Cartoons of World War II
By Tony Husband
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Reviews for Cartoons of World War II
18 ratings1 review
- Rating: 4 out of 5 stars4/5Sometimes the best way to get a feel for an era is through its cartoons. These are collected from various countries during the period of World War II. Are they the best of the era? I can't say, because I am not knowledgeable enough. Some of them just plain don't work, partially because they are from a time we don't remember, and partially because they are from a culture we don't understand. The easiest to comprehend are those from our own cartoonists, as we have a sense of our own culture that we don't have with others. And it is important to remember that political cartoons are not always funny, so don't expect a laugh riot. It is an interesting look at the history of another era.
Book preview
Cartoons of World War II - Tony Husband
CARTOONS
OF WORLD WAR II
EDITED BY TONY HUSBAND
Picture research: Frances Evans
With thanks to Gerald Patejunas
This edition published in 2013 by Arcturus Publishing Limited
26/27 Bickels Yard, 151–153 Bermondsey Street,
London SE1 3HA
Copyright © 2013 Arcturus Publishing Limited
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without written permission in accordance with the provisions of the Copyright Act 1956 (as amended). Any person or persons who do any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
ISBN: 978-1-78212-707-9
CONTENTS
INTRODUCTION
WAR IS COMING
1939
1940
1941
1942
1943
1944
1945 AND ON
INTRODUCTION
Itry to imagine how it must have felt to be a cartoonist during World War II: walking to the office through the bombed streets of your city, diving for cover as the air raid sirens sounded all around you, worrying about friends and loved ones as you listened to daily news from the front.
Life must have been very up and down, with stories of the gains, stories of the losses, and, all the time, lists of the dead, the dying and the missing. You would have found yourself sitting in on the editor’s conference, the latest headlines in place and only the matter of your cartoon to be resolved. You’d go to your desk to be faced with the usual blank page. What a responsibility. And what pressure there must have been. Your job was to portray the mood of a nation, to put down in drawn lines a nation’s anger, fear and hope. At the back of your mind, you would know that the cartoon was what people would remember, not the headline, not the thousands of printed words, but the image.
Images define a war. They capture a moment in time and lodge it in the nation’s memory. Your cartoon would have to resonate with the soldier, the sailor and the candlestick-maker as well as the airman at the front, the factory girl, the farmer and the retired banker on air raid duty.
What is so wonderful about the cartoons in this collection is how many cartoonists rose so brilliantly to the challenge. Their pens and minds were sharpened to a fine point by the responsibility put upon them by the gravity of the situation. They produced masterpieces on a daily basis. From every corner of the world, from every side of the conflict, cartoonists of every nation fired their savage, subtle barbs into the heart of the enemy. How Hitler and his henchmen must have raged at the images of them drawn in foreign newspapers. Similarly, Churchill, chomping on his cigar and drinking his nightly whisky, would have sighed at the pompous, drunken fool they made out of him.
Adolf Hitler by Kukryniksy, the collective name for three Russian caricaturists, Porfirii Krylov, Mikhail Kuprilianov and Nikolai Sokolov (see here), 1942