Ghosts of Engines Past
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About this ebook
Award winning steampunk from a master!
Balloons were the only way to fly in 1840, and air safety standards were the stuff of science fiction...
A modern day librarian in London is about to reserve a book for a Regency serial killer...
When you think about it, they had the skills and materials to build a steam engine in 1449...
Some people just don't appreciate art, but a two mile long metal dragon with a serious attitude problem can do more than just sneer...
Some people in 1404 are listening to our radio broadcasts...
A steampunk story written before steampunk was invented...
It is 1303, and medieval aviation is about to get some serious funding in the name of love...
If the Soviets had been a little better at quality control, the race to the moon might have gone a bit differently...
The young Dragon Librarian Zarvora has an idea for a 2 Kilo-Slave computer. She is willing to shoot her way to the top to get funding for it... (a prequel story to the Greatwinter Trilogy)
Some very brave people in 1852 are about to fly the first steam powered aircraft, and diet will mean the difference between life and death.
This and much more incredible steampunkery to be found herein—buy now so you don't blow a gasket!
Sean McMullen
Sean McMullen is one of the leading Australian SF authors to emerge during the 1990s, having won more than a dozen national awards in his homeland. In addition, he has sold many short stories to magazines such as Analog, Interzone, and Fantasy & Science Fiction, and was co-author of Strange Constellations, a History of Australian SF. He established himself in the American market with the publication of the Greatwinter trilogy (comprised of Souls in the Great Machine, The Miocene Arrow, and Eyes of the Calculor). His fiction has been translated into Polish, French, and Japanese. The settings for Sean's work range from the Roman Empire, through Medieval Europe, to cities of the distant future. He has bachelor's and master's degrees from Melbourne University, and post-graduate diplomas in computer science, information science and business management. He is currently doing a PhD in Medieval Fantasy Literature at Melbourne University, where he is also the deputy instructor at the campus karate club, and a member of the fencing club. Before he began writing, Sean spent several years in student reviews and theatre, and was lead singer in three rock and folk bands. After singing in several early music groups and choirs, he spent two years in the Victorian State Opera before he began writing. He lives in Melbourne with his wife Trish and daughter Catherine.
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Reviews for Ghosts of Engines Past
3 ratings1 review
- Rating: 4 out of 5 stars4/5A collection of short stories in the science fiction steampunk genre. These stories are a mixed bunch with aliens, time travel, steam engines, radio across time, medieval flight, Russians on the moon, and steam-powered flying machines. In my opinion, the quality of the stories varies quite a bit too with my ratings varying from 2 to 4 stars out of 5. As a collection, I rate it as 3.5 stars. The stories are:1. Eight Miles: the narrator takes a hot air balloon ride to eight miles altitude - a height that can kill due to lack of oxygen. He has been hired by a wealthy man who has a reason for going that high. And in a time of ignorance and no safety standards, who is going to stop him? 3 stars.2. The Constant Past: a serial killer from Regency London visits a library in 2010 to research the life of a woman from his era. 3 stars.3. The Spiral Briar: a steam engine in 1449 is used to attack the Faerie realm. 2 stars.4. The Art of the Dragon: a two mile long metal dragon eats the Eiffel Tower, then goes on a rampage eating the world's art. 3 stars.5. Voice of Steel: people in 1404 are listening to radio transmissions from 2004 resulting in changes to the past and thus the present. 4 stars.6. The Pharoah's Airship: a teenage first-year university student built an advanced aircraft in his garage, but is killed in a collision with a military jet. The authorities want to know more as it is apparent that his craft was more than it seemed. It turned out that he had done something similar twice before. 4 stars.7. Tower of Wings: in 1303 a lady who has studied flight extensively prepares to fly from her besieged tower. 3.5 stars.8. Svyatagor: a retelling of the moon race in 1969 with the Soviets as more active participants. 2 stars.9. Dragon Black: the scene is a great library sometime in the far future, but with intrigue and duels this is no ordinary library. 2 stars.10. Ninety Thousand Horses: in 1899 the fastest machines are steam trains, but a mad Englishman wants to build a steam-engine driven flying machine. 4 stars.11. Electrica: in 1811 the Napoleonic wars are in full swing, and messages are sent by semaphore. The British, who are keen to get an advantage over the French, want to utilise an invisible semaphore invented by one of their homes for indebted peers. But he is also working with something else a little more bizarre. 4 stars.12. Steamgothic: in 2012 someone has uncovered a steam-powered aircraft that was built in 1852. 4 stars.
Book preview
Ghosts of Engines Past - Sean McMullen
GHOSTS OF ENGINES PAST
by
SEAN MCMULLEN
Produced by ReAnimus Press
Other books by Sean McMullen:
Colours of the Soul
© 2013 by Sean McMullen. All rights reserved.
http://ReAnimus.com/authors/seanmcmullen
Cover Art by Jim Burns, design by Julian Nagy
Smashwords Edition Licence Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author.
~~~
Table of Contents
1. EIGHT MILES
2. THE CONSTANT PAST
3. THE SPIRAL BRIAR
4. THE ART OF THE DRAGON
5. VOICE OF STEEL
6. THE PHARAOH'S AIRSHIP
7. TOWER OF WINGS
8. SVYATAGOR
9. DRAGON BLACK
10. NINETY THOUSAND HORSES
11. ELECTRICA
12. STEAMGOTHIC
CREDITS AND AWARDS
ABOUT THE AUTHOR
1. EIGHT MILES
It is 1840. Balloons were the only way to fly, and air safety standards were the stuff of science fiction.
This is about a frontier that is only eight miles away—straight up. Nineteenth Century balloons were quite advanced machines, and could go way higher than was safe. The trick was defining what was safe. I was inspired to write this story by a very dramatic 1862 engraving of the balloon pioneers James Glaisher and Henry Coxwell, hovering at about 36,000 feet and only moments from death. They lived, but others died before people worked out that five miles was risky, six miles was a very bad idea, and seven miles was suicide. Our narrator, Mister Harold Parkes, has eight miles on the job statement. His balloon can do it, he cannot, but he's British so that's not going to stop him. This story defines classic steampunk for me. It is full of Victorian optimism and ill-informed bravery, and the balloon and steam technology works. Do not try this at home, however; the air safety standards were written for a lot of good reasons.
~~~
Consider a journey of eight miles. One could walk it in less than an afternoon, in a carriage it would take an hour, or one could conquer the distance in one of Stevenson's steam trains in fifteen minutes or less. Set two towers eight miles apart, and a signal may be transmitted by flashing mirrors in less time than modern science is able to measure. Eight miles is not all that it used to be, yet seek to travel eight miles straight up and you come to a frontier more remote than the peaks of Tibet's mountains or the depths of Africa's jungles. It is a frontier than can kill.
My journey of eight miles began in London, in the spring of 1840. At that time I was the owner and operator of a hot air balloon. It was reliable, robust and easy to fly, and I provided flights to amuse the jaded and idle rich. It was a fickle income, but when I had clients, they paid well for novelty.
Lord Cedric Gainsley was certainly rich, and when his card arrived I assumed that he wished to hire my balloon to impress some friends with a flight above London. I kept it packed aboard a waggon to launch from wherever the clients wished. Its open wicker car could carry six adults, indeed the idea of six people of mixed sexes packed in close proximity seemed to add to the allure of a balloon flight.
My first moments in Gainsley's London rooms told me that he was no ordinary client. The walls of the parlour were decorated by maps alternating with sketches of mountain peaks and ruins. The butler showed me into a drawing room completely lined with books. This was nothing unusual, for many gentlemen bought identical collections of worthy books to display to visitors. At that time it was also fashionable to collect, so Gainsley collected. In and on display cases were preserved insects, fossil shells, mineral crystals, old astronomical instruments, clocks dating back to the Fourteenth Century, lamps from the Roman Empire, and coins from ancient Greece. Seven species of fox were represented by stuffed specimens.
As I began to look through Gainsley's library, however, I realised that many books had been heavily used, to the point of being grubby. They were mainly concerned with the natural sciences.
Does geology interest you?
I turned to see a tall man of perhaps forty handing a top hat to the butler. He wore a black tail coat with a fashionably narrow waist, but was just slightly unkempt. A rich man who did not want to draw attention to himself might look that way.
Geology—you mean the books?
Yes, they made me rich. I learned to tell when minerals were present, in places where other men saw only wilderness.
The butler cleared his throat.
Lord Cedric Gainsley, may I introduce Mister Harold Parkes,
he improvised, not entirely sure of the protocol when the baron had opened the conversation first.
Thank you Stuart. Now have Miss Angelica ready and waiting for my summons.
Very good, my lord.
Once we were alone, Gainsley waved at a crystal brandy decanter and told me to make myself at home. He paced before the fireplace as I poured myself a glass, and showed no interest in a drink for himself. I took a sip. It was very good, far better than I was used to.
How high may your balloon ascend, Mister Parkes?
he asked.
I take pleasure seekers a mile above London,
I began. My rates—
Your rates are not a problem for me. Could you ascend, say, two miles?
I blinked.
At two miles the air is thin and cold, sir. Besides, the view of London is not as good as from a lower altitude.
Two miles, and hold that height for six hours.
I blinked again. Pleasure flights seldom lasted more than one hour. People got bored. More to the point, the balloon needed to carry fuel for its burner to maintain the supply of hot air. That was a constraint.
I must ask some questions, sir. How many passengers, what weight will they total, and what weight of food and drink will they carry? You see, to stay aloft for so long, the balloon must carry some fuel to keep the air heated. With the weight of fuel for six hours, I may not even be able to get off the ground.
Yourself, myself, a young woman of one hundred and forty pounds, and food and drink not exceeding ten pounds. Nothing more.
Then it is possible, but not certain.
Why not?
Nothing in ballooning is certain. Above us is a dangerous and unforgiving frontier.
Gainsley thought about this for a time.
You are a man of science, Mr Parkes, like me. You invented the mercury ascent barometer, and you calibrated it to five miles.
With the help of Green and Rush, yes. They took it on their record breaking flight some months ago.
Yet you are in difficult circumstances.
There is not a big market for ascent barometers. Many of my other inventions turned out to be impractical, but proving them impractical nearly bankrupted me. Pleasure flights are not my preferred career, but they are lifting me out of debt.
I had once had visions of becoming the George Stephenson of the skies by inventing the airborne train, and I spent all my money installing a purpose-built Cornish steam engine with small windmill blades beneath a hot air balloon. Alas, although it did drive the balloon in any direction on a calm day, in wind it was useless. As I found out, a balloon is effectively a huge sail, and the wind was more than a match for any steam engine small enough to be carried aloft.
Mr Parkes, my flights are to be no pleasure jaunt, and I need an innovative balloonist, one who can solve technical problems as they arise,
Gainsley now explained. I intend to study the effects of extreme altitude on a very special person. I will pay you fifty pounds for each ascent, and I shall also pay for the fuel to inflate your balloon with hot air. My condition is that you work for nobody else while in my hire, and that you exercise absolute discretion regarding the flights and the nature of my research.
His rates were certainly better than I was currently making from pleasure flights, in fact as a business proposition it was too good to be true. Once I had agreed, he pulled at a red velvet tassel that hung beside the fireplace. The butler appeared within moments.
My lord?
Stuart, fetch Miss Angelica now.
Angelica was a young woman a little below average height, with a delicate, angular face. She was wearing a dark blue woolen cloak and close fitting bonnet, but I could see nothing more of her attire. There was something odd about her eyes. They were listless, almost lacking in life.
Miss Angelica has been in my service for some months,
said Gainsley. I named her Angelica because she comes from very high altitudes.
A fallen angel?
Quite so, it is my little joke. Now then, put your glass down, make sure you are seated comfortably, and prepare yourself for a shock.
Gainsley unpinned her cloak and let it fall to the floor. Such were my expectations that it took some moments to realise that she was neither clothed nor naked. Angelica was covered in fine, dark brown fur, except for her face. She had three pairs of breasts, each no larger than that of a girl in early pubescence. Her chest was surprisingly broad and deep, however, and I would estimate that her lung capacity was greater than mine. Her ears were pointed, in the manner of a fox. I sat staring for some time.
Well?
asked Gainsley.
The young woman showed no sign of shame, which was a very strong clue. She was probably used to being on display.
I have seen the like before,
I replied uneasily.
Indeed? Where?
At fairgrounds, in the novelty tents. Women with beards, boys with six and seven fingers, I have even seen a child with two heads. By some accident of birth the human template was not applied to them correctly by nature. For this young lady, it is the same.
You are wrong,
said Gainsley. She is a werefox, for the lack of a better word. She speaks no language, sleeps on the floor, and is not familiar with clothing.
I managed not to make a reply, which is just as well because it would surely have been sarcastic.
You clearly do not share my opinion?
he prompted.
Indeed not sir.
Then how would you account for her condition?
A feral child, abandoned by her parents. She was born covered in fur, so they cast her out. Perhaps wild beasts raised her.
I thought that too, at first. I did indeed find her in a fairground. Her manager said she had been bought from a dealer, who also sold dancing bears. When she was captured in India's northern mountains she had been more active and entertaining, she could even do little tricks. At low altitudes she became very lethargic, however, and was only of value as a passive curiosity. It was not until some days later that I realized the truth. I returned to the fair and bought her.
And what is that truth?
The girl is adapted to very great altitudes. At sea level the richness of the air overwhelms her, much as a diet of that brandy would overwhelm either of us. I believe there is a whole race of humans who live on the highest of mountains, adapted to the thin air.
The idea was fantastic. I looked back to the girl. Her lungs were certainly large in proportion to her body, and the fur would have protected her from the cold.
I am not sure what role you have planned for me,
I said at last. I know nothing of mountaineering.
Ah, but your balloon will be a substitute for the mountains. A trip to India would take years, but my business interests do not allow me to leave England for more than days. Your balloon can take us two miles high in... how long?
Twenty minutes, perhaps thirty. It depends on the load.
Splendid. We can do the flight above my estate, north of London, and be down in time for dinner. At two miles I can observe how Angelica reacts to thin air and cold. If it restores her senses, I might even be able to speak with her, to question her about her people.
Gainsley helped Angelica back into her cloak, then rang for the butler to escort her away. Once we were alone again he walked over to the window and gestured to the crowded street outside.
Look upon my prosperous neighbors, Mister Parkes,
he said. Merchants, bankers, financiers, landed gentry. What do they do, other than grow rich and live well?
Visit the theatre, attend the races, go to balls?
I guessed. Some take balloon rides above the races, that is all the fashion just now.
Theatre, balls, races,
Gainsley muttered, shaking his head. Within a year of their deaths such people are all but forgotten. I want to be like Isaac Newton, James Cook or Joseph Banks, I want to be remembered for discovering something stupendous. Miss Angelica will make my name.
You have lost me, sir.
I have a theory, Mr Parkes. In my theory of adaptive morphology I assert that humans take other physical forms under extremes. For example in polar regions they may become seals if they dwell there too long.
The silkie legend of the Scots: people turning into seals.
Yes, and I think that extreme altitudes might render us into a form like that of Angelica.
Gainsley's estate was not far to the north of London, and he sent his draught horses to draw my transport wagon there. Kelly and Feldman were my tending crew, and they spent most of the night setting the frame, and unpacking and checking the balloon itself. I was up two hours before dawn, adjusting my altitude barometer and installing it in the wicker car.
Inflating a balloon on the ground is not a problem. One has unlimited fuel to supply the hot air, and to keep that hot air maintained. Once aloft, it is a different matter. The little furnace in the wicker car is fuelled by lamp oil that the balloon must carry, so this oil must be used sparingly. It was the work of a half hour to inflate the bag sufficiently that it stood up by itself, then I sent word to the manor house that we were ready to ascend. Gainsley emerged with Angelica, leading her by a chain attached around her waist. She was dressed in the manner of a boy.
We rose very rapidly, drifting right over the roof of the manor house. The wind was southerly and very light, and the sky was clear. At first Gainsley made a big show of looking over the side and exclaiming at the sight of his estate, far below. He almost seemed to forget why we were there, and chattered about ascending with an artist next time, to have his lands painted from above. I had the barometer calibrated to display altitude in quarters of miles. At a mile and a half Gainsley suddenly remembered why he had paid for the ascent.
A mile and one half, almost eight thousand feet,
he said, peering at my barometer.
We are ascending slowly, at about five miles per hour,
I reported.
Six minutes from the prescribed height,
he replied. Angelica was apparently found at eleven thousand feet. Can you hold that altitude?
That I can, sir. Bleeding a little hot air from the balloon will reduce our buoyancy and stabilize our height.
I released some hot air, and we continued to ascend but at a much slower rate. According to my barometer, we settled at twelve thousand feet. By my estimate we were drifting north north east at three miles per hour. The direction of the wind was different up here.
It was at this altitude that the visions began. Actually the term visions does not do them justice, they were more like memories that were not mine being implanted in my mind. I seemed to have walked beside canals built across deserts of red sand beneath an unnaturally dark blue sky with a pale and tiny sun. In the distance I could see a city, but it was more of a metropolis of immense crystals of saltpeter, feldspar and quartzite than like London.
I had paid Angelica no attention until now, being occupied with tending the furnace, checking the barometer, and monitoring the direction and progress of our drift relative to the ground. It was Gainsley who took me by the arm and pointed to her. Angelica had begun the ascent sitting on the floor of the wicker car, paying no heed to what was going on around her. Now she was on her feet, looking over the edge of the car. As I watched, she turned away and scrutinized my altitude barometer. For a full minute at least she stared at the mercury, then she raised a hand slowly before making a horizontal chopping motion.
Sign language,
said Gainsley. She is telling us that she understands what is happening. We have been rising, but now we have stopped.
More than that,
I said with a very odd prickle in my skin. She understands my altitude barometer on first viewing.
In London, at sea level, Angelica had showed not the slightest interest in the machines and furniture that surrounded her. Even the mechanics of doors were beyond her. Now she was able to read a barometer, and that ability was beyond ninety-nine in every hundred of my fellow Britons.
I noticed her eyes. For the first time they were alert, calculating, even intelligent.
Angelica, can you hear me?
asked Gainsley.
At the sound of her assigned name she turned her head.
Angelica, speak to me,
urged Gainsley. Speak. Speak English, French, Hindi, anything.
He put a hand to his ear, to signify that he expected an answer. Angelica did not reply.
At the pace of a slow walk we drifted over the countryside. Far below I could see farmhouses and other manors. Gainsley continued to coax and question Angelica. She proved disappointing. He showed her pictures of mountains, foxes and even a sketch of herself. She displayed vague interest, but did not speak.
How long have we been aloft?
he asked me.
One hour and thirty minutes.
And what endurance have we?
Very little. The seal of the bag is imperfect, some hole that my crew missed, so hot air slowly leaks out. I balance that by stoking up the furnace and working the bellows, but the air is cold and thin up here, and it is using too much lamp oil.
Gainsley scowled, but did not argue. This was a ship, after a fashion, and I was the captain. He returned to his questioning of Angelica. The wind swung around and began to blow us back towards London. There was little for me to do, other than feed in hot air to maintain height. I watched as Angelica became even more alert. She examined the magnetic compass, Gainsley's pocket watch, and even the furnace. After studying the last-mentioned for some minutes and watching me at work, she gently pushed me aside, bled in some lamp oil and applied herself to the bellows.
Astounding,
I gasped. She deduced its operation, merely from watching.
Very high intelligence,
said Gainsley.
And an understanding of machines.
Now Angelica scrutinized the barometer, where the mercury indicated that we had risen another quarter mile. To my complete astonishment she touched her finger to the new level of mercury.
She understands the operation of this balloon as well as the altitude barometer,
I said. Very few of my passengers could claim that.
Up here, in rarefied air, she is transformed,
Gainsley observed.
How can this be?
Remember my theory, adaptive morphology? I think she comes from a civilization in very high mountains. Ascending into cool, thin air frees her mind from the effects of the sludge that we breathe.
Finally I declared that we would have to descend. By then Angelica had not spoken a single word, but she had demonstrated awesome intelligence. My balloon was one of the most advanced vehicles of the time, yet she understood its workings and instruments.
Only four hours of exposure to the thin air, yet her brain cleared,
said Gainsley in triumph.
She did not speak.
Yet she understood the balloon's workings.
Her werefox race must have its own language,
I suggested.
It was at this point, just as we began our descent, that Angelica began tapping at the altitude barometer and making upwards movements with her other hand. The part of the scale that she was indicating was for eight miles. This part of the scale was where I had marked uncalibrated altitude projections. She looked to me, her eyes alive and full of pleading. I held up the empty lamp oil barrel and shook my head. She seemed to comprehend, for she now sat quietly on the car's wicker floor and closed her eyes, resigned to the oblivion of sea level.
Using the varying directions of the wind at different altitudes, I managed to steer us back over Gainsley's estate, then bring us to earth just a mile from where we had ascended. Kelly and Feldman presently arrived with the wagon, then Gainsley's groom brought a light carriage. He was quick to get Angelica into the carriage and away from sight, but with this done he returned to speak with me as I helped my men pack the balloon away.
How high may we ascend?
he asked, and how long may we stay there?
Hot air has its limitations,
I explained. My balloon must carry its own fuel. Going higher means using more fuel. Using more fuel means less is left over to sustain the hot air and maintain our height.
Could you build a balloon to reach eight miles?
I almost choked on my own gasp. The question was akin to asking whether a new type of gun could shoot a duck even more dead than dead.
There is no point,
I replied. Above five miles the air is so rarefied that one may not breathe.
But could you build a balloon to do it?
Using hydrogen, yes, but to what end? It would be our dead bodies that achieve the feat.
Then how high may we go?
I think you mean how high in safety. Four miles is my answer.
Why four?
Remember, the air thins as we ascend. I have ascended three and one half miles. It was distressing, but endurable. My lips and those of my companion turned blue, and fatigue set in very quickly. Four miles is double what we achieved today.
Have others gone higher?
Yes. Some months ago the aeronauts Charles Green and Spencer Rush reached five miles. They found it near to impossible to breathe, however, and consider themselves lucky to have survived.
Five miles. The height is comparable to the highest of mountains to the north of India.
So I have read.
So we too could do it?
Yes, but it would be appallingly dangerous.
I fought Napoleon, just a quarter century ago. How can this be more dangerous than trading volleys with his soldiers?
Death is death, whatever the cause. Why ascend five miles in search of it?
Because at four or five miles we may well clear Angelica's mind to a greater degree. She may even be able to speak. Begin planning for another hot air flight tomorrow, but also draw up plans for a balloon filled with hydrogen.
Do you realize that hydrogen is even more volatile than gunpowder?
Of course, Mr Parkes, I am a man of science. Send the bills for whatever you need to me.
So am I to be kept in your employment?
I asked.
Yes, yes, board and lodging for you and your men, plus double our agreed rates for the flights because of the increased danger.
That night I dreamed, and my dreams were lurid. My mind was filled with visions of vast, gleaming things that glided through blackness, and blossoms of fire that became twinkling clouds of glitter. I awoke, not so much distraught as puzzled. The dreams had become part of my memory. What was more confusing was that I had other memories that were not part of the dreams. There were splendid cities full of graceful crystalline towers and wide promenades, yet all of them were strewn with dead creatures. At first I thought that the bodies were of vermin, but many of them were wearing straps and belts, gold braid, ceremonial swords and even helmets. Perhaps they had built the cities, these creatures that wore no clothes but fur. They closely resembled Angelica.
We made another dozen hot air ascents while the hydrogen bag was being fabricated. We did not manage much more in communicating with Angelica, but the visions continued to pour into my head every time we ascended. I said nothing, because practical men are not meant to have visions and I wanted to keep Gainsley's trust. Would you travel on a ship whose captain said that he could see water sprites, mermaids and harpies? I can only compare my visions to leafing through randomly chosen books in a library. I saw nothing of the whole picture, just snatches of fragments.
A gas works at the edge of London provided the hydrogen, which saved the cost of buying a hydrogen reactor, and chemicals to fuel it. The first hydrogen flight saw us ascend from the city in the half-light before dawn. We remained at four miles for only a quarter hour, because Gainsley quickly weakened, then lost consciousness. I descended rapidly, and when he revived he confessed that his lungs had been weakened by some childhood disease. On the other hand Angelica had been vastly improved by even the brief exposure to the thin air, and had even scrawled some characters and diagrams on a notepad. Alas, we could make no sense of them.
On the way down I had a number of ideas. Gainsley had been complaining about his lungs preventing him from staying at four miles. I offered to take Angelica to five miles without him and report what she did, but he would not hear of it. Whatever she did, he wanted to be there to see it.
If only I could make the ascent myself,
he sighed.
Impossible. Even at four miles we are on borrowed time. You especially.
Green and Rush did it.
Only briefly. They were on borrowed time too.
Yet they lived.
They lived because they descended in haste. People must acclimatize slowly to very high altitudes. Mountaineers I have spoken to say that it takes weeks.
Find a way. Two hundred pounds, and I will pay for whatever you need.
Two hundred pounds, you say?
I exclaimed, both amazed and puzzled by his generosity.
I do pledge that.
Then there may be a way. I have been reading about the nature of air, my lord. You may have heard of the experiments with glass jars and candles. Burn a candle in one, and it will go out when the oxygen is exhausted. Introduce a mouse to that depleted air, and it soon suffocates.
Explain further.
Suffocation interests me, being a balloonist. I performed this experiment, then I piped some pure oxygen into that depleted air. The mouse revived.
Gainsley thought about this for some time, smiling and nodding every so often.
How heavy is the mechanism for supplying oxygen?
he asked at last.
I need a bigger reactor to supply enough oxygen for humans, but it need not be very heavy. Just a tank, some pipes, spigots, and a sealable chute.
Then build it, build it! I shall pay for the materials and labor.
And the two hundred pound bounty?
It is yours.
The problem of staying alive at extreme altitudes occupied my mind a great deal in the days that followed. Oxygen is the essential ingredient of air that gives us life, yet it comprises only one part in five of air's volume. Provide air that is five parts in five oxygen, and one might well survive in much thinner air. I paid a visit to Darkington and Sons, Pneumatic Systems and Valves of Sheffield. Jeremy Darkington was about Gainsley's age, but he was dressed as a tradesman and spoke with a hybrid Yorkshire-Cockney accent. He was a skilled metalworker who had made good by supplying valves for steam trains.
While he sat behind his desk, I unpacked my chemicals. I uncorked a bottle and poured a little solution into a glass, then opened a jar of dark purple crystals. I dropped one into the glass, where it began to bubble with great vigor.
Permanganate of potash added to peroxide of hydrogen will release oxygen,
I explained as we watched the reaction turn the liquid to a greenish purple froth.
I know t'reaction,
he replied.
I now laid out drawings before him.
I wish to have a reactor built. Peroxide will be fed in here, potash here. Oxygen will be released into this pipe as they react, and when they are spent, the solution will be vented through this tap before fresh materials are introduced to give off more oxygen.
He examined the drawings, scratching his head from time to time, but generally nodding. At last he looked up.
Can be built, but what end for it? There's oxygen all about.
I have an application that calls for pure oxygen. An industrial application.
Ah.
How much to build it, and how long?
Summat busy for present... thirty pounds. Just now there's batches of valves for Mister Stevenson's new engine fleet... a fortnight?
Done! Put my contract on your books.
My reactor looked viable in principle, but the only way to test it was by means of a flight. That was risky. Still, it was worth the risk.
My father had two sayings that I lived by. Luck is opportunity recognized, was sensible enough, except that opportunity generally eluded me. That which is too good to be true is never true, was a little less positive, yet it had kept me out of trouble on many occasions. Gainsley and his schemes seemed too good to be true, yet he paid generously enough.
I was returning from Sheffield, and was within ten miles of Gainsley's manor house when a rain storm swept over the countryside. Because it was late in the afternoon, I decided to spend the night at a small inn on the edge of a hamlet. I was dining on a pork pie when a bearded man approached me. He was dressed as an itinerant laborer, but that illusion vanished as soon as he began to speak.
So, you are Gainsley's latest balloonist,
he said in a soft, almost conspiratorial voice with a French accent.
I do not know you, sir,
I responded warily.
My name is Norvin, and I know you to be Harold Parkes.
Clearly he had something serious to discuss. I gestured to a chair.
You said I was Lord Gainsley's latest balloonist, yet the baron never flew before I took him aloft.
He has had four balloonists. Routley, he died in a mysterious duel in 1831. Sanderson died of food poisoning, two years later. Elders fell from the carriage of a train in 1837, and was found beside the tracks with his neck broken. I would wager my last pound that it was broken before he fell.
I felt a stab of alarm, but the stranger showed not a trace of hostility.
You said four balloonists,
I prompted.
I was on a fishing boat, supposedly being taken back to France. One mile out to sea, I was padlocked to a length of iron rail and heaved over the side.
Yet here you are, alive.
When on hard times I supplemented my income by liberating goods guarded by padlocks. Thus my pickwire is always upon my person. It was a near thing, picking a lock in darkness, under water.
I was aware that those balloonists he had named had died, for we are a small fraternity. Now I speculated.
The balloonist Edward Norvin was French, and a veteran of the Napoleonic Wars. He vanished in 1836.
So I did, Monsieur Parkes. The seventeenth day of July at one hour before midnight. One does not forget days like that in a hurry. I grew a beard and developed a new identity.
Can you prove that Gainsley was involved?
"Can you prove that Gainsley and yourself have had any business dealings?" he asked in turn.
I raised my finger and opened my mouth to reply... but said nothing. All of our dealings had been in cash. My men Kelly and Feldman now lived on the Gainsley estate, as did I. Nobody knew. The color quite probably drained from my face. Norvin smiled and took a sip from his tankard.
You are having dreams and visions, Monsieur Parkes,
he continued. The visions begin to tumble through your mind when ascending with Gainsley and Angelica. They begin at about ten thousand feet, the altitude at which the fox woman's mind becomes more clear. It is as if she were emerging from a drunken stupor, raving randomly.
But she has never said a thing.
She is not like us. She speaks with her mind, her words are images of thoughts. I would say that you have said nothing of this to Gainsley as yet.
Why?
You are still alive.
I did not want to hear any of this, yet it seemed true.
I saw landscapes that were all red and green under a violet sky,
Norvin continued. There were cities of silver crystal, their streets strewn with bodies although the buildings were intact. It looked like a scene of plague. My perspective was odd. It was as if I were being dragged about, being made to look at the bodies. The only moving figures were wearing helmets and coveralls that resembled a Seibe diving suit—except that the helmets were made of glass and had no air hoses.
Now I began to feel really frightened. Norvin was describing precisely what I had seen, both in the ascent visions and in my dreams. I decided to be honest, in order to gain his trust.
"I have also had dreams filled with