Piccadilly Jim
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P. G. Wodehouse
P. G. Wodehouse was an English author and one of the most widely read humorists of the twentieth century.
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Reviews for Piccadilly Jim
6 ratings10 reviews
- Rating: 3 out of 5 stars3/5This book has all the ingredients of a Wodehouse novel, a wayward nephew, a beautiful niece, head strong aunts, meek uncles, a crazy scientist and a fierce female detective. But somehow it lacks the humorous punch that make a good comic novel.All and all a disappointment.
- Rating: 5 out of 5 stars5/5I love Wodehouse, but am used to his Jeeves & Wooster books, which are, essentially, a string of short stories. Piccadilly Jim is a single, coherent plot, told with the usual Wodehouse brilliance. Any description of the plot would undoubtedly be a 'spoiler'. Suffice it to say that it is shot through with deception, counter-deception and mistaken identity. Towards the end I scarcely dared to turn the page to the next Chapter in fear of the next excruciating twist and turn. Wooster is, in the end, always put upon by others. Piccadilly Jim manages to make his own trouble. Look out for the wonderfully written Miss Trimble, Housemaid and Private Detective, as well Skinner the butler!
- Rating: 3 out of 5 stars3/5Jim is an American who causes waves by going to England and tying one on. His parents are not amused. He comes back to the US and woos a fair maiden who he previously knew.... oh well, too complicated to say all the things that happen. Needless to say, it all comes out ok in the end. Pretty formulaic, but still amusing.
- Rating: 3 out of 5 stars3/5This is one of the rare occasions when the audiobook was less enjoyable than reading the book in print. Although Frederick Davidson's normal speaking voice is fine, the voices he uses for some of the characters were off the mark and in some cases irritating. Too bad, as this is a very funny book with mostly American characters.
- Rating: 3 out of 5 stars3/5Now I have to come clean ... I am a big PG Wodehouse fan, as well as his books I also own several audiobooks of his stories or the BBC dramatisation of his stories. And Piccadilly Jim does not disappoint, it's full of the typical 'wodehouse' characters set in the typical 'wodehouse' plot ... which is to say literally anything can (and will!) happen. Kidnapping plots, people assuming false names and identities (in one case one fellow pretending to be someone else pretending to be himself .... picture The Life of Brian with men dressed as women pretending to be men ...), put-upon husbands, pretentious poets, phoney inventors, thiefs and the usual smattering of butlers - some even are who they claim to be.If all you know about PG Wodehouse is that Stephen Fry and Hugh Laurie once played Jeeves and Wooster I urge you to read some of his other books, and this one would not be a bad place to start.
- Rating: 5 out of 5 stars5/5The man can do no wrong - another corker!This is a story of farcical mix ups between an American and English extended family, when the antics of James Crocker (the eponymous Piccadilly Jim) in London upsets his step-mother when his antics may cost his American father an English Lordship.James Crocker shamed by his behaviour therefore takes ship for New York, meets the girl of his dreams on the ship, who he had upset five years earlier writing a biting review of her book of adolescent verse. She does not recognise him, so he pretends to be the son of his parent's butler (Bayliss - a precursor of Beach in the Blanding novels), but then is asked to pretend to be James Crocker (yes, himself!) in order to gain access to his aunt and uncle's house (they have never met him) to kidnap the extremely badly behaved son of his aunt, who is making his step-father's life a misery.Of course, it is more complicated than the above even begins to convey and yet it is written with such ease, when you are reading it it all makes perfect sense and it is so funny.Although not in one of the series for which he is better known, this is an excellent stand-alone Wodehouse.
- Rating: 2 out of 5 stars2/5One of Wodehouse's earlier efforts (originally published in 1917), and it doesn't really show him at his best. He hasn't quite rounded into the peak form that he would acquire later. Pretty much for completists only.
- Rating: 3 out of 5 stars3/5A fun outing this one. Jim Crocker is a bit of a lad about town, which is fine until his name is linked with that of his aunt Nesta and she takes umbrage about it. She's convinced that Jim is a wastrel and that his life should be turned around by working for his living, preferably in her husband's firm. Jim doesn't necessarily agree with the plan, but he ends up falling in line when he falls for Nesta's husband's niece, Ann. Unfortunately, Ann has had a run in with Jim before, when he was working as a journalist and wrote a piece after an interview in which he scorned her poems and she has been set against him ever since, on principle. Somewhere mixed in all this is a boxer, a plan to kidnap a spoilt brat, baseball and two determined sisters who have married men who might be able to exert themselves in the office, but who wilt when faced with their wives. It's light-hearted and, unlike the Bertie Wooster books, at least has someone wanting to marry (unlike Bertie's aims to not be married). Enjoyable light writing, not entirely believable and relying on co-incidence, but you can forgive that when they're this much fun.
- Rating: 3 out of 5 stars3/5This isn’t one of Mr Wodehouse’s finest works, but there are enough laughs to make “Piccadilly Jim” a worthwhile read.
- Rating: 2 out of 5 stars2/5I enjoy the Laurie/Fry series of Jeeves & Wooster, but it seems the books are not for me. I liked the fighting young couple (Ann and the eponymous Jim), but everyone else just annoyed me. It’s a light-hearted, baldly written story, and I could hardly get through it.
Book preview
Piccadilly Jim - P. G. Wodehouse
Piccadilly Jim
by
Pelham Grenville Wodehouse
CHAPTER I
A RED-HAIRED GIRL
The residence of Mr. Peter Pett, the well-known financier, on Riverside Drive is one of the leading eyesores of that breezy and expensive boulevard. As you pass by in your limousine, or while enjoying ten cents worth of fresh air on top of a green omnibus, it jumps out and bites at you. Architects, confronted with it, reel and throw up their hands defensively, and even the lay observer has a sense of shock. The place resembles in almost equal proportions a cathedral, a suburban villa, a hotel and a Chinese pagoda. Many of its windows are of stained glass, and above the porch stand two terra-cotta lions, considerably more repulsive even than the complacent animals which guard New York's Public Library. It is a house which is impossible to overlook: and it was probably for this reason that Mrs. Pett insisted on her husband buying it, for she was a woman who liked to be noticed.
Through the rich interior of this mansion Mr. Pett, its nominal proprietor, was wandering like a lost spirit. The hour was about ten of a fine Sunday morning, but the Sabbath calm which was upon the house had not communicated itself to him. There was a look of exasperation on his usually patient face, and a muttered oath, picked up no doubt on the godless Stock Exchange, escaped his lips.
Darn it!
He was afflicted by a sense of the pathos of his position. It was not as if he demanded much from life. He asked but little here below. At that moment all that he wanted was a quiet spot where he might read his Sunday paper in solitary peace, and he could not find one. Intruders lurked behind every door. The place was congested.
This sort of thing had been growing worse and worse ever since his marriage two years previously. There was a strong literary virus in Mrs. Pett's system. She not only wrote voluminously herself—the name Nesta Ford Pett is familiar to all lovers of sensational fiction—but aimed at maintaining a salon. Starting, in pursuance of this aim, with a single specimen,—her nephew, Willie Partridge, who was working on a new explosive which would eventually revolutionise war—she had gradually added to her collections, until now she gave shelter beneath her terra-cotta roof to no fewer than six young and unrecognised geniuses. Six brilliant youths, mostly novelists who had not yet started and poets who were about to begin, cluttered up Mr. Pett's rooms on this fair June morning, while he, clutching his Sunday paper, wandered about, finding, like the dove in Genesis, no rest. It was at such times that he was almost inclined to envy his wife's first husband, a business friend of his named Elmer Ford, who had perished suddenly of an apoplectic seizure: and the pity which he generally felt for the deceased tended to shift its focus.
Marriage had certainly complicated life for Mr. Pett, as it frequently does for the man who waits fifty years before trying it. In addition to the geniuses, Mrs. Pett had brought with her to her new home her only son, Ogden, a fourteen-year-old boy of a singularly unloveable type. Years of grown-up society and the absence of anything approaching discipline had given him a precocity on which the earnest efforts of a series of private tutors had expended themselves in vain. They came, full of optimism and self-confidence, to retire after a brief interval, shattered by the boy's stodgy resistance to education in any form or shape. To Mr. Pett, never at his ease with boys, Ogden Ford was a constant irritant. He disliked his stepson's personality, and he more than suspected him of stealing his cigarettes. It was an additional annoyance that he was fully aware of the impossibility of ever catching him at it.
Mr. Pett resumed his journey. He had interrupted it for a moment to listen at the door of the morning-room, but, a remark in a high tenor voice about the essential Christianity of the poet Shelley filtering through the oak, he had moved on.
Silence from behind another door farther down the passage encouraged him to place his fingers on the handle, but a crashing chord from an unseen piano made him remove them swiftly. He roamed on, and a few minutes later the process of elimination had brought him to what was technically his own private library—a large, soothing room full of old books, of which his father had been a great collector. Mr. Pett did not read old books himself, but he liked to be among them, and it is proof of his pessimism that he had not tried the library first. To his depressed mind it had seemed hardly possible that there could be nobody there.
He stood outside the door, listening tensely. He could hear nothing. He went in, and for an instant experienced that ecstatic thrill which only comes to elderly gentlemen of solitary habit who in a house full of their juniors find themselves alone at last. Then a voice spoke, shattering his dream of solitude.
Hello, pop!
Ogden Ford was sprawling in a deep chair in the shadows.
Come in, pop, come in. Lots of room.
Mr. Pett stood in the doorway, regarding his step-son with a sombre eye. He resented the boy's tone of easy patronage, all the harder to endure with philosophic calm at the present moment from the fact that the latter was lounging in his favourite chair. Even from an aesthetic point of view the sight of the bulging child offended him. Ogden Ford was round and blobby and looked overfed. He had the plethoric habit of one to whom wholesome exercise is a stranger and the sallow complexion of the confirmed candy-fiend. Even now, a bare half hour after breakfast, his jaws were moving with a rhythmical, champing motion.
What are you eating, boy?
demanded Mr. Pett, his disappointment turning to irritability.
Candy.
I wish you would not eat candy all day.
Mother gave it to me,
said Ogden simply. As he had anticipated, the shot silenced the enemy's battery. Mr. Pett grunted, but made no verbal comment. Ogden celebrated his victory by putting another piece of candy in his mouth.
Got a grouch this morning, haven't you, pop?
I will not be spoken to like that!
I thought you had,
said his step-son complacently. I can always tell. I don't see why you want to come picking on me, though. I've done nothing.
Mr. Pett was sniffing suspiciously.
You've been smoking.
Me!!
Smoking cigarettes.
No, sir!
There are two butts in the ash-tray.
I didn't put them there.
One of them is warm.
It's a warm day.
You dropped it there when you heard me come in.
No, sir! I've only been here a few minutes. I guess one of the fellows was in here before me. They're always swiping your coffin-nails. You ought to do something about it, pop. You ought to assert yourself.
A sense of helplessness came upon Mr. Pett. For the thousandth time he felt himself baffled by this calm, goggle-eyed boy who treated him with such supercilious coolness.
You ought to be out in the open air this lovely morning,
he said feebly.
All right. Let's go for a walk. I will if you will.
I—I have other things to do,
said Mr. Pett, recoiling from the prospect.
Well, this fresh-air stuff is overrated anyway. Where's the sense of having a home if you don't stop in it?
When I was your age, I would have been out on a morning like this—er—bowling my hoop.
And look at you now!
What do you mean?
Martyr to lumbago.
I am not a martyr to lumbago,
said Mr. Pett, who was touchy on the subject.
Have it your own way. All I know is—
Never mind!
I'm only saying what mother . . .
Be quiet!
Ogden made further researches in the candy box.
Have some, pop?
No.
Quite right. Got to be careful at your age.
What do you mean?
Getting on, you know. Not so young as you used to be. Come in, pop, if you're coming in. There's a draft from that door.
Mr. Pett retired, fermenting. He wondered how another man would have handled this situation. The ridiculous inconsistency of the human character infuriated him. Why should he be a totally different man on Riverside Drive from the person he was in Pine Street? Why should he be able to hold his own in Pine Street with grown men—whiskered, square-jawed financiers—and yet be unable on Riverside Drive to eject a fourteen-year-old boy from an easy chair? It seemed to him sometimes that a curious paralysis of the will came over him out of business hours.
Meanwhile, he had still to find a place where he could read his
Sunday paper.
He stood for a while in thought. Then his brow cleared, and he began to mount the stairs. Reaching the top floor, he walked along the passage and knocked on a door at the end of it. From behind this door, as from behind those below, sounds proceeded, but this time they did not seem to discourage Mr. Pett. It was the tapping of a typewriter that he heard, and he listened to it with an air of benevolent approval. He loved to hear the sound of a typewriter: it made home so like the office.
Come in,
called a girl's voice.
The room in which Mr. Pett found himself was small but cosy, and its cosiness—oddly, considering the sex of its owner—had that peculiar quality which belongs as a rule to the dens of men. A large bookcase almost covered one side of it, its reds and blues and browns smiling cheerfully at whoever entered. The walls were hung with prints, judiciously chosen and arranged. Through a window to the left, healthfully open at the bottom, the sun streamed in, bringing with it the pleasantly subdued whirring of automobiles out on the Drive. At a desk at right angles to this window, her vivid red-gold hair rippling in the breeze from the river, sat the girl who had been working at the typewriter. She turned as Mr. Pett entered, and smiled over her shoulder.
Ann Chester, Mr. Pett's niece, looked her best when she smiled. Although her hair was the most obviously striking feature of her appearance, her mouth was really the most individual thing about her. It was a mouth that suggested adventurous possibilities. In repose, it had a look of having just finished saying something humorous, a kind of demure appreciation of itself. When it smiled, a row of white teeth flashed out: or, if the lips did not part, a dimple appeared on the right cheek, giving the whole face an air of mischievous geniality. It was an enterprising, swashbuckling sort of mouth, the mouth of one who would lead forlorn hopes with a jest or plot whimsically lawless conspiracies against convention. In its corners and in the firm line of the chin beneath it there lurked, too, more than a hint of imperiousness. A physiognomist would have gathered, correctly, that Ann Chester liked having her own way and was accustomed to get it.
Hello, uncle Peter,
she said. What's the trouble?
Am I interrupting you, Ann?
Not a bit. I'm only copying out a story for aunt Nesta. I promised her I would. Would you like to hear some of it?
Mr. Pett said he would not.
You're missing a good thing,
said Ann, turning the pages. I'm all worked up over it. It's called 'At Dead of Night,' and it's full of crime and everything. You would never think aunt Nesta had such a feverish imagination. There are detectives and kidnappers in it and all sorts of luxuries. I suppose it's the effect of reading it, but you look to me as if you were trailing something. You've got a sort of purposeful air.
Mr. Pett's amiable face writhed into what was intended to be a bitter smile.
I'm only trailing a quiet place to read in. I never saw such a place as this house. It looks big enough outside for a regiment. Yet, when you're inside, there's a poet or something in every room.
What about the library? Isn't that sacred to you?
The boy Ogden's there.
What a shame!
Wallowing in my best chair,
said Mr. Pett morosely. Smoking cigarettes.
Smoking? I thought he had promised aunt Nesta he wouldn't smoke.
Well, he said he wasn't, of course, but I know he had been. I don't know what to do with that boy. It's no good my talking to him. He—he patronises me!
concluded Mr. Pett indignantly. Sits there on his shoulder blades with his feet on the table and talks to me with his mouth full of candy as if I were his grandson.
Little brute.
Ann was sorry for Mr. Pett. For many years now, ever since the death of her mother, they had been inseparable. Her father, who was a traveller, explorer, big-game hunter, and general sojourner in the lonelier and wilder spots of the world and paid only infrequent visits to New York, had left her almost entirely in Mr. Pett's care, and all her pleasantest memories were associated with him. Mr. Chester's was in many ways an admirable character, but not a domestic one; and his relations with his daughter were confined for the most part to letters and presents. In the past few years she had come almost to regard Mr. Pett in the light of a father. Hers was a nature swiftly responsive to kindness; and because Mr. Pett besides being kind was also pathetic she pitied as well as loved him. There was a lingering boyishness in the financier, the boyishness of the boy who muddles along in an unsympathetic world and can never do anything right: and this quality called aloud to the youth in her. She was at the valiant age when we burn to right wrongs and succour the oppressed, and wild rebel schemes for the reformation of her small world came readily to her. From the first she had been a smouldering spectator of the trials of her uncle's married life, and if Mr. Pett had ever asked her advice and bound himself to act on it he would have solved his domestic troubles in explosive fashion. For Ann in her moments of maiden meditation had frequently devised schemes to that end which would have made his grey hair stand erect with horror.
I've seen a good many boys,
she said, but Ogden is in a class by himself. He ought to be sent to a strict boarding-school, of course.
He ought to be sent to Sing-Sing,
amended Mr. Pett.
Why don't you send him to school?
Your aunt wouldn't hear of it. She's afraid of his being kidnapped. It happened last time he went to school. You can't blame her for wanting to keep her eye on him after that.
Ann ran her fingers meditatively over the keys.
I've sometimes thought . . .
Yes?
Oh, nothing. I must get on with this thing for aunt Nesta.
Mr. Pett placed the bulk of the Sunday paper on the floor beside him, and began to run an appreciative eye over the comic supplement. That lingering boyishness in him which endeared him to Ann always led him to open his Sabbath reading in this fashion. Grey-headed though he was, he still retained both in art and in real life a taste for the slapstick. No one had ever known the pure pleasure it had given him when Raymond Green, his wife's novelist protege, had tripped over a loose stair-rod one morning and fallen an entire flight.
From some point farther down the corridor came a muffled thudding. Ann stopped her work to listen.
There's Jerry Mitchell punching the bag.
Eh?
said Mr. Pett.
I only said I could hear Jerry Mitchell in the gymnasium.
Yes, he's there.
Ann looked out of the window thoughtfully for a moment. Then she swung round in her swivel-chair.
Uncle Peter.
Mr. Pett emerged slowly from the comic supplement.
Eh?
Did Jerry Mitchell ever tell you about that friend of his who keeps a dogs' hospital down on Long Island somewhere? I forget his name. Smithers or Smethurst or something. People—old ladies, you know, and people—bring him their dogs to be cured when they get sick. He has an infallible remedy, Jerry tells me. He makes a lot of money at it.
Money?
Pett, the student, became Pett, the financier, at the magic word. There might be something in that if one got behind it. Dogs are fashionable. There would be a market for a really good medicine.
I'm afraid you couldn't put Mr. Smethurst's remedy on the market. It only works when the dog has been overeating himself and not taking any exercise.
Well, that's all these fancy dogs ever have the matter with them. It looks to me as if I might do business with this man. I'll get his address from Mitchell.
It's no use thinking of it, uncle Peter. You couldn't do business with him—in that way. All Mr. Smethurst does when any one brings him a fat, unhealthy dog is to feed it next to nothing—just the simplest kind of food, you know—and make it run about a lot. And in about a week the dog's as well and happy and nice as he can possibly be.
Oh,
said Mr. Pett, disappointed.
Ann touched the keys of her machine softly.
Why I mentioned Mr. Smethurst,
she said, it was because we had been talking of Ogden. Don't you think his treatment would be just what Ogden needs?
Mr. Pett's eyes gleamed.
It's a shame he can't have a week or two of it!
Ann played a little tune with her finger-tips on the desk.
It would do him good, wouldn't it?
Silence fell upon the room, broken only by the tapping of the typewriter. Mr. Pett, having finished the comic supplement, turned to the sporting section, for he was a baseball fan of no lukewarm order. The claims of business did not permit him to see as many games as he could wish, but he followed the national pastime closely on the printed page and had an admiration for the Napoleonic gifts of Mr. McGraw which would have gratified that gentleman had he known of it.
Uncle Peter,
said Ann, turning round again.
Eh?
It's funny you should have been talking about Ogden getting kidnapped. This story of aunt Nesta's is all about an angel-child—I suppose it's meant to be Ogden—being stolen and hidden and all that. It's odd that she should write stories like this. You wouldn't expect it of her.
Your aunt,
said Mr. Pett, lets her mind run on that sort of thing a good deal. She tells me there was a time, not so long ago, when half the kidnappers in America were after him. She sent him to school in England—or, rather, her husband did. They were separated then—and, as far as I can follow the story, they all took the next boat and besieged the place.
It's a pity somebody doesn't smuggle him away now and keep him till he's a better boy.
Ah!
said Mr. Pett wistfully.
Ann looked at him fixedly, but his eyes were once more on his paper. She gave a little sigh, and turned to her work again.
It's quite demoralising, typing aunt Nesta's stories,
she said.
They put ideas into one's head.
Mr. Pett said nothing. He was reading an article of medical interest in the magazine section, for he was a man who ploughed steadily through his Sunday paper, omitting nothing. The typewriter began tapping again.
Great Godfrey!
Ann swung round, and gazed at her uncle in concern. He was staring blankly at the paper.
What's the matter?
The page on which Mr. Pett's attention was concentrated was decorated with a fanciful picture in bold lines of a young man in evening dress pursuing a young woman similarly clad along what appeared to be a restaurant supper-table. An enjoyable time was apparently being had by both. Across the page this legend ran:
PICCADILLY JIM ONCE MORE
The Recent Adventures of Young Mr. Crocker
of New York and London
It was not upon the title, however, nor upon the illustration that Mr. Pett's fascinated eye rested. What he was looking at was a small reproduction of a photograph which had been inserted in the body of the article. It was the photograph of a woman in the early forties, rather formidably handsome, beneath which were printed the words:
Mrs. Nesta Ford Pett
Well-Known Society Leader and Authoress
Ann had risen and was peering over his shoulder. She frowned as she caught sight of the heading of the page. Then her eye fell upon the photograph.
Good gracious! Why have they got aunt Nesta's picture there?
Mr. Pett breathed a deep and gloomy breath.
They've found out she's his aunt. I was afraid they would. I don't know what she will say when she sees this.
Don't let her see it.
She has the paper downstairs. She's probably reading it now.
Ann was glancing through the article.
"It seems to be much the same sort of thing that they have published before. I can't understand why the Chronicle takes such an interest in Jimmy Crocker."
"Well, you see he used to be a newspaper man, and the Chronicle was the paper he worked for."
Ann flushed.
I know,
she said shortly.
Something in her tone arrested Mr. Pett's attention.
Yes, yes, of course,
he said hastily. I was forgetting.
There was an awkward silence. Mr. Pett coughed. The matter of young Mr. Crocker's erstwhile connection with the New York Chronicle was one which they had tacitly decided to refrain from mentioning.
I didn't know he was your nephew, uncle Peter.
Nephew by marriage,
corrected Mr. Pett a little hurriedly.
Nesta's sister Eugenia married his father.
I suppose that makes me a sort of cousin.
A distant cousin.
It can't be too distant for me.
There was a sound of hurried footsteps outside the door. Mrs.
Pett entered, holding a paper in her hand. She waved it before
Mr. Pett's sympathetic face.
I know, my dear,
he said backing. Ann and I were just talking about it.
The little photograph had not done Mrs. Pett justice. Seen life-size, she was both handsomer and more formidable than she appeared in reproduction. She was a large woman, with a fine figure and bold and compelling eyes, and her personality crashed disturbingly into the quiet atmosphere of the room. She was the type of woman whom small, diffident men seem to marry instinctively, as unable to help themselves as cockleshell boats sucked into a maelstrom.
What are you going to do about it?
she demanded, sinking heavily into the chair which her husband had vacated.
This was an aspect of the matter which had not occurred to Mr. Pett. He had not contemplated the possibility of actually doing anything. Nature had made him out of office hours essentially a passive organism, and it was his tendency, when he found himself in a sea of troubles, to float plaintively, not to take arms against it. To pick up the slings and arrows of outrageous fortune and fling them back was not a habit of his. He scratched his chin and said nothing. He went on saying nothing.
"If Eugenia had had any sense, she would have foreseen what would happen if she took the boy away from New York where he was working too hard to get into mischief and let him run loose in London with too much money and nothing to do. But, if she had had any sense, she would never have married that impossible Crocker