The Tapestry: A Novel
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About this ebook
Henry VIII's Palace of Whitehall is the last place on earth Joanna Stafford wants to be. But a summons from the king cannot be refused.
After her priory was destroyed, Joanna, a young Dominican novice, vowed to live a quiet life, weaving tapestries and shunning dangerous conspiracies. That all changes when the king takes an interest in her tapestry talent.
With a ruthless monarch tiring of his fourth wife and amoral noblemen driven by hidden agendas, Joanna becomes entangled in Tudor court politics. Her close friend, Catherine Howard. is rumored to be the king's mistress, and Joanna is determined to protect her from becoming the king's next wife—and victim. All the while, Joanna tries to understand her feelings for the two men in her life: the constable who tried to save her and the friar she can't forget.
In a world of royal banquets, jousts, sea voyages and Tower Hill executions, Joanna must finally choose her future: nun or wife, spy or subject, rebel or courtier.
The Tapestry is the final book in a Tudor trilogy that began in 2012 with The Crown, an Oprah magazine pick. Don't miss the adventures of one of the most unforgettable heroines in historical fiction.
Nancy Bilyeau
Nancy Bilyeau, author of The Crown and The Chalice, is a writer and magazine editor who has worked on the staffs of InStyle, Rolling Stone, Entertainment Weekly, and Good Housekeeping. She is currently the executive editor of Du Jour magazine. A native of the Midwest, she lives in New York City with her husband and two children. Visit her website at NancyBilyeau.com.
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The Chalice: A Novel Rating: 4 out of 5 stars4/5The Crown Rating: 4 out of 5 stars4/5The Tapestry: A Novel Rating: 4 out of 5 stars4/5
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Reviews for The Tapestry
9 ratings14 reviews
- Rating: 4 out of 5 stars4/5There have been so many books written about life in Tudor England and the lives of Henry VIII and his many wives. People have heard this story from the mouth of Thomas Cromwell, various people of the court, the King, and of course his wives. In The Tapestry, Nancy Bilyeau now tells the story from a very unique perspective - Joanna Stafford, a nun who is part of a Dominican Priory that was closed when Henry VIII dissolved the Catholic church. But this is not your everyday nun! Rather than being the stereotypical meek, obedient, wimple-wearing sister of the church, Joanna is feisty, brave, and can even swoon during a not-so-chaste kiss. This book is the 3rd of a series featuring former novice Joanna Stafford, who in addition to her religious training, has had some instruction in spying as well as hand to hand combat. All of this is not covered in this book. Although you can read this book on its own, as I did, I think it would be better to start off with the beginning of the series. Joanna has been summoned to Henry VIII's court as a tapestry expert, a hobby she picked up after leaving the priory. But things get complicated when Joanna's friend, Catherine Howard, attracts the romantic interest of the king. And to top it off, someone is trying to kill Joanna, and she has no idea who or why.Overall, I enjoyed the historic fiction aspects of this story. I am a huge fan of this period in history, so the appearance of characters such as Anne of Cleves, Holbein, and Catherine Howard, really added to my enjoyment of this book. But, I found Joanna not that compelling a hero and I had a hard time understanding the overall mystery and flow of the story. The reviews for this book are very strong, so I wonder if my problem was starting this series in the middle instead of from the beginning. The audio narration is performed by Nicola Barber. Although her performance was polished, her voice made Joanna sound young and weak, which might be appropriate for a regular former nun, but not the capable intelligent heroine of this story. My overall rating for this book is 3.5 stars.I received a free audio copy of this book from the publisher in exchange for an honest review.
- Rating: 5 out of 5 stars5/5An excellent narrator and a strong storyline quickly drew me in to this wonderful historical mystery set in Tudor England. This is a third book in the series, but even though I had not read or listened to earlier books, the author seamlessly wove the necessary background into the story so new readers would not feel lost. Highly recommended. (Now I need to go back and listen to the two earlier books.)
- Rating: 4 out of 5 stars4/5Excellent read! I enjoyed this audiobook so much that I bought the earlier audiobooks in the series. It is not necessary to listen (or read) the earlier offerings to appreciate this one. However, there was a bit of history here and there that I think the earlier books will clarify. Incorporating historical detail with mystery and a touch of romance, Nancy Bilyeau creates a world that engages the reader from the very first sentence. A veritable treasure chest of characters moves the plot and the wonderful narration of Nicola Barber brings it all to life. I can't speak highly enough of Barber's skill with her voice. I might possibly listen to her read the telephone directory- she is that good. For audiobook fans who love history and mystery interwoven, this book is highly recommended. Thank you to LibraryThing Early Reviewers program for the opportunity to find yet another great author and another wonderful narrator!
- Rating: 4 out of 5 stars4/5Like this novel but it kept referring back to previous events so there must be a first book? Story of a trapestry weavrt that is commissioned to the king and her life is in danger.
- Rating: 5 out of 5 stars5/5“The Tapestry” is truly an outstanding novel and deserves a place on the blockbuster “New York Times Fiction Best Sellers” list. In addition, the audio CD is well done. Nancy Bilyeau, author, has masterfully woven many colorful lives into a novel of suspense, using well researched historical events in the dangerous world of Tudor England. In the trilogy, this book is a whodunit, page-turner, and could be read as a stand-alone novel.I HIGHLY recommend “The Tapestry” to readers who enjoy a blend of history and mystery. Bilyeau will keep you on the edge of your seat until the final chapter.
- Rating: 3 out of 5 stars3/5I'd definitely give this one an extra half star if I could, if for no other reason than the history. This series always has me digging to learn more. I enjoy this series - Bilyeau keeps things moving and never gives away too much.
- Rating: 4 out of 5 stars4/5This is definitely not a stand alone book. While it was hard to read about a less than tolerant religious heroine, the author has done a better job than most other Tudor era authors in sticking to known historical events, which I appreciate
- Rating: 4 out of 5 stars4/5A fun read. Bilyeau provides a compelling heroine, interesting plot, and wonderfully detailed setting. Although I'm thoroughly burned out on Tudor stories, this one kept my interest and provided a different take on the tragic story of Katherine Howard. I particularly appreciated the era-sensitive attitude toward the occult and magic--something most authors avoid unless they write fantasy or the story is about witches and heretics. A note on the narration: This was the audio book edition and I found the narrator easy to listen to. She spoke in a British accent and used a light touch with the voices, trying to make distinctions, but not create separate characters. I got this book free through an Early Reader program, but that did not affect my review.
- Rating: 5 out of 5 stars5/5This was my favorite book in the trilogy. This book had the same great Tudor intrigue as the first two books, but the pace was faster, the story was more gripping, and the plot was more suspenseful. I listened to this on audio, as I did with the first two, but with this book I couldn't only listen in my car during my commute. Great performance by the narrator as well.
- Rating: 4 out of 5 stars4/5The Tapestry, the third and the last book in the Joanna Stafford series, was very intriguing. While I did not read the first two books, it's easy to follow through without doing so. I will most likely go and get all three books in print, because the audio wasn't really my thing. The narrator's voice was beautiful, but I felt like sleeping and had to re-listen in parts.
- Rating: 4 out of 5 stars4/5Complex and intriguing!Joanna Stafford a former Domonican Novice has returned to London and court. King Henry has called for her to work on his tapestry collection. The life she has put behind her re-emerges. A series of mishaps and confrontations leaves Joanna emotionally in a strange place. A distant cousin to Henry, she is at first housed with her cousin Catherine Howard at a time just before Catherine becomes Henry's mistresss. Joanna is shocked and saddened by the way Catherine is used by her kinsmen.Joanna is not safe. Two attempts are made on her life, old enemies circle her and new acquaintances are suspect. On top of this the power of the prophecy seems to dog her path.Geoffrey Scovill, Hans Holbein and Ambassador Chapyus are amongst her acquaintances. Powerful people are noticing her. This is unsafe. Joanna wants nothing more than to be anonymous. One feels Joanna juggling the situation, seeking the least intrusive path, yet constantly finding herself in the limelight.Joanna's acquaintanceships are the who's who of the times: Emperor Charles, King Henry, Thomas Culpepper, Norfolk, Surrey. She moves in powerful circles albeit unwantingly.As the drama moves between Dartford, Henry's court, Brussels and Germany. Joanna's love, the Friar Edmund also reappears. The covenant, the black arts and some of the most powerful men of alchemy in Europe are referenced.Throughout Joanna is strengthened and strengthens other by her faith, steadfastness and quick thinking. Her relationship with Culpepper, her view of him is interesting.Geoffrey Scovill is always present as both a protector and a reminder of the way her heart has been torn between him and Edmund.A novel of Henry VIII's court: intrigue, plots and retribution, filled with terror, sorrow and compassion. Joanna's story is well worth reading.A NetGalley ARC
- Rating: 4 out of 5 stars4/5This is the third novel in the Sister Joanna Stafford historical fiction series by author, Nancy Bilyeau. Although I did not have the pleasure of reading the first two books in this series, the third is written well and provides enough descriptive language that one is not at a loss for having passed over the earlier parts of the story. This installment, in the ongoing saga of Sister Joanna Stafford, brings us deep into the court of Henry the VIII with all of its political intrigue, machinations and skullduggery. Yet, what we experience is the story of a young woman conflicted between following the orders of the king vs. following the heart of God. Our heroine is fiercely loyal, intuitive and bright yet at times, rather naïve. The characters are colorfully rendered and the relationships among them well developed. Having observed first hand a number of places referenced, the landscapes are well crafted and spot on. This was a refreshing telling of the story of the Tudor Court without the usual graphic sexual and baudy references to Henry VIII's court of excesses and debauchery. I am grateful to author, Nancy Bilyeau and publisher Simon & Schuster for having provided me with a free copy of this book in audio format through the LibraryThing Early Reviewers program - an offering which has not influenced this review.Synopsis (from dust jacket):After her priory in Dartford is closed—collateral damage in tyrannical King Henry VIII’s quest to overthrow the Catholic Church—Joanna resolves to live a quiet and honorable life weaving tapestries, shunning dangerous quests and conspiracies. Until she is summoned to Whitehall Palace, where her tapestry weaving has drawn the King’s attention.Joanna is uncomfortable serving the King whom she has twice attempted to overthrow—unbeknownst to him. She fears for her life in a court bursting with hidden agendas and a casual disregard for the virtues she holds dear. And her suspicions are confirmed when an assassin attempts to kill her moments after arriving at Whitehall.Struggling to stay ahead of her most formidable enemy yet, an unknown one, she becomes entangled in dangerous court politics. Her dear friend Catherine Howard is rumored to be one of the King’s mistresses. Joanna is determined to protect young, beautiful, naïve Catherine from becoming the King’s next wife and possibly, victim.Set in a world of royal banquets and feasts, tournament jousts, ship voyages, and Tower Hill executions, this thrilling tale finds Joanna in her most dangerous situation yet, as she attempts to decide the life she wants to live: nun or wife, spy or subject, rebel or courtier. Joanna must finally choose her fate.
- Rating: 4 out of 5 stars4/5This is the third (and final I believe) of the Joanna Stafford novels. Joanna is a lost child as it were of a royal family in the Tudor era. She chooses to become a novitiate in the Dominican Priory at Dartford but as we all know Henry VIII with the help of Thomas Cromwell had the Abbeys and Monasteries destroyed. In this installment Joanna seeks to live a quiet life in Dartford and weave the tapestries that give her comfort. But that is not to be as she receives a summons from Whitehall to see the King about a commission.As she arrives in London she knows something isn’t right but can’t understand why. Why would anyone care about someone as insignificant as she. But she knows things that others don’t want her to reveal. This is the third of a series and it can stand alone but I think it helps to have read the first two because it just becomes a much richer tale by knowing and understanding all of the players.I really enjoyed this chapter in Joanna’s story. It wrapped up all of the questions and storylines left hanging from book 2. There were twists and turns a plenty Not to mention lots of romantic tension for this former nun. This is a wonderful character and she is surrounded by a well thought out group of friends that all help to move the story along. I thought I knew the bad guy until I didn’t – and that is what makes any mystery book fun. The period details are well researched and it’s fun to read a Tudor novel that isn’t all about a Tudor.
- Rating: 5 out of 5 stars5/5Joanna Stafford is pulled from her quiet life in Dartford by a summons to Whitehall Palace. King Henry VIII was so impressed with the tapestry that Joanna wove for Anne of Cleves that he has commissioned Joanna to weave another for him. Joanna has no choice now but to return to the cousin and King who killed members of her family and whom she recently was involved in a plot to kill. As soon as Joanna arrives at Whitehall, trouble finds her. Joanna also finds out that her dear friend, Catherine Howard is being pushed toward the King as a mistress. While working on the King’s Tapestry, Joanna now finds herself deeply embroiled in another plot with someone attempting to hurt her while she attempts to protect one friend and find the whereabouts of another, Edmund . The time will come for Joanna to finally choose what she wants in life. This was my favorite of the Joanna Stafford novels. Taking place within King Henry’s court, many historical players are introduced through Joanna’s eyes: Anne of Cleves, Hans Holbein, Thomas Culpepper, Catherine Howard and Jane Boleyn. Joanna’s relationship with each of these people colors her view of them differently than we have seen through history, especially her friendship with Catherine Howard; however much historical accuracy is still kept. Filled with intrigue, there are plots within plots that Joanna must wade through. With her quick wit, good senses and cleverness Joanna finds her way through the scheming while immersing me in Tudor England on an exciting adventure. Check out my reviews of the first two books in the series below, you will definitely want to read them first!This book was provided for free in return for an honest review.
Book preview
The Tapestry - Nancy Bilyeau
1
I was once told that whenever I felt suspicious of someone’s intent, no matter how faintly, I should trust that instinct, but since the man who issued this advice had himself tried to kill me, and nearly succeeded, it was difficult to know how much weight to give his words.
I felt this distrust in a place where all others seemed at ease, as I followed a page through the tall, gleaming rooms of the Palace of Whitehall, filled with the most prosperous subjects of King Henry VIII. To anyone else, it would seem the safest place in all of England.
But not to me. Never to me.
Only eight days earlier I’d received the summons, calling me back to London, the city where I had seen much cruelty and death. I read it in my small house on the High Street of Dartford, where I had come to serve as a novice at its priory of Dominican sisters and hoped and prayed to prove my worthiness to take vows and become a Bride of Christ. But, two years ago, by the king’s command, our exquisite priory was torn down, and I was cast out with the others.
This missive is from the king’s council, Sister Joanna,
said Gregory, pushing it into my hands as if it were a loaf pulled fresh from the oven that was singeing his fingertips. Gregory was a clerk in the town. He married the vintner’s daughter just after Candlemas Day, and his face soon thickened, like a hunting dog turns fat and sleek when brought into the house at season’s end. But Gregory, no matter his station now, once served as porter to our priory and continued to take an interest in my welfare. He still called me Sister. When a letter came to town bearing the royal seal, Gregory insisted on delivering it to me.
I thanked him and closed the door on the bright noise of the High Street. My fingers heavy with dread, I found a knife to break the beeswax seal. It was light brown, with these words circling the figure of a man on horseback, holding sword and shield: Henry the Eighth, by the grace of God, of England and France and Ireland King, Defender of the Faith, and on Earth, of the English and Irish Church, Supreme Head.
I smoothed the sheet of thick, creamy vellum onto my table. Touching on the matter of the commission of tapestry, Mistress Joanna Stafford, daughter of Sir Richard Stafford, is hereby summoned to the Palace of Whitehall, in the third week of April in the Year of Our Lord 1540, to wait upon the Keeper of the Great Wardrobe of His Majesty, King Henry the Eighth, and receive the King’s command.
I was dismayed but could not say I was surprised. I knew full well that the king took an interest in my tapestries. Bishop Stephen Gardiner had told me, with his usual gleam of bland menace, that King Henry was pleased with The Rise of the Phoenix, the first tapestry I wove on my own after leaving the priory. I sold it to Anne of Cleves, who came to our kingdom to become the fourth wife of Henry VIII, and she made a gift of it to him. Said Bishop Gardiner, His Majesty dislikes everything about his new queen, with one exception: the present of the phoenix tapestry.
A week after Bishop Gardiner told me that, the first letter from the king’s court appeared. Unsigned and unsealed, it was a simple request for my presence at court to speak of tapestries.
If I were of a more sanguine humor, I might find comedy in this. Henry VIII wished to commission a tapestry from a woman who’d treasonably opposed him, not once but twice. The king now lived because of what I did—or, rather, what I failed to do. Yet he would never know any of this history, never realize how tightly our fates were intertwined. No, to Henry VIII, I was but a distant cousin with an intriguing talent for weaving.
And the truth was, I did have another tapestry planned. I’d ordered a drawing from Brussels of The Sorrow of Niobe but had not yet stretched it on the loom. I did not wish to sell this one to the royal couple. For that and other reasons, I failed to respond to the first royal summons. Beset by a troubled marriage and rumors of foreign invasion, His Majesty King Henry VIII would forget about me, surely?
It seemed he would not.
Not only was the second summons worded more forcefully, it was signed. As I stared at the precise strokes of ink slanting across the vellum, my throat tightened. Henry VIII did not write the command himself, of course. One of his secretaries composed the words. But the paper was signed by a different hand. The script was precise and clear, with each curved letter slanted to precisely the same height: Thomas Cromwell, Lord Privy Seal. The king’s chief minister, the man whom we, the faithful of God’s Holy Church, hated and feared above all other men, even the king.
I was in need of advice.
The summons carried a legal import, but I could not bring this matter to the constable of Dartford. Geoffrey Scovill was recently bereaved and still suffering. Three months ago, I stood with him beside the grave of his wife, Beatrice; weeks later, I attempted to offer further condolences, but was met with cold silence. I could not blame him, considering my role in his circumstances. He came to Dartford because of me. I knew that he’d wished to marry, and at times Geoffrey evoked strong feelings in me—equal parts longing and shame—but we often quarreled and clashed. It was Edmund Sommerville, a onetime friar in the Dominican Order, sensitive, erudite and kind, whom I chose to marry. Geoffrey then wed Beatrice, my friend and fellow novice, who had loved him from the first moment she saw him. Now Edmund was gone and Beatrice was with God. Constable Scovill and I were both alone, and lonely, but we did not turn to each other.
What should I do about the royal summons? I prayed for hours that day and far into the night, touching no food or drink. If only that feeling of certainty would fill me, the grace of God’s undoubted wisdom. But it didn’t come; I was unworthy. When morning came, I hurried up the High Street to Holy Trinity Church. There, the way forward could be revealed.
I always took a seat near the chantry chapel. Like a hand that by force of habit drifts to the ridge of a scar, my gaze lingered on the back chantry wall once beautified by a mural of Saint George. More than a year ago, the painting was whitewashed over, at the same time that the candles were snuffed and the altar stripped, but if I squinted a bit, I could still detect the outline of the saint on horseback, sword raised to fight the dragon.
Father William Mote, he who must disseminate the New Learning, preached a dry, cautious sermon that day. Ever since Parliament passed the Act of Six Articles, England no longer followed Martin Luther’s lead away from the Catholic Church. Yet, to my disappointment, there seemed no hope of returning to obedience to Rome, either. We now took some unfathomable middle path. From priests and landowners to humblest tinkers and carpenters, no one in Dartford could discern where we headed as a kingdom. But we did know that any mistake in religious practice, no matter how small, could bring savage royal punishment: a chopped hand was the best consequence.
Father William’s voice rose at the end of his sermon. Not enough of you have opened the Great Bible kept at this very altar by instruction of Lord Privy Seal Thomas Cromwell and Archbishop of Canterbury Thomas Cranmer.
He pounded on the platform, his fist nearly striking the massive book resting atop it. This, at least, he was sure of. You dishonor God, the creator of all things, if you do not shun evil and ignorance and idolatry for the profound wisdom of Scripture, written here for you in English.
There were a few sighs, a few shrugs. The people of Dartford were a timid lot, willing to obey the king, but only a handful had been taught to read. Many could write their own names and add sums. Long stories of Scripture were beyond them.
Christ deliver us,
whispered a woman to my left.
It was Sister Eleanor, unable to suppress her disgust over Father William’s outburst. When the king’s men closed our priory, six of the sisters, unwilling to forsake their vocation, formed a community in a house outside town. Sister Eleanor did not officiate over them as prioress—we no longer had a prioress—but she was the oldest of the sisters.
After Mass, I beckoned to her in the back of church. Startled, Sister Eleanor took a moment to follow me. She was uncomfortable in my presence, and always had been. My disposition was too riotous for her severe spirit. But it was that severity I now required.
Outside the church, it was raining, and we pressed against the wall so that its slanted roof would protect us. I slipped her the summons.
Sister Eleanor read it in seconds and made the sign of the cross.
The king would commission you?
she asked.
It seems so, Sister.
But your tapestries are a God-given talent,
she said. To adorn the walls of the apostate king with one of your gifts . . . it is not to be borne.
To refuse to serve King Henry would bring criticism,
I pointed out. Men of the court could follow. Even soldiers.
Sister Eleanor clasped my hands. Her fingertips, callused from the labor of the nuns’ farm, dug grooves into mine, but I did not flinch. Leave your house in town and come to us, Sister Joanna,
she urged. You know you should live among us again—we are only safe if we are together.
I would not carry such risk to your house, Sister.
Sister Eleanor said, You would show yourself to no one, as if you were still enclosed. The king and his men would not know where you were.
Still gripping my hands, Sister Eleanor stepped back, heedless of the rain spattering her capped head. "But should they find you, we will be at your side. God in His Mercy will protect us. We will not submit."
I gently pulled my hands from hers, murmuring, I thank you for your valuable counsel, Sister. Christ and the Virgin be with you.
Before I’d reached the other side of the High Street, leaping over the spreading puddles, my decision was made. I could never expose the sisters of Dartford to danger. Such hot, eager anger in Sister Eleanor’s eyes—it sprang up because she had never witnessed firsthand the wrath of the king. I had.
To face royal condemnation alone—could I do that? Certainly. I had done it before. But would I? No. For there was a pressing reason to conform to the royal will. Arthur. I wanted to once again raise the orphaned son of my cousin Margaret Bulmer.
I’d written letter after letter to Margaret’s brother, the head of our family, Lord Henry Stafford, asking that Arthur, now eight, be returned to me in Dartford. I’d sent the boy north to Stafford Castle before leaving England. Now, despite the fact that he was a difficult child to raise, I missed Arthur greatly. His ready laughter, his determined step, I ached for them in my silent house. As much as it was possible to plan in a time of chaos, I planned to lead a quiet life: weave tapestries, honor friends, submit to God’s will. It would be an honorable existence; after all, I was the daughter of Sir Richard Stafford and Isabella Montagna. Living without honor was unthinkable. But there would be no more dangerous quests or conspiracies. My fervent hope was never again to hear the word prophecy, nor to find myself among spies, seers, and necromancers. That was the world of fear, of darkness. I wanted only light.
In devoting myself to another person, to Arthur, if I could bring that about, I would be truly blessed. I wanted to serve Arthur, too, in a way that only I, the guardian of the secrets of his parentage, could. It was so important that he learn how precious his mother was, learn of her kindness and her courage. I feared that as Arthur grew older, the horror of her death—burned to death for treason in Smithfield before the mob—would overshadow all.
At first, Cousin Henry refused to return him—stating again that he had never understood why my father placed Arthur with me, an unmarried woman of no prospects, rather than with Henry’s own large family—but of late I’d detected a softening. And he let slip in one letter that Arthur missed me. If I were the holder of a royal commission in tapestries, the head of my own budding enterprise, my cousin might relent. He hated trade, but he hated failure more.
Your storm and fury
—that is how Beatrice once described my nature. But, for the sake of that small boy, I would quiet my storms. Now that I’d been forced to accept the triumph of King Henry and Thomas Cromwell, there would be no cause for anger. I’d travel to Whitehall, see no one but the wardrobe master who managed the king’s tapestries, and slip back home.
Thus I resolved to go on this journey. How could I know that it was not a journey but a dance? I was taking the first step forward on a vast dance floor, and on the other side, a partner would emerge from the darkest shadows to meet me—a partner who hungered for nothing more than for my death.
2
Moments after I made up my mind to go to court, a knock sounded at the door. It was my onetime novice mistress, Sister Agatha, now Mistress Gwinn, married to the most prosperous farmer in town and a devoted gossip.
Why would you have occasion to speak to Sister Eleanor?
she asked, her eyes bright with interest.
I decided to tell her of my decision to go to Whitehall. Unlike Sister Eleanor, Agatha was delighted. She had been at my side when Anne of Cleve’s page came to Dartford to purchase the phoenix tapestry. She applauded then—and did now.
But her excitement brought complication. Agatha insisted that she and her husband, Master Oliver Gwinn, escort me to Whitehall, along with some menservants. My protests were brushed aside. You cannot ride to London, a solitary woman—that is unheard of,
she exclaimed. I’d done so before, the first time when still a novice professed at Dartford priory. I left without permission, determined to stand by the side of Margaret as she faced her execution at Smithfield, and I was arrested there. Months later I was sent back to the nuns, and my novice mistress was among those who chastised me. Perhaps Agatha had forgotten. All of our lives had changed greatly in the last three years.
We departed for London at dawn, the mist disappearing before we’d ridden past Dartford’s apple orchards. It promised to be a day of unbroken sun. So propitious for our journey, so propitious,
said Agatha, riding alongside her husband. Master Oliver Gwinn raised her plump hand to his lips and kissed it.
It was fortunate, indeed, that the Gwinns received permission from the court to remain married. Like a smattering of other nuns, she had taken a husband after the priories were brought down. But then came those new laws of faith. One of the acts of the Six Articles forbade any person who had taken vows of chastity in a religious order from ever marrying. The penalty was death by hanging.
Would that have been our fate, Edmund’s and mine, if we had married last year? A former friar and a former novice, who came within moments of joining before God. But we were stopped as the news reached Dartford of the act of Six Articles. Hurled into a limbo created by a king.
The night before I set out for Whitehall, Edmund appeared in my dream. It seemed to be during our earliest time, bound together once more, charged by Bishop Stephen Gardiner with a dangerous quest, trusting and not trusting. Now the details of the dream had broken apart like ice on a warming river, and I was relieved at its dissolution. Seeing Edmund in my dream had brought back the pain I so much wanted to overcome.
We rode by grasslands and patches of woods and then a tame field opened up between the trees. A team of two oxen pulled a plow that clawed into the soil, turning it over for planting. A young man strode behind the plow, as was common, but he was not alone. A red-haired woman walked with him, a baby balanced in a cloth slung and tied around her. She laughed at something and their child caught the sound of it and echoed in a half laugh, half cry. A little hand escaped from the cloth to wave at the parents, wildly.
I shifted in the saddle to fix my gaze on the road to London.
We stopped for dinner earlier than I would have, if the time had been my choosing. In fact, I would have waited until we reached Southwark and the home of Master Gwinn’s cousin. Our plan was to stay there, rest, and then to ride the rest of the way tomorrow for presentation at Whitehall first thing in the morning. But Agatha and her husband, devoted eaters, insisted on a picnic and a place was found. Servants unwrapped sliced leg of mutton, capon pasty, and manchet bread to put before us.
You’ve grown too thin,
said Agatha, scolding, as she pushed a slice of bread into my hand.
I forced myself to nibble food as I listened to the Gwinns’ amiable chatter. Agatha had never been to London before; most of her adult life was spent in our strict Dominican order. She peppered her husband with questions, which, between bites, he answered time and again with Soon enough you will see.
The sun was warm on my limbs as I sat on their blanket beside a tall tree of unfurling leaves. I would always be apart, I knew that. I was twenty-nine years old. Never for me the march beside a husband in new soil, or brushing crumbs of pasty from his beard, as Agatha did now. But I could have these peaceful moments of friendship. It would be enough.
My serenity was ripped away when Master Gwinn, draining his tankard of ale, said to his wife, It will not be a simple matter to find another constable of Scovill’s ability.
Geoffrey Scovill is leaving?
I asked, my stomach a knot.
Yes, by end of summer.
But why?
Master Gwinn said, No reason or destination given, only that he will move on. It is for the best, perhaps, for there’s grumbling about a constable who is rarely seen in the town.
I leaped to my feet, indignant. Have they no decency, these men who grumble? Don’t they know of his dead wife, his stillborn child?
Master Gwinn looked up at me, shading his eyes from the sun with his grease-stained hand. We all of us honor the constable’s loss, and especially those who have buried wives.
Agatha patted his arm. But Scovill may be able to perform his duties better in a new town, away from memories.
I was seized by a powerful desire to jump onto my horse and ride to Dartford, to comfort Geoffrey, make amends, something. But the urge passed. I could do Constable Scovill no greater service than to stay away from him.
When the Gwinns had finally finished every crumb of dinner, we set out again, the sun nearing its highest point. Soon we reached Southwark, the sprawling borough on the other side of the Thames from the City of London. The roads thickened with others on horseback, with wagons, with young apprentices on foot. We passed a few shops and a great many taverns.
It was in front of one tavern, at a sharp corner of the road, that I first felt something. I turned, quickly, to see . . . what? Who? The inn’s shutters were thrown open and shiny-faced men leaned out of the windows, enjoying the spring day while they gulped their ale. Nothing looked amiss.
I nudged my horse to catch up to the Gwinns. But before my mare had plodded five minutes more up the road, I swiveled again. There was no mistaking the feeling this time: someone watched me, someone followed. But when I turned, no one met my eyes. Every man and woman seemed bent on their own ordinary business.
Was it because we neared London that I felt apprehension? My usual dread of the capital city and the king’s court was laced with fresh turmoil over the departure of Geoffrey Scovill. But as much as I tried to assure myself that must be it, I sensed something else. Something threatening.
The string of shops and taverns had given way to a foul-looking marsh and, beyond that, the top of London Bridge, stretching across the Thames in the distance. I’d thought myself well prepared, but as London loomed, a sour dread clutched my stomach. Between that and my jangled nerves over being watched, I felt rather dizzy. I tried to breathe deeply, to steady myself, but it only served to suck in deeper the odor from a nearby tanning pit.
When I first heard it, the rumbling was a welcome distraction. It resembled thunder—but that was impossible. It was a bright, cloudless afternoon. Tightening my hands on the reins, I slowed my horse to peer up into the sky and then all around us. The Gwinns heard it, too; Master Gwinn pointed at a long, high brick wall south of the marsh. Handsome brick towers rose beyond it. Perhaps this was someone’s fine manor house. A faint cloud of dust hovered just above the wall—it seemed somehow connected to the rumbling.
Shall we have a look?
asked Master Gwinn, his face crinkled with curiosity. Agatha agreed at once. Their lives in Dartford were predictable, prescribed. They were happily caught up in the strange sights and sounds of our journey.
Turning points are not always evident to us when they appear. How different everything might have been for me if I had not nodded in agreement and then ridden with my friends to discover what was on the other side of that wall. But I perceived no harm in it. No harm at all.
We fell in behind a group of men scrambling through an opening in the wall. We had entered a large, square courtyard. But despite the fact that this was a handsome property, worthy of careful tending, all was in disarray. A mountain of rubble stood in the middle of the courtyard. Planks of wood stretched across another part of it. Men shouted to one another. I heard the bellow of animals.
Secure the ropes, ye bastards!
screamed a man. And clear the path if ye want to live.
The dust settled, and I could make out a long row of oxen. These were not like the farm stock I’d seen in a field earlier this day, but massive animals, chained to one another. Three of the walls of the courtyard stood, but the fourth had collapsed, and not by some failure of construction. These men must have torn it down. At the opposite side of the courtyard a stone structure abutting the main house was half collapsed. The workers now fastened ropes round the base of a tower that still stood at the base of that structure, a tall one with a cross atop it. As the workers pushed one another out of the way to clear a path between the oxen and tower, I realized, with a sickening rush, that the stone structure—tower and all—that man and beast struggled to demolish was a church. Why did no one protect it? I peered at the windows of the magnificent main house and realized they were empty of glass. This place had been stripped and abandoned.
Master Oliver Gwinn, who had bent down to speak to someone standing amid the rubble, turned to his wife and me, his face grim.
Bermondsey Abbey,
he said.
I knew of Bermondsey Abbey, as did every nun, monk, and friar. It was a revered Cluniac house, where once even queens lived in retirement, such as Elizabeth Woodville and Catherine of Valois. The abbey’s monks had obviously been ejected, the house’s precious belongings hauled to the royal treasury. Now the walls themselves must come down. It was happening from one end of England to the other, the destruction of the monasteries. My own beloved Dartford house was demolished down to the last brick. The king then ordered the raising of a grand manor house on the same land.
But I had not witnessed my priory’s annihilation; all the nuns and friars stayed away, consumed with grief. It would have been like witnessing a murder.
The man atop the wagon whipped the oxen, hard. The animals strained forward, and a thick chain grew taut and trembled. But the tower on the other end of the chain did not move.
Come down,
screamed the ox driver, standing to whip yet more. Down.
There was a snap, followed by a groan, and a centuries’ old tower crumbled. Almost nothing remained now of the church of Bermondsey Abbey. Here was the will of Henry VIII and of Thomas Cromwell—they destroyed what was good and holy, and God did nothing to punish them.
A new cry rose a moment later, as dust settled again. A pale female head peered above the ravaged base of the tower. For a terrible instant I thought it was a woman who had been trapped inside the structure. But then I realized what it was: a statue of a saint.
No, Joanna, don’t,
said Agatha. But I was already going forward, steering my horse around the people and piles of broken rock to get closer.
She was beautiful—a pure, marble woman clutching a book to her bosom. It seemed a miracle that she survived the wreckage. Perhaps it was a sign?
A snickering raced around the knot of men who’d also drawn closer. Something was about to happen.
No.
It was half groan and half gasp. No one paid heed.
A young man ran past me, holding something. The others stood aside to clear the way for him. He charged toward the statue, raising the object, which I realized was a large hammer.
With a grunt, he slammed his hammer into the saint’s face. Where there had once been eyes and nose was a savage, gaping hole.
Death to all Papists!
he shouted.
3
The toppling of the abbey church set forth a vicious glee among the people of Southwark, like a torrent of bright blood after a scab is ripped away.
The destruction had quite another effect on me.
A devouring rage dampened my senses. The laughter of the crowd faded. The odors I always choked on in Southwark and London—privy buckets, rotting food, ale, and burning lye—receded. The faces of those surrounding me blurred, with one exception: Agatha stared back at me, her hand clamped over her nose and mouth, as if her face had been mutilated and not that of the marble girl of the tower.
A crowd of men swarmed to the tower. When the young man swung back his hammer to strike the statue again, another grabbed it from him. Laughing, the two of them fought over the weapon. A heavyset man pushed his way to the front of the crowd, pulled out a long knife, and raised it in an exaggerated arc, aiming for the girl’s marble breast. He turned and leered to the crowd. Hoots of laughter sounded.
How I wanted to stop them. Words of condemnation—angry and accusatory—burned my tongue. I dug my nails into my palms to force myself to stay silent. The old Joanna Stafford would have plunged into the fray. But I had sworn to govern myself with more caution. I must not call attention to our party. What would a crowd of at least fifty tough and coarsened men who hated Rome do to two women who’d once served in a Dominican priory, defended only by a farmer in middle years and two country servants?
Cease this at once,
shouted a voice. I touched my lips, unsure if I’d been the one to say it, but it was a man who’d given the order. And he was obeyed. The ruffian lowered his knife from the statue.
I turned in the saddle to see. The man who stepped forward wore a plain, dark doublet and hose; he was hatless, and gray streaks lightened his hair, which must have once been as black as mine. He carried a bound book under his left arm. As he approached the tower, the mob fell back, sullen-faced. A few of them made a great show of resuming their tasks on the site.
Master Gwinn leaned down again to make inquiry and then told us, That man is an agent of the Court of Augmentations.
A court?
Agatha asked, bewildered.
Not now. We must leave—we have no place here,
said Oliver Gwinn with unusual curtness.
My fingers tightened on the reins. I knew what the court was and what this man represented. Thomas Cromwell had created it to administer the revenues of the monasteries. Court of Augmentations.
Such fine words to describe theft, to justify taking all the holy objects within the abbey churches, the chalices and plate and books and illuminated manuscripts, along with all the land. Which toady of the king’s would receive Bermondsey as a reward for his loyalty?
Master Gwinn paused to wipe his face with a cloth as soon as we were clear of the fallen abbey, sagging in his saddle with relief.
We were safe now, but I was not glad of it. I was ashamed. Cromwell’s agent hadn’t stopped the mob from defiling the woman’s statue because it was the right thing to do but in order to preserve a valuable piece of pillage. A passage of Scripture flooded my thoughts, about the apostle Peter’s anguish after Jesus was taken. I do not know that man,
Peter swore to those who pointed at him in the courtyard of Gethsemane, and then, when he realized he had denied Jesus Christ out of fear and weakness, just as had been predicted, he wept. Hot salty tears pricked my own eyes. I brushed them back with a furious hand.
Stop,
I called out. I was so loud Agatha jumped in her saddle. Everyone halted.
I will go to Whitehall today—or not at all,
I said.
Mistress Joanna, my cousin’s house is not far from here,
said Master Gwinn. We are expected. We’ll stay there tonight and escort you to the palace tomorrow morning, as planned.
No. Today or not at all.
Agatha nudged her horse to get closer. Joanna, I know how disturbed you are, and I share your sentiment. But we need to rest, all of us. You cannot go to a king’s palace in those clothes.
She pointed at my garments—a plain, dark gray riding kirtle and bodice, layered with the dirt of the road. In the travel satchel carried by a Gwinn servant were my finest clothes, appropriate for the occasion.
I said in a rush, It does not matter what I wear, and after what we’ve witnessed, I could not bear to don finery to go before the royal household. With all my soul, I do not wish to proceed at all.
Arthur’s round face appeared in my mind. But there are sound reasons to continue. If you would be so good as to point the way to London Bridge, I can manage the route to Whitehall alone. You can ride to your cousin’s house to rest, or return to Dartford, whatever you wish.
After a hushed conversation, the Gwinns, obviously reluctant, said they would accompany me to Whitehall this afternoon.
But what if no one will see you today?
Agatha asked.
Then I leave Whitehall having carried out my duty, which was to wait upon the keeper of the wardrobe. The summons didn’t say how long I had to wait. An hour or two will do. If he will not see me, so be it.
Master Gwinn opened his mouth to say something more, but Agatha shook her head. She knew how little likelihood there was of my altering course.
Riding faster now—or as fast as we could up crowded streets—we made our way to London Bridge. As the horses plodded through that square tunnel stretching across the Thames, it happened. The sensation returned. While I was near blind with rage in Southwark, I had no awareness of being observed. But now that my anger had banked, I felt eyes burning into the back of my head once more. I didn’t bother to turn, for I knew that I’d see nothing, learn nothing.
There was no other explanation for this. While my horse plodded across London Bridge, I concluded that my mind was twisted by Jacquard Rolin, the imperial spy who trained me as part of the conspiracy, demeaned me, and, finally, attacked me. Because the third part of the prophecy could only be revealed in Ghent, the birthplace of the Emperor Charles, Jacquard took me there. When the raven climbs the rope, the dog must soar like a hawk in the time of the bear. That was the full prophecy. After the hanging of the raven,
the mystic nun Sister Elizabeth Barton, it was up to me, the Dominican, the order associated with the dog, to act swiftly in the time of the bear.
And the objective was . . . to kill the king. When I had recoiled, Jacquard demanded, Are you so stupid that you did not perceive that from the beginning this was the conspiracy to build the perfect assassin?
But no matter what King Henry had done to my family and friends, to my chosen way of life, I could not commit murder. I spent four harrowing months in Europe, most of it imprisoned in Ghent. After I escaped from Jacquard—when he nearly killed me—I managed to make my way back to England.
In the peace of Dartford these last months, I’d never felt threatened, never been contacted again by those men of the shadows. None of these self-protective instincts Jacquard nurtured in me had stirred. But now, traveling to the most dangerous city in England, they were awakened.
I reached up to press between my fingers the slender chain holding a crucifix, hidden beneath my bodice. When I returned home, I would seek guidance in prayer for how to return to true peace, the obedience and humility and wisdom of the Dominican Order that I would always revere.
Our horses reached the other side of the bridge. Judging by the position of the sun, there was ample time for this mission. I’d been told king’s officials performed business until nightfall. That was hours away. We rode past the churches and taverns, the goldsmiths and grocers, the haberdashers and brewers, the salters and sadlers. And we wove around the Londoners who’d emerged from their narrow homes to embrace April—perhaps the first genuinely warm day of the Year of Our Lord 1540—with their pale, dirty faces turned upward to the cleansing rays of the sun.
With the Thames now on our left, we rode on the Strand and then the King’s Street to the massive complex of buildings rising in the distance before us. We left the city of London for the liberties of Westminster, where the seat of government lay, whether it was the king’s grand palace, Parliament’s vast hall, or the church’s soaring abbey.
I had not been inside palace or abbey. Last summer I came close. An anonymous woman, I’d watched as thousands of men marched before the king and council in the Great London Muster, proving their readiness to defend the realm. I remembered the men striding past a platform in front of a massive gatehouse.
Today I approached the same gatehouse not from a park but from a street that grew so crowded that we had to dismount. The street continued under the gatehouse archway, beyond to the abbey and Parliament. Entrance to the palace itself on the left appeared to be through a large door in the side of the gatehouse.
Now I faced a new problem. Perhaps one hundred men, many of them clutching papers, jostled to move forward in the mass of humanity trying to gain admittance to that door. Master Gwinn, a bear of a man, pushed his way forward, creating a path for me and his wife. As we shuffled forward in his wake, one name was repeated, to the right and left, forward and behind: Cromwell, Cromwell, Cromwell, Cromwell. Once again I saw that precise script on my royal summons and shuddered. He had signed the document, but I was not here to see the Lord Privy Seal, I told myself. My humble business would involve only the wardrobe master.
But would it be possible to see anyone today? The desperate petitioners formed a near-impenetrable wall before the gatehouse. Even with the efforts of the stalwart Master Gwinn, I might not succeed.
A part of me did not want to succeed. From a distance, the gatehouse was majestic, and I assumed that on drawing nearer, it would diminish in grandeur, as official buildings often do. But the effect was the opposite—now that I was yards from it, the palace gatehouse dazzled. The entire building was made of stone carved and painted in a white-and-black checkered pattern. The raised squares gleamed, as if they had been not merely washed but polished. Two rounded towers stretched three stories high. Between the towers sparkled tall windows. The busts of four crowned heads stared sightless into the distance, representing members of the pitiless Tudor family. Fleurs-de-lis graced the stones, along with carvings of lions and dragons, greyhounds even. I couldn’t begin to guess how costly it must have been to fashion such a building, resembling a game board more than a gatehouse.
I took a step backward as I strained to look all the way to the top of the octagonal turrets. To my surprise, two distant human heads peeked over the wall. From lofty heights, the people of the king’s court surveyed us. With a start, I realized that people peered at us from behind the thick glass of windows as well. Perhaps it amused them, to survey the grubby pack from within their lavish stronghold.
The crowd shifted before me, and an opening yawned. Master Gwinn surged forward. Now we were in front and could finally be seen by the man in charge, tall and wide-bellied, planted in front of the gatehouse door.
With an oath, he waved off a gray-haired clerk, jabbering his pleas for entry. When the clerk edged toward the side of the archway, as if to scramble into Whitehall uninvited, a soldier surged forward, waving