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    Moveable Feast: The Restored Edition
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    Moveable Feast: The Restored Edition
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    Moveable Feast: The Restored Edition
    Ebook290 pages4 hours

    Moveable Feast: The Restored Edition

    By Ernest Hemingway

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    About this ebook

    Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.

    Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and his first wife, Hadley. Also included are irreverent portraits of other luminaries, such as F. Scott Fitzgerald and Ford Madox Ford, and insightful recollections of his own early experiments with his craft.

    Sure to excite critics and readers alike, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.
    LanguageEnglish
    PublisherScribner
    Release dateMay 22, 2014
    ISBN9781476770420
    Author

    Ernest Hemingway

    Ernest Hemingway was awarded the Nobel Prize for Literature in 1954. His novels include The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and The Old Man and the Sea, which won the Pulitzer Prize in 1953. Born in Oak Park, Illinois, in 1899, he died in Ketchum, Idaho, on July 2, 1961.

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    Reviews for Moveable Feast

    4/5

    2,047 ratings104 reviews

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    • 3/5
      Had read this before so listened to it this time. Unfortunately, there's a reason Hemingway is subject so often to parody. His intentional avoidance of all adjectives or variation in sentences makes him difficult to listen to as well as to read. Enjoyed his portraits of his peers, but would not have made it all the way thru had this not been for a book club.
    • 2/5
      Vooral documentair interessant, over zijn verblijf in Parijs in de jaren 20. Duidelijk verfraaid. Soms ontluisterend over collegaschrijvers.
    • 4/5
      I read a lovely high-quality Book-of-the-Month Club edition of this book from 1964 that still had a flyer with discussion by Clifton Fadiman in it. His remarks heightened my appreciation of this interesting book. I hesitate to call it a novel - it is really a memoir of Hemingway's time in Paris in the 1920's - pieces of it told via 20 remembrances of people and places as well as his own struggles with writing and defining himself as a writer. He and his wife Hadley, and son, were quite poor. Hemingway started writing this in Cuba in 1957. Hemingway was writing this thirty years after the events and many of his thoughts do not treat his companions of the times well. Hemingway can flatter and praise some, but he reveals his true thoughts on others quite a lot. Altogether this was a fascinating look at life, love, racing, cafes, just all the places in Hemingway's rather small area of Paris that is just fun to read and drift back into history.There are some lines throughout the book that just zing you when you come across them. Perhaps the most famous is the epigraph: If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast. Ernest Hemingway to a friend, 1950" The very last words of the book zinged me: "But this is how Paris was in the early days when we were very poor and very happy." I think I got teary-eyed there.
    • 5/5
      I'm an author and I enjoy reading Hemmingway to see how he creates his stories. In [A Moveable Feast], Hemmingway describes life in Paris with his wife Hadley among American expatriates like Scott Fitzgerald and Gertrude Stein. He gives vivid personality portraits with very few words. His descriptions of weather and food are also terse, yet vivid. Hemmingway also discusses writing and his process at that time, as he was becoming a known author.The book is a series of vignettes that hang together chronologically over a year in Paris. It was written long afterward in the 50s, and there is an aura of nostalgic melancholy about the book.This book is an American classic; one of the few that has been read for 60 years and will continue to be read as long as there is an America.
    • 4/5
      One of the ones you sometimes re-read, partially or entirely.
    • 3/5
      In this collection of short, autobiographical essays, Ernest Hemingway and his first wife Hadley drink, gamble, and hobnob with expatriate writers in post WWI Paris and elsewhere in Europe. Sometimes, in between meals and trips to the racetrack, he settles down and "works" (writes).This book was very different, and not nearly as compelling, as I thought it would be. The essays are too brief and disconnected to allow for indentification with any of the characters, and the narrative (or lack of the same) often failed to hold my interest. It would have helped me if the edition I read had annotations to put the essays into context.
    • 4/5
      A glimpse of Paris in the 20s and the lives of Hemingway and his contemporaries. I love the immediacy of Hemingway and this book transports you to a very specific time in his story. I enjoyed it.
    • 5/5
      Brilliant. Fitzgerald could create a flawless story, Hemingway could create a flawless sentence.
    • 2/5
      Vooral documentair interessant, over zijn verblijf in Parijs in de jaren 20. Duidelijk verfraaid. Soms ontluisterend over collegaschrijvers.
    • 4/5
      I had actually read this last year, but never entered it into my read books. Reading each vignette about Paris (and the mountains Hem skiied in) reminded me of the wonderful time I had there. My favorites were about writing in the cafe, his initial meetings with G. Stein, and the first times they went skiing.
    • 5/5
      I can't help thinking that "A Moveable Feast" is a kind of Facebook into Hemingway's Parisian past. Hemingway writes of himself and in particular, Scott Fitzgerald, as if he were posting on social media private details about a recent event. I don't mean to cheapen the work by comparing prosaic Facebook with Hemingway's genius but the raw public openness is analogous. I felt Hemingway's poor and happy nostalgia marks the end of his innocence and the very ending made me tingle all over - at once identifying with him while hoping it is all in the past. In short, a masterpiece.
    • 3/5
      My first Hemingway. I don't like memoirs, esp vague ramblings like this, but there is such gorgeous writing and hints of the genius in his work, that now I feel like I have to read him.
    • 4/5
      A Moveable Feast is a series of stories about Hemingway's life in Paris in the 20s with his first wife, before the publication of his first novel. Ford Madox Ford, Gertrude Stein, Ezra Pound and F. Scott Fitzgerald all have a chapter. This is a fun Hemingway (perhaps the only one), and everything has a happy nostalgic patina, even when he's digging viciously at Zelda Fitzgerald.
    • 4/5
      Is this fiction, or isn't it? Are not all memoirs fiction to some degree, based on fallible individual memory? Hemmingway said this is a work of fiction. Meant to evoke the time, the place and the people of that time. Was this a kindness on his part, to soften some of the stark words within? Perhaps. Whatever it is, he does a masterful job of taking the reader to the Paris of the 1920s. He gives insight into how and why he wrote the way he did. All very interesting and a book to keep on the shelf.
    • 4/5
      This memoir, published posthumously, covers Hemingway's early days in Paris, right after he decided to leave journalism to become a writer of fiction. He was married, a father, constantly writing, friends with some very intelligent and very successful writers (Gertrude Stein and Scott Fitzgerald), and - to use his words - "very poor and very happy." In this series of short essays, he sheds his skin to expose his heart.

      I was struck with the sense that Hemingway found every day an adventure. He is constantly stringing together sentences as run-ons with the connectors of "but" and "and." It's like he is spinning some yarn and can't wait to get to the end. So he rushes and avoids the periods and the commas. He is ready to tell his tale no matter what comes. Such was his sense of determination to become a writer while in Paris.

      It is good for this aspiring writer to read of his struggles. He knew not how to make money. He just worked on his craft. This is good advice for anyone starting off in any profession or station in life. Work on the craft; be dedicated to the work; hone your skills; don't be discouraged by rejection. Such was Hemingway's time in Paris, whose lesson of being "very poor and very happy" is the path to success.
    • 4/5
      The passages about Gertrude Stein and Fitzgerald and writing and Paris are fantastic. The stuff about horse racing and skiing vacations, much less so. But then, maybe that says more about my interests than anything else.
    • 1/5
      I have to confess that I have never understood the acclaim afforded to Ernest Hemigway, and this book has done nothing to assuage my doubts. I know that he is revered as one of the great writers of the twentieth century, and seen as some sort of embodiment of the writer as a man of action, but his works simply leave me cold.I was looking forward to this account of his life in Paris between the World Wars. After all, with such a setting, and the added frisson afforded by accounts of F. Scott Fitzgerald (one of my all-time literary heroes), how could the book fail to enthral? Well, somehow, it managed to overcome the integral advantages, and somehow claw back defeat from the jaws of victory. The foreword and preface to this edition, written by one of Hemingway’s sons, and one of his grandsons, made much play of the considerable efforts to edit the manuscript undertaken by Mary, Hemingway’s final wife, and the rest of the family. I must say that if this manuscript was the consequence of intense and dedicated editing, I dread to think how dreadful the original must have been.Far from an enlightening selection of memoirs recounting scintillating encounters between prominent figures of the world of the arts, it is a series of inconsequential and rambling recollections of tedious meetings, recounted in appalling, inchoate prose. I think we would all have been better served if this book had been edited through the medium of a shredding machine.
    • 1/5
      Boring dribble about Hemingway and people he interacted with. Though the people were famous I really do not care what they had to eat and drink. A total piece of useless information. Sorry I wasted my time with this.
    • 3/5
      My favorite Hemingway book thus far. Moving, funny and interesting - but concise in a mostly non-annoying way. Also, he really hated Zelda Fitzgerald, huh?
    • 4/5
      Absorbing reading. Features a snarky "new introduction" by Jane Kramer that wasn't even bound into the book, and badmouths him pretty much from start to finish. He probably deserved it.
    • 4/5
      A good book and true. Read in conjunction with The Paris Wife, they fit nicely together. Best chapters are about Schuns and several about f Scott.
    • 5/5
      What can I really say about this book? A very personal account of living in Paris in the 1920's. On one hand you have his dealings with and impressions of such characters as Gertrude Stein, Ezra Pound, Ford Maddox Ford, T.S. Eliot, and F. Scott Fitzgerald. On the other hand there is a tender and wistful account of a place, a time, and a girl. The elements are blended together in style so unmistakably Hemingway. This small pocket edition worked perfectly as it is a story best read at a cafe or similar establishment.
    • 4/5
      My god, they were so young. I mean, I know this intellectually, but to read this is to really get the full sense of literary boyishness. Your 20s are your 20s no matter what era, no matter which arondissement, and there is something very sweet about this book for just that reason. Boys bragging, boys fronting, boys writing. The whiff of youthful exuberance here is a little intoxicating, feels good; this is well worth reading, or rereading. I'm glad I didn't even think about the updated version.This is a hardcover I bought for $2 or $3 on the street in 2009 or so, but I'd never looked inside until I opened it to read. I noticed that it had the original Book-of-the-Month Club insert inside, so I checked the front matter and hey! -- looks like I've got myself a first American BOMC edition (it came out in London a bit earlier in 1964). Not worth much, and it's in pretty lowly shape, but that still made me happy, and gave it a little extra gravitas.
    • 4/5
      GLBT interest tag is for Sylvia & Adrienne and Gertrude & Alice; for Hem's & Gertrude's homophobia concerning male sexual predators; for confusing predators with non-predator queer people; and for scads of intimate contact with Scott Fitzgerald.

      Is it bad that now I want to read fic where Hem & Scott were together? Where is the AU where Hem took Scott skiing in Austria and they spent weeks skiing, writing, drinking, etc. Someone should write that.

      Interesting: his description of Gertrude's "You're all a lost generation" as her tirade at a WWI veteran motor mechanic refusing to skip her ahead in the line for car repairs. Only later did it become "literary".

      Sexism aside, I'm very fond of Hem. Sure, sometimes I want to throw him off a cliff, but I've always loved adventure stories.
    • 4/5
      Half-ass read in college, but really enjoyed this revisiting. Vintage Hemingway, written by a master at the top of his game. Insightful and poetic and terse.
    • 3/5
      Hemingway is not one of my favorite authors, but in this book his description of Paris in the 20s is wonderful. He plays around with some of the facts, but captures a time and a place in history that fascinates me. Paris was the center of the world then and so much that was groundbreaking was happening there in the way of music (jazz), painting (cubism), and writing. Hemingway shows us his take on this magical time.
    • 3/5
      3.5 really, I couldn't go the whole four. I listened to the audio version of the restored edition, and the narration was out of this world. The type of narration that lifts a story up. There are a number of fragments at the end, from his historical collection, and I have to say that audio is perhaps not the best venue for really soaking this sort of thing up. One of things noted about this restored edition is that it did not flow chronologically, which did in fact end up a little confusing, but that is not a major issue.

      I am keeping this book - I keep only a fraction of the books I read, that is notable. There were a number of parts of this memoir/work of fiction (in his words), that I really enjoyed. I loved hearing about their winters in Schroontz, which I am entirely sure I have misspelled, but hey, I never saw it in writing. And I absolutely adore the dialogue. There is something unique about his dialogue, and between his words and this narration, it was just outstanding. Some of the things that were really small were amazing to ponder, such as leaving their baby son home alone in the crib with the cat as a babysitter

      His writing about Scott Fitzgerald was sadly distressing. I will follow up soon by reading Z, about Zelda, as it also fits in my challenge.

      If you like Hemingway, this is worth your while. If you don't already care for him, this probably won't, change your mind.
    • 4/5
      I was pleasantly surprised by how much I enjoyed Hemingway's stories of life in Paris as a young man.
    • 5/5
      I recognize that Hemingway's memories of Paris are flawed and romanticized, but I still love this book, one of my go-to comfort reads. I never get tired of it.
    • 5/5
      Reading Hemingway's sketches is a journey backward, and a wonderful one. With the intimate glimpses into his life that the book provides, and his beautifully simple language, each sketch of a chapter takes on a beauty of its own. Any reader of Hemingway should at some point find their way here, to this simple and lovely book.Absolutely recommended.