, where Muhammad Sharif had died the past year, 1576, as wazir of Isfahan. If things had remained at an even temper, Ghias would have continued his life as a nobleman with few cares, debts to tailors and wine merchants easily paid off every two or three months, and his hand open to those less fortunate. But this was not to be.
Shah Tahmasp died; Shah Ismail II ascended the throne of Persia; the new regime was not kind to the sons of Muhammad Sharif. And neither were the creditors, Ghias thought, reddening under cover of his hands. Like pariah dogs sniffing at a rubbish heap, the creditors descended upon his father’s household, running practiced eyes over the furniture and carpets. Bills came piling onto Ghias’s desk, bewildering both him and Asmat. The vakils—his father’s clerks—had always taken care of them. But the vakils were gone. And there was no money to pay the creditors because his father’s property—Ghias’s inheritance—had reverted to the state upon his death.
One of the Shah’s courtiers, a longtime friend of his father’s, informed Ghias of his fate: death or imprisonment in the debtors’ prison. Ghias knew then that he could no longer live honorably in Persia. His head sank lower into his hands as he remembered their hurried escape at night, before the soldiers came to arrest him. They had bundled Asmat’s jewels, her gold and silver vessels, and any other valuables they could carry with them to trade on the way.
At first, Ghias had no idea where he would seek refuge. They joined a caravan of merchants traveling south, and during the trip someone suggested India. And why not, Ghias had thought. India was ruled by the Mughal Emperor Akbar, who was known to be just, kind, and above all open to men of education and learning. Perhaps he could find a position at court, a new start in life.
Ghias raised his head as the howling wind faltered for a second and the faint scream of a newborn babe pierced through the sudden lull. He immediately turned west toward Mecca, knelt on the hard ground, and raised his hands. Allah, let the child be healthy and the mother safe, he prayed in silence. His hands fell to his side when the prayer was done. Another child now, when his fortunes were at their lowest. He turned to look toward the camp, the black tents barely distinguishable in the dust storm. He should go to Asmat, but his feet would not move toward his darling wife.
Ghias leaned back against the rock and closed his eyes. Who would have thought the daughter-in-law of the wazir of Isfahan would give birth to her fourth child in such surroundings? Or that his son would have to flee his homeland, a fugitive from justice? It was bad enough that he had brought dishonor upon his family, but what followed on their journey had been worse.
On the way south to Qandahar, the caravan had passed through the Dasht-e-Lut, the great desert of Persia. The arid country had its own beauty: miles of land barren of vegetation, and spectacular dusky rose cliffs rising, it seemed, out of nowhere. But those cliffs were treacherous, too; they had hidden a group of desert bandits until it was too late for the ill-fated caravan.
Ghias shuddered, drawing the coarse woolen shawl closer around his shoulders. The thieves had swept over them in a confusing cloud of shrill noise and violence. They had left almost nothing; the jewels were gone, the gold and silver vessels gone, the women raped where they lay. Asmat had been left untouched only because she was so heavily pregnant. After the pillage, the caravan dispersed as people fled in search of refuge. And in the aftermath of the carnage, Ghias found two old mules, on which they had taken turns riding toward Qandahar, begging for hospitality from the numerous caravanserais along the way.
Exhausted, dirty, and bedraggled, the family wandered into Qandahar, where a group of Afghan kuchi—nomads—had offered them shelter and what little food they could spare. But they had little money, and even the journey to India seemed impossible. Now they had another child.
A few minutes later, Ghias stirred and made his way slowly to the tent.
Asmat glanced up from her bed. With a heavy heart, Ghias noted the dark shadows under her eyes as she smiled at him. Her face was almost impossibly thin, the skin stretched to breaking over her cheekbones. He reached out and smoothed the still sweaty hair from her forehead. Cradled in Asmat’s arms and swathed in some old cloth lay a perfect little child.
Our daughter.
Asmat handed the baby to Ghias.
As he held the child, Ghias felt helplessness overcome him again. She lay in his arms, cleaned and clothed, a tiny infant, dependent on him for her life and sustenance. She was beautiful, with well-formed arms and legs, a thick head of shiny black hair, and long, curling, black eyelashes resting against delicate cheeks.
Have you thought of a name for her?
he asked his wife.
Yes . . .
Asmat replied, hesitating a little. Mehrunnisa.
Meh-ru-nnisa,
Ghias said slowly. Sun of Women. It is an appropriate name for this beautiful child.
He touched the baby’s little fist, curled against her chin in sleep. Then he handed Mehrunnisa back to Asmat. It was almost certain Asmat could not feed the baby herself. She would have little milk. Months of near starvation had made sure of that. Where would they find the money to pay a wet nurse?
Someone prodded him in the ribs. Ghias turned to see the ayah with her hand stretched out, palm open. He shook his head.
Sorry. I have nothing to give you.
She scowled and spat out a stream of brown tobacco juice on the ground. Nothing.
He heard her grumble as she went out of the tent. "Even a girl child should be worth something."
Ghias drew back to one corner, rubbing his forehead tiredly, and watched as their children—Muhammad Sharif, Abul Hasan, and Saliha—crowded around their mother and the new baby.
They could not afford to keep the child. They would have to give her up.
• • •
THE WIND DIED down during the night as suddenly as it had started, leaving a clear sky jeweled with twinkling stars. Ghias rose early the next morning while it was still dark and sat outside his tent. A hot cup of chai, more watery milk than tea leaves, warmed his hands and his chilled body. A few minutes later, the eastern sky was brushed with glorious reds, golds, and amber, the aftermath of the storm lending nature a new wardrobe of colors.
He reached inside his shawl and drew out the four precious gold mohurs nestled in his cummerbund. The morning sun touched the modhurs with a liquid fire, set off by his grimy hand. This was all they had left in the world. The thieves had overlooked the mohurs that Asmat had hidden in her choli, and Ghias was determined to buy his passage to India with the money. But this was all the gold would pay for; they needed more to survive.
Ghias turned to look at the turquoise domes and minarets rising in the distance, framed against the red morning sky. Perhaps he could find some work in Qandahar. Ghias had not worked a day in his twenty-three years. But Asmat needed lamb’s meat and milk to regain her strength, the children needed more clothing as winter approached, and the baby . . . Ghias would not even think of her, not even by name. What use was it, when someone else would look after her? He rose as the sun broke from the horizon and climbed in the sky, sending golden rays to embrace the camp. His jaw was set, and in his eyes there was the steely glint of newfound determination.
• • •
THAT AFTERNOON, GHIAS stood, shoulders hunched, outside a bakery in the narrow street of the local bazaar. The long folds of his qaba dragged on the cobbled street. People milled about, jostling him, yelling to their friends, calling out greetings to acquaintances.
Ghias raised his head and stared unseeingly into the distance. At first, he had tried for a job as a tutor to children of the wealthy nobles in the city. But everyone, looking at his torn clothes and grimy face, turned him away from their doorsteps. Then he sought work as a laborer, but his cultured accent and speech gave him away as a nobleman.
Suddenly Ghias was aware of the delicious smell of fresh baked nan, the local bread. His stomach growled insistently, reminding him that he had eaten nothing after his morning cup of chai. He turned to watch the baker pat out the thick white dough with his hands, scoop it with a wooden paddle, and then carefully slap it against the walls of the flaming-hot underground oven through a hole in the floor. Fifteen minutes later, the baker used a pair of iron tongs to peel the freshly baked bread off the walls of the oven. He stacked the bread, cream and rust-golden, on a pile near the front of the shop.
The aroma wrapped itself tantalizingly around Ghias. He drew out one gold mohur and looked at it. Before he could change his mind, he had bought ten pieces of nan and, with the change, some skewers of freshly grilled lamb kebabs, glistening with a lime and garlic marinade, from a nearby shop.
He tucked the valuable hoard under his qaba, the hot nan warming his chest, the smells watering his mouth, and wound his way through the bazaar. Asmat and the children would have something to eat for a few days. The weather was cold, the meat would keep, and perhaps their luck would change . . .
Hey, peasant! Watch your step.
Ghias felt a jolt, and the packets of meat and bread fell to the ground. He bent down hurriedly, arms spread out, before the crowds could step on the food.
"I beg your pardon, Sahib," he said over his shoulder.
There was silence behind him. But Ghias, intent on grabbing his packets of food, did not realize that the merchant had stopped to look at him. He turned to the man and looked into kindly eyes in a sunburnt, lined face. I am sorry,
Ghias said again. I hope I did you no harm.
None at all,
the merchant replied, his gaze assessing Ghias. Who are you?
"Ghias Beg, son of Muhammad Sharif, wazir of Isfahan," Ghias replied. Then, seeing the surprise on the man’s face, he gestured ruefully at his torn qaba and at the dirt-smudged pajamas he wore. In another time, these were splendid and pristine. But now . . .
"What has happened, Sahib?" The merchant’s voice was respectful.
Ghias looked at him and saw his blunt capable hands, the dagger tucked into his cummerbund, his worn heavy leather boots. We were on our way to Qandahar when we were robbed of our belongings,
he replied, hunger slurring his words.
You are far from home.
Ghias nodded. A long story. A change in fortunes, so I had to flee. May I know whom I have the pleasure of addressing?
Malik Masud,
the merchant said. "Tell me your story, Sahib. I have the time. Shall we go to the chai shop?"
Ghias looked toward the shop across the street, where steam rose from a cauldron of boiling milk and spices. You are kind, Mirza Masud, but I cannot accept your hospitality. My family waits for me.
Masud put an arm around Ghias and pushed him toward the shop. "Indulge me, Sahib. I want to hear your story as a favor, if you will grant me that."
Still hesitating, Ghias allowed himself to be led to the shop. There, his precious package of lamb kebabs and nans secure on his lap, sitting shoulder to shoulder with the other patrons, he told Masud of all that had happened, even Mehrunnisa’s birth.
"Allah has blessed you, Sahib," Masud said, putting down his empty cup.
Yes,
Ghias replied. And blessed he was, even though things were difficult now. Asmat, the children—they were indeed blessings. The baby too . . .
Ghias rose from his bench. "I should go now. The children will be hungry. My thanks to you for the chai."
As he was leaving, Masud said, I am on my way to India. Would you like to accompany my caravan, Mirza Beg? I cannot offer you much, only a tent and a camel to carry your belongings. But it is well guarded, and I can assure you that you will be safe on the journey.
Ghias abruptly turned back and sat down, his face mirroring the shock he felt. Why?
Masud waved the question away. I will be going to pay my respects to Emperor Akbar at Fatehpur Sikri. If you follow me that far, I may be able to present you at court.
Ghias stared at him, unable to believe what he had just heard. After so much trouble, when one problem seemed to come at the heel of the other, here was a gift from Allah. But he could not just accept this offer. He had nothing to offer in return. And as a nobleman’s son, and a nobleman himself, he should never be indebted to another for kindness. Why was Masud doing this?
I . . . ,
he stammered, I do not know what to say. I cannot—
Masud leaned forward across the rutted wood table of the shop. "Say yes, Sahib. Perhaps if I fall to ill times in the future you can assist me."
That I would, Mirza Masud, without hesitation, even if you did not do this for me. But this is too much. I am grateful for the suggestion, but I cannot accept.
Masud beamed. For me this is nothing much, Mirza Beg. Please agree. You will give me the pleasure of your company on the journey. It has been lonely since my sons stopped traveling with me.
Of course I will,
Ghias replied. Then he said, smiling at the merchant’s insistence, Any thanks I can give will be inadequate.
Masud gave Ghias the directions to his caravan, and the two men parted in the bazaar. During the next few hours, as Asmat and the children packed their meager belongings, Ghias sat outside the tent, thinking of his meeting with Masud. Once, a long time ago, Ghias’s father had told him that a nobleman was as gracious in accepting help as in giving it. Remembering his father’s words—the only memories he had now of Muhammad Sharif—Ghias thought he would accept Masud’s help and repay him later.
Ghias and his family took leave of the kuchi who had sheltered them. In a fit of reckless generosity, Ghias gave away his last three gold mohurs to the kindly but poor nomads. They had sheltered his family when no one else had. To them was his first debt of gratitude, to Masud a lifelong one. He had kept the money to pay for their passage to India; now it was no longer necessary. They made their way to Masud’s camp. There, they were provided with a fine tent, and food from the common kitchen until Asmat was well enough to cook for them.
The caravan, winding almost one kilometer from head to tail, started toward Kabul. As the weeks passed Asmat slowly recovered her strength, color blooming in her cheeks again, her hair regaining its shine. The older children were well fed and happy, sometimes walking along the caravan, sometimes climbing up on the camels to rest. But all was not well. Ghias still had no money to pay a wet nurse, and though Mehrunnisa did drink some goat’s milk, she was growing more and more feeble each day. He thought with a pang of the three gold mohurs; they would have been useful now. But then, the kuchi, poor as they were, had been helpful to his family . . . no, it had been the right decision. When Asmat asked after the money, Ghias said so, firmly, not looking at his daughter.
One month after Mehrunnisa’s birth, striking eastward from Kabul, the caravan pitched camp near Jamrud, south of the Hindu Kush Mountains in the Khyber hills. The day was just failing, the clean sky ochre-toned. The colors of the land were muted: dull white of snow, smudged blue-black of rocks and boulders, dry brown of dying grass. The slow, biting cold of winter crept in through layers of wool and cotton shawls. Near the camp, lights twinkled from the last village they would come upon for the next few weeks, clinging to the hillside. And farther in the distance lay the first rising path into the mountains through the Khyber Pass.
Ghias helped Asmat collect twigs and dry branches for a fire. Then he sat near her, watching her chop a wilted cabbage and some carrots along with a shank of lamb for the kurma. Her hands were raw in the cold, her knuckles white. Mehrunnisa lay wrapped in a bundle just inside their tent. Muhammad, Abul, and Saliha played with the other children in the twilight. From where he sat, Ghias could hear their screams of delight as they threw snowballs at one another.
They will get cold and wet,
Asmat said, looking up from her work. She put a cast-iron skillet on the makeshift chula: three flat stones in a triangle, holding the twig fire inside them.
Let them be,
Ghias said softly, watching her. Asmat poured a little oil from an earthenware jar into the skillet, waited for it to heat, and added cardamom pods, a few cloves, and a bay leaf. The lamb meat went in next, and she browned it deftly with a wooden spoon.
When did you learn to cook?
Ghias asked.
Asmat smiled, tucking in a stray lock of hair behind her ears. She watched the meat on the skillet intently, her face red and glowing in the heat from the fire. "I never learned, Ghias; you know that. Meals were always brought to me. They appeared like magic, out of nowhere. But the woman in the next tent taught me this kurma." She turned to him anxiously. Are you tired of it? I can learn something else.
Ghias shook his head. No, not tired of it. Even though,
he smiled wickedly, we have eaten this every night for one month.
Twenty-two days,
Asmat said, as she added the vegetables to the meat and poured water into the skillet. A few pinches of rock salt from a gunnysack, a sprinkling of pounded masala of cloves, chili powder, and cardamom, and Asmat covered the skillet and sat back. She looked up at Ghias. "At least I do not burn the kurma anymore."
Asmat, we have to talk.
Asmat turned away from him, pulling out a copper vessel. She dipped her hand into another sack, poured five handfuls of wheat flour into the vessel, and started to knead the flour into dough for chappatis with some water and oil. I have to make dinner, Ghias.
Asmat . . . ,
he said gently, but she would not look at him. Her back was stiff, her movements jerky.
From inside the tent, Mehrunnisa cried. They both turned to the sound and waited. She cried again, feebly, without strength. Then, as though exhausted by the effort, the sound stopped. Asmat bent over the dough again, her fingers kneading it with a vengeance. Her hair fell over her face, sheltering her from her husband. One tear, then another fell into the dough, and she kneaded them in. Ghias rose and came over to her. He took her in his arms and she burrowed into him. They sat there for a few minutes, with Asmat leaning into Ghias, her hands still in the flour.
Asmat,
Ghias said quietly, we cannot afford to keep Mehrunnisa.
Ghias, please,
Asmat raised her face to his. I will try to feed her. Or she will take to the goat’s milk, or we will try to find her a wet nurse. The women were talking the other day of a peasant who just had a child. We could ask her.
Ghias looked away from her. With what would we pay her? I cannot ask Malik for money.
He gestured around him. He has already given us so much. No,
his heart strained as he spoke, it is better for us to leave her by the roadside for someone else to find her, someone with the means to look after her. We cannot do so anymore.
You should have kept . . .
Asmat pulled away and started sobbing. But Ghias was right. He was always right. The kuchi had needed the money. Now they could not possibly look after the child, and Asmat’s tears would not stop.
Ghias rose, leaving his wife near the fire, and went into the tent. He had thought about this for a long time. Asmat could not feed the child because her milk had dried up, and at every cry her heart broke, for her child cried for milk, and she had none. They were feeding Mehrunnisa sugar water, into which they dipped a clean cloth and gave it to her to suck on, but it was not enough. She had lost weight at an alarming rate and was now much smaller than she had been at birth. Ghias was deeply ashamed that he could not take care of his family, that he had brought them to this. And he was terrified about this decision. But in his mind, it had to be done. He could not watch as Mehrunnisa became weaker and weaker each day. If he left her for someone else to find, they would bring her up and look after her. Others had done this, Ghias knew. Others had found children on the wayside and brought them into their homes as their own children. He picked up the baby and an oil lantern. She had fallen asleep again, a fretful sleep of hunger. When he came out of the tent he said to Asmat, I should do so now, when she is asleep.
Leaving Asmat with silent tears running down her face, he walked away from the camp. When he had reached the outskirts of the village, he wrapped his shawl around the sleeping baby and laid her down at the base of a tree on the main highway. Then he turned the wick of the lantern up high and set it near her. Surely someone would chance upon the baby soon, for it was not dark yet, and this was a well-traveled road. With a prayer on his lips, Ghias turned toward the village, which straggled up the mountainside. A sharp gust of wind brought the aroma of wood smoke from the village chimneys. Perhaps someone from the village, please Allah, someone with a kind heart. He looked down at the baby again. She was so small, so slight; her breathing hardly made a dent in the shawl.
Ghias turned to go. As he did a small whimper came from the bundle on the road. He went back to the baby and smoothed her cheek with his finger. Sleep, precious one,
he murmured in Persian. The baby sighed, soothed by his voice and his touch, and went back to sleep.
Ghias glanced down at Mehrunnisa, then swiftly walked away. Once, just once, shivering now in the cold, at a bend in the road he turned back to look. The light from the lantern flickered in the approaching darkness; the tree loomed over, gnarled arms stretching in winter bareness. Mehrunnisa, wrapped in a bundle, he could barely distinguish.
• • •
AS DUSK SETTLED, the mountains took on purple hues in anticipation of the coming night. The white of the snow gleamed briefly and then dulled, and silence laid its gentle folds over the camp. Voices were tempered with fatigue. The campfires spit bits of wood and ash in sparkles. A wind from the north picked up tempo, whistling through the barren trees. A musket shot reverberated through the mountains and faltered in soft echoes. Just as the last sound died, a sharp wail filled the air.
The hunting party stopped in surprise, and Malik Masud held up his hand for quiet. They were near the camp, and for a moment the only sound they heard was from the crackling campfires. Then they heard it again.
Masud turned to one of his men. Go see what that is.
The servant kicked his heels into his horse’s flanks and rode toward the cries. In a short while he came back, holding Mehrunnisa in his arms. "I found a baby, Sahib."
Masud looked down into the bawling face of the child. He thought he recognized her; then he was sure. The shawl she was wrapped in belonged to Ghias Beg; he had given it as a gift to the young man.
He frowned. How could Ghias abandon such a beautiful child? As the hunting party returned to camp his expression became meditative. He thought back to his first meeting with Ghias. He had judged the young man quickly, as he had other men all his life, but correctly as usual. Looking beyond the young man’s torn clothes and grimy face, Masud had seen intelligence and education—two qualities he knew Emperor Akbar would appreciate. And there was something endearing about him, Masud thought. Over the last month, the two men had spent a few hours together almost every night; for Masud it was as though his eldest son, now settled in Kurasan, was with him again. When the hunting party returned to camp, Masud dismounted and commanded a servant to bring Ghias to him.
A few minutes later, Ghias entered Masud’s tent.
Sit down, dear friend.
When Ghias was settled, Masud continued, I have had the good fortune to find a child abandoned nearby. Tell me, hasn’t your wife just had a baby?
Yes, Masud.
Then will you request her to nurse this child for me?
Masud brought forward Mehrunnisa. Ghias looked at his daughter in surprise, then at Masud. The older man smiled at him.
She is now like a daughter to me,
Masud said, as he drew out a richly embroidered bag and took out some gold mohurs. "Please take these mohurs for her upkeep."
But—
Ghias started, holding his arms out for Mehrunnisa. At his touch, she turned her eyes to him.
Masud waved away his objections. I insist. I cannot burden your family with another child without providing for her.
Ghias bowed his head. Here was another debt he would find impossible to repay.
Asmat was in the tent when Ghias entered with Mehrunnisa. She stared at the bundle in his arms, knowing it was her daughter, reaching out for her instinctively. You brought her back?
Masud did.
Asmat hugged Mehrunnisa. Allah wants us to keep this child, Ghias. We are indeed blessed.
She smiled fondly at the gurgling baby. But how—
Ghias silently pulled out the gold mohurs. The coins gleamed dully in the light from the lantern. Allah does want us to keep this child, Asmat,
Ghias said softly.
The next day, Dai Dilaram, who was traveling with the caravan, agreed to nurse the baby along with her own. The caravan traversed the Khyber Pass safely, then went on to Lahore. From Lahore, Malik Masud guided his caravan toward Fatehpur Sikri, where Akbar held court. Almost six months to the day after Mehrunnisa’s birth, in the year 1578, the caravan entered Fatehpur Sikri.
A few weeks later, when Masud went to pay his respects to Emperor Akbar during the daily darbar, he took Ghias along with him. At Masud’s home, while the other children played in the street, Asmat waited for her husband in an inner courtyard, holding six-month-old Mehrunnisa in her arms. Mehrunnisa babbled at her mother’s solemn face, trying hard to draw a smile. Asmat, deep in thought, did not notice. She wondered whether they had reached the end of their long, tiresome journey, whether they could put down roots and survive in this foreign land, whether India would be home now.
ONE
When my mother came near the time of her delivery, he (Akbar) sent her to the Shaikh’s house that I might be born there. After my birth they gave me the name of Sultan Salim, but I never heard my father . . . call me Muhammad Salim or Sultan Salim, but always Shaikhu Baba.
—A. Rogers, trans., and H. Beveridge, ed., The Tuzuk-i-Jahangiri
THE MIDDAY SUN WHITENED THE city of Lahore to a bright haze. Normally, the streets would be deserted at this time of day, but today the Moti bazaar was packed with a slowly moving throng of humanity. The crowds deftly maneuvered around a placid cow lounging in the center of the narrow street, her jaw moving rhythmically as she digested her morning meal of grass and hay.
Shopkeepers called out to passing shoppers while sitting comfortably at the edge of jammed, cubical shops that lay flush with the brick-paved street. A few women veiled in thin muslins leaned over the wood-carved balconies of their houses above the shops. A man holding the leash of a pet monkey looked up when they called to him, Make it dance!
He bowed and set his music box on the ground. As the music played, the monkey, clad in a blue waistcoat, a tasseled fez on its head, jumped up and down. When it had finished, the women clapped and threw silver coins at the man. After gathering the coins from the street, the man and his monkey gravely bowed again and went on their way. On the street corner, musicians played their flutes and dholaks; people chatted happily with friends, shouting to be heard above the din; vendors hawked lime-green sherbets in frosted brass goblets; and women bargained in good-natured loud voices.
In the distance, between the two rows of houses and shops that crowded the main street of the bazaar, the red brick walls of the Lahore fort rose to the sky, shutting out the imperial palaces and gardens from the city.
The city was celebrating. Prince Salim, Akbar’s eldest son and heir apparent, was to be married in three days, on February 13, 1585. Salim was the first of the three royal princes to wed, and no amount of the unseasonable heat or dust or noise would keep the people of Lahore from the bazaar today.
At Ghias Beg’s house, silence prevailed in an inner courtyard, broken only by the faint sounds of the shenai from the bazaar. The air was still and heavy with perfume from blooming roses and jasmines in clay pots. A fountain bubbled in one corner, splashing drops of water with a hiss onto the hot stone pathway nearby. In the center of the courtyard a large peepul tree spread its dense triangular-leaved branches.
Five children sat cross-legged on jute mats under the cool shade of the peepul, heads bent studiously, the chalk in their hands scratching on smooth black slates as they wrote. But every now and then, one or another lifted a head to listen to the music in the distance. Only one child sat still, copying out text from a Persian book spread in front of her.
Mehrunnisa had an intense look of concentration on her face as she traced the curves and lines, the tip of her tongue showing between her teeth. She was determined not to be distracted.
Seated next to her were her brothers, Muhammad and Abul, and her sisters, Saliha and Khadija.
A bell pealed, its tones echoing in the silent courtyard.
The two boys jumped up immediately and ran into the house; soon Saliha and Khadija followed. Only Mehrunnisa remained, intent upon her work. The mulla of the mosque, who was their teacher, closed his book, folded his hands in his lap, and sat there looking at the child.
Asmat came out into the courtyard and smiled. This was a good sign, surely. After so many years of complaints and tantrums and why do I have to study?
and I am bored, Maji,
Mehrunnisa seemed to have finally settled down to her lessons. Before, she had always been the first to rise when the lunch bell summoned.
"Mehrunnisa, it is time for lunch, beta," Asmat called.
At the sound of her mother’s voice, Mehrunnisa lifted her head. Azure blue eyes looked up at Asmat, and a dimpled smile broke out on her face, showing perfectly even, white teeth with one gap in the front where a permanent tooth was yet to come. She rose from the mat, bowed to the mulla, and walked toward her mother, her long skirts swinging gently.
Mehrunnisa looked at her mother as she neared. Maji was always so neat, hair smoothed to a shine by fragrant coconut oil, and curled into a chignon at the nape of her neck.
"Did you enjoy the lessons today, beta?" Asmat asked as Mehrunnisa reached her and touched her mother’s arm softly.
Mehrunnisa wrinkled her nose. "The mulla doesn’t teach me anything I don’t already know. He doesn’t seem to know anything. Then, as a frown rose on Asmat’s forehead, she asked quickly,
Maji, when are we going to the royal palace?"
"Your Bapa and I must attend the wedding celebrations next week, I suppose. An invitation has come for us. Bapa will be at the court with the men, and I have been called to the imperial zenana."
They moved into the house. Mehrunnisa slowed her stride to keep pace with her mother. At eight, she was already up to Asmat’s shoulder and growing fast. They passed noiselessly through the verandah, their bare feet skimming the cool stone floor.
What does the prince look like, Maji?
Mehrunnisa asked, trying to keep the eagerness out of her voice.
Asmat reflected for a moment. He is handsome, charming.
Then, with a hesitant laugh, she added, And perhaps a little petulant.
Will I get to see him?
Asmat raised her eyebrows. Why this sudden interest in Prince Salim?
No reason,
Mehrunnisa replied in a hurry. A royal wedding—and we shall be present at court. Who is he marrying?
"You will attend the celebrations only if you have finished with your studies for the day. I shall talk to the mulla about your progress. Asmat smiled at her daughter.
Perhaps Khadija would like to come too?" Khadija and Manija had been born after the family’s arrival in India. Manija was still in the nursery, too young for classes and not old enough to go out.
Perhaps.
Mehrunnisa waved her hand in a gesture of dismissal, her green glass bangles sliding down her wrist to her elbow with a tinkling sound. But Khadija has no concept of the decorum and etiquette at court.
Asmat threw her well-groomed head back with a laugh. And you have?
Of course.
Mehrunnisa nodded firmly. Khadija was a baby; she could not sit still for twenty minutes at the morning lessons. Everything distracted her—the birds in the trees, the squirrels scrambling for nuts, the sun through the peepul leaves. But that was getting off the topic. Who is Prince Salim marrying, Maji?
she asked again.
Princess Man Bai, daughter of Raja Bhagwan Das of Amber.
Do princes always marry princesses?
Not necessarily, but most royal marriages are political. In this case, Emperor Akbar wishes to maintain a strong friendship with the Raja, and Bhagwan Das similarly wants closer ties with the empire. After all, he is now a vassal to the Emperor.
I wonder what it would be like to marry a prince,
Mehrunnisa said, her eyes glazing over dreamily, and to be a princess . . .
"Or an empress, beta. Prince Salim is the rightful heir to the throne, you know, and his wife, or wives, will all be empresses. Asmat smiled at her daughter’s ecstatic expression.
But enough about the royal wedding. Her face softened further as she smoothed Mehrunnisa’s hair.
In a few years you will leave us and go to your husband’s house. Then we shall talk about your wedding."
Mehrunnisa gave her mother a quick look. Empress of Hindustan! Bapa came home with stories about his day, little tidbits about Emperor Akbar’s rulings, about the zenana women hidden behind a screen as they watched the court proceedings, sometimes in silence and sometimes calling out a joke or a comment in a musical voice. The Emperor always listened to them, always turned his head to the screen to hear what they had to say. What bliss to be in the Emperor’s harem, to be at court. How she wished she could have been born a princess. Then she would marry a prince—perhaps even Salim. But then Asmat and Ghias would not be her parents. Her heart skipped a beat at the thought. She slipped a hand into her mother’s, and they walked on toward the dining hall.
As they neared, she said again, pulling at Asmat’s arm, Can I go with you for the wedding, Maji? Please?
We’ll see what your Bapa has to say about it.
When they entered, Abul looked up, patted the divan next to him, and said to Mehrunnisa, Come sit here.
Giving him a quick smile, Mehrunnisa sat down. Abul had promised to play gilli-danda with her under the peepul tree later that afternoon. He was much better than she was at the game, managing to hit the gilli six or seven times before it fell. But then, he was a boy, and the one time she had tried to teach him to sew a button he had drawn blood on all his fingers with the needle. At least she could hit the gilli four times in a row. She clasped her hands together and waited for Bapa to signal that the meal had begun.
The servants had laid out a red satin cloth on the Persian carpets. Now they filed in, carrying steaming dishes of saffron-tinted pulavs cooked in chicken broth, goat curry in a rich brown gravy, a leg of lamb roasted with garlic and rosemary, and a salad of cucumber and plump tomatoes, sprinkled with rock salt, pepper, and a squeeze of lemon juice. The head server knelt and ladled out the food on Chinese porcelain plates. For the next few minutes silence prevailed as the family ate, using only their right hands. When they were done, brass bowls filled with hot water and pieces of lime were brought in so they could wash their hands. A hot cup of chai spiced with ginger and cinnamon followed.
• • •
GHIAS LEANED BACK against the silk cushions of his divan and looked around at his family. They were beautiful, he thought, these people who belonged to him. Two sons and four daughters already, each special in an individual way, each brilliant with life.