The Floating Garden: A Novel
By Emma Ashmere
3.5/5
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About this ebook
Emma Ashmere
Emma Ashmere’s short stories have appeared in various publications including The Age , Griffith Review , Sleepers Almanac, Etchings and Australian Women’s Book Review . She has a Masters in Creative Writing from the University of Adelaide, and a PhD from La Trobe University in Melbourne on the use of marginalised histories in fiction. She has worked as a researcher on several books on Australian gardening history, and women and empire. She lives in northern New South Wales.
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Reviews for The Floating Garden
5 ratings1 review
- Rating: 3 out of 5 stars3/5The Floating Garden was a last minute find to replace my original Read Harder 2017 Task 21, book published by a micropress. I just wasn't into the book I had originally chosen and life is too short to read books you're not excited about, right?
Looking for a late replacement, I just went over to Goodreads and just searched for something that was in the group discussions that I could get my hands on. I know, it's not the best use of the task and probably not entirely in it's spirit, but this has been the hardest task for me between the two years I've been doing this challenge. That said, I didn't even look at the full description of the book and dove right in, hoping it would be more interesting than it's predecessor. Fortunately, it was.
I had neglected to read the description before starting the book itself and it took me a minute to figure the era and place and then I had to go back and figure out what the hell a theosophist was. I had no idea that was a thing. The story itself follows two point of view characters and some flashbacks to the mysterious past of one of them. I really enjoyed the way it all worked together. On the one hand, it's a rather beautiful story amid the natural decay of a part of town and the progress that displaces the people in those community, and on the other hand, it's a story about setting yourself free and working to stay that way.
I was intrigued to find how Rennie and Ellis's lives would eventually intersect and the way they would effect each other. I wasn't so sure how it was going to go until the very end with a little surprise. It didn't quite twist the ending but eased it, if that makes any sense. Ellis's past haunted her and it was the little hints toward it that initially drew me into the story. I was glad when we got to full on flashbacks to what it was that was bothering her so much. It was sad and sweet and by the time I got to the full extent of it, it was also quite nostalgic even though I'd never known any of those people or been to Australia or even seen pictures of Milson's Point or the Harbour Bridge.
For Rennie the problem was more a matter of present than past, and her way of dealing with it was understandable. It sounds so easy to do what she did, but I know from plenty of other reading that it's not only hard but incredibly frightening. I can't imagine striking out on my own that way, which is part of why I really understood the need for that little moment, the little sign. I loved the way she ended up where she did, all the little unnerving steps that were much braver than they sound and the shedding of an unwanted life.
The magical thing about it all is that this is a story about running away and about finding yourself much later in life than most of these stories usually take place. Rennie and Ellis are not young women but needing to be in the right place for you isn't something that goes away after your twenties. Sometimes where we found at one age isn't where we need to be or even can be at another. It's always refreshing to read stories about older women who are trapped for one reason or another by the choices of their youth breaking free and finding themselves. It shows that its never too late and that one bad choice doesn't have to define who you are forever. I also really loved that children had nothing at all to do with these women feeling trapped by their circumstances, as neither had any.
Book preview
The Floating Garden - Emma Ashmere
Delma
PART ONE
CHAPTER
ONE
So now their standoff had come to this. The last of her lodgers had tossed their belongings onto the back of a cart and clattered off to take up an overpriced fleapit in Woolloomooloo, leaving Ellis Gilbey here, alone, peering from windows, rattling about an empty house.
She wiped her finger across the windowpane and looked along the street. It wasn’t clear how much longer she could hold out against the latest barrage of Notices to Quit. The staunch ones claimed they’d hang on until they were prised out like oysters from the harbour seawalls, or at least until they’d seen the colour of the government’s promises of compensation. Despite months of garrulous street meetings and the rousing talk of ‘power in the union’, Ellis had always known no one would pay. Just because the authorities had found enough funds to see off the big stevedoring companies which owned entire streets, it didn’t mean they’d do the same for inconsequential tenants like themselves. When she’d tried to warn her neighbours of this, she’d been shouted down. Nobody wanted to hear talk like that.
She glanced around the bedroom. Everything was coated in a chalky sheen: the brass bedstead, the amber-coloured wardrobe with its broken leg, the red and gold satin coverlet inherited from a cherub-faced dancing girl who’d done a midnight flit, the faded sign saying Private! nailed to the door, the avalanche of papers engulfing her typewriter, and the prize of her belongings—the picture of a landscape hanging over the desk with its quiet dark valleys and sun-stroked hills. Ellis had inherited it when she took over running the lodging house. To remind you of home, the previous landlady had said. But for twenty-seven years this had been her home. Despite the creeping winter damp and the winds whistling Aeolian melodies through the cracks, this dingy room had been her place. Now the resuming men were coming to tear it all down as if the act of demolition was the beginning and not the end. It was a death of a suburb, house by house. Even the milkman no longer bothered clattering his cans over the cobblestones.
Ellis stepped back from the window too late. Girl had spotted her from her balcony and waved a bottle in the air.
‘Fancy elevenses, Els?’
Ellis shook her head.
‘Later then,’ said Girl.
Hell, Ellis thought, but she gave a wave and went back to her desk.
This latest disruption had stopped her from producing anything useful the night before for her monthly column ‘The Green-eyed Gardener’. For the past ten years or so, she’d never had any trouble dashing off monthly missives for the Australian Gardeners’ Almanac. It kept her mind on easier, earthier things while bringing in a small and much-needed regular fee. What had started as an anecdote had turned into a column which now boasted a fervent following.
The Almanac’s editors attributed the success of ‘The Green-eyed Gardener’ to two things: the fact it was written under the nom de plume of Scribbly Gum; and Ellis’ depiction of a man she’d encountered long ago, a mean-spirited green-thumb, Mr Moses. Everybody knew someone like him. ‘Putting on a Mr Moses’ had even entered the local vocabulary. It was what people said if you crowed about the superior scent of your roses, or rued the progress of other people’s runner beans, or were seen ringbarking somebody’s almond tree because it blocked your sun, or caught dumping your weeds, snails and prunings over a fence.
Nobody except the Almanac’s editors knew the true identity of Scribbly Gum. Together with the lodgings’ takings and typing out invoices for Clements Brothers’ Emporium, moonlighting as a columnist had provided Ellis just enough to scrape by, but now she was left to field the whole of the rent until she found another room for herself. In the meantime she’d finish her book: a compilation of her most popular columns with a smattering of gardening hints and a pinch of arcane gardening lore.
If she worked all night, she’d finish it before Dr Bradfield’s men came to breathe down her door. Once it was published, funds would roll in and—and what?
Sitting here at the desk, Ellis was no longer sure. Everyone assumed Scribbly Gum was the well-heeled owner of a rambling productive garden estate. Comments such as Reveal yourself, Sir! regularly found their way to the Letters to the Editor, much to the editors’ amusement. Apparently maintaining Scribbly Gum’s mysterious identity had been a boon for sales. Ellis supposed once her book had come out, it would be easy enough to keep hiding the truth, that ‘he’ was a middle-aged ‘she’, soon to be evicted from a sunless and now eerily silent terrace house marked for demolition at Milsons Point.
That was the strange thing. While the digging machines screeched and hammered from dawn ’til dusk, and the force of the blasting could toss the tea cups from your shelves and cleave zigzag gaps in your walls, an unnerving stillness had begun to invade these waiting streets. Sitting here now the stillness was almost visible, lapping across the floors, cascading down the stairs, rising to nibble the hem of her dress.
Ellis left the desk. Her footsteps echoed down the hallway. She unbolted the back door and stood against the doorframe, tapping out the dregs from her pipe, staring out at the nettles and the tumble of nasturtium leaves floured by dust as the city raged on and the silence of the house breathed at her back.
She took out a few strands of tobacco and rolled them between her fingers. Privately, she referred to her tobacco as ‘maidenhair’ but there was no time now for private jokes. She shoved the pipe back into her pocket and ran upstairs, paused on the landing, opened the cupboard and counted the blankets and pillows. All were there.
In the smaller room overlooking the yard and the old night-cart lane, she could almost see Bradfield’s miraculous bridge curve over the harbour beyond the ragtag rooves heaped with broken wheels and lumps of rock. The witch’s hat steeple on the church was leaning back even further since the last southerly buster. Over towards Kirribilli, the occasional Norfolk Island pine and jacaranda tree afforded shade over wider, wealthier streets. By some quirk of geography those streets would stay intact while these houses and shops, these little worlds, dissolved into air.
The larger room looked across to Girl’s stocking-festooned balcony. Ellis squinted up at the ceiling where tongues of paint were curling off and circles of damp rippled out. There were gaps in the floorboards where they’d buckled to form tiny hills. She swiped at a cobweb hanging down and swept a pile of dust sideways with her shoe. On hearing a voice, she stopped. The voice seemed to multiply as it rolled around the walls. Her lodgers may have gone but something of them remained, their aural vibrations, their astral transferences, as Miss Minerva Stranks would have said and Kitty Tate would have tossed her dark shine of hair and smirked behind Miss Stranks’ back, mouthing to Ellis, and what does our apprentice Secretaire Spirituelle make of that?
Ellis put a hand to her throat. She’d let herself think of Kitty Tate and Miss Stranks and those wretched days back at the Hall. All that was in the past where it belonged. But the past wasn’t over. It was here, crowding around her in this cheerless room. She sat down hard on a bed. A quarter of a century may have passed but it was still too difficult to think about Kitty Tate. Time had done nothing to ease her guilt. She’d tried to bury her regret since it had taken root inside of her all those years ago, but now with all the uncertainty of the bridge, it had begun to sprout new shoots.
It was best to keep moving when she felt like this. She set about wrestling the mattresses off the beds, took apart the bedsteads, and managed to manoeuvre them downstairs ready to flog off to the scrap iron man. In the kitchen, she found a knife, ran back upstairs and removed the brass door handles on the upstairs doors followed by the plates surrounding the light switches. If the landlord asked for them before she left, she’d surrender them all. If not, she’d pocket the modest spoils for herself.
She stood back and sighed. So, the house was all hers, but not hers at all.
She cradled a hot strong cup of tea and stared up at the picture shining over the desk. At this time of day the glass reflected oblongs of light, whiting out the sunny foreground, making it a pale lapping sea. Sometimes the lines of the mountain resembled the face of a woman turned upwards towards the sky. She moved her head so she could catch this effect, the profile of a woman reclining, her chin, her nose, her breasts caressed by the soft morning light, the slight smile on her lips as she raised her eyes, just like Kitty had across the bed, on that last beautiful, terrible morning . . .
Ellis stood up so quickly she spilt her tea. That was the second time she’d let herself think of Kitty. It was time to get out of here, to begin somewhere else. The end of the week, that’s all she’d give herself. If the government hadn’t paid up by then, she’d go out and find another room far from the thundering path of the bridge, away from the memory of what had brought her here all those years before. She’d say to her neighbours, Girl, old Mrs Liddy and Clarrie, I’ve found somewhere else. And Mrs Liddy would cry out ‘What, dear?’ and she’d sit down on her milking stool and weep into her long black skirts, and Clarrie would cough and frown at his beloved poetry book, and Girl would call her a ‘scab’ or a ‘dog’ or something just as bitter.
Ellis jumped at the sound of a thump on the front door. It was only Girl, a bottle tucked beneath one arm, her pink feather boa dragging behind her in the dust.
CHAPTER
TWO
They sat together on the back step. Ellis tapped her pipe against her shoe and stared at the shadows swimming through the mess of her backyard as Girl talked on about who was doing what nefarious thing to whom.
‘This is a change, ain’t it, Els?’ said Girl. ‘Having the place all to yourself.’ Girl glugged another shot of port wine into their cups and raised it. ‘To the two of us then, the lasts of the lasts.’
Ellis downed it. Girl poured another. ‘Your turn, Els.’
‘What? Sorry, Girl, I was miles away.’
‘It’s your turn to christen the next thirsty cup.’
‘Oh. To us. The lasts of the lasts. To the dying days of Burton Street.’ The wine was beginning to slur her words.
‘The dying days?’ Girl gave her nudge. ‘Cheer up, Els. Alf Ostler reckons the government’s going to cough up any day.’
‘Does he now?’ Ellis packed a good pinch of tobacco into her pipe. ‘Then I’ll celebrate with a double helping of maidenhair.’
‘Of what?’
Ellis felt herself flush. She’d always been careful not to let slip her private jokes, especially not to Girl. In a house full of strangers and a street with flimsy walls and open windows, privacy was hard to win and even harder to keep. Now she’d never hear the end of it.
‘What did you call your tabaccy, Els?’
Ellis struck the match on her shoe and watched it flare and stutter out. What did it matter now what she said? ‘Tobacco reminds me of the dried stems of the maidenhair fern.’ She eyed Girl, careful to keep her own face a blank. ‘You know the ones?’
‘Yeah,’ said Girl, slowly.
‘The Ancient Greeks called them . . . Oh, don’t worry.’
Girl splashed more wine into her cup. ‘Go on Els. Loosen up. Nothing better than a good story to cheer us all up.’
‘Well, they used to think the stems didn’t get wet when they were put into water. And . . .’ She gulped her wine. ‘They thought they looked like women’s hair.’
‘Eh?’
‘You know. Hair. Down there.’
Girl threw her head back and roared with laughter. Ellis listened to Girl laughing on, but it only made her feel more alone. She wished she was lying safely in bed staring up at the lodgerless rooms above, her curtains drawn against the world.
‘Come on, Els. Treat yourself to a snifter or two. That’ll perk you up.’
Girl unfolded a twist of paper and sprinkled a line of Sweet Tooth pain-relieving powder, as she called it, over the dimples on the back of her hand. The crystals sparkled in the darkening air. Girl raised her hand and took a sniff.
‘See? Easy as you like. It’ll bring them roses back to your cheeks.’
Roses, Ellis thought, with a sigh. According to last month’s ‘Green-eyed Gardener’, Mr Moses’ roses won every prize in New South Wales because they were fed a carefully balanced diet of banana skins and chicken manure, a recipe he’d copied by watching his neighbour through a much-used spyhole in the fence. For years he had been incensed by his neighbour’s blooms which were larger and brighter than his own. But now, officially, his roses were a riot of colour. At the first sign of a withering bud, Mr Moses sharpened the blade of his bayonet and removed them with military precision. Do not blight your garden with specimens past their prime. Banish them immediately to the rubbish pile, Ellis had written, but the sentiment had depressed her and she’d left it out.
But Mr Moses, there is no such thing as death, she thought. There is only trans-for-may-shun! That’s what Miss Stranks would have said, but so much for Miss Stranks and her patchwork of second-hand philosophies. Sitting here was like being sentenced to a kind of death. As of today, Ellis was no one with nothing and nowhere to go. She was no longer a quiet landlady running a neat, plain lodging house for women and girls. All she had to show for the past quarter of a century was a rented house full of shabby furniture and a ridiculous notion she’d save herself by writing a book of anecdotes about tossing tea leaves onto your hydrangeas to ensure they were the bluest in the street.
No wonder people laughed at her. She’d heard them do so often enough. She may be one of them cabbage-munchers, Alf Ostler had said to somebody at one of their first street meetings. But she fires off them fancy letters to the government like there’s no shortage of coal in the stokehouse.
Ellis held out her hand. ‘Go on then.’
‘That’s the way, Els.’
Girl patted out another trail of Sweet Tooth. Ellis coughed as she took a sniff and it tingled in her nose. Her heart began to beat thumpingly fast. She put her hand to her chest and looked at Girl, wondering what she was supposed to feel. She’d hoped it would be like opium, the so-called flower of forgetfulness. She could write about the uses of the poppy in her next column, which would be sure to pique the interest and the ire of the readership in equal part.
Girl began to hum a smoky tune. Ellis leant back against the doorframe, watching the dark sparring with the light. Back when Mrs McCarthy had run the house, the chokos ran thick and wild. The tight tendrils of the passion fruit vine clawed their wiry fingers at the air. River beans had scaled their bamboo stakes in their search for sun. The smell of lavender, rosemary, basil and peppermint had tinged the air.
Some nights when Ellis was lying in bed, a touch too much brandy having passed her lips, she let herself believe she’d have a house of her own one day, one with a real working garden, flowers and vegetables, an orchard, a running creek nearby, just like the one she’d worked in as a child with her mother back on the farm at Candlebark Creek in those fleeting days of plenty before her mother had died.
Her hand went to her throat. Girl’s powder was no good. It had not let her forget at all. She could see her mother—really see her—as if she was standing a few yards away. She closed her eyes. It was no use. She could hear her mother’s voice over the sound of Girl’s tuneless hum.
Peppermint, Ellis? Warmth of feeling. Dried and crushed, stops the flow of blood when applied to cuts. Marigolds, Ellis? The old people used to dye their hair with its golden petals . . . good for pairing with tomatoes.
Ellis must have let out a small cry because Girl went quiet.
‘Come on, Els. Like I said, it’ll do you good to get things off your chest.’
She looked at Girl, at her puffy eyes and the eyebrows plucked as thin as spiders’ legs. Maybe Girl was right. Bottling things up didn’t seem to be working anymore. She imagined throwing open the upstairs window and shouting out over the broken rooves and half-demolished streets: After my mother died, I had nowhere to go. I was taken in by Miss Minerva Stranks, the quasi-theosophist, who fell from grace when Kitty . . . No, she could never admit to being part of that.
Ellis could feel the heat of Girl’s body leaning into hers. She could almost see the tendrils Girl was sending out towards her through the cooling night air.
Ellis lurched to her feet. ‘All right then, Girl.’ She tried to laugh to distract herself from the expression on Girl’s face. ‘You want me to tell you something? Well then, here goes nothing. I’ve been writing a book.’
‘You never!’ Girl’s teeth shone brownly in the light. ‘I bet it’s one of them posh ladies and gentleman’s saucy romances. I always thought you had something going on, hiding away all quiet like. As my old ma used to say, it’s the quiet ones you have to watch out for. They always want the lot with bells and whistles. Never the plain old one-two-three.’
‘No, no. It’s nothing like that.’ Ellis felt herself flush again. Now Girl was dipping a finger in her cup, rubbing the syrupy wine across her cushiony lips, making them shine like ripened fruit.
‘Come on, then Els. Like my old ma used to say, you can’t keep the punters waiting.’
‘But you’ll only laugh.’
‘As if I would.’
Ellis drained her cup and thrust it towards the bottle for a top up. ‘Well, I don’t suppose any of it matters now.’
‘Course it don’t.’
‘Have you ever heard of the Green-eyed Gardener
?’ Ellis watched Girl’s face carefully. Girl shook her yellow hair. ‘I’m writing a book about this garden.’ Ellis waved her cup at the yard.
‘What? You mean this scrapheap here?’ Girl stared up at Ellis, her wet lips held back from her teeth as if she wasn’t sure whether to laugh or cry. They both stared at each other until Ellis threw her head back and laughed so hard that Girl did the same. Girl shrieked as she staggered to her feet, clutching at her nether parts, tottering off to the outhouse, her feather boa slithering behind her through the dust.
Ellis kept laughing and talking to Girl through the open door. ‘You know if you want to believe, you can see anything. You can transform the whole world, brick by brick. You can turn a dead flower back into a bud. You can see a palace where there’s really a ruin. Do you know some people think there is no death? There is only trans-for-may-shun!’ Ellis stopped and wiped her eyes as she looked up at the smudged out stars. Her laughter sounded hollow now. ‘But we haven’t transformed, have we, Girl? People like us will always be the vanquished ones.’
‘The what?’
Girl emerged from the outhouse, her dress hitched up around the tops of her stockings. The softness of her thighs rumpled out. Ellis could smell her from five paces away, every glorious terrible smell screaming life! danger! desire! Perhaps it was the wine or Girl’s Sweet Tooth or letting herself think of Kitty again, but she had to force herself from not taking those five paces and burying her face into Girl’s clammy neck.
Ellis stepped back and steadied herself against a wall.
‘It’s strange, but I’ve been thinking about when I first came here, and why I came. I’d been working as a secretaire spirituelle, you see. And before you ask, that’s just a fancy way of saying I sat at a desk for weeks on end, devouring thousands of words from hundreds of books, churning them around like butter in my head, spreading them out for somebody else to help themselves to the choicest pickings and make themselves fat. That somebody was the most inspiring and captivating orator of our time. Well, that’s what she liked to think she was.’
Ellis took another gulp from her cup. Girl’s eyes were shining. Once there’d been hundreds of pairs of shining eyes, standing there in front of the surging crowds at the Sunday hall on Castlereagh Street, peddling hope to the desperate, the anxious, the baronesses and fishwives, physicians and quacks. Everyone wanted to believe Miss Stranks’ encouraging messages delivered from other worlds where Truth and Everlasting Life once bloomed and would surely bloom again for them, as long as they tossed a coin in first.
‘Go on, Els,’ Girl said.
‘You’ve seen the way I read out the newspapers every day for Mrs Liddy and Clarrie? I know it sounds like I’m pinning tickets on myself, but people used to say I had this gift. Well, not a gift. I worked hard for it. I only have to read a page once and I can store it away perfectly in my mind. A photographic memory, that’s what Miss Stranks called it. She said she was blessed with one too. But it’s not always a blessing. It can be a curse. But it’s how I kept a roof over my head and a crust in my mouth. That’s how I met Kitty Tate.’
Girl was peering at her now, her beaded dress shimmering as she swayed in the falling light.
‘You dark old horse, you,’ she said, and for the first time in all their years of knowing each other, Girl stood there silently, not laughing or joking but looking at Ellis with the gentlest expression on her face. Girl’s lips looked even softer and shinier as she held out her stubby hand towards her.
‘Why didn’t you say you had the touch before, Els? Girls like me need to know there’s more to life than hoisting up your skirts for another spiv. It makes us feel better to think there’s folks in this world who know them other things. Who can read all them books and . . .’
‘Claim to see things other people can’t?’ Ellis stepped back from the outstretched hand. ‘It’s true. I did see things. The way a leaf fluttered in the wind, a line of pebbles gathered on a doorstep. Then something would happen. Something big. And I’d realise too late that I should have expected it because the leaf or the pebbles were trying to warn me.’
‘Sweet Mother of Jesus, Els. We all need someone to tell us when to watch our backs. Or our cheeks.’
Girl began to rub her finger over the scar on her cheek made by one of her former flashmen, famous for carving his initials into his less co-operative wares.
‘Oh Girl, it’s hard to explain but for people like me the world is crowded with omens, signs, grave portents. You have to try to shut most of them out. If you don’t, they’ll drive you mad. Or you’ll not see the things you should have. Or you’ll take them the wrong way and . . .’ Ellis felt her chest tighten again. She turned away to hide her face. She couldn’t bring herself to say it: and then you’ll never forgive yourself. Someone will suffer, because of you and you’ll carry it with you forever like a spot on the eye. She brushed at her eyes which were streaming now, not because she’d been laughing and drinking but because she’d let herself utter the name Kitty again.
She stiffened as she felt Girl’s soft arms encircle her.
‘So, what do you see for me then, eh?’
Ellis shivered as Girl’s squashy breasts pressed into her back.
‘I’m sorry. I can’t. Once I would’ve done it for you in a flash. Back then, I wanted to believe I was blessed. Everybody wanted to believe what Miss Stranks said. Except for Kitty. They were heady days, Girl. Rich men and poor men lined up side by side.’
‘From what my old ma told me, all them hoity-toities were never famous for being shy. A button jammed between your pearly whites, a quick flip of petticoats and off you went.’
Despite the gallant laugh, Girl’s voice fell away