Porch Stories: A Grandmother's Guide to Happiness
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Jewell Parker Rhodes was left in the care of her father and his mother when her own mother abandoned the family. Grandmother Ernestine's house in Pittsburgh, Pennsylvania, was home to four other grandchildren as well. And while its crumbling bricks, lack of air-conditioning, and neighborhood rodents meant that life was anything but easy, the family house was filled with love. Everyone on their street knew and loved Grandmother Ernestine; men would tip their hats and children would rush up for a hug any time she was outside.
No one loved Grandmother Ernestine more than Jewell, who would pass up a movie with her cousins to sit outside on Ernestine's front stoop and listen to her stories and her words of comfort. Jewell would later move out West to live with her mother and father as they reattempted marriage. But that was a short-lived experience. Before long, she was back in the loving arms of her grandmother, whose wisdom and warmth gave all of her children the tools to overcome the ordinary and extraordinary challenges life brings. Porch Stories, described by Rhodes as "an intergenerational love song," is a loving tribute that is at once candid, courageous, and reverent -- a literary portrait of family love that readers from all walks of life can see in themselves.
Jewell Parker Rhodes
Jewell Parker Rhodes, an award-winning author of fiction and nonfiction, including Voodoo Dreams, Season (formerly titled Voodoo Season) Yellow Moon (formerly titled Yellow Moon), Magic City, Douglass' Women, Free Within Ourselves: Fiction Lessons for Black Authors, and The African American Guide to Writing and Publishing Nonfiction, is the Virginia G. Piper Chair in Creative Writing and artistic director of the Virginia G. Piper Center in Creative Writing at Arizona State University. She lives in Scottsdale, Arizona.
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Porch Stories - Jewell Parker Rhodes
Porch Stories
Also by Jewell Parker Rhodes
Voodoo Season
Voodoo Dreams
Douglass’ Women
Magic City
Free Within Ourselves:
Fiction Lessons for Black Authors
African-American Guide to
Writing and Publishing Nonfiction
ATRIA BOOKS
1230 Avenue of the Americas
New York, NY 10020
Copyright © 2006 by Jewell Parker Rhodes
All rights reserved, including the right to reproduce
this book or portions thereof in any form whatsoever.
For information address Atria Books, 1230 Avenue
of the Americas, New York, NY 10020
www.SimonandSchuster.com
Portions of Porch Stories have appeared in Heath Middle Level Literature
Anthologies and Literature Collection (D.C. Heath & Co., Massachusetts,
1995); Free Within Ourselves: Fiction Lessons for Black Authors (Main
Street Books/Doubleday: New York and London, 1999); and
the Oxford American (November/December 2000, Issue #36).
Copyright © Jewell Parker Rhodes.
ISBN-13: 978-0-7434-9711-4
ISBN-10: 0-7434-9711-2
eISBN 978-1-451-60453-5
First Atria Books hardcover edition September 2006
1 3 5 7 9 10 8 6 4 2
ATRIA BOOKS is a trademark of Simon & Schuster, Inc.
Designed by Jaime Putorti
Line art by Gilbert Fletcher
Manufactured in the United States of America
For information regarding special discounts for bulk purchases,
please contact Simon & Schuster Special Sales at 1-800-456-6798
To Grandmother Ernestine,
who raised me, infused me with life, and taught me the power of
stories. More than thirty years a spirit, you are in my thoughts
each and every day. I love you very, very much.
Acknowledgments
I would like to acknowledge and thank grandmothers everywhere and all women who served as a wise elder for a daughter, a grandchild, a sister, or friend when she needed it most.
Porch Stories
"Jewell, child. Wear clean underwear.
Always. Don’t let folks think you’re trash.
No trash in you."
Grandma!" I giggled. I couldn’t have been more than eight.
Close to midnight, Grandmother and I were sitting on the porch. No, not really a porch. We were too poor for that. We were sitting on a stoop, a series of steps leading up to a front door with a vestibule to provide temporary shelter from the Pittsburgh winters. But the double set of doors locked in too much heat during sweltering summers. Our house lacked air-conditioning. Only fans, with steel mill soot settling as soon as you wiped them clean, stirred the humid air. It was too hot to sleep in the three-storied, crumbling brick house. So the family spent long summer nights sitting on the steps.
Going to the porch,
we’d say. Sitting on the porch.
On the porch,
we’d coo, feeling expansive, like we lived in an oasis rather than an industrial ghetto.
When it rained, our porch became a wet, slippery gray. But that didn’t dampen our ownership pride. Anchored by the six concrete steps and foot-long landing, we, kids, lived recklessly and joyously.
On our porch we played jacks. In front of it, we played hopscotch, our squares drawn with colored chalk. We never fretted about skinned knees, bone-jarring hops.
When traffic slowed, we’d play Double Dutch in the street. Sometimes Grandmother would join us, and I’d laugh outrageously, thrilled to see her hair bobbing, her skirt and white apron ballooning like a girl’s, before she’d go into the house to fry chicken or smother chipped beef with gravy.
We thought we were a typical family—though nothing like the Dick and Jane I’d read in my first-grade readers. They were white, we were brown; and nobody we knew said, See, Spot, run.
Grandmother and her husband, Reverend, Rev for short, ruled the roost. Rev was stepdad to my father and aunt, both single parents (my dad, divorced; my aunt, widowed because of a barroom brawl). Brother and sister had returned to their mother, children in tow. Two daughters for Pop—me and my sister, Tonie; a daughter and two sons (all under six) for Aunt Delores—Aleta, Jerome, and James. All of us folks strained the contours of the house. There was never a place to just be. Never any privacy. You were always running into, stumbling over someone. The bathroom was the only place that guaranteed solitude, but even then, a knock would arrive and a thin voice call, spiking high, I’ve got to go. Please.
Dad worked day shift; my aunt worked nights as a nursing assistant. Rev, on weekdays, poured molten steel and, on weekends, preached gospel for any church in need of a temporary preacher.
Grandmother, stuffing us with food, surrounding us with love, was the glue holding us all together.
Our Pittsburgh sky was always overcast with gray steel flakes. Our roads were broken cobblestone with faded metal tracks for clackity-clack streetcars. Fourth of July, we placed cherry bombs in the tracks, hearing them burst while the driver cursed and clanged his bell.
Inside our house, there was always a warm glow. A sense of forgiveness, understanding that we were children and were expected to raise a ruckus.
Grandma could holler, Pick up your shoes
; Scrape your plate
; Don’t slide down that banister again
; Watch your mouth!
and make us still feel loved.
At night, our neighborhood became mythical. A long, thin street with weak streetlamps, bright fireflies, and soulful aromas of collards and fatback, fried onions, and sugar snap peas. A magical place where for an all-too-brief time, Grandmother raised me and taught me about life.
I didn’t realize we were poor. Didn’t know that other neighborhoods didn’t have rats as big as cats. Wasn’t everyone behind in taxes, mortgage payments yet, no matter what, paid the two dollars for burial insurance and fifty cents to hit the numbers?
I dreamt number eight—play that.
Six. Nine. Two. Six-nine-two. Rolls off your tongue like butter.
My daughter’s birthday is eleven July. My birthday’s five August. One-one-five. That oughta win at least a dollar.
Whoever hit the numbers gave a chitlin’ party. Grandmother won the most, so she always kept a supply of frozen chitlins, hot sauce, and crackers.
Cleanliness is godliness,
she’d say, defrosting the chitlins under cold water. I swore I’d never eat those nasty, smelly things. Pig innards. Old-time slave food. The leftovers that Master threw to his overworked slaves. But all the adults loved them, even though Grandmother had to wash them not once but twice, then three times clean.
Still, I knew what Grandmother meant.
Cleanliness meant you and your house were in order. Grandmother fought the never-ending struggle with soot, with mounds of laundry (including my father’s bloodstained butcher uniforms), with flatware caked in dried grits, and greasy frying pans that needed scouring. The house was never clean. It was more than one woman could handle—struggling to care for an extended