The Seven Poor Travellers: "The pain of parting is nothing to the joy of meeting again."
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The Seven Poor Travellers is one of Charles Dickens’s Christmas stories that was first published in the 1854 Christmas issue of the Victorian Novelist’s periodical Household Words. It follows the adventures of six travelers in addition to the story of the seventh traveller who is none but the narrator himself. The narrative is divided into three chapters. In the first chapter entitled “In the Old City of Rochester,” the seven heroes meet at the old Richard Watts’s Charity and start telling stories to each other on a Christmas dinner. In the second and most important chapter entitled “The Story of Richard Doubledick,” the narrator entertains his companions by telling a story within a story whose hero is a strange twenty-two-year-old man who comes to Rochester to fall in love, enlist in the military and become the most “dissipated and reckless soldier in Chatham Barracks.” The final chapter of the booklet is entitled “The Road.” It speaks about the narrator’s journey home the following morning as each of the seven travellers goes his own way. Dickens’s conclusion of the story is skillfully woven in a way to let the readers long for more Christmas dinners and for more Christmas stories.
Charles Dickens
Charles Dickens nació en Portsmouth en 1812, segundo de los ocho hijos de un funcionario de la Marina. A los doce años, encarcelado el padre por deudas, tuvo que ponerse a trabajar en una fábrica de betún. Su educación fue irregular: aprendió por su cuenta taquigrafía, trabajó en el bufete de un abogado y finalmente fue corresponsal parlamentario de The Morning Chronicle. Sus artículos, luego recogidos en Bosquejos de Boz (1836-1837), tuvieron un gran éxito y, con la aparición en esos mismos años de los Papeles póstumos del club Pickwick, Dickens se convirtió en un auténtico fenómeno editorial. Novelas como Oliver Twist (1837), Nicholas Nickleby (1838-1839) o (1841) alcanzaron una enorme popularidad, así como algunas crónicas de viajes, como Estampas de Italia (1846; ALBA CLÁSICA núm. LVII). Con Dombey e hijo (1846-1848) inicia su época de madurez novelística, de la que son buenos ejemplos David Copperfield (1849-1850), su primera novela en primera persona, y su favorita, en la que elaboró algunos episodios autobiográficos, Casa desolada (1852-1853), La pequeña Dorrit (1855-1857), Historia de dos ciudades (1859; ALBA PRIMEROS CLÁSICOS núm. 5) y Grandes esperanzas (1860-1861; ALBA CLÁSICA MAIOR núm. I). Dickens murió en Londres en 1870.
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The Seven Poor Travellers - Charles Dickens
THE SEVEN POOR TRAVELLERS
IN THREE CHAPTERS
By CHARLES DICKENS
Index Of Contents
The Seven Poor Travellers
Charles Dickens – A Biography
CHAPTER I—IN THE OLD CITY OF ROCHESTER
Strictly speaking, there were only six Poor Travellers; but, being a Traveller myself, though an idle one, and being withal as poor as I hope to be, I brought the number up to seven. This word of explanation is due at once, for what says the inscription over the quaint old door?
RICHARD WATTS, Esq.
by his Will, dated 22 Aug. 1579,
founded this Charity for Six poor Travellers,
who not being ROGUES, or PROCTORS,
May receive gratis for one Night, Lodging,
Entertainment, and Fourpence each.
It was in the ancient little city of Rochester in Kent, of all the good days in the year upon a Christmas-eve, that I stood reading this inscription over the quaint old door in question. I had been wandering about the neighbouring Cathedral, and had seen the tomb of Richard Watts, with the effigy of worthy Master Richard starting out of it like a ship’s figure-head; and I had felt that I could do no less, as I gave the Verger his fee, than inquire the way to Watts’s Charity. The way being very short and very plain, I had come prosperously to the inscription and the quaint old door.
Now,
said I to myself, as I looked at the knocker, I know I am not a Proctor; I wonder whether I am a Rogue!
Upon the whole, though Conscience reproduced two or three pretty faces which might have had smaller attraction for a moral Goliath than they had had for me, who am but a Tom Thumb in that way, I came to the conclusion that I was not a Rogue. So, beginning to regard the establishment as in some sort my property, bequeathed to me and divers co-legatees, share and share alike, by the Worshipful Master Richard Watts, I stepped backward into the road to survey my inheritance.
I found it to be a clean white house, of a staid and venerable air, with the quaint old door already three times mentioned (an arched door), choice little long low lattice-windows, and a roof of three gables. The silent High Street of Rochester is full of gables, with old beams and timbers carved into strange faces. It is oddly garnished with a queer old clock that projects over the pavement out of a grave red-brick building, as if Time carried on business there, and hung out his sign. Sooth to say, he did an active stroke of work in Rochester, in the old days of the Romans, and the Saxons, and the Normans; and down to the times of King John, when the rugged castle—I will not undertake to say how many hundreds of years old then—was abandoned to the centuries of weather which have so defaced the dark apertures in its walls, that the ruin looks as if the rooks and daws had pecked its eyes out.
I was very well pleased, both with my property and its situation. While I was yet surveying it with growing content, I espied, at one of the upper lattices which stood open, a decent body, of a wholesome matronly appearance, whose eyes I caught inquiringly addressed to mine. They said so plainly, Do you wish to see the house?
that I answered aloud, Yes, if you please.
And within a minute the old door opened, and I