The Crooked Maid: A Novel
By Dan Vyleta
3.5/5
()
About this ebook
Anna Beer returns to the city she fled nine years earlier upon discovering her husband's infidelity. She has come back to find him and, perhaps, to forgive him. Traveling on the same train from Switzerland is eighteen-year-old Robert Seidel, a schoolboy summoned home to his stepfather's sickbed and the secrets of his family's past.
As Anna and Robert navigate a damaged, unrecognizable city, they cross paths with a war-widowed American journalist, a hunchbacked young girl, and a former POW whose primary purpose is to survive, by any means. Meanwhile, in the shells of burned-out houses and beneath the bombed-out ruins, a ghost of a man, his head wrapped in a red scarf, battles demons from his past and hides from a future deeply uncertain for all.
In The Crooked Maid, Dan Vyleta returns to the shadows of a war-darkened Vienna, in a thrilling and atmospheric story of blame, guilt, and restitution.
Dan Vyleta
DAN VYLETA is the son of Czech refugees to Germany. Having lived in Germany, Canada, the US, Turkey, Austria and the UK, he aspires to be bohemian in more ways than one. He is the author of Pavel & I, The Quiet Twin (shortlisted for the Rogers Writers’ Trust Fiction Prize), The Crooked Maid (shortlisted for the Scotiabank Giller Prize, a Globe and Mail Book of the Year and winner of the J.I. Segal Award) and Smoke (a Canadian bestseller translated into ten languages). Dan Vyleta currently teaches literature and writing at the University of Birmingham in the UK.
Read more from Dan Vyleta
Pavel & I: A Novel Rating: 4 out of 5 stars4/5The Quiet Twin: A Novel Rating: 4 out of 5 stars4/5
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Reviews for The Crooked Maid
3 ratings4 reviews
- Rating: 4 out of 5 stars4/5This story takes place in Vienna in 1948. The backdrop is the deNazification of Austria and the turmoil experienced by people trying to find a place for themselves after the war.Robert is a young man searching for the answer to his father's suspicious fall from a top-floor window. Anna has come to Vienna to search for her husband - a man with secrets of his own - who has disappeared, They meet on the train to Vienna.Although their paths rarely cross in the city, they are connected by the people that they encounter along the way - a war-widowed American journalist, a hunchbacked young servant girl, a former POW whose primary purpose is to survive by any means, a detective who yearns for human connection (love?) but accepts that it will never happen. On the simple face of it, this is a missing persons story; a murder mystery. But really, there is no simple face. These characters are neither good nor evil. There are no absolutes. They present themselves as one way to one, another way to others - all are true but none are completely so. It is an absolute pleasure to read this book and see how the author strips away layer after layer leaving us finally (perhaps) with a semblance of truth.This novel was short listed for the Scotiabank Giller Prize in 2013. It lost to Lynn Coady's short story collection 'Hell Going' (another excellent book). I probably would have voted for 'The Crooked Maid'.
- Rating: 4 out of 5 stars4/5The Crooked Maid is well written and engaging. Set in post WWII Vienna, it has a cast of seemingly disparate characters who come together in a story filled with intrigue and secrets. No one protagonist stands out to empathize with. Instead, the reader is able to sit back and watch the story unfold as the players interact with one another. With the exception of Robert, there is a darkness pervading the various personalities, emphasized by the war-ruined city and the presence of crows. Like Vyleta's The Quiet Twin, the plot of The Crooked Maid is not simple and leaves the reader with much to think about.
- Rating: 3 out of 5 stars3/5There are times I will pick up a book, read it, and then sit for a long time afterward, thinking about what I want to say about it. It's now December and I am still thinking about The Crooked Maid over three months after I finishing reading it. I'm extremely torn on what I want to say, because - as so often happens with literary fiction, what I hoped for and what I got were two very different things. The Crooked Maid deals with the time in Germany spent after the end of WWII - during the de-Nazification of Germany. It's such an unusual setting and I was looking forward to reading about it, but what I got in Vyleta's story was something a bit more confusing.Read the rest of this review at The Lost Entwife on Dec. 6, 2013.
- Rating: 4 out of 5 stars4/5This is a macabre but a fascinating story set in post WWII Vienna. This book was a 2013 Giller Prize finalist, and an odds-on favourite to take the coveted prize. It didn't win the prize, but it certainly is a book that belongs on the short list. This book's strength is it's remarkable sense of time and place. Vyleta describes post-war Vienna so well that it felt like I was there. The people and the city are all trying to recover from the war that took so much from them. It's almost post-apoplyptic as I'm sure a lot of German cities were after the allied invasion. Vyleta does a remarkable job with his characters too. As in so many books that I've been reading lately, I didn't really like any of the characters. They are certainly an imperfect lot in this book too, but I had to keep reading the book to see what happens to each of them. So many people that survived the War try to come back to their birthplace to try to determine what happened to their loved ones, their homes and their lives. There are so many pieces to try to find and a lot of the pieces are never found. Two very different people - Anna and Robert - are two of the people who are trying to come home to take up their lives, and they find that nothing is at all the same. Lost in a sea of uncertainty, they both turn to the strangest people for comfort and solace. The strangest of all is Eva, the crooked maid. Robert finds her at his familial home and is strangely drawn to this girl with the bent spine. Anna finds Karl, the Czech ex-soldier, and finds that she is inexplicably drawn to this huge and uncouth man. As events play out and as buried secrets come to light, Robert and Anna eventually are able to fill in some of the blanks from their previous lives. This is a dark and suspensful story that certainly kept me turning the pages.
Book preview
The Crooked Maid - Dan Vyleta
Contents
Book One
Part One
One
Two
Three
Four
Five
Part Two
One
Two
Three
Four
Part Three
One
Two
Three
Four
Book Two
Part One
One
Two
Three
Four
Five
Part Two
One
Two
Three
Four
Five
Six
Part Three
One
Two
Three
Acknowledgements
A Note on the Author
In memory of my father, Michal.
This is a story about angry sons, written by a grateful one.
I am afraid of houses in which one grows comfortable and allows oneself to be taken in by the banal truth that life goes on and time heals all wounds.
—HEINRICH BÖLL, Billiards at Half-Past Nine
In answering them he said, among other things, that he had indeed been away from Russia for a long time, more than four years, that he had been sent abroad on account of illness, … Listening to him, the swarthy man grinned several times; he laughed particularly when, to his question: And did they cure you?
the blond man answered: No, they didn’t.
—FYODOR DOSTOEVSKY, The Idiot, trans. R. Pevear and L. Volokhonsky
Book One
Part One
The names were strange to those who came to conquer. They said Ti-mohschen-ko,
Tschuj-kov,
and Kat-ju-scha,
rolled them in their mouths like rough-edged pebbles they could neither chew nor spit. Red October
was a steelworks; Red Barricades
an arms factory: chimneys rife with soldiers taking aim. There was a factory that made tractors named for Dser-schin-ski, the founder of the Soviet secret police: Felix by first name, son of Edmond the Pole. The city itself used to be called Tsaritsyn, for the river that had dug a gorge south of the city before pouring its waters into the Volga. If not for the name change, it might not have pricked Hitler’s pride. Stalingrad: 48 degrees north, 44 degrees east. One hundred and sixty-three days of battle.
They fought in streets, in sewers and factory hallways; amongst the silo’s concrete walls. Artillery bombardment and air raids had levelled the city. What was left was debris—and men. On the eleventh of October the Axis soldiers in the city launched their final assault. By noon of the next day, in a section of town southeast of the Barricades
plant, they got within seventy yards of the riverbank before the Soviets managed to dig in. Seventy yards. The width of a football pitch. They never got any further.
News travelled erratically, traversing the air as radio waves or crawling through the network of gullies that housed the civilian population; through leaflets raining from the sky. There was no single message that prepared them for defeat.
On Christmas Eve 1942 they listened to a broadcast purporting to capture their voices. They heard themselves sing carols: hale and hearty voices rising from the field radio without the customary plume of exhalation. At night the rats made off with frozen toes. Men shitting on shovels, flinging their filth out of the trench. Stalingrad. Both sides set off fireworks to welcome 1943.
Close to 700,000 soldiers died at Stalingrad; more than 90,000 Axis soldiers were taken prisoner. In one of the photos that document the surrender, taken by a Soviet journalist working for the news and propaganda division of the Soviet Ministry of Defence, a figure draws the eye. It is a German medical officer, recognizable by his armband and staff-and-snake insignia, guiding a wounded comrade by the elbow. He looks older than one might expect; a ragged figure, his face made harsh by hunger. But there is something to his gesture—to the angle of his arm, and the spread of fingers on the muddy sleeve—that leaves no doubt about the softness of his touch. As for his charge, he does not have a face. Where one looks to find his features, one finds a bandage, speckled with dirt and photographic grain.
One
1.
The train was running late.
It had been running late since before Nancy and had made several unscheduled stops between Basel and Zurich. Near Innsbruck it broke down altogether, or rather it stopped, and men could be seen running around outside, inspecting the tracks and wheels and shouting at one another. Then it gathered velocity once more, tore along a long, narrow valley before once again coming to a screeching halt. The sun was setting, and a fine, dreary rain was running down the windowpane. Despite the season—it was July already—the compartment grew drafty and cold whenever the train was in motion, then turned close and somehow oppressive when it shuddered to a halt.
She had been on the train now for close to fourteen hours.
During the first hours of their journey the conductor had made a point of stopping by the compartment with great regularity, to offer his services, ply her with a peculiarly sweet yet bitter tea which he dispensed from a blue enamel pot, and to keep her abreast of the reasons for their delay. He was a fat man, doughy, and as though held together by his ill-fitting uniform. Whenever he leaned over to arrange the cushion behind her head or to fuss over the luggage that was hanging in a net above her seat, he left behind the sweaty mark of his plump little hands. Above all he liked to talk. His explanations were as inconstant as his crablike gait. At first he had told mademoiselle
(as he insisted on calling her, even though she was no longer young, and even though they spoke in German, he in an accent that was broadly Viennese, she with the crisp formality of someone no longer used to the tongue) that the train’s delay was due to the circumstance, and a rather odd one at that,
that the company had been unable to locate the engine driver in Paris, from where the train hailed. They had found him at last, dead drunk, at a public pissoir not far from the station, sitting on the ground, that is, with his arms wrapped around a plucked and broken-necked goose. All attempts at revival had failed, and at long last it was decided that a replacement had to be found.
An hour later the conductor seemed to have forgotten about the engine driver whose goose he had taken such pains to describe. Now he insisted that a tree had been found lying across the tracks in circumstances that were nothing short of suspicious. To wit, the trees were considered to be located too far from the tracks for it to have been a matter of chance, and besides, the trunk had been cut rather than broken, and with a proper saw at that.
Twenty miles on, it was the activities of the Swiss officials that were holding up the train. Some papers had been filled in incorrectly and they—that is, the Swiss
—had called ahead to the next station with instructions to stop the train whatever the cost.
Through each of the conductor’s lengthy explanations the woman listened with an air of evident boredom, nonetheless smiling at him and accepting his cups of sweet-yet-bitter tea. Whenever the conductor left the compartment, the woman let lapse this sugary smile and turned her attention back to the boarding school boy who was sitting across from her. He, in turn, never left off staring at her with open curiosity. They had been alone in the compartment for some six hours now and had yet to exchange so much as a word.
There was little about him that was remarkable: a young man dressed in black, with a stiff white shirt and dark, patterned tie, holding a book closed upon his lap. He was perhaps eighteen years of age; too slender yet to be thought of as a man; rich (how else would he be able to afford the first-class ticket?); a boy very pale, with a mask of freckles sitting lightly on his face; the hair nearly black, thick, and falling low into his forehead; the brows long and straight, sloping gently to the temples. There was something wrong with his eye, the one that faced the window and found its own reflection in the darkness of the pane. It looked as though it had been beaten, broken, reassembled. Its white was discoloured and it drooped within its socket, giving a new note to his face, of belligerent reproach. His shoes were made of a shiny black leather and looked as though they had never been worn.
In fact, there was nothing about his person or his clothes that would have marked him as a boarding school boy—he might have been a clerk, or an apprentice undertaker—had not the satchel and cap that were stowed in the netting above his head proclaimed him as precisely that, the student or recent graduate of an institution that thought highly enough of itself to affect a crest with lions and a motto in Ciceronian Latin. He also owned a knapsack and what looked to be a lady’s hat box. At intervals he would stand up on his seat and pull a wrapped sandwich out of the former, then sit eating it with obvious relish. He was tidy and handsome and really quite short.
Darkness fell and the train rattled on. The boy seemed eager to start into conversation but uncertain where to begin. From time to time he would flash her a smile, red-lipped, innocent, and watch her form a smile of her own: grown-up, guarded, graceful, and quick. Once he pulled a sketchbook and pencil from his knapsack and sat as though he wanted to draw her, then flushed and tore out the page. The pencil he wedged behind his ear, where it hung for some minutes before coming loose and falling on the seat next to him. He grabbed it, smiled, put it in his pocket, then found it made a bulge in his pressed trousers, produced it again, and balanced it on the half inch of ledge beneath the window, from where it was sure to fall when they reached the next bend. His fingernails, she noticed, were freshly pared, and he had not undone a single button on his collar. There was a callus on his middle finger such as is formed by the routine use of a pen; and a small red pimple where nose tucked into cheek. That, and his eye was broken at the socket; bled its iris into the white.
The woman found it hard to stop looking at this eye. It was much older than the rest of him, a mark of violence on his pretty, lively face; did not spoil it, nor yet set off its beauty, but sat instead like a fragment of some other face that had risen to the surface. He seemed to have no control over the lid. It would slide shut from time to time, droop across the waking eye like the line of the horizon, and he would raise one hand, making no effort to hide the motion, grab hold of his thick lashes, pull back the lid and stuff it into its fold under the bone. He’d smile then, and she’d grow conscious of her staring, so obvious under the boy’s observant gaze; would catch herself and make an effort to look away. But within minutes her eyes had returned to his, the broken eye, and she found herself wondering whether it had any life.
I got into a tussle.
He spoke abruptly, without introduction, the voice high and quiet, pink tongue tapping against teeth.
Excuse me?
A tussle,
he repeated, leaning forward, his hands spread on his knees. Almost a fight, actually, with a boy in my class. That’s why it looks so funny. There’s something about it. Nerve damage. The doctors say it will never really heal. But all the same I see just fine.
He leaned back, pleased to have broken the ice, so much so that he even laughed out loud, a quick, high chuckle, good-humoured and young.
Did you win?
she asked, after a pause.
Win?
Your tussle.
He shook his head and smiled: ruefully, cheerfully, unperturbed in his good humour. You know, I very nearly did. I was surprised myself. The boy was much bigger than I. But then, I’ve always been good at games.
Good at games. Football, I suppose.
Tennis,
he smiled, and pointed to the handle of a racket sticking out of his knapsack. School champion three years running. And you?
I?
She laughed. I’m nearly forty—too old for games. But what a queer little fellow you are!
Not in the least offended by this appraisal, the boy quickly joined her in her laughter, held out his palm and introduced himself as Robert, Robert Seidel.
She shook his hand and offered no name of her own.
2.
The boarding school boy might have continued the conversation—indeed he seemed eager to—had not a group of men pushed into the compartment at precisely this point, bringing with them the noise of their banter. There were four of them. They were dressed in French uniforms, and for a moment she thought they had come once again to inspect their passports and travelling papers, though there had been two such inspections already since they had crossed the border into the French-controlled parts of Austria. Then she was hit by the smell of alcohol and tobacco that clung to the men, and their air of awkward bravado as they jostled for position between the two rows of seats. They stood, brushing her knees with their legs, taking up space and looking to one another for someone to make a start of it; rubbed shoulders, dug elbows into one another’s sides and exchanged coarse little whispers—in short, they performed all the myriad gestures that expressed their soldiers’ camaraderie as they got in line to flirt with her. It was a blond lad who seized the initiative at last and stepped closer yet to loom directly over her, his head tucked into his shoulders to avoid the overhang of the luggage rack. He addressed her in French, speaking as much with his eyes as with his tongue.
"Bonsoir, madame. But we weren’t told that such a beauty shared the train with us. You travel with your son?"
She looked up at him, studied his bluffly handsome features, then turned her head away to stare into the darkness of the window. She was not wearing a hat. In her reflection she was struck by how red her lipstick looked, how pale and delicate the long powdered plains of her cheeks. The soldier bowed down to her so that his own reflection loomed next to hers, blue eyes growing out of the undulations of her auburn hair. His lips were very close to her ear.
"Madame, he tried again, switching to German.
Ich Sie kompliment auf Ihrs—" He stopped, struggled for the word.
"Schönheit—beauté, the schoolboy piped up, then added in rapid schoolboy French:
Mais je ne suis pas son fils."
The soldier straightened, turned around. His comrades likewise shifted their attention from one side of the compartment to the other. It was like the sea-heave of the ocean. Pretty soon they would all swing back.
So you speak French, boy?
"Yes. Je m’appelle Robert Seidel. Je suis de Vienne. I speak quite well, don’t you think? I can understand you quite clearly."
"And madame? Does she not speak it?"
I suppose not.
The soldier took this in, stood pondering, lit a cigarette, blew smoke into the air.
And she really isn’t your mother?
Not a bit,
the schoolboy answered, still in his quick if clumsy French. We have only just met. I don’t even know her name.
Then perhaps you can translate.
The Frenchman turned his back on the boy, leaned a hand onto the expanse of window to his side, and stooped down once again to the woman with the made-up lips. Tell her she is very beautiful.
I can’t tell her that!
Tell her, boy, or I’ll box your ears.
The boy seemed undaunted by the threat, and inclined to argue, but a different thought took hold of him just then, and he licked his lips as he sat looking for the right phrase.
He says,
he said at last, speaking at the back of the man, who stood blocking his view, and craning his neck around the man’s buttocks to watch her reaction, he says to tell you that you are very beautiful.
He paused, flashed her a smile unspoiled by irony. I suppose he doesn’t mean anything by it.
Doesn’t he?
the woman answered. She looked up at the soldier’s face, first with annoyance then with something like warmth, and spoke her words softly, a half smile playing on her lips. Tell him I am married. Tell him my husband was in the war.
The boy did as he was bidden, and almost immediately the Frenchman’s expression changed and turned from smile to frown. He turned around to consult with his comrades in rapid whispers, then swung back towards the woman.
Where did he serve? Which front? In the east or in the west?
Again the schoolboy translated his words, more boldly this time, his dark eyes shining with his own curiosity.
She took her time with the answer, played with the gloves she had placed on the seat next to her, hooded eyes studying the man. In the east,
she said at last. But that’s just a matter of chance. He would have gone west, had he been asked. All the way to the Eiffel Tower.
The boy translated as best he could, stumbling a little over the conditional. Despite the woman’s assertion, the soldiers relaxed as soon as they heard that her husband had been shooting at Russians, not Frenchmen.
Tell her,
said their leader, raising a hand to his lips and kissing his fingertips in a quick and habitual motion, that she has the most beautiful eyes. It is foolish of her husband to have her travel alone.
The boy launched himself into the sentence, but all of a sudden the woman seemed to tire of the game.
Enough,
she said in perfect French. You have paid your compliments. You are very gallant and no doubt a formidable lover. I am flattered, but married. And rich enough to buy my own stockings, or chocolate, or whatever it is you wish to trade.
Her voice was quiet, though not without a certain force. It would be tiresome if this grew into an incident involving your commanding officer, don’t you think?
She flapped her gloves in front of her face, dismissing them. The blond soldier blanched and straightened up. He seemed to wish to say something more, but was lost for words; whipped around and pushed one of his comrades in the direction of the door into the corridor; threw his cigarette down at their feet. In the doorway he took a moment to turn around, blow a line of spit past his chin onto the floor.
"Putain, he mouthed.
German whore."
The schoolboy heard it and jumped to his feet.
You mustn’t call her names!
he shouted, more in reproach than anger, then stumbled forward as the train entered upon a curve. He fell to one knee and collided head to groin with the soldier at the door. The man took hold of a fist-load of his hair and shoved him back contemptuously into his seat. He spat once more, turned, and left the door open as he followed his comrades back down the corridor towards the second-class section of the train.
Gentlemen, he’s led you on,
the woman called after them, her voice gently mocking. "Il est bien possible qu’il soit mon fils.—Perhaps he is my son after all."
She blocked with a stare the boy’s attempt to run and give chase. The next instant they entered a tunnel. Darkness swallowed them, sang back the screech of the train’s rapid journey. When they emerged, the boy had shed his anger. He was laughing.
You speak French,
he laughed, "and so much better than I. Mais vous n’avez rien dit!"
She felt it would be churlish not to join him in his laughter. It took them some minutes to calm down.
Is it true, though?
the boy asked at last. Your husband is a soldier?
Was,
she said, and smoothed her skirt over her thighs. An officer in the medical corps.
He wasn’t killed, was he?
No. He lived. He was taken prisoner.
By the Russians.
Yes.
And now?
And now?
She paused, smiled, studied the face of this strange boy across. There was no malice there, just good-natured curiosity, and a guileless wonder at the world. One had to search out his eye—the one that lay broken in its socket—to remind oneself that he too must have some knowledge of pain, however vague.
As a matter of fact he’s just been released. I’m on my way to meet him.
The boy made to ask more, leaning forward in his eagerness to learn, but she quickly interrupted him.
Does it hurt?
she asked. Your eye, I mean. It looks like the bones weren’t set properly.
She reached out and touched him, to the left of his brow. He blushed under her touch. It pleased her to see it. He really was a very pretty young man. She allowed her fingers to linger, then settled herself back in her seat. It took him some moments to recover and answer her question.
It doesn’t hurt,
he said. Only sometimes—
Yes?
All at once his voice took on the urgency of confidence. It was as though he thought himself back in the dormitory, swapping secrets across a linen sheet.
It’s stupid. But when I look in the mirror sometimes, in the morning you see, when I’m still sleepy (I’m not a good riser—not that I’m lazy, mind, I try not to be, but in the morning I find it hard to find my feet, I even get dizzy sometimes), I catch sight of the eye, hanging there in the mirror, and, well, for a moment I myself don’t know what to do with it. I mean, it doesn’t look right.
He gesticulated, bit his lip in frustration at his inability to explain himself.
"It’s even a bit spooky. I stare in the mirror, and the eye stares right back. It’s as though it belongs to someone else.
My father is dead,
he added after a pause, carried away by a chain of associations she found hard to reconstruct. He died when I was still a little boy. I wonder sometimes—but it’s too stupid to say it out loud.
He looked up then, stared at her shyly past his coal-black lashes. Is it very ugly?
She laughed, brushed away the question with a wave of her hand. Your mother remarried?
Yes. A Herr Seidel. He insisted that I take his name. To be honest, I hardly know him at all. We’d only lived with him for a short while when I was sent away to school. And with the war and all … In short, I’ve not seen him in years. Nor mother.
What was your father’s name?
Teuben,
the boy said, gratified that she had asked. Maybe you have heard of him. He was a famous detective.
The woman nodded blankly. The name was unknown to her.
She stood up and excused herself, went to the toilet.
3.
When she returned, the boy was standing on his seat, digging around in his knapsack. He produced a bottle of milk that had evidently leaked: the top inch of liquid was missing and the bottle sticky with its spilled contents. He took a swig, then offered it to her like a workman passing around a cigarette. She declined. The milk clung to the down on his upper lip. She laughed, and he looked at her confused until she raised her finger to her own mouth and ran it lightly along its curve. His hand mirrored the gesture, shook loose some pearls of milk. Embarrassed, yet smiling all the same, he began to wipe at his lips with his sleeve and the back of his hand. She offered him a handkerchief and he took it, then decided it was too precious or too clean to be put to the profane use of wiping his mug. He sat there with the silk hanky in one fist and the milk bottle in the other, a sheepish smile upon his face.
The train hissed, rolled to a stop. All at once the electricity failed both in the corridor and in the compartment itself. They sat in total darkness. She could hear the boy’s breathing. A cone of light lit up the corridor outside the compartment, ran shakily along the carpet, the windows, the ceiling. She expected the conductor to show, torch in hand, and explain the latest breakdown, but the light flickered and disappeared without anyone entering the compartment. The rain grew stronger, beat patterns on the windowpane. The boy across kept shifting in his seat: the creak of leather underneath his skinny bum. She reached out into the darkness, found his knee, then his hand. They linked fingers, very lightly. Minutes slipped past. She raised her left wrist to her eyes but could not make out her watch. It must have been gone midnight. In her right hand the boy’s fingers beat an urgent pulse into her own.
She broke the silence.
Before,
she said, when we weren’t yet talking. You took out a sketchpad, then put it away again. You wanted to draw me.
Yes,
he answered, though it hadn’t been a question. But it seemed rude, drawing a stranger. And besides—you would have asked to see the picture.
In the darkness she could hear him lean his face against the pane.
I’m not very good, you see.
What is it about me you wanted to draw?
He answered her without the slightest hesitation, as though he had waited for her to ask him precisely this. As before, when he’d told her about his eye, his voice took on a special sort of quality, at once secretive and earnest. A child might make its confession in a voice like this: shuffling its feet, slyly proud at the wit of its new sin.
I wanted to draw your face,
he said. "Your lips, actually. You have a long upper lip. It curves, a little lopsided, and there’s almost no dip at the centre. Under the nose, I mean. I’ve read about it in novels but have never really seen one. ‘A cruel upper lip.’ That, and your hands are very large."
That doesn’t sound very appealing.
But it is!
he protested, almost yanking free of her grasp. It’s true, you know. What the soldier said before.
That I am beautiful.
Yes.
I’m old,
she sighed, gratified, and let go of his hand.
For a half-hour or so neither of them spoke. She pulled her legs up onto the seat next to her and willed herself asleep. In her head an image formed, of her husband’s face with sunken cheeks. His eye was broken, and he hadn’t shaved. In his mouth there stuck a cigarette. The smoke kept stinging her eyes.
A sudden tremor ran through the train, tossed her out of her half-formed dream. It was followed by first a screech, then a long and rasping whinny. She sat up, alarmed, still enveloped in darkness. The train jerked, struggled, lay silent; raindrops pelting the windowpane with the force of a proper storm. A flash of lightning off in the distance gave them a moment’s illumination. She saw the boy’s face, artless and smiling, glad to be trapped in the storm with his milk bottle, his knapsack, and her. Then, in the renewed darkness, a thought must have come to him. He soon put it into words.
How long has it been?
he asked. Since you last saw your husband?
She yawned then stretched, took her time with the answer. Nine years.
He whistled in his schoolboy manner, did the maths. But that’s longer than—I mean, unless he was in the army even before—Or perhaps it’s been eight and a half—
Nine years,
she repeated. Since the spring of ’39. He wasn’t conscripted until March 1940.
She paused, gave the boy time to formulate a theory.
He left you,
he said at last. And now he wants you back.
She laughed out loud, listened to herself. A cruel laugh, she thought, to go with my cruel upper lip.
I left him,
she said. He was having an affair.
Oh no!
said the boarding school boy.
Oh yes,
she said, her voice gently mocking. And you? How long has it been since you saw your good mother?
Five years, ten months. I wanted to go after the war finished, but there was a problem with the paperwork. And then Herr Seidel wrote to say I should stay and finish school.
Let me guess.
She lowered her voice to lend authority to the phrase. "A young man is nothing without a good education."
Yes, something like that. He even wanted me to stay the rest of the summer, saying that it was hard to get proper food in Vienna, and that the streets were full of riff-raff. But then I got another letter. This one came from Mother.
He paused for effect. She obliged him. What did it say?
That Herr Seidel had fallen out the window. He almost broke his neck.
He fell?
She tried not to laugh. Just like that?
Yes. Only maybe he was pushed.
In the darkness she heard him lean forward, until she could feel his breath upon her face. The thought occurred to her that he had decided to kiss her. But he continued to talk instead.
There’s a family secret,
he whispered, playfully and yet in earnest, clearly tickled by the thought. It all started when my stepbrother disappeared. After the war. And now Herr Seidel! Mother thinks the maid … But she never spelled it out, you see.
The maid? Your family is rich.
Very.
He said it with enthusiasm but no pride, as though it were a remarkable item of trivia that in no way affected his life. Herr Seidel owns a factory.
Then I’m sure everything will turn out just fine.
He was about to reply when all of a sudden the overhead lamp came alive and flooded the compartment with its bright yellow light. It found them in an odd position, him leaning forward, with his arms thrown out for balance, his bottom perched on the very edge of his seat; his face so close to hers that she could count his freckles. As for herself, she was sprawled awkwardly across a seat and a half; sat broad-lapped, her thighs spread, her silk shift showing at the hem of her skirt. The boy recoiled as though stung and pressed himself back into his seat, fingers busy straightening his tie. His eyes followed her legs as they crossed themselves in front of her. The milk bottle, she noticed, lay discarded on the floor. He had drained it, and only a white film clung to the inside of the glass, trembling now, as slowly, by increments, life returned to the engine. It was as though one could feel it will itself into a state of deep inner tension: a bass line throbbing underneath their feet and buttocks and their thighs. Tentatively, unsure of its own strength, the train eased into motion, inched forward along the tracks. She checked her watch and was surprised to find it was no later than two. There was still time to make it to Vienna by dawn.
4.
They did not speak again until they were almost at the station. For much of the time she drifted in and out of sleep. Her mouth was parched and she found herself wishing the conductor would stop by with his kettle of tea. The boy too dozed off, murmured gently in his dreams; once he kicked her as he pushed his legs out in front of him. At four-thirty a sudden hunger overcame him, and he fetched an apple down from his knapsack and sat chewing it with great noise. When the conductor came to advise them that they should arrive within the hour, he was a different man and did not carry tea. She accepted a swig from the boy’s hiking flask and was amused to discover it contained some sort of cordial diluted with water. They each reached up to their bags, made sure everything was packed. The boy sat with satchel and hat box piled upon his lap. At the city limits there was another inspection of their papers: a whole committee of men in rumpled uniforms. When the border guards had left them, the boy stood up, stretched, rubbed his shoulders, neck, and face.
Almost home,
he said.
Almost.
How will it be, you think? Seeing your husband after all this time?
He asked with great simplicity, from curiosity, and compassion, and because he felt he was her friend. She remembered holding his hand in the course of the night. It was hard now to reconstruct what had brought them to that juncture. She flashed him that fleeting, empty smile that she knew men found so beguiling.
Nice,
she said. I’m sure it will be nice.
You’ll take him back? Despite the—you know.
Yes. Despite. Though we’ll have to wait and see, of course.
Her voice turned mocking. You think I shouldn’t?
The boy did not answer. He was busy with a different thought.
How did you find out?
he asked. Did you find a letter? Or perhaps you came home one afternoon and they—
He flushed, gestured, fell silent: a boy like a puppy, clumsy, foolish, a constant quiver to his tail. It was an effort to summon the anger required by propriety.
You’re being a boor,
she said. You would do well to remember that you are no longer in the schoolyard, or the dormitory.
He bit his lip and launched into apology. She cut him short. She had told the story before, always with the same omissions.
I followed him. I suspected, and I followed him. He entered a building and went up to a flat. I waited twenty minutes then rang at the door.
She paused, mimed the gesture, one slender finger pressing down on the bell.
You saw her?
Yes.
He stared at her, gaily, simply, without malice, yearning to learn and not to judge, the down on his lip twitching with excitement.
Was she very beautiful?
In her mind’s eye she relived the scene, saw the door swing open and a young man standing there, dressed in his shirt sleeves and trousers, a silver cross around his neck. He wasn’t painted or perfumed or even particularly clean. One of his buttons was undone.
She’d pretended she had mistaken the door.
Beautiful?
she answered at last. It’s hard for me to judge. I should not have thought so, no. It wasn’t how I expected. A woman in garters. That’s what I had pictured. Someone who’d thrown on a dressing gown just before she opened the door. Charming, pretty, a sort of gentleman’s whore. But I see that I shock you.
The boy had indeed blushed a deep crimson, but he quickly composed himself and shook his head.
No. It’s how I pictured her myself just now. I mean, something like that. Not that I know about …
Garters? Or whores?
Neither,
the boy managed, and fell silent.
Outside, dawn broke as they rolled into the station.
He carried her bags for her. Once on the platform she was surprised by the crowd of men, women, and children that spilled out of the second- and third-class compartments. It was as though, all of a sudden, they had entered the bustle of the city. Some tired relatives stood freezing near the barrier gates. They had waited all night to greet the husbands, wives, sons, and daughters now threading down the platform. Above them gaped the bombed-out roof.
A porter approached her, loaded her things onto a cart. The boy walked by her side, scanning the faces in the crowd. There was nobody there to welcome either one of them, just the morning light and the broken cobbles of Vienna. Out on the street a taxi driver accosted them and the boy insisted she should take it. They pressed hands briefly, and the boy bowed as though he wished to kiss the back of her hand (the tennis racket that stuck out of his knapsack nearly whacked her on the head). In the end his courage left him and he let go of her, mumbling that it had been a deep pleasure.
Through the rear window of the taxi she watched him turn away from her to gather up his luggage. Behind the boy a vagrant shuffled, restless in his Wehrmacht coat, and a child sat selling nuts and berries from a handdrawn cart. At length the woman too turned, ahead to where her husband would be waiting in whatever might be left of their apartment.
You come from abroad?
the driver asked, studying her clothes across one burly shoulder.
Just drive,
she said, and dug in her handbag for makeup and mirror, intending to paint new life upon her fading lips.
Two
1.
As they disembarked from the train and left the station, there stood amongst the crowd a man neither tall nor particularly short, and self-effacing of manner, if wrapped somewhat conspicuously in a dyed army coat and a red woollen scarf of better quality than the rest of his appearance would lead one to expect. He scanned the emerging crowd with the curiosity of someone who hoped to find a familiar face. It was not long before his eyes settled on the woman in something more than homage to her beauty. In fact he crossed himself and muttered some few silent words; started forward then stopped, and was soon pushed aside in the press of the crowd.
Some years previously, at school, Robert Seidel had read a story by an American writer in which the protagonist, his nerves still strained from recent illness, was able to discern the profession and indeed the biography of passersby simply by studying their dress, their gait, the lines inscribed by life upon their faces, and who was distraught to find amongst the evening crowd a man who resisted his attempts at interpretation and was, in fact, illegible. Had Robert noticed the stranger, it might have struck him that the man posed a similar riddle to observers: his face obscured by scarf and low-drawn cap; his old man’s gait ill matched by his still-youthful hands; his gestures acquired both in drawing room and barracks. All that could be said with any certainty was that there clung to the man—as he pushed through the crowd with a slinking kind of grace, never quite touching those who surrounded them—an anxious, timid quality, as though he were awaiting the answer to some fateful question that he himself had asked.
Outside, beyond the station doors, the stranger raised a finger to his mouth, tore with strong teeth at the ruin of a fingernail; and though his hands were cleaner than his coat and fraying cuffs, he found his cuticles encrusted in dark blood. This simple fact seemed to recall him to his purpose. He looked up sharply, fresh urgency grown into his gaze. In the early morning bustle it took the man a few moments to catch sight again of the woman and her young companion, who was helping stow her luggage in a taxi. For a second, through the car’s back window, she seemed to look at him, and he stared back, entranced, as though tracing a softer, younger face through the coolness of her features. Then she turned towards her driver and soon was lost from sight.
The man seemed inclined to shift his attention over to the boy, who stood gathering his things, and in his hesitant way had taken a step towards him, when a policeman started walking in their general direction, drawn perhaps by the stranger’s shabbiness and eager to forestall any pick-pocketing. The stranger started, spun, and walked away in subdued haste. He did not slow until he had crossed the street and disappeared into the shadow of a gateway. There he stopped, rewrapped his scarf, and waited to