Delphi Collected Works of William Harrison Ainsworth (Illustrated)
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About this ebook
The friend and rival of Dickens, William Harrison Ainsworth was a prolific historical novelist, whose works helped changed the course of Victorian literature. This comprehensive eBook presents the largest collection of Ainsworth’s works ever compiled in a single edition, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 2)
* Beautifully illustrated with images relating to Ainsworth’s life and works
* Concise introductions to the novels
* 23 novels, with individual contents tables
* Many rare novels appearing in digital print for the first time, including Ainsworth’s first novel SIR JOHN CHIVERTON, available nowhere else
* Images of how the books were first published, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Many novels are fully illustrated with their original artwork
* Includes Ainsworth’s ballads and early short stories
* Easily locate the poems or short stories you want to read
* Features a brief biography
* Scholarly ordering of texts into chronological order and literary genres
* UPDATED with three novels (‘Cardinal Pole’; ‘The Constable de Bourbon’; ‘Chetwynd Calverley’), two short stories and improved texts
CONTENTS:
The Novels
Sir John Chiverton (1826)
Rookwood (1834)
Jack Sheppard (1839)
The Tower of London (1840)
Guy Fawkes (1840)
Old St Paul’s (1841)
The Miser’s Daughter (1842)
Windsor Castle (1842)
The Lancashire Witches (1849)
Auriol (1850)
The Star-Chamber (1854)
The Life and Adventures of Mervyn Clitheroe (1858)
Ovingdean Grange (1860)
Cardinal Pole (1863)
The Constable de Bourbon (1866)
Talbot Harland (1870)
Tower Hill (1871)
Boscobel (1871)
The Good Old Times (1873)
Preston Fight (1875)
The Leaguer of Lathom (1876)
Chetwynd Calverley (1876)
Stanley Brereton (1881)
The Shorter Fiction
The Spectre Bride (1821)
December Tales (1823)
A Night’s Adventure in Rome (1850)
The Old London Merchant (1850)
The Poetry
Ballads (1855)
The Biography
Short Biography: William Harrison Ainsworth (1900) by Stewart Marsh Ellis
William Harrison Ainsworth
William Harrison Ainsworth (4 February 1805 – 3 January 1882) was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife. (Wikipedia)
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Delphi Collected Works of William Harrison Ainsworth (Illustrated) - William Harrison Ainsworth
The Collected Works of
WILLIAM HARRISON AINSWORTH
(1805-1882)
img1.jpgContents
The Novels
Sir John Chiverton (1826)
Rookwood (1834)
Jack Sheppard (1839)
The Tower of London (1840)
Guy Fawkes (1840)
Old St Paul’s (1841)
The Miser’s Daughter (1842)
Windsor Castle (1842)
The Lancashire Witches (1849)
Auriol (1850)
The Star-Chamber (1854)
The Life and Adventures of Mervyn Clitheroe (1858)
Ovingdean Grange (1860)
Cardinal Pole (1863)
The Constable de Bourbon (1866)
Talbot Harland (1870)
Tower Hill (1871)
Boscobel (1871)
The Good Old Times (1873)
Preston Fight (1875)
The Leaguer of Lathom (1876)
Chetwynd Calverley (1876)
Stanley Brereton (1881)
The Shorter Fiction
The Spectre Bride (1821)
December Tales (1823)
A Night’s Adventure in Rome (1850)
The Old London Merchant (1850)
The Poetry
Ballads (1855)
The Biography
Short Biography: William Harrison Ainsworth (1900) by Stewart Marsh Ellis
The Delphi Classics Catalogue
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Version 2
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img9.pngThe Collected Works of
WILLIAM HARRISON AINSWORTH
img10.jpgBy Delphi Classics, 2022
COPYRIGHT
Collected Works of William Harrison Ainsworth
img11.jpgFirst published in the United Kingdom in 2015 by Delphi Classics.
© Delphi Classics, 2022.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 9781910630808
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: [email protected]
img12.pngwww.delphiclassics.com
img13.pngExplore the world of the Victorians…
img14.pngThe Novels
img15.jpgKing Street, Manchester — Ainsworth’s birthplace
img16.jpgKing Street, Manchester c. 1820
Sir John Chiverton (1826)
img17.pngAfter leaving school, Ainsworth began to study for the law, having been encouraged by his father to pursue that career, though he was to be accused of being lazy by his law employer. Instead of working, Ainsworth spent his time reading literature at his home and various libraries, including the Chetham Library. He continued to work as an attorney in Manchester and spent his time when not working or reading at the John Shaw’s Club. By the end of 1822, Ainsworth was writing for The London Magazine, which allowed him to become close to Charles Lamb, to whom Ainsworth sent poetry for guidance. After receiving a favourable response for one set of works, Ainsworth had them published by John Arliss as Poems by Cheviot Ticheburn. In August 1822 Ainsworth visited his childhood friend James Crossley in Edinburgh and was introduced to William Blackwood, the owner of Blackwood’s Magazine.
The following year, Ainsworth formed a literary friendship with J. P. Aston (1805-82), the son of a liquor merchant in Manchester, who had also been educated at the Grammar School. Aston and Ainsworth began to write several works together, including what would become Ainsworth’s first novel, Sir John Chiverton. Ainsworth wrote to Thomas Campbell, editor of The New Monthly Magazine, about publishing the work, but Campbell lost the letter. At the request of Ainsworth, Aston travelled to London to meet Campbell and discuss the matter before visiting in November. Although the novel was not yet published in December 1823, Ainsworth was able to convince G. and W. Whittaker to publish a collection of his stories as December Tales. Ainsworth then set about working on various other writing projects, including producing his own magazine, The Boeotian, which was first published on 20 March, before reprising work on his novel.
Sir John Chiverton was finally published by Ebers in July 1826. Ebers had become interested in the novel early on and started to add discussions about it in The Literary Souvenir in order to promote the work. Although it was jointly written and sometimes claimed by Aston as solely his, many of the reviews described the novel as Ainsworth’s alone. The novel also brought Ainsworth to the attention of the historical novelist Walter Scott, who later wrote about the work in various articles and the two later met in 1828. During that year, J. G. Lockhartt published Scott’s private journals and instigated the notion that the novel was an imitation of Scott.
Sir John Chiverton is neither a true historical novel, nor is it a gothic novel. It was also seen by Ainsworth as an incomplete work and he later ignored it when creating his bibliography. However, it does serve as a precursor to Ainsworth’s first major novel, Rookwood.
img18.jpgThe original title page
img19.pngAinsworth, aged 21, close to the time of his first novel’s publication
CONTENTS
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
img20.pngJohn Ebers (c. 1785 – c. 1830), Ainsworth’s eventual father-in-law and the publisher of his first novel. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth’s wife.
SIR JOHN CHIVERTON.
A ROMANCE.
She died before her time.
WILLIAM AND MARGARET.
DEDICATORY STANZAS
TO
—— ——
—— ——
WHEN last we parted, lady, ’twas in tears;
Thy cheek was dimmed with sorrow’s trickling dew,
And from my heart the grief of many years,
Hoarded ‘till nigh forgotten, burst anew,
Sad offerings to love and memory true: —
Shall ever memory faint, or love be cold?
Ah, no! that cheek may lose its breathing hue,
And those dear eyes their living beams withhold,
But love shall still endure, with faith unknown, untold.
II.
Accept the tribute that to thee I bring,
(It is the first, and it will he the last,)
The leisure fruit of fancy’s wandering:
But fancy rules no more — her sway is past,
And into other paths my course is cast;
Me now no more shall fiction’s dreams beguile;
Their hues like fading rainbows vanish fast;
My feet shall tread in ways of drearier toil,
And fiction hide her wreath, and poesy her smile.
III.
Yet, if to me a loftier lyre were given,
And round my harp were twined a brighter wreath;
If I could snatch immortal verse from heaven,
And pour its melody to souls beneath,
It may be that I would not cease to breathe
Thy name in accents love should make divine,
And round thy beauteous brows a band enwreath,
A garland bright, whose flowers should brightly shine,
More lovely, and more bright, when sunned by smiles of thine.
IV.
My Lady Love! am I not far from thee? —
Far, far away — but soon again we meet;
Ye moments swift, oh, yet more swiftly flee,
Ye slower hours, away on winged feet;
Waft me, oh, waft me upon pinions fleet,
Give me again my vows of love to tell,
Steal fond approval from her blushes sweet,
Adore her glowing cheek and bosom’s swell,
And win the silent thoughts, that in that bosom dwell.
Eustace. — Is that the merrie old hall? Doth its table still groan with the chyne — and its tankards foam as they were wont? Doth old Badge, the servitor, still sit at the porch; and Sir John telleth he at his third cup, how he hunted the boar at Furness; and of his merrie pranks with the Keeper’s daughter at Bowland? Talketh Master Hugh, the parson, still of Beza and Whittaker, and the New Doctrines — and goeth the Steward forth at Martinmas with his staff, to call the tenants to suit and service — and to drink their Lord’s health in a humming cup of the best — Are these still as heretofore?
Lancelot. — Lord help thee, Eustace! Have thy thoughts gone a woolgathering? Sir John and the Parson and the Steward, sleep soundly enough under an hic jacet this many longsome years! Little of festivity seeth the old Hall now! Its courts are grass grown, and its floors are mottled with mud! Clean gone are its old faces, and it looketh for all the world like the prodigal who bad run his career of jollity, and now aketh his orts at the spittal.
MERRIE DAIES, OR HIE AWAY FOR HULME HALL.
CHAPTER I.
THE HALL.
img21.jpgTHERE IS A degree of pleasure, not unmingled with sad and melancholy reflections, in comparing with the records that remain to us of the manners and private life of our distant progenitors, the mouldering and dilapidated remnants of their habitations, which time and the wasting hand of violence have suffered to survive; the monuments of a people, whose habits, long become obsolete, owe their existence, even in remembrance, to the minute and laborious zeal of the chronologers of the past, and the excursive researches of antiquarian curiosity. It is gratifying to have somewhat real and tangible to connect us with days and scenes, on which we are wont to look back with the sensations of the landscape gazer, who straining his glances through the gathering twilight, sees in the dim, though it may be beautiful outlines of the indistinct prospect, much to awaken, but little to satisfy his feelings of inquisitive admiration; vainly endeavouring to distinguish, until he almost doubts the reality of the blended mass of wood, and mountain, and gleamy lake, which growing every moment more dim and shapeless, leave it to the power of fancy to adorn, and fill up the traces so faintly supplied by observation. It is thus we picture to ourselves, the hearth glowing with the ruddy volumes of cheerful blaze; the hospitality, arising to profusion, of the well stocked board; the warm-hearted, sparkling joviality of the revels; and the gay and gallant companies of the halls of our progenitors; contemplated more eagerly, because, ever clinging to the bright and the brilliant, the imagination rarely impedes its workings with tardy inquiries into darker tints of the piece. Uniting with these venerable edifices, our ideas of the splendour, and gallantry, and romance of the days with which they are coeval, we fondly imagine that the spirit of high romance, that in early days animated their magnificence, continues yet to linger round, and haunt them in their decay.
It not unfrequently happens that the remains of these antique mansions are overlooked, and disregarded, not merely when buried in sequestered corners, but even when placed in the vicinity of populous cities, and cultivated districts. The eye becomes familiar with them, and seeks not to inquire into the origin or decorations of structures, which it has learnt to consider as indifferent and every day objects; and it is, in general, the part of the casual stranger, to discover and admire those picturesque beauties of situation and architecture, that have failed to attract the observation of those, who think not of looking so near home for subjects of interest or curiosity. A specimen, of such habitations, so situated, exists at this day, in a fair state of perfection, in one of the northern counties of England.
So few, indeed, are the changes which Chiverton Hall has undergone in its general structure, that a tolerable idea may still be formed of it, as it stood in the days of its pristine beauty. It is true, that its noble entirety has been subdivided into humble habitations, whose squalid appearance differs lamentably from the gay and magnificent decorations and accompaniments, which as the residence of its earlier possessors, it could have boasted of; — the pavement is broken and neglected, and rendered in many places uneven, from the partial displacing of the stones, by the rank weeds that have sprung up in the interstices. Broken glass, ruinous gateways, and courts strewed with, nameless and accumulating litter, give to the place, on a near approach, an appearance of neglect and desolation, that jars most harshly upon the mind, when reverting to the fancy-traced picture of its ancient splendour. But the building itself retains much of its original aspect, and rising from a distance, on the right, imbedded in the spreading foliage that surrounds it, still presents to the eye of observation, an object of no common beauty and interest.
It is with Chiverton Hall, however, in its former state, that our present concern chiefly lies, as it stood some two centuries back. Rising from the summit of a rock, that sprung abruptly from the spreading waters of the river, by which it was guarded on the west, the building approached so near the brink of the precipice, as to afford space only for a narrow foot-path. From the opposite side of the river, the edifice presented its most irregular, though not less beautiful aspect. A projecting semi-oval turret, the lower part of which was used as a chapel, and in the days of papal dominion, had been consecrated to the services of the Roman ritual, advanced beyond the buildings that extended from it on either side, and which contained the apartments usually allotted to the ladies of the family, and their attendants. Along the entire south side of the house, opened the windows of the chief banquetting-room, or dining hall, whose panes glowing in many colours, and quaintly arranged, exhibited a rich specimen of an art now little known. From these windows, the view lay directly into a spacious garden, curiously laid out, and painfully ornamented, according to the heavy and constrained taste of the period. The garden was bounded by a wall, surrounding the mansion, and which, from its height and apparent strength, had been probably constructed with an eye to its utility, as a barrier of defence in the event of an unforeseen attack; a contingency not so distant in the eventful and unsettled times to which we now revert, as in the present age of calmness and security.
The principal entrance to the hall was from the east, and was formed by a spacious archway, surmounted by a square tower, and opening into a quadrangular court, surrounded by connected buildings. To the right of the entrance, were doors communicating with the banqueting room, and different smaller apartments. Opposite to these, were the culinary apartments of the establishment, and the space between, forming the third side of the square, was occupied by larders, refectories, and rooms allotted to the higher class of domestics. The remaining side consisted of offices, and the upper stories of the buildings contained the dormitories of the residents, all more or less externally ornamented.
Such was the general outline of the exterior of the mansion, which, according to the taste of the period, was far from being devoid of ornament. The plaistered walls were coloured with regular chequers of black and white, interspersed with trefoils and other figures, varied as the skill or taste of the artist had directed. As usual, in this style of architecture, the wood work was profuse; timber then forming the principal material, in the structure of domestic habitations. Here it had been used with an unsparing hand, and, wherever the situation of the beams admitted, had been ornamented with elaborate carvings, the chief of which were displayed on the frames of the casements, and the extremities of the rafters, and those solid beams which, protruding beyond the walls on which they rested, supported the successive projections of the superior stories, or tiers of apartments. — But the chief triumph of art was in the execution of the massive oaken pillars, that guarded the great gateway; the strange representations and carvings of which claimed, at least, the credit of perseverance and assiduity, if not of taste, to the operator; whilst above the arch, was suspended an enormous hatchment, whereon were depicted, in the pomp of heraldry, the armorial bearings of the Chivertons.
The natural advantages of situation conspired to lend beauty and interest to the edifice. The rock, on which the building was placed, was rugged and precipitous, and threw a deep gloom over the waters by which its base was washed. The crumbling of the stone, mingled with the earth casually fallen from the summit, had composed a scanty stratum of soil, sufficient to afford nourishment to a wild and rank vegetation, that spread a dark covering over the face of the precipice, increasing, rather than diminishing, the gloomy sullenness of its aspect; while the beams of light from above were interrupted by the branches of one or two firs, that stood on the brink, and a giant sycamore, that grasping the rock with its spreading and sinuous roots, broke with its wild appearance the uniform continuity of the bank. — Following the path which wound in front of the building, and skirted the high wall of the garden, the gaze was lost in a thickly wooded domain. The level plain, stretching on the eastern side of the hall, was more scantily clothed with trees, and its close sward was intersected with a broad path, leading up to the arched entrance of the building; whilst the ground, sloping on the north, lay open, till bounded by an eminence, crowned with a long row of beeches, whose leafy tops, intermingling with each other, formed a mass of dark foliage, rising like a thick cloud upon the sky, which beamed between the trunks like the expanse of a distant sea; and the whole, glowing under the influence of a summer morning’s sun, was arrayed in lively hues of beauty and splendour.
How different is, alas! the present, though, even yet beautiful, appearance of the same spot. The rich and profuse banquets, of which the noble dining hall was once the scene, have given way to the scanty board of poverty the songs and harpings of minstrels, the gallant conversation of brilliant companies, — the bright sallies of wit, and tender conceits, which so often those walls have listened to, have faded away, as unsubstantial and transient as the breath on which they rose; and are succeeded by the murmurings of discontent, or the irritated tones of strife, and domestic discord. The hand of the spoiler has been there; the figured tapestry of lady’s bower has long since faded from the walls; the laboured carvings, and profuse decorations, of the wainscotted hall are removed, or defaced; and the glories of the painted roof are lost in the coverings of whitewash and accumulated filth. — Timber levelled for the purposes of traffic; — plains covered with upstart dwellings, and redolent of brick kilns, have introduced as much change in the surrounding country, as in the hall itself. Yet still retaining its original outline, and some faint traces of the natural and artificial embellishments that heretofore made it attractive, it still continues worthy to be sought for and admired by the lover of taste, or of antiquity.
The clay had risen brightly. A few individuals passed between various parts of the house, domestics of the place, or half military retainers lounging to and fro, as if claiming, by virtue of the buff-coats, steel caps, and broad swords, with which they were accoutred, an exemption, except when in attendance on their Lord, from all care and occupation. But a numerous group issuing suddenly from the archway, summoned these idlers from their strollings, and communicated an instantaneous life and vivacity to the scene.
The personage who, among this group, must instantly have been distinguished as the principal, as well from the deference paid to him, as from his manner and demeanour, was a man of apparently not more than thirty years of age, and of an aspect, which, at the first sight, seemed noble and prepossessing. In stature, he was somewhat above the middle size; well shaped, and rather strong set. His features, though handsome — almost beautiful, were to close examination scarcely attractive, wearing an expression of strong, but suppressed passion. Clusters of dark and curling hair strayed from beneath his jewelled cap, which was adorned by a heron’s plume fastened by a clasp of gold. His eyes were bright and black; too much so to be pleasing, and the same sinister cast which dwelt in his features, was communicated to their glance. — He wore a dress of the fashion generally adopted by the superior classes of the time, consisting of a doublet of dark satin, slashed with salmon coloured silk, fitting tight to his body, and joined to hose of the same materials, puffed out according to the prevailing mode. — His boots were of blue Spanish leather, and a short cloak of deep purple velvet, richly embroidered, and fastened by a massy golden clasp, hung from his shoulders, and completed the ordinary articles of his wearing apparel. — In addition to these, his hands were now clothed with hawking gloves, and his closed fist supported a lordly gerfalcon, completely attired with her embossed hood and knotted jesses, on the varvels attached to which was stamped the figure of a mermaid, the armorial bearing of the family. The legs of the hawk were hung with Milan bells, — jingling with a silver sound at every motion of the bird.
But the attention with which a spectator would have beheld the handsome appearance and commanding frame thus presented to his view, was speedily claimed by a new object. A beautiful female, whose exquisite figure was betrayed to admiration by the riding habit in which she was enveloped, suddenly issued from the gateway, following the gallant whom we have described. Her head attire, of black velvet, was richly ornamented; and being depressed in the middle rose on either side, so as distantly to resemble a reversed crescent, a fashion then generally followed, though in the present instance far from attaining the extravagant pitch to which it was frequently carried, forming a subject for abundant animadversion from the satirists of the day, who loudly declaimed against the horned head dresses of the ladies. Her jet black hair escaping from beneath this covering, and scorning the restraint of the silken bands, that vainly endeavoured to confine them, clustered around her temples, and straying to her neck, rested on a throat with whose whiteness they were deeply and beautifully contrasted, and whose purity was only to be equalled by the forehead, which her head dress partly exposed to view. The similitude of her features to those of the individual who had preceded her, plainly indicated their affinity; but though the lineaments of her countenance strikingly resembled those of her brother, their freedom from the repulsive cast with which his were shaded, rendered them far more engaging. The same firm resolution that dwelt in his aspect was perceptible in hers, but tempered with a gentle and subdued expression, amounting almost to melancholy, and seeming to indicate the faculty of passive and unwearying endurance, as the look of the brother betokened active and restless boldness. Her dark eyes, bright rather than brilliant, beamed with an expression so pensive, and yet so lovely, that the heart of the beholder borrowed for a moment its tone from their glances, and became itself enamoured of sadness.
She also bore upon her hand a hawk, a tercel gentle restrained by silken jesses. Sir John Chiverton, her brother, assisted her as she mounted the chestnut steed, whose curving neck and pawing feet denoted the impatience with which she awaited her rider; and so gracefully and easily did its mistress govern the animal, that its motions seemed instinctively to harmonize with every wish of the lovely equestrian. A slim greyhound bounded by her side, and a variety of domestics were in attendance, to lend assistance in the progress of the sport.
The celebrity of hawking at this period, as an amusement peculiarly set apart for, and eagerly followed by the gallant, the wealthy, and the noble, added to the excessive difficulty of training, and consequent value of the hawks, rendered the falconer an officer of some estimation in the household of families of rank. Incessant watchfulness, unwearying perseverance, and skill acquired by long practice, often failed of success in reclaiming the bird from its native wildness. The individual who held this station in the hall of the Chivertons was a thin ancient man, his features charged with an inordinate expression of self-importance. He was dressed in a suit principally consisting of blue cloth, ornamented with silver; wore a broad brimmed drab hat, turned up in front, and was distinguished by a silver chain hanging from his neck, and supporting a badge of the same metal, on which was engraved the figure of a hawk, bearing on its breast an escutcheon, charged with the mermaid of the family. Two inferior attendants, who followed under his direction to search for and raise the game, were dressed in a similar style, though in less ornamented habiliments.
Along with the Knight were several personages who seemed to hold a middle station between friends and retainers; a class to whom he afforded the freedom of his hall, with perhaps a further occasional extension of his liberality, to enable them to ruffle in their gay cloaks and slashed doublets, in return for which he tacitly claimed, and they readily rendered, their services whenever occasion might require their exercise. These too were his ordinary associates when disposed for company; some could tell a merry tale, others commanded a good song, and the dice and draught board filled up intervals of idleness. They sat above the salt on ordinary days, and when the board was surrounded by their superiors, were well content to sink a step; willing to compound their state for the substantial enjoyments of Chiverton Hall, and desiring nothing more than the continuance of a mode of life requiring little exertion and less thought; though its easy course was liable to interruption, when their host called for their services. Yet as these calls were not frequent, and their recurrence always uncertain, their anticipation was never permitted to disturb the indolent luxury of the present.
A few retainers of another class, stout men at arms, whose steel caps and buff jerkins denoted their station, strolled about, desirous to be spectators of a sport then in such high repute, and mingling with the other attendants, composed a varied group, and by their heavy slinging step, and the careless boldness of their demeanour, contrasted with the officious activity, and obsequious servility, of the accompanying domestics.
It was a gallant sight, to see so goodly a company, as they passed the open court before the entrance of the hall, and sallied forth in quest of their amusement into the sloping plain that lay to their right. The rich dresses of the riders, mounted on fair steeds that bounded along, their studded harness flashing in the sun, and their reins jingling and chiming with the silver melody of the hawk’s bells; the towering plumes waving in every breeze, the light laugh and quick repartee of the horsemen, lent life and excitement to the scene; whilst the numbers that followed in the rear, the attendants and men at arms, added to the diversity of the picture, and increased by their rude and joyous mirth, the giddy whirl of enjoyment, that dwelt in the light minds of most of the partakers of the festivity.
They had ridden not more than two or three hundred yards, when the falconer approaching to the Knight of Chiverton, with a tone and manner, in which respect for his master was blended with a manifest conceit of himself, informed him, that would the gentles determine whose hawk should first fly, he would venture to say, that a fall of woodcocks might be found among the moist ground to the right.
What say ye then gallants,
said the Knight, whose bird shall first adventure the striking of a woodcock?
Who my Lord,
replied the young man who rode near him, the plaitings of his ruff, and adjustment of his well combed and anointed hair, studied to the very perfection of critical nicety, who shall hesitate to give place when beauty stands to take the lead? The Lady Ellice’s tercel hath a soaring wing, and a steady eye. — Let it take precedence.
Well Ellice,
said the knight, you see you are designed to lead our sports to-day, for no one seems to object to this courteous gentleman’s proposal — but God’s santy,
continued he, turning towards the last speaker, thou connest thy words so daintily, my sister is fain to blush at the commendation thou bestowest in words, as soaring as thou reportest her own gentil-hawk. — Why — I swear thou art in love, man, and hast painfully perused some huge romance, or book of dainty devices, whence thou wouldst gather language and eloquence, to persuade thy mistress to take delight in thy lack lustre eye, and pear coloured beard. Can any throw light on this matter — knows any man the Oriana that hath captured the heart of this Amadis?
Oh! my Lord,
exclaimed in answer a lively youth, the history of his affections is well known. A peerless rustic, the divinity of a cottage, came athwart his eye shot, as practising in solitude his choicest steps, he sought to charm the fauns and satyrs with his gallant lavoltas. So he came in a cinque-a-pace; loved with a look, wooed with words culled from choice ballads, and hath ever since wandered with braced arms, the blind God’s very meacock, as melancholy as a black hawk.
And as choleric as a russet one,
interrupted another.
Aye,
resumed the previous speaker, and moreover, to cause it to be well with him in the damsel’s eye, he hath laid out a fair moiety of his worldly treasure, in tricking himself out, as fine as a new painted post at a sheriff s door — pray God he be not soon more intimate with the sheriff’s followers, than the sheriffs worship.
A catastrophe not unlikely,
said he, who had before spoken, for the other half of his estate flies fast, in welted gowns and falling bands to adorn the lovely Rusticana.
A reply of some sharpness was rising upon the lips of the indignant Vivian, when a sudden cry from the falconer, interrupting the conversation, arrested the attention of the party. In a moment the woodcocks were on the wing, and the fair Ellice, loosing the jesses from her fingers, and removing the hood, with which the eyes of the hawk were veiled, cast him off in pursuit of his prey.
Taking an upward direction, the bird soared above the terrified fugitives, and hung over them as if selecting his prey. It was in vain that they dispersed in every varied direction; the piercing eye of the falcon had singled out its quarry, which, as if conscious of his fate, flew at first wildly and fearfully, until driven to use every art to elude the near approach of its enemy, it rose and fell; now rising, as if to hide itself in the clouds from the ken of the falcon, and again, sinking to the earth to seek some friendly brake to shield it from destruction; but, wherever it turned its wearied wing, the hawk followed with rentless perseverance, true as its shadow. At length, the devoted bird, espying a covert, which if gained, might haply secure a safe retreat from danger, dived rapidly downwards to take possession of the seat of refuge. It was a vain attempt, for the quick sight of the enemy anticipated its purpose, and the tercel, stooping down from its high flight, descended with a resistless swoop upon the fated quarry; planting its strong talons in the back of its prey, it clove open with its beak, the skull of the victim, thereby terminating the aerial chase, whilst the falconer, hastening to the spot, for the party had followed as near as possible the direction which the birds had taken, disengaged the hawk from his prey, feeding, and rewarding him, and commanding his two followers, in the meantime, to look out for fresh prey for the Knight’s gerfalcon, which was next to fly. During this interval, several of the followers, not actively engaged in the sports of their superiors, were imitating at humble distance their diversions, for having discovered a flock of larks, a hobby hawk, carried by the leader of the men at arms, was flown, and hanging over the terrified birds, who crowded fearfully to the ground, detained them in that position, until a net was drawn over the flock, which, incapacitated by terror, became an easy prey to the sportsmen.
A nobler object of pursuit than had yet been raised, awaited the Knight’s gerfalcon. A loud and exulting shout announced the discovery of a stately heron, which, roused from his station on the edge of a spreading pool, swung open his long wings, and sailed through the air; his feathery crest streaming as he flew, and his pursuer, eager for the attack, beating his strong path after the lordly prey. For some time, the same scene ensued, which had previously taken place in the chase of the woodcock; but in the middle air, when hardly pressed by the falcon, the heron turned upon his antagonist, and shooting forth his long neck, aimed at the hawk with his sharp bill a blow, which had it taken effect, would probably have decided the contest in favour of the pursued; but the falcon, accustomed to such encounters, evaded the stroke, and gaining a new advantage from the unsuccessful attack of its opponent, pressed on so fiercely, that the heron, unable to sustain the conflict, once more betook itself to flight. Blinded with its wounds, and distracted with terror, the fugitive rushed downwards through the air, with all the velocity it could command. The consequences of this movement were such as could be neither anticipated nor guarded against. The heron in its wild and misgoverned descent had approached near the party of the Chivertons, when suddenly varying from the right line, which its precipitous course had hitherto taken, and turning off in an oblique direction, it dashed itself in flying, against the head of Ellice’s steed, and ere it had recovered itself from the interruption its enemy the falcon had arrested its further progress, and a fierce struggle ensued. Terrified at the unexpected attack, the horse sprung away, and enraged by the flapping wings of the birds, speeded away with such ungoverned violence, that the endeavours of the gentle rider to restain her courser were wholly fruitless. But with that presence of mind, of which her countenance bespoke the habitual possession, she succeeded in retaining her seat, and in avoiding the branches of the trees, with which the plain was thinly scattered.
In following the flight of the hawks, the party had left the hall at a considerable distance. To this Ellice now drew near, when her steed taking a different direction, rushed furiously towards the sloping ground which led to the brink of the river. Her cries for assistance were unheard, and there seemed indeed scarce a possibility of such assistance reaching her. Her brother, with those of his company who had hastened with hopes of arresting the progress of her steed, were compelled to take a circuitous route, fearful of urging her horse to still greater speed by pursuing its footsteps, and were far behind. The horse arrived at the sloping bank of the stream, bounded down it; and in a moment more, his plunge in the waters sounded in the ears of his fainting rider, who exhausted by her previous terror and fatigue, and despairing of succour, sank into insensibility, and falling from her saddle, was about to be borne away by the waters of the river.
From the imminent peril in which she was thus involved, at the only moment when aid would not have been too late, a deliverer was at hand to rescue the seemingly devoted girl. When returning consciousness at length unclosed her streaming and languid eyelids, she found herself supported upon a stone bench, rudely constructed, and sheltered by the overhanging arch of a small and rocky cave. This had formerly been the residence of a hermit, who by long perseverance in a life of abstinence and rigorous penance, had acquired among the few rude inhabitants of the district a reputation of more almost than mortal sanctity. Even after the death of the venerated anchoret, the hermit’s house, by which name the cell was generally known, was frequented by comers from surrounding parts of the country; nor are there wanting, as is well known to the professed collectors of marvellous legends, sundry traditional anecdotes of feats, little less than miraculous, performed, as well during the life, as after the death of its inhabitant, at the secluded cave. Superstition outlives its objects, and a long succession of years were unable entirely to divest the spot of the degree of veneration to which it had attained.
The aspect of the place itself was indeed such as not to be beheld without feelings of interest, deepening almost into awe. The cave was excavated in a rock, which rising perpendicularly to the height of about twelve feet, bounded the lower extremity of a sloping hollow, whose width extended to some half dozen yards. The pious ingenuity of ancient tenants had sculptured the face of the rock with rude mouldings and imagery, interspersed with Biblical sentences carved in a gothic, and now almost unknown character. Many of these were defaced and illegible by time, or the interstices filled up with accumulations of dark and thick moss. The summit of the stone was crowned with stunted oaks, and the clinging arms of the giant ivy winding along the brink, sported amid the crumbling ornaments and inscriptions, a wild contrast of vitality and decay. The sombre gloom of antiquity seemed to hang over the spot, and to consecrate it to silence and to solitude.
The entrance to the cell was a narrow doorway, which, except a small aperture on the left, formed the only passage for light into the habitation. The sole apartment of which this place of penance consisted, was devoid of furniture or ornament; a stone seat hewn in the native rock ran round the chamber, and a semi-circular recess in the extremity contained a rude altar of the same material, surmounted with a pedestal, formerly the support of a crucifix, which the hand of the spoiler had long since destroyed. But desolate and chilling as was the aspect of the spot, marks of an inhabitant were yet discoverable. A jug of water stood upon the altar, and a few glimmering ashes cast from a corner of the apartment a dim and fitful gleam. A heap of dry leaves, and some logs of wood, lay at a short distance.
On recovering her powers of reflection and remembrance, Ellice perceived a man, whom she doubted not to be her preserver, busily endeavouring to raise a flame from the almost expired embers. The ruddy glare that arose from the kindling fuel, disclosed to her the general appearance of the stranger, for the natural light which found entrance into the cave, was too faint and uncertain to afford her information.
His stature, as he raised himself from the occupation over which he had bent, was, to say the least, tall; his figure, noble and prepossessing. His bat thrown aside, exposed a head of brown and thickly curled hair; the features were not at the moment visible. His dress, though partaking of little of the gaiety of the age, seemed such as denoted the gentleman of the time. It was in the early part of Elizabeth’s age. But a hasty glance, by so imperfect a light, could tell no more of any object; and the eyes of the gazer were scarcely averted, when the stranger, turning and approaching to the object of his solicitude, was about to convey her within the more immediate influence of the blaze that now curled up in lofty flakes. But at the moment when Ellice, faintly endeavouring to rise, by so doing assured her deliverer of her recovered sensibility, their eyes met. The effects of the recognition that ensued were equally remarkable and instantaneous. With a scream of astonishment, she sprung from her recumbent posture; gazed for a moment wildly and fearfully, as if doubting whether he who stood before her was indeed a living form; and unable from weakness to retain her upright position, would have fallen on the earth, had not an arm been ready to receive and support her, though from its violent trembling, and the agitated demeanour of the stranger, it might have been doubted which was really most in need of assistance. As she lay in her deliverer’s arms, a violent shuddering passed over her frame; she raised her eyes as it ceased, fearfully to the stranger’s— It is — it must be he!
Doubt it not, my Ellice,
returned the stranger; doubt not that it is thy Reginald; who hoped not that these lips again should call thee his, or these arms e’er fondly clasp the form that now trembles to his heart; who—
Nay, cease, Reginald,
interrupted Ellice; cease: the heart that has forgot to feel, should teach the lips to forget to speak the passion they once feigned. Why talk of hope, when the wish was wanting? You wished not to behold her whom once you swore to enthrone in your heart; whose smile was once your pleasure; whose approbation was once the aim of all your cares. You said so then; and I, poor fool, believing the words, and thinking that — that I was loved—
"Thinking that thou wert loved! exclaimed the stranger;
Ellice, my — no — now no longer mine — torture me not too far — day hath witnessed — night hath witnessed — months — years of hopeless misery have witnessed my love; and now to doubt — to mock — to insult me thus. Thy heart was wont to be tender."
Were it not tender,
replied the weeping maiden, tender even beyond a woman’s folly, thou wouldst not see me thus: these idle tears should ere this have ceased to flow for one who remembered not his vows, save as toys, as light as the air in which they were spent; formed but for the brief endurance of a summer hour, but fated to destroy the peace of a heart, to which they seemed the breathings of sincerity. But this is weaker than I thought I could have been,
continued she, withdrawing herself from his support, and, by a strong effort, repressing the tears that trembled on her eyelids: it is time we parted; and yet I would not lightly pass over the generous service you have done me. I owe to you my life, and though the gift be little worth, believe me my thanks are sincere, and Ellice not ungrateful.
I obey you, lady,
answered he, and yet, to part thus: — Ellice, you have wronged me. I have loved dearly, and suffered deeply — loved when hope was no longer the attendant of love; and now, when chance has unexpectedly thrown you to my arms, and shewn me that Ellice yet lives—
Lives, Reginald!
interrupted the lady.
Aye, lives; for lying tongues had told me you were no more; and I, in heart a widower, even now am here, come to weep upon your grave, and now find you yet living, but so changed that—
Cease, Reginald, I pray, I beseech you,
interrupted the maiden; your words are strange, and doubts still stranger throng upon me. Methinks,
added she, passing her slender fingers over her moist and chilly forehead, my brain is well nigh touched by this untoward — and yet, not so, since!
— a light blush, penetrating through the paleness of her cheek, spoke what she would have said in a language more flattering to a lover’s heart than all the force of words. But spare me your reproaches, we have been both deceived; by whom and wherefore I know not, but this is no time or place for explanations. My brother and his followers seek me, and will soon be here. But why, why do you look so wildly?
Brother! do you call him,
exclaimed the youth, call him not — think him not a brother; he it was that feigned your death — he that detained my steps in distant lands — he that, to accomplish his own selfish views of ambition, wrests from you your inheritance, and would have made two faithful — they were once two happy hearts, Ellice, — the stepping stones to raise him in his course of darkness.
Thou dost him wrong, in truth thou dost,
replied the lady; "he loves me as a brother should a sister. There’s not a wish, a fancy, I could frame but he would gratify at any price — lie injure me? — No! sooner would he see perish all his state, and all his hopes, than his Ellice — than even the little finger of this hand should suffer."
Alas, Ellice, your heart, pure in its simplicity, knows not how to suspect. The show of kindness dims your eyesight, and makes you blind to the heaviest wrongs. But a day of justice,
added he, grasping suddenly the handle of his sword, a day will come when the deceiver shall meet his due; when the wrongs he has inflicted shall return on his own head with double weight; when—
Cease to talk thus,
interrupted she, is it with threats against a brother you would entertain a sister’s ear? What is the meaning of your dark hints, I know not; this only I know, that his love to me has been unceasing and unchanging. But cast away these wild designs; come not near my brother as an enemy; touch him not — harm him not — by all the love thou ever borest me, by all we have suffered, by all we hope, I conjure, I charge thee to have no feud with him."
The reply of the youth was prevented by the sudden entrance of some one into the cave; at the sound of whose footsteps Ellice and her preserver, suddenly turning their glances towards the entrance of the place, saw advancing an individual whose appearance was productive of the greatest surprise, scarcely unmingled with fear. His figure, short and uncommonly thick set, was sheltered by a dress of the coarsest materials, and irregular fashion. Hose of blue, and a doublet of dirty red woollen, were but partially concealed by a sleeveless garment, resembling a modern carter’s frock, of a dark drab, and corresponding in substance with the remainder of his garments. Clumsy boots, formed of oxhide, with the hair outwards, defended his huge splay feet; and his head was covered with a cap of a like nature, while a broad leathern belt girt round his middle, sustained a pouch, and a long ambiguous weapon, suited either for the ordinary employment of a knife, or for occasional use in dealings of another nature. He held in his hand a staff, armed at the upper end with a strong iron hook, and shod at the lower extremity with the same metal.
The features of the new corner were well suited to his person and habiliments; his grizzled black hair hung from beneath his cap, in huge disorderly masses, over a forehead, thronged with deep wrinkles, and rendered hideous by a wound, which, though healed, was still betrayed by a seam running longitudinally from one to the other temples, dividing the skin over each eye-brow, so as almost to leave bare the frontal bone. His eyes were placed deep, and shot forth from their shaggy sockets, looks, indicative only of surly and discontented malice; an expression with which every feature was charged. His right hand was closed round the staff which he carried, but when that was for a moment laid aside, and his extended palm exposed to view, there was visible on the flesh, the deep impress of a burn, the scar of which took the form of the well known letter, that proclaimed him branded as the felon his appearance and demeanour so strongly denoted him to be.
The dark glance of the tenant of the cave, for such he was, was directed to Ellice and her lover, and bespoke surprise; which, however, was instantly subdued into the stupid look of indifference, either natural, or assumed as the habitual cloak of his feeling, towards those with whom he came in contact. Ellice shrunk back at the sight of him, and grasped, unconsciously, the arm of her companion, who immediately addressed the object of her apparent alarm.
I have made free with thy fuel, friend,
said he, observing that the new corner had fixed his eyes on the glowing embers, whose now decaying blaze contended with the portion of daylight, that found its way into the cavern.
Hast thou ever seen me before, that thou callest me friend?
interrupted he who was addressed, in a tone strangely harsh and monotonous.
A truce to thine impertinence,
said Prestwyche, sternly; whatever thou callest thyself take this, it will pay thee for thy faggots.
I wanted no pay,
growled he of the strange apparel, but as thy money burns thee, good youth, here are fingers can grasp it tighter.
As he spoke, he opened the pouch at his girdle, and dropping into it the coin he had received, retired to a farther part of the cave, seemingly inattentive to the speech or motions of his guests.
Let us begone,
said Ellice, the air of this place is thick and noisome, they will be here ere — Hark! I hear the trampling of their horses.
In fact, immediately upon their leaving the cavern, they perceived, at a short distance, glimmering through the trees, the gay riders of Chiverton’s party. — Ellice looked fearfully at her companion.
Reginald thou wilt be calm — be prudent — thou wilt not—
Ellice,
returned he, fear me not: I will attempt no violence, until compelled in self-defence; — to your wishes I sacrifice revenge — the memory of our mutual wrongs. And if,
he added, taking her trembling hand, I knew that Reginald Prestwyche yet holds in Ellice’s heart, the place she once allowed him to think he possessed, I might be happy almost even in parting from you.
Did he deceive himself, in thinking that a scarce perceptible return — too slight for any but a lover to feel, of the pressure he bestowed upon the hand he held, answered fondly for his hopes! — But further converse was here precluded, for the Knight of Chiverton approaching with his followers, perceived his sister, sprung from his horse, and rushing towards her, encountered the glance of Prestwyche, who stood by her, in collected and undaunted composure.
The fabled powers of the basilisk could not have caused greater dismay to the beholder, than did the look of Ellice’s lover to her brother. He hesitated for a moment, in a conflict between pride and confusion, and then, suddenly turning aside, remounted his horse; and calling to his followers to conduct his sister, rode away.
Some emotion this rencounter produced, apparently amongst the members of his party: — the elders of the company looked at each other knowingly, and suspiciously, and one or two put their hands to their swords; — the younger men gazed as ignorant of the meaning of what was going forward. The hesitation which prevailed, was speedily dissipated by the behaviour of Prestwyche, who advancing with a determined coolness, that at once awed down any signals of hostility, previously displayed, surrendered his companion to the care of one of the party.
Since the Lord of Chiverton deems it needless to thank a stranger, who has been fortunate enough to preserve his sister, I must, gentlemen, yield her to your protection. Yet, tell him from me, that there was once some slight acquaintance between us, which, should we meet again, may perchance be renewed. My name you may say is Prestwyche — he may possibly remember it. — Lady,
he added, turning to Ellice, I wish you, farewell.
His glance told how temporary a farewell was intended.
She returned, with the peculiar grace which distinguished her, his deep parting obeisance, and accompanying her brother’s followers, left him still gazing on her retreating form.
As they approached the river, the ferryman unloosed his boat, and the party, after the little vessel had twice or thrice performed its voyage, were landed on the farther part of the stream, and immediately entered the hall.
CHAPTER II.
THE PHYSICIAN.
img21.jpg"LOOK WHO WOULD see Destruction, lie a-sunning
In that perfidious model of face falsehood,
Hell is drawn grinning."
THE GAME AT CHESS.
THOUGH the strong emotions, which had been raised in Ellice’s bosom, by the appearance in the character of her preserver, of one, whom she had been made to believe far distant, and with whom her own fate was deeply — too deeply for her peace of mind — interwoven, had, by a temporary excitation, enabled her to bear up against the terror and fatigue of her accident, the effects of the shock now became more sensible, and she was no sooner conducted by her maidens to her chamber, than being visited by the physician of the household, he pronounced her dangerously affected by what she had undergone, and having given his directions, retired to make known to Chiverton his sister’s precarious state. Descending the great staircase, which led the way from the gallery, into which the sleeping apartments opened, he was met by a domestic, who, in a confused manner, communicated his master’s wish to see the physician. As the staircase terminated hard by the anti-room to the banqueting chamber, where the Knight then was, the man of medicine made his appearance instantly before Chiverton.
The apartment into which he entered, was a spacious and handsome one. Its windows occupying the entire range of one side of the quadrangle, looked, as already mentioned, into the garden, and the light, partially intercepted by the foliage without, took a still deeper tinge, as passing through the richly stained panes, it fell upon the dark wainscotting of the chamber.
This was oak, black with age, and loaded with the most elaborate carvings, in which the invention of the artist had been exerted, to produce the quaintest and most grotesque images. Some of these represented demons, some human figures, and not a few were borrowed from the characters usually personated in the sports and mummeries, then in vogue, among the lower classes of the people. An aim at the ludicrous was visible in the grouping of the figures, nor were ideas bordering upon profane scrupulously avoided, in the associations intended to be awakened by these representations. The figure of the mermaid, the symbol of the family, was lavishly displayed, not only among these carvings, but in the ornaments of the cornice, where the ambiguous sea nymph appeared, dressing the streaming locks which flowed in rich gilding around her shoulders. In execution, these representations were superior to those commonly met with at the time, and were probably the work of a German artist. The spirit of decoration, so profusely displayed on the walls, had been extended to the ceiling of this apartment. Two huge beams of oak supporting it, were adorned with mouldings thickly gilt, and the spaces on either side of the timbers were painted in diamond formed compartments, and powdered with golden stars. To complete the highly ornamented appearance of the chamber, a gorgeous mantel-piece, also carved in oak, occupied nearly the entire end of the room, overhanging a hearth, whose capacious width promised a comfortable and jovial defiance to the snows and chills of winter. The furniture corresponded with the style of the apartment; stiff, ponderous, and shewy, bearing the same relation to the light manufacture of modern days, as the habitation to which it belonged might do to a Chinese cottage, a gay hunting box, that might now, perhaps, be met in the same district.
Along this chamber, the Knight of Chiverton was pacing hastily, and with irregular steps, and evidently under the dominion of violent and conflicting passions; his naturally handsome features were distorted with rage, and his eyes burning with a strange lustre, seemed roaming in search of some one, on whom to discharge the deep and angry hatred which dwelt in them. He was not wholly alone. At the farther end of the apartment, stood a dark and swarthy Moor, whose ungainly figure was clothed in a costume, partaking in some degree of both the European and Asiatic fashions; his turban and vest of scarlet cloth, belonging to the latter, but the remainder of his dress was in the style of the other retainers of the hall. His arms were folded on his breast; his looks cast down; and from his fixed and motionless demeanour, he might have been mistaken for a statue, had it not been for an occasional glance, when, without changing the position of his head, he threw a disturbed look after Chiverton — a look, in which a triumphing hatred was so blended with an almost unearthly sneer, communicating to his unmoved features an expression of feelings unallied with humanity, as to startle even those who were accustomed to it, and fully to justify the suspicions which had taken root among many of the inmates of the hall, that the devil and Mahmood Bali, if not identically the same, were near relations at least. These glances were not, however, permitted to be perceptible by their object; nor did the Knight seem to be peculiarly subjected to them, for on the entrance of the physician, the same look, modified by somewhat more of human hatred, was directed towards him also. The right hand of the Moor rested on the hilt of a richly ornamented dagger, stuck in his embossed girdle. A collar of gold, beaten thin, surrounded his neck, which was bare, and showed, as did his limbs, the signs of extreme strength. His ears were laden with large drops of gold, and these completed the ornaments of his person.
As the Knight neither broke the silence, nor interrupted his disturbed progress, upon the entrance of the physician, the latter spoke.
I was hastening hither, Sir John, when your commands met me, to communicate tidings of—
Of Prestwyche, or whom?
interrupted Chiverton.
Of the Lady Ellice,
replied the other.
"What of her — has she seen — has that miscreant again intruded himself upon her? And yet, why do I ask, what I know cannot have been! Would to God, that he were within these walls — that his insolent rashness would bring him grasp to grasp with the Chiverton; or would," continued he, stamping with ungovernable passion, that the gulf of hell were between us, to separate us for ever; — and she