Undeclared War: Paths of Error
By Sam Smith
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About this ebook
The Paths of Error trilogy is 3 views through the same window of time. So more a triptych than a trilogy.
Undeclared War is the first, sees rebel-born Tom Newson fighting his way out of Paignton, into the army, through Cyprus and out of the army. In 60s Brixham he discovers drugs. In Crete he finds a life worth living. Back in Brixham he meets up with an old girlfriend. But he ends up, lost, dealing in 70s London...
Blue, in Constant Change, begins as an idealist with no ideals. His way is found through women. Rejected by his first girlfriend he drifts into the Merchant Navy, only to jump ship in Sri Lanka. Through an American girl there he discovers Buddhism. In London, through an Irish girl, he comes back to boozy earth with a bump. The mother of his children leads him to a brief rural idyll...
As Recorded is told throughout in dialogue, gives us the post-war childhood in Paignton of all the characters. This is Pete's story, and he wants to be more than his nickname, Sniff. He becomes a boxer, a Lothario, a shady entrepreneur; even incarcerated he is dangerous to others, and to himself.
The magazine Devon Life delivered this verdict of Paths of Error - 'Undeclared War, Constant Change, and As Recorded can be read in succession, or equally stand independently as analyses of the changes wrought by recent decades on the lives of ordinary people. Based around Paignton, Sam Smith uses a group of friends from a small ordinary English town and explores their individual paths of error against the fabric of life. Highly sexually charged and using blunt language, these will only cater to very specific tastes.'
Rich Patton said this of Undeclared War - 'Undeclared War is a serious work. It may offend and sometimes enrage but Sam Smith also entertains with his vivid imagery, facile prose style, and sometimes insightful, sometimes whimsical, often cynical, but always stimulating perceptions of history and the human condition. Highly recommended.'
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Undeclared War - Sam Smith
Book One of the Paths of Error trilogy Undeclared War
Sam Smith
"The paths of error are various and infinite." Edward Gibbon
Chapter One
The only beauty Paignton had was if he stood with his back to it and looked out to sea. Then he had as many combinations of colour, and nuances of light, as water, sky, wind and cloud would allow... an enamelled calm under a static sun; a ripple of a red sunset stroking the ochre sand; a summer’s grey swell crashing in rainbows against the brick brown promenade steps...
To turn from that mysterious immensity and confront the town required a courageous act of will, a heroic dulling of the finer sensibilities.
First, looped between the stubby iron lampposts on the promenade, and strung out along the red sandstone harbour wall, and then out to the coin-clinking arcade at the end of the skeletal pier, were row upon row of coloured bulbs. At night their prissy pretty reflections polluted the ebony sea.
Then, beyond the tarmac promenade, beyond the gabled wooden beach huts, beyond a sloping strip of worn grass, were the facades of the hotels and the guest houses - each imitating a period of architecture from a fake past, or of some fanciful foreign place - mock Tudor, mock Mediterranean, or synthetic Swiss.
From that sea front one wide straight road penetrated the town. A glitter gulch it began at the amusement arcade with its bingo stall, then came cafes selling American hamburgers, brass-glinting gift shops, cool-coloured ice cream parlours, curtained tea rooms and brown tobacconists with revolving wire stands of Technicolor postcards blocking their doorways.
All ended abruptly at the iron level crossing beside the cream and brown railway station. Beyond the white double gates, and spread around the central taxi rank and telephone kiosks, were the chemists, Woolworths, the bus station, the fish and chip shops, the singsong pubs, and the Odeon with its one summer-long film programme.
All was geared to the holidaymaker - white smears of Nivea cream on their sharp red noses, continents of skin peeling from their rounded pink shoulders. Outside the over-full shops hung striped beachballs, ribbed rubber flippers, inflatable waterwings, and garish buckets and spades. Chalked boards advertised coach trips to cream teas at Dartmeet; chemists seemed to sell only suntan lotion and dark glasses; and the rest of the shops sold gaudy beachwear and grey plastic macs, pink candy floss and guffawing fat lady postcards. Such was the bait: such was the gawping fish it attracted.
Main street and station square, vagina and womb of an unfussy whore, Paignton spread her fat legs over to Goodrington and Preston, guest houses either way. In the near hills terrace houses wrinkled up the flabby harlot's bulbous belly, and then bungalow estates multiplied inland like a rash of venereal scabs; with, in the clear-day distance, the deflated tits of the moors.
Summers the locals paid summer prices and were crowded off the plastic sandal shuffling pavements; and winters they had to shout down the wet stone streets to reassure themselves of their young existence.
They called Harry Morton-Jones Mort for short. One day he'd be Mort for long. Schoolboy joke
Mort's knowledge of tortures, poisons and pop singers’ private lives was prodigious; yet in class he was as dense as the school gravy, seemed innately unable to absorb even the most elementary of facts. They had no glamour. But then... neither had Mort.
Having no sense of humour, unable to laugh at himself others laughed at him; and when he couldn’t see the joke, their laughter became all the louder. Limp quiff, white nondescript body, his heavy glasses cutting off the circulation to his round fat nose, he looked the preoccupied scholarly type, acted the weary sophistication of the tough. He knew backwards the plot of every Mike Hammer and Phillip Marlowe book, had committed to memory their every wisecrack, and he made up his own in the same style, though always with a couple of words too many. On top of that he used them out of context, made those who happened to hear do a double-take. For instance, drooping against the bar in the Polsham, cigarette poised between plump white fingers, sipped pint in puny fist, he laconically interrupted a dart-playing discussion of likely careers to say,
'The only thing to do with your home town... is leave it.'
To their 'Eh?'s his ears turned red.
The Polsham Arms being so far from the main drag they could eke out their drinks in its adult atmosphere without fear of being seen by someone who might knew their parents. With his round brown eyes and pink downy cheeks Pancho was, of course, asked his age; and the landlord, of course, had to accept Pancho’s deep-voiced assertion that, of course, he was eighteen. The landlord knew that had he refused to serve Pancho they would all have left.
When they had money enough of their own Newt and Blue dropped Pancho and the rest, drank in the Coverdale and the Gerston near the station, went from there down to the Esplanade and the Casino on the seafront. When they didn't have the money they sat with a girl in Mario's, without one in the Bamboo.
The Bamboo, opposite the amusement arcade, was one of Paignton's three rocker cafes. The other two were the Manor by the traffic lights in Preston, and a long thin one on a sidestreet corner opposite Victoria Park. All had floors of lino pitted by sharp stiletto heels, table edges scratched by the heavy zips on the leather jackets, and names and initials carved into their table tops. For the price of one cup of coffee, or a Coke, pale-faced adolescents could lounge about in their vibrating dimness all daylong, exercise the boundless lassitude of youth.
The Mods, with their short hair, scooters and long green anoraks, used Mario's across the road from the Bamboo. It didn't have a jukebox proper, was brighter and tidier. The haggard wife and plump daughter, or the schoolgirl waitresses, kept wiping the tables and refilling the sugar bowls. The only way to remain comfortably there was to buy another cup of frothy coffee.
Newt entered all rocker cafes with a bang of the door and the bellow of an obscene word, came in like a blast of foul air, making the occupants look first to themselves for the smell. His loud profanities and uninhibited gestures shattered the carefully structured societies slowly built up over a lazy afternoon, liberated some, and offended those who had figured themselves highly in that static society - an eminence achieved by narrowed stare, aggressive murmur, suppressed sneer.
Having shaken the foundations of silence on which they had built, Newt’s hoarse voice continued to provoke little wobbles of apprehension and anger. Some would, brooding, leave, some would brooding stay, pick their time and audience, stand white-faced before him and say,
'Think you're fuckin' big, don't ya?'
At fifteen Newt was five eleven, levelled out to six one.
Newt’s blond hair was wispily curly, his nose broken, and his two front teeth were missing. The first tooth had been cleanly removed by a stone thrown at him by his sister Jan - her face drawn into the thin uncontrite lines of childish spite. His nose had been broken when Blue, dancing-eyed, had shoved him down Clennon Valley on a brakeless trolley. The second tooth had left his head the day Mort had reinvented explosives and they had accidentally blown up a parked car in Goodrington. All except Sniff had got probation and concussion for that. Sniff had been sent to fetch more ingredients, had looked on in wonder at the yellow flames, black smoke and prostrate forms, and had peed himself with fright and laughter.
The rest of Newt's face he had sculpted himself. His first model had been a bus conductor with a forehead as wrinkled as an elephant’s armpit. For a couple of years Newt had gone about with eyebrows raised in permanent astonishment to get a brow as evenly corrugated. Then he had been impressed by a National Geographic photograph of a gaunt and noble Plains Indian; and to carve the hard lines on either side of the mouth he had compressed his cheeks, had worn lips grim with constant exasperation. Soon after had come the narrowed eyes of salt-dried mariners, sunsquinting gunfighters and shortsighted mystics. A self-made face.
They drank, like they smoked, like they went to X films, simply because it was forbidden them, because it was yet another illicit sampling of the adult mysteries. They all had to wait until their sixteenth birthday to get their first motorbike - those who could afford one. Mort was not allowed one, although that, of course, didn’t stop him being an authority on motorbikes
Life then was one long initiation, one long pretence. To get into the X films, which they didn’t really want to see, to buy cigarettes, to get into certain dances, they had to pretend to be older than they were. And then they had to pretend to be addicted to cigarettes, or to be confirmed drunkards. And after they'd had a few pints they pretended to be drunker than they were.
To girls they pretended to be whatever they thought that particular girl wanted them to be; and afterwards, to their friends, they pretended that they had done just that much more than the girl had let them; and their friends pretended to believe them. They even had to lie to the girls about their age. It was another frustrating fact that girls their own age tended to go out with boys two or three years older, leaving them with those girls just passing puberty and more interested in ponies than penises. Then there was pretending to be tougher than they were, and awaiting, at every slam of the opening pub door, their bloody comeuppance.
They also drank because being drunk allowed them liberties denied to them sober and assumed sane. Drunk they could swear loudly in public places, be as juvenilely silly as they wished, career into dances, pick fights, plead a pretend cowardice, make unambiguous advances to prim girls... and blame it on the drink.
Drink was their scapegoat, their all-embracing plea, releasing them from responsibility. On the way home from the Polsham they could shove one another knee-deep into the round boating pond in Victoria Park, smash up the toilets, tie the swings out of reach, and blame it on the drink. They could shoulder their way along the pavement, and should anyone bigger take offence... their friends could blame it on the drink. Socially acceptable schizophrenia.
When truly drunk they vomited in cold corners.
Most dance halls were deliberately darkened - to hide the acne and the pus-centred pimples, everyone with a soft spot for someone. The Esplanade had the occasional good group midweek, pissed rockers inside and punch-ups outside. The Casino next door was the Sunday night pick-up and come-down, electric organ making all melodies mediocre. The Moose Hall had dusty boards and folding chairs, clumsy jiving and mob warfare. The Tembani was a Saturday night altogether too tame - too much white light, no red shadows to highlight and enhance the chubby complexions; and the same local group every week, a last waltz can-I-see-you-home pick-up. Torquay Town Hall had big name national groups, exhibitionist jiving, a sprung floor; and, down concrete backstairs, a smoky bar full of large Torquay rockers. The 400 Torquay needed a bike or a car to carry pick-up elsewhere. And the Northolt Brixham was one long bouncer-subdued brawl.
Mort was often punched by bored rockers, was left crawling around dance floors feeling for his glasses; re-emerging philosophically swollen to ask, as a matter of academic interest, which local worthy had further fattened his podgy nose.
Rockers had greased hair like polished helmets, stiff leather jackets and tight knee-wrinkled jeans - two insect legs supporting the hard shell of a black beetle. Some rockers even had large motorbikes. One was a boxer, another a weightlifter - the heroes. All were deliberately and grossly ill-mannered, shouldered the world aside. If bone lumpy shoulders dug back voices and fists were raised, and clinching together the combatants rolled across tables, thudded against walls, crashed through windows and doors - in one inglorious bloody scramble
Afterwards, the weeping girlfriend comforted by her tightskirted friend, the loser sat on dark steps, blood dripping from his nose, friend's arm loosely around his shoulders and he inaudibly vowed revenge, or whimpered plaintive excuses, quibbled over dirty fighting details, asked why, why? Why do dreams turn so suddenly sour? And the eyes of the passers-by tried not to see his shrunken shame. It could as easily have been theirs.
Unless he was taken wholly by surprise, when Newt fought he laughed, the surging adrenalin bubbling from him in a grunting chuckle. With the very first punch the laughter started from him. A gleeful cackle, it approved of the action, was punctuated by warring shouts and exultant yells. A chortle of delight, it ranged from a deep-chested fist-swinging Hey Hey! to a grappling face-muffled he-he-he. Stopping abruptly as he stared down at the cowering form; or, as the last gasp was thumped from his diaphragm and he knelt in defeat, forehead touching the floor, not feeling the thudding boots gently rocking him.
Without money, without muscles, they were apprentices to the world. Those the same age, but who had been at Tweenaway, already had jobs, had money, had adulthood. But being in the B stream at Totnes Grammar, having to stay on till they were sixteen, they had no better prospects than those who had failed their eleven plus, and no money now. Save what they earnt on Saturday morning jobs.
They were paperboys, or they helped on milk rounds, with bread deliveries, in greengrocers. Newt was a six foot butcher’s boy. The humiliation of having a dwarf housewife screaming after him down a crowded street, 'Boy! Boy! Where’s my sausage meat?' And then having to scrub and soak to get rid of the fetid stink of dead meat before going out on a Saturday night. The few times he had been left in charge or the shop he had dipped vengefully into the tainted till.
Summers he had worked as a white-jacketed waiter in a cafe by the small harbour. Another daylong humiliation - North Country ignoramuses accusing him of fiddling their bills, only grudgingly paying when he had listed item by item what they had scoffed. And then they rounded up their sniffy brood and left with not one expression of apology or a penny tip. The wages were the tips. And whenever some bellicose berk chose to bawl him out there always seemed to be some girl giving him the eye. Newt knew the wanting-to-please and easily intimidated types he could cheat. There was no cheating the stealing boss.
What they didn’t receive in pocket money and meagre earnings they stole. Even Mort, who was given enough by his parents, their being double-barrelled posh, not to have to work. Sometimes they stole from faulty machines in the arcade, but mostly it was from their mother's purses or their father's trousers. Sniff’s father being blind, Sniff didn’t have to waste his Saturday mornings in work.
They all stole from shops. Though there was only glory in stealing anything but money: they had nowhere they could fence it, nor could they keep it for their own use - their parents would want to know where they had got it from. Blue's father had made him return, with stammering apologies, a radio that he’d swiped from an unsupervised store - and they hadn’t even noticed it had gone missing.
As when children they'd found sweetshops where they could help themselves, so lately they had discovered a shortsighted tobacconist in Winner Street; and in the Coverdale off-licence the man was always a little slow in coming from behind his red velvet curtain. Only thus, primed by quarter bottles of Coverdale whisky, pockets full of filched fags, could they begin their Saturday nights.
The bus station marked the beginning and end of most evenings, and the beginning and end of each school day. Mornings blue uniforms scrambled aboard the green buses, afternoons swung off the platforms, took freedom at a run. It was also in the bus station that they arranged to meet girls; and from there that the girls caught their buses home.
A long bleak place of brick, glass, and concrete beams; wooden benches opposite metal barricades; looped chains to channel the queues; and green buses and red buses like cattle in a stall, swallowing and disgorging. Timetables, travel posters, a newspaper kiosk, photograph booth, ice cream stall; fat ladies spread themselves with their bags on the slatted benches; and solitary boys, their hands stuffed in their tight pockets, lounged against the brick walls waiting for their dates - laconically made, earnestly groomed for. Their cheeks sucked in and glued to their back teeth, looking to the floor, or over the heads, trying not to meet anyone's eye, lest it be registered in their own the number of slow minutes they had been anxiously waiting, lest the shameful fear of having been stood up showed there.
Girls waited, sat knees together on the edge of the benches, bounced to their feet at sight of a half-remembered face. While the boys peeled off the walls, casually held out a hand to be taken; and walking, talking, they quickly fled the place and its reek of loneliness.
Newt had thought then that desolation was peculiar to Paignton bus station, but found that stations all over the world were the same. People waiting, thoughts frozen behind stiff faces, waiting... Impatiently if they knew the commuting route well, impassively fulfilling their timetables if they didn’t. Shut inside their own anonymity, suspicious of other itinerants waiting like themselves, and cynically seeing through glad smiles of greeting, tears of farewell. Some locked in on their destination, shaking off the familiarity of the routine just left, wondering what was to greet them at the other end. Nervous travellers, frightened of missing their bus, that they'd catch the wrong one, that their friends, lovers, house had changed since they'd last seen them, or simply and quietly terrified of being late for their landladies evening meal. And in every station a large unavoidable clock telling how long was a minute, an age of waiting.
The minute hands on Paignton's electric clocks (hung in a long line from the concrete ceiling beams) all shuddered on once a minute - mocking those who had been left standing there. Newt always waited up the far end by the Odeon - so that his mother couldn’t see him from the back windows. And a minute after anyone had said they'd meet him, Newt left - furious if a friend, though he would pretend that it hadn't mattered; and fatalistic if a girl. But better to say, 'See you around,' than fix the time and place to be snubbed, or forgotten.
Home was a three-storey guesthouse in Dartmouth Road, just along from the bus station. Jan, Newt’s older sister, had a small dormer bedroom in the roof. Newt had a large bedroom in back in winter, overlooking the wet timber yard; and summers he slept on the dining room floor, kept his clothes in a bulging cupboard on the landing, his things in a shed in the garden. His battery record player was in that shed, and an old sofa, a scarred table... It was in the shed that Newt was supposed to do his homework. They had once kept their armoury of airguns there; and the records that Mort and Sniff stole they stored there, until having been given enough money for records Sniff and Mort could take them home, use the saved cash for more transitory entertainments.
Newt's shed being just along the back alley from the bus station they all often met there. None could call for Mort because his mother thought them all an uncouth influence. And when they called for any of the others the parents interrogated them, or took the rise out of them, or condescended to their level and talked of pop groups. The shed saved them that; and they envied Newt it. While Newt envied them their year-round bedrooms. Although Pancho had to alternate between a camp bed under the stairs and a winter guestroom; and in the summers Blue had to share his bedroom with his three year younger brother. Small wonder they all hated holidaymakers, their bed and breakfast ubiquity, having to wait until they had finished with the bathroom, until they had finished their breakfast.
Newt’s mother was always busy, a perpetually anxious Devonshire dumpling. 'Oh dear.' after laughter or disaster. 'Oh yes. Very nice.' to whatever was said to her, her mind switched off, intent on her next objective. Cooking breakfast, making beds, washing dishes, getting dinner ready; the visitors telling her they’d been to the beach, a film, to the moors, to a summer show. 'Oh yes. Very nice.' They’d been to a marvellous little pub. 'I see...' Disapproval that, didn't want to hear more. 'Could I pay by cheque?' 'I see...'
Winters she was as busy painting and papering the empty rooms, doing a 'morning' at whatever job she could find. Money, money. Money - the earning of it and the spending of it; and the cost of, the price of... begrudging every penny spent, and then treating herself to a new fur coat, her hair crisply permed, patting pink powder on her round beady face, twirling before the bedroom mirror like a fat effeminate ape. Wasting money on her dumpy self when Newt needed clothes far more than she did: no one took any notice of what she looked like - she was who she was - Newt's appearance was his all.
Asleep in his dining room bed, woken by the doorbell, listening to his mother trundling out to let the visitors in, his father turning the telly off - manners that - no matter how near the end of the programme, how close the denouement; and then the 'Oh yes. Very nice.' Or to the breath of liquor, 'I see... I’ll just put the kettle on.' Then his father's attempts at small-talk, the clink and rattle of the tea tray coming to his rescue. And the tea sipped and slurped, talk of tomorrow's excursion, 'Oh yes. Very nice.' And, as soon as the last had crept creaking up the stairs to open the guts of the raucous plumbing, his mother and father in whispers unfolded the settee, a flutter of sheets, clink of bracelets, crackle of nylon underwear, slap of elastic and groan of springs. Ratchet turn of the clock, a ting, a yawn, punched pillow, click of switch, vacuum seal of a kiss, married bliss.
Sex being a public act performed in private, Newt’s brash public persona was at odds with the artful wooing of girls. Blue, he knew, could be softly and slyly sincere. Pancho held platonic hands, gazed back into cherubic features. While Sniff and Mort were aloofly celibate, pretended to be fussy about the scrubbers who couldn't be bothered with them anyway.
Newt grabbed those scrubbers and pressed them against rough walls in dark corners, forced his hands into their clothing and over their hot anatomy... until they wriggled free. Or it was, in a rare red moment of eager acquiescence, a thrusting knee-trembler, insecure erection slipping out and bending up against her rubber buttocks, foreskin rasping dry on her skirt. Or it was a writhing on night-damp ground, a plunging of hips, two tortured shadows banging out their bravado. 'I'm doing it! I’m doing it!' And it was done.
So he had left his virginity dripping like an idiot's spit down a grey wall at the back of the Esplanade. Small loss. And having stuffed his vagrant anger inside them he left them with their scrubber's reputation, turned with his loud voice from their knowing eyes. Though, in truth, he more often insulted than screwed. He could not speak softly, could not change for them. Except Eunice.
Sundays she came from Brixham to the dances at the Casino. She sat and danced with her Paignton friend until the last two dances, which Newt arbitrarily claimed, and then he walked her to the bus station. She had a small mouth, lowered eyes, went to Churston Grammar; and with her Newt talked, confided in her quietness, earnestly tried to explain himself to someone, that he was not who he seemed. One arm around her narrow shoulders, the other reaching to encircle elusive words and thoughts, pulling them to him, frustrated lips tight over teeth, furious at not being able to find the exact word or phrase... You see... no it's... but... it’s not that.... and you see... and he poured it all into her private ear.
One night she went back with