The Number 121 to Pennsylvania & Others
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The acclaimed collection THE NUMBER 121 TO PENNSYLVANIA & OTHERS, almost 100,000 words of short fiction by the Bram Stoker Award-winning author of THE TURTLE BOY.
The lonesome sound of a long forgotten train draws an old man to memories of a horrific past... A journalist makes the mistake of visiting a website where real-life executions are the order of the day... At the foot of an old tree, an insidious evil awaits two boys digging for treasure... A browbeaten salesman finds hope and a possible escape from the banality of his world when he returns home to find a fairytale beanstalk sprouting from his garden... A man resists the social pressure to quit smoking and puts himself at an unimaginable risk... A high school student accepts a dare to ask out the ugliest girl in school and enters a world of pain and violence... A comedian finds himself faced with a most peculiar and deadly audience...The pariah of a village accepts an offer of peace at his mother's funeral, but the olive branch may have hidden thorns...A bunch of barflies doomed to murder sinners get together for one last drink in a dying town...
These are just some of the passengers, headed for a ride through the dark uncharted regions of the heart and mind...on The Number 121 to Pennsylvania.
Includes such reader favorites as "Empathy", "Mr. Goodnight", "Underneath", "The Grief Frequency" and "Peekers".
"In 14 dark fantasies collected here, Burke creates characters whose angst opens them up to uncanny incidents and ghostly encounters that seem an extension of their own spiritual malaise... Burke shows skill at imagining expressive supernatural experiences appropriate for his well-developed characters and their agitated emotions." - PUBLISHERS WEEKLY
"Don't read it late at night." - BOOKLIST
"Each tale grabs you within the first few sentences and never lets go, resulting in a collection guaranteed to take you on one of the scariest rides of your life." - RUE MORGUE
Kealan Patrick Burke
Born and raised in a small harbor town in the south of Ireland, Kealan Patrick Burke knew from a very early age that he was going to be a horror writer. The combination of an ancient locale, a horror-loving mother, and a family full of storytellers, made it inevitable that he would end up telling stories for a living. Since those formative years, he has written five novels, over a hundred short stories, six collections, and edited four acclaimed anthologies. In 2004, he was honored with the Bram Stoker Award for his novella The Turtle Boy. Kealan has worked as a waiter, a drama teacher, a mapmaker, a security guard, an assembly-line worker at Apple Computers, a salesman (for a day), a bartender, landscape gardener, vocalist in a grunge band, curriculum content editor, fiction editor at Gothic.net, and, most recently, a fraud investigator. When not writing, Kealan designs book covers through his company Elderlemon Design. A movie based on his short story "Peekers" is currently in development as a major motion picture.
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The Number 121 to Pennsylvania & Others - Kealan Patrick Burke
INTRODUCTION
I GREW UP AROUND THE memory of trains. Those memories weren't mine, but that didn't make them any less vivid, or any less intriguing to me. There were images on the signs outside grocery stores and pubs, and old black and white and sepia-toned photographs in the museum showing the town a hundred years before, people going about their business with a huge black train in the background, thick white smoke billowing from its chimney, as if it was fueling the sky with clouds. My mother recalled the years in which she and her friends would stand atop the bridge a few short yards from our house looking down as those monolithic giants tore across the tracks and burrowed beneath them with all the urgency of blood through a vein.
I'd like to have seen them.
Today that bridge looks down on nothing but a gravel path, narrowed for the passage of people, and nothing else, but in following it, one can retrace the journey of those steel dinosaurs, from one end of the town to the other.
But I don't live there anymore.
These days I live in a small rural area in Ohio, and every night, no matter what the weather, no matter what the season, the trains come rumbling along the track not far from our house. When I tell people this, they groan in sympathy and ask: How do you sleep at night?
And my answer is this: Like a baby.
In fact, I have come to suspect that if I were to lie in bed at night and those trains didn't come, if the air went undisturbed by their lonesome cries, I would have trouble sleeping at all.
On those nights, on the verge of dreaming, on the threshold of sleep, when the trains unleash their sorrowful wails and send them echoing across the fields toward our house, toward me, I wonder who else is lying awake, listening, and what it might mean to them. Does that forlorn sound remind them of past loves, past lives, or past regrets? Does it summon to mind ghosts they've struggled to forget or longed to recall?
And sometimes I tell myself those freight trains, ferrying their loads to parts unknown, are nothing less than the specters of those dinosaurs I missed as a child.
The stories herein are train tickets for you.
Use them. Take your seat. Watch through the windows as life passes by, endure the darkness of the many tunnels, meet your fellow travelers, and see what's waiting for you at the next platform, when you get there.
If you get there.
All aboard!
The train is leaving the station.
—Kealan Patrick Burke
Summer, 2011
THE GRIEF FREQUENCY
WE HIT THE GUARDRAIL at sixty-five miles an hour.
Fast enough to send Caitlin through the windshield.
Not fast enough for me to avoid seeing it.
Fast enough to snap the seatbelt around my father-in-law's chest, eliciting a low but audible grunt of pain from him in the back seat as he was thrown forward, right leg colliding with the coffee holder hard enough to crush his kneecap.
Not fast enough to stop me from thinking, as the steering wheel rushed into my face like a black hole, that if we'd waited for the storm to pass, the road might have held us better.
The black hole shrank away, replaced by a supernova that spewed stars and red gas clouds into my eyes. The vehicle bounced away and Caitlin flopped on the hood as it accordioned around her.
One blazing wet blue eye found me and rolled.
My seat slammed into the back of my head just as I turned away to try and wake up from what was certainly a dream. I closed my eyes against the raging thunder of stampeding elephants; the shriek of hungry birds and almost gasped as the window shattered, splashing diamonds in the air. Dynamite charges exploded in my ears; the mirror tumbled without gravity trailing the cheap pine tree air freshener Caitlin had bought at a gas station on our trip to Maine and as it flashed toward me I saw the little boy in the back seat. The child who wasn't there.
Just a fleeting glimpse.
Fast enough to know I'd imagined it.
Not fast enough to believe it.
WE BURIED MY WIFE ON Sunday. It seemed the proper day to conduct such affairs. I stood motionless, staring down at the casket, wondering what was in there, for it was certainly not my wife. Only her body, a broken, stitched and made up thing, a puppet with severed strings, totally devoid of what had once made it mine.
On the opposite side of the grave stood Bill, my father-in-law, his shoulder braced to support Caitlin's mother's weeping face, his knuckles white around the handles of the crutches. His eyes were on me and from them radiated a cold hatred of the kind I had only just learned to apply to myself. So clear and raging were they it seemed the harsh wind blowing through the fir trees behind us swept around his glare rather than risk being scorched passing through it. I was not surprised; I was enraged. Over the grave, our hatred collided in silence:
— You killed my daughter. You took my beautiful daughter away from us you dirty sonofabitch!
She was my wife, Bill. I loved her more than life itself. She's gone because I fucked up and I'm alone and dying inside because of it. I understand your grief, empathize with it, but don't try and make me feel any worse you bastard, because it isn't possible.
— You killed her.
It was an accident.
— You murdered her.
Bill, I loved her.
— Murderers don't know how to love, Paul.
The priest, an oversized raven with a scabrous pink beak and silver crown, gestured in the air over the grave, dispelling our unspoken ire and blessing the puppet below. A shimmering eye framed by a snow-white fall of hair, peeked out from Bill's sleeve and regarded me with a confused look that I knew would graduate to hatred once Bill told her what I was. But for now, all that look said was: I cooked you dinner, Paul. You were in my house. We cared for you. Why did you have to drive in the storm? Why, Paul? Look what you've made happen to our lives. You've put our precious little girl in the ground before us. Why? So you could make it home in time to watch the football game? I want her back, Paul. Can you bring her back? Make right what you've done?
The assemblage of mourners, few of whom could manage anything more than awkward smiles, shrugs and shoulder thumps, broke up, muttered words in my face I didn't hear and went to Caitlin's parents, perhaps seeking a more sympathetic audience for their well-rehearsed speeches.
I dug deep into the pockets of my overcoat and grabbed fistfuls of patience as I watched them queue for the opportunity to be sorry.
Then, at last, there were only the three of us.
Bill hobbled his way toward me. His wife seemed to grow smaller, the gravestones rearing up behind her, as if eager to inform her how soon she'd have one of her own.
Although I knew what was coming, I dared hope otherwise. My world had become a terribly lonely, fragile and frightening place. Caitlin's parents were the only remaining connection to what my life had once been, anchors keeping my raft from going over the waterfall. I needed them and hated them, but the latter would inevitably fade with time, if allowed to.
Bill stopped before me, his plastered foot upraised and resting on a stone sphere marking the corner of a stranger's gravesite.
I waited.
He stared. Then said: If I didn't think I'd fall, I'd break your fucking face, you bastard.
Ice water filled my belly. Bill I—
I hope the game was worth it.
His cheeks were flushed, a glistening bulb of spittle nestled at the corner of his mouth, lips working desperately, trying to choke out the words that were caught in the thorns of his mind. I hope—
His breath caught as if I'd punched him in the stomach, and for one crazy moment, I wondered if I had, perhaps blinded to my actions by the sheer hopelessness of my situation. But then his lower lip began to tremble and tears welled in his eyes. He tried to maintain the rage but the tears washed the severity from his glare and he mentally waved me off and turned away.
Bill I'm sorry,
I said, too low for him to hear over the wind. Just as well. I wasn't sorry. What was there to be sorry for? For the rain? For trying to drive them home before conditions got really bad? For stealing everything that was good from myself? The football game had been a joke between Caitlin and I. A long-running joke. I hated football and she knew it. Her father knew it too, but as it had been the last thing she'd said before I lost control of the car and my life, Bill had seized it. In a way I could understand. Last words are important to survivors.
Slow down, Paul,
— a sigh— I guess the magnetic draw of Ohio V Michigan should not be underestimated.
She'd smiled then and raised her eyebrow.
But of course, Bill hadn't seen that.
Bill had seen the other car fishtailing into our lane up ahead and his cry led us inside the snow globe.
Now, I watched him leave, carefully negotiating the graves and stopping by his car with Agatha as they took one last long look back at that rectangular hole in the grass. An unkempt man with a shovel hovered around the grave, trying not to look too eager to get on with the task of filling in the hole and failing miserably. He dodged and weaved and inspected his nails, leaned on his shovel and stared at the sky. To me he looked like a kid trying to make himself small so the teacher won't ask him a question he doesn't know the answer to.
Then my dead wife's parents cast another look back. I felt about as animated as the stone angels behind me.
Bill and Agatha.
Fire and Ice.
And then they were gone, leaving me to listen to the wind hissing through the pines and the first few schnicks of the caretaker's shovel.
IN THE DAYS AFTERWARD, grief stayed with me like a nagging aunt, probing my wounds at the slightest sign I'd forgotten them, whispering can't forget, never forget in my ear whenever I tried to distract myself.
I haunted the house, drifting from room to room, trying to avoid the image of Caitlin. But she was there, sitting on the sofa, legs crossed, foot bouncing as she clicked through the channels on the television, muttering her disdain for infomercials and sighing at the compelling insanity of talk shows. She was in the kitchen, playing with her hair, brooding over a woman's magazine or rolling her eyes
(One blazing wet blue eye found me and rolled)
at my culinary ineptitude. She was in the shower, pulling back the curtain and smiling coyly, moving to cover up her nakedness despite seven years of marriage and when I kissed her, her lips were soft and warm and wet. In the bedroom mirror, she stood in her business suit, preparing for another joyless day in real estate, the cute curl on her forehead reversed as I watched her reflection smile back at me in response to the same question I asked every morning:
Can't you come back to bed for another ten minutes?
You know I can't. Besides, I'm dressed now.
So stay dressed. Just lose the panties.
Smile. Ten minutes? Isn't that a little ambitious?
Ingrate.
I saw her in bed then, sleeping on her side, her hair obscuring her face; hand flat on the pillow beside her, other hand resting on her hip, her breathing like the ebb and flow of a gentle tide. She was in the bedroom and that's where I found her again.
At first I thought I was dreaming it.
But she was there. Real. I mentally pinched myself, chastised the scowling aunt for being so callous, and closed my eyes for as long as I could bear it, until the blindness inspired panic. And when I looked again, she was still there. If not her, another woman, remarkably similar in size, shape, sound, but of course I knew no other women remotely like her. And no other woman knew me well enough to dare sleep in my wife's memory. I stood in the bedroom doorway, sagged against the frame and wept. Madness. There could be no alternative solution. I was seeing her. She was there and my conviction was so great it could only mean I'd lost my mind for I do not nor have I ever believed in miracles.
I wanted her back, yes. I wanted to wake up and find this was all just an awful, awful dream, a Dickensian view of what might have been. But I did not want the shady promises illusion wrought. No, not that. The inevitable comedown would obliterate whatever light was left.
And so I left her there, took cautious steps backward, hurrying only when she stirred. If she got up, if she shrugged off the binds of imagination and approached, smiled, spoke or touched me, I might die where I stood.
I gently closed the door and made my way, head in hands, into the living room where my sole comfort awaited me in a bottle with a turkey on the front.
I never made it to the bottle.
I made it to the sofa and stopped when I saw someone was already sitting there.
Small. Blonde hair. Legs kicking in child-like delight.
Giggling.
I ran from the house.
I FOUND A BAR A SHORT walk from the house. I didn't want to be there but I wanted less to be home with the ghosts or the canvas for my madness. So I settled for the spirits and somehow managed to tune out the raucous noise from the crowd of revelers at my back. An occasional slam of a jaunty fist against a table tugged me from myself but it was quickly dismissed, as was the barmaid, a girl who had the shape and face of a teenager but the eyes of someone older. Once or twice she attempted to penetrate my veil of misery but my responses were curt and soon she gave up.
I stared down at my glass, at my left eye swimming in the amber depths and told myself I was going to be all right sooner or later. But I didn't believe it.
I come from a hard family, hard meaning we hit you only because we love you and as a result I have a short temper and a high physical and mental pain threshold. Between Caitlin and I, I was the strong one, always ready with the innumerable solutions to quandaries she considered hopeless. I rolled with the punches, she curled up in a ball and waited for me to make it better. But now all my strength had left me. I felt like a man who'd missed the last train home and was stranded on the platform watching it dwindle in the distance. Every flame I tended was quickly smothered by the dark, every smile splintered by Auntie Grief, who, appalled that I would dare attempt such a gesture of contentment, doubled the dosage of debilitating sorrow in my head.
Hope was gone.
And I was sure at that moment—a dim revelation that made me feel neither better nor worse—that what I had seen at my house today was not my wife come to tell me she had gone on to a better place or that I should live on and not worry, but rather my memory projecting reminders purely to torture me. Self-torture, in other words and the surest path to total, unbridled, dance-naked-on-the rooftops insanity.
And I was too weak to resist it.
Besides, who knew that insanity wasn't the answer to everything? Perhaps then I could accept those projections without fearing what they implied about my condition, sleep once more with my wife, hold her, kiss her, smell her, have her.
Perhaps, but I was not ready to take that step yet, if indeed it was within my power to take it at all.
I DRANK TOO MUCH AND by the time I left the bar Auntie Grief was screaming and jamming her nails into my temples. I squinted at curious passers-by who regarded me with ill-concealed suspicion and sometimes amusement, and tried not to weep. And yet she screamed and screamed at me until I couldn't help but scream right back.
Finally she did stop, though the throbbing she'd inspired in my brain continued. I was standing at my front door, nose pressed to the oak, staring at the cracks and stabbing the wood with my key, hoping I could torture it into revealing the lock. And now, ironically, I yearned for her to scream again. For though it was quiet, I was now gripped by the paranoid certainty that it was silent not because the house was empty but because whoever was inside had stopped talking, stopped breathing at the sound of my approach.
Inside was as I'd left it, hollow and draped in blue-black shadows like oil paintings of bruises. With more courage than I could claim in daylight or sobriety, I peeked over the back of the sofa and found no one there. Just the cushions and the small black Sanyo remote control, which was comforting — though I was not at all sure I had left it in exactly that position.
I sat down on the sofa and felt the energy drain from me, switched on the television with no intention of watching it. Just for company. Ambience. To dissuade whatever nightmares might be crouching behind my eyes waiting for lights-out.
I dozed fitfully, waking only occasionally to probe the extent of my burgeoning hangover, to straighten my crooked neck, or to check that yes, life was still a horror show.
My mouth was dry, tongue lying like a baked worm behind my teeth; every swallow made a clicking sound. I groaned.
Darkness danced a merry dance as I drifted away on a stormy sea of slumber.
And when a child's cool hand slipped into mine, I did not pull away. Nor did I scream.
But the child did.
THE NEXT MORNING I awoke slowly, in no hurry to leave the blissful ignorance of sleep, the task made all that more difficult by the golden fire of the sun streaming in on top of me. As I opened my eyes and blinked away the grains of muddy sleep, I waited for the pain to hit me. It did not disappoint.
Like codependents, the sorrow and the hangover came hand in hand, sprinkling ground glass into my eyes and kicking at the walls of my skull with no apology. Rising only incited violence, my insides revolting at the mere idea of standing, and so I sat, leaned forward and cradled my head in my hands. A thin membrane of old cigarette smoke clung to the inside of my mouth. My clothes felt like too-tight bandages, constricting my breathing and trapping night sweat beneath.
The shrill sound of the phone ringing was akin to someone on the other side of the room screeching and throwing javelins at my temple. In response, the twins Sorrow and Hangover launched a melee attack, intensifying their efforts as I got to my feet. The good aunt's nefarious whispers wound round my brain once more: all your fault, all your fault. Suffer now, as you should.
I saw stars and white sparks, fireworks in my vision as I made my way with painstaking slowness to the phone. I didn't care who was calling. I needed to pick the damn thing up. To silence it.
Hello?
I breathed into the mouthpiece, the word feeling foul and cumbersome as it slid out of my mouth. Never drinking again.
There was no reply but I could tell someone was on the line. Traffic roared by in the background, footsteps clacked and receded. I concluded that whoever the caller was, they were calling from a payphone.
Hello?
I closed my eyes, ran a hand over my face and heard the rasp of stubble. When had I shaved last? More than a few days. The morning of Caitlin's funeral, maybe. I couldn't remember.
Paul.
The word was spoken flat, a statement not an inquiry, and totally devoid of any emotion.
Bill?
I felt the acidic mass in my stomach do a full cycle. Great, I thought. Not only had I awakened to an assault by Sorrow and Hangover, now Rage was on the line. I was seriously considering throwing up.
We need to talk,
said Bill, his breath sounding like a herd of rhino rumbling over the Serengeti. I'll be at Hoffman's Café in about an hour. Meet me there.
A demand, not a request, which left only one response.
All right. I'll be there.
Good.
He hung up.
Confused, I glanced at my watch. Almost noon. I stood for a moment looking at the sharp edges of this new reality that had grown to loathe me, then took two Excedrin and trudged toward the shower. I wondered why Bill wanted to meet me. I hoped it was to make peace. After all, we had once been good friends. But I didn't think that was it. His voice had not sounded apologetic, or even remotely forgiving, which led me to believe another unpleasant confrontation was on the cards, and that I could most certainly do without.
The shower sluiced some of the drunken caul away, but not enough. I dressed as respectably as I could muster without being sick at the effort it required and downed two cups of scalding hot coffee before I headed out the door.
THE AROMA OF HONEY and coffee grounds filled the air inside the café and as it was still lunchtime, the place was packed. I spotted Bill sitting at a table with his back to the wall in the no smoking area, his crutches leaning in the corner. He looked ancient, back hunched, eyes little more than dark screw holes in a chalk wall. I had seen road maps with less lines and wrinkles.
As I approached, he looked in my direction, then slowly down at his fingers. The message was clear. He didn't want to be here any more than I did. Which got the hornets buzzing again.
I was intercepted on my way to the table by a painfully thin girl who informed me of the specials like a drug dealer desperate to get rid of her last dime bag. I wondered if they had her working on commission. I ordered a coffee (sadistically strong with nothing but coffee in it, okay?
) and tried not to take her disappointment too personally.
Bill was making the world's tiniest paper airplane out of an empty sugar packet when I finally reached the table. A small scattering of white grains surrounded his elbows. He did not look at me as I took my seat.
Hi,
I said at last.
Wasn't sure you'd come,
he replied, biting his lower lip as he struggled to fold back the final wing on the origami stealth fighter.
You didn't give me much time to argue. Besides, why wouldn't I come?
He shrugged. Any number of reasons.
I figured it was important.
You smell like liquor.
I reddened at that, a warm cocktail of shame and irritation. Do I.
Yeah. Been hitting it mighty hard I imagine.
Here we go. Yeah well, it helps.
How?
Is that what you wanted to talk about? My drinking?
No. It isn't.
Then why am I here?
Bill set the plane down on the table between us and watched it unfolding itself. He sighed and finally those dark eyes met mine.
I want you to know something,
he said, lacing his fingers together. I want you to know that I won't ever forgive you for what happened. In some, probably more rational part of me, I know it was an accident and I know you're hurting too and that you'd never have intentionally harmed her. But that's just a little whisper and it won't ever be loud enough for me to fully accept it. You were driving. Caitlin died. That's fact.
I wanted to argue then, but stopped myself. There was something in Bill's face, something written in the new lines there that kept me quiet.
He continued. I wish it could be different, but...
The last person to say those words to me had been my old boss at Kelvin's Auto Body and Repair. He'd used them after announcing things were going badly and that I had to be let go. Bill was not only using the same words now, but the same insincere tone too.
So do I,
I told him and sat back as the reed-thin waitress deposited my unimaginative cup of coffee before me. I thanked her, watched her pretend she hadn't heard, then sipped the oily brew. It was only a shade better than I remembered it. I grabbed the sugar.
There's something else,
Bill said and now he looked decidedly uncomfortable. I paused, spoon mired in the coffee, sugar unstirred. The reason I asked you to meet me here.
Bill—
No. Let me say this. Don't interrupt me, this is hard enough.
That made my heartbeat slow to a crawl.
He sighed and it seemed most of the strength of his bones emerged on dusty clouds. There's something about the accident you don't know.
The hair prickled on my neck. Hornets buzzed.
The doctor told me while you were getting your nose set. He wanted to tell you too but I told him not to. Threatened him not to actually, because he said it was your right. I told him it would destroy you. Like it destroyed me. Like it would destroy Caitlin's mother if she knew.
Bill.
I swallowed dryly, my hand creeping across the table to latch onto his arm. My skin was cold though sweat ran freely from my pores. I could smell the liquor now too.
She was pregnant Paul.
You're lying.
I knew he wasn't.
You're a fucking liar, Bill.
I knew it all along, deep down inside where the sun don't shine, my mind cried, but my mouth said: Why are you doing this to me?
Bill closed his eyes and shook his head. I wasn't going to tell you at all. But I realized it's something that shouldn't be kept from you. Not—
He examined his fingernails. — knowing how much you loved her.
No.
You're mourning her right now. No matter how much I might detest the sight of you, it's only right that you should mourn your child too.
Hot breath filled my throat. My fists clenched involuntarily, reacting to my overwhelming need to hit him, to knock that impassive expression right out through the back of his lying hating skull.
But I didn't. I simply sat, stunned, and tried to keep the tears from coming. My head felt stuffed with cotton. I covered my face with my hands, embarrassed and when I looked up, the seat across from me was empty and an old man was hobbling his way to the door.
I picked up my cup, stared at it for a moment, then flung it at the space where just a few seconds before, my dead wife's father had told me a truth I could have died never knowing.
The cup smashed against the wall, but it was not enough. I rose, catching my thighs on the underside of the table. Like a maddened animal, I pushed away and kicked at the flimsy pine until it tumbled and landed on its side, condiments and imitation porcelain bowls skidding and clinking across the tile floor.
Breathing heavily, I turned, teeth clenched. All faces were on the lunatic in the corner. Behind the counter, the thin waitress stood with a phone to her ear.
I murmured a quiet, useless apology and hurried to the door unchallenged.
The unscheduled entertainment was over.
THE LAST TIME SHE'D mentioned it was the night of our three-year anniversary.
We were lying in bed after making love, our bodies cooling in the breeze from the open window. Her arm was thrust across my