Hamlet (new classics)
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Though yet of Hamlet our dear brother's death
The memory be green, and that it us befitted
To bear our hearts in grief, and our whole kingdom
To be contracted in one brow of woe;
Yet so far hath discretion fought with nature
That we with wisest sorrow think on him,
Together with remembrance of ourselves.
Therefore our sometime sister, now our queen,
Th' imperial jointress to this warlike state,
Have we, as 'twere with a defeated joy,—
With an auspicious and one dropping eye,
With mirth in funeral, and with dirge in marriage,
In equal scale weighing delight and dole,—
Taken to wife; nor have we herein barr'd
Your better wisdoms, which have freely gone
With this affair along:—or all, our thanks.
Now follows, that you know, young Fortinbras,
Holding a weak supposal of our worth,
Or thinking by our late dear brother's death
Our state to be disjoint and out of frame,
Colleagued with this dream of his advantage,
He hath not fail'd to pester us with message,
Importing the surrender of those lands
Lost by his father, with all bonds of law,
To our most valiant brother. So much for him,—
Now for ourself and for this time of meeting:
Thus much the business is:—we have here writ
To Norway, uncle of young Fortinbras,—
Who, impotent and bed-rid, scarcely hears
Of this his nephew's purpose,—to suppress
His further gait herein; in that the levies,
The lists, and full proportions are all made
Out of his subject:—and we here dispatch
You, good Cornelius, and you, Voltimand,
For bearers of this greeting to old Norway;
Giving to you no further personal power
To business with the king, more than the scope
Of these dilated articles allow.
Farewell; and let your haste commend your duty.
William Shakespeare
William Shakespeare is widely regarded as the greatest playwright the world has seen. He produced an astonishing amount of work; 37 plays, 154 sonnets, and 5 poems. He died on 23rd April 1616, aged 52, and was buried in the Holy Trinity Church, Stratford.
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Reviews for Hamlet (new classics)
89 ratings133 reviews
- Rating: 4 out of 5 stars4/5Who am I to review Shakespeare?!
- Rating: 4 out of 5 stars4/5The only Shakespeare plays I had read before this were Romeo and Juliet and Macbeth, Macbeth being my favorite. Having now read Hamlet, I can honestly say that Macbeth is still my favorite.
Let's discuss.
So, Hamlet himself is an emo icon, and also a misogynist, who basically goes crazy, murders someone, and essentially ruins everything.
The ending came a little too quickly for me, tbh. There wasn't enough time to really develop any other characters. It was pretty quotable, though. Really, it gave me more Romeo and Juliet feels than Macbeth feels. - Rating: 3 out of 5 stars3/5As hard as I've tried, I could never quite get into this one. I've read it once and seen it performed twice. Both productions were classy. Still, I found the play tedious.
- Rating: 4 out of 5 stars4/5Some decades ago we couldn't marry fleely.Sometimes we forced to marry who didn't want to marry.I think it is very sad.This book has many characters.So it's story is little complicated.But I felt happy to be all the people became happy at the end of the story.
- Rating: 4 out of 5 stars4/5*gasp* Can I put Shakespeare in my fantasy shelf? :)
This is just such a delicious treat to read. Do yourself a favor and read it outloud - at least parts of it. It's just so fun. - Rating: 5 out of 5 stars5/5A hilarious masterpiece. A great romp in the woods. Having the characters stage a play seems unique to me.
- Rating: 5 out of 5 stars5/5I was a stagehand for this. Incredibly fun.
- Rating: 5 out of 5 stars5/5It's no Twelfth Night (my favorite comedy), but it's still one of Shakespeare's better plays. I especially laughed at the 4 lovers' tendencies to follow each other around like puppydogs. I was interested to notice a difference in the speech between the mechanicals and everyone else (fairies, noblemen/women). In their everyday speech, the mechanicals did not use pentameter, while everyone else did.
- Rating: 4 out of 5 stars4/5A Midsummer Night's Deam is the story of four couples. Theseus and Hippolyta are about to get married, after Theseus captures the Queen of the Amazons (and presumably some sort of courtship, since she seems to be amenable to getting married). Hermia wants to marry Lysander, despite her father's objections. Helena wants to marry Demetrius, if only he weren't in love with Hermia. And Oberon and Titania, king and queen of the fairies, are having a tiff about household help. After an evening wandering around the woods, with a little enchantment, humor and chaos, they get it all sorted out.The only happy ending I dislike is Oberon and Titania. Oberon gets his way by making his wife ridiculous, about which she doesn't seem the slightest bit upset. I doubt Queen Elizabeth would have put up with that kind of treatment.
- Rating: 4 out of 5 stars4/5A comedy by Shakespeare on love and marriage. The way he mixes English culture with ancient mythology is brilliant.
- Rating: 3 out of 5 stars3/5I've been meaning to catch up on various Shakespeare plays that "everyone" has read, and after finishing a book and having no immediate plans for what to read next, A Midsummer Night's Dream was conveniently waiting for me on my Kindle.In short, I didn't really like reading it much. I can see how it would probably work much better on stage, but read as a book it didn't really do much for me.If I ever get the opportunity to see it on stage I probably will, and I'll be prepared to be pleasantly surprised at how well it can work as a play.That said, I do enjoy poems, and I found the lyrical nature of the dialogue, the rhythm and the rhyme, to be quite fun. But as a story I just didn't really appreciate it as much as I had expected.
- Rating: 3 out of 5 stars3/5I know as an educator and librarian, it is assumed by most that I am a lover of Shakespeare. However, I must come clean. I am not. I actually truly dislike reading the 16th century language and I have trouble getting past that to try and enjoy the story. That being said however, I chose to read this because the majority of English teachers at my school teach this classic and I wanted to be able to have conversations with the students about it. I will say, A Midsummer Night's Dream is my favorite Shakespeare play so far and I feel like I accomplished something by reading it.
- Rating: 4 out of 5 stars4/5Fast and fun. I liked the characters and comedy alike.
- Rating: 5 out of 5 stars5/5Read it in high school. Loved it, it was funny
- Rating: 3 out of 5 stars3/5Was promted to re-read this by reading Neil Gaiman's eponymous Sandman short story. Learned:That my English has gotten a hell of a lot better in the last 11 years. This was the first Shakespeare play I tried to read, and I read it by myself at the time, so I didn't really get it.That I still don't really get the "brilliance" of this particular Sandman story.That I should probably read more Shakespeare.That some of the notes to this edition are utterly useless, and that Reclam can't quite decide what level of audience they're aiming their notes and translations at.
- Rating: 4 out of 5 stars4/5Lyrical and mesmerizing! I got a dramatized audio copy of this book. It really brings this story to life!
A very different love story for the ages. Couplings, love triangles, love quads, and love chases. It is all here. Thank you fantasy forest for all this wonderful chaos. Some parts a whimsical, others near tragic, some comedy. You never know what the next scene will hold.
When just listening to this, it can take a bit to follow the story at first. I had no idea who anyone was and names are not mentioned enough to quickly catch on. The only indication to the setting is the sounds you here. It really is just like listening to a play. They even have a full cast for the audio so each character is voiced by someone new. While it makes it far more enjoyable it just made things take a little longer.
I finally got to learn where several famous quotes and expressions came from. Hearing certain lines brought a smile to my face. Now I just need to read the print version of this book so I can be sure I didn't miss anything. I now have a mental soundtrack to go with it. - Rating: 4 out of 5 stars4/5While I am not a huge Shakespeare fan I did find this particular play to be pretty darn good. I enjoyed the fact that there was this mix of fantasy with ideas that we can all relate to with unrequited love. It was fascinating to see how Shakespeare made fun of his own play "Romeo and Juliet" within the story as well. There is such a great woven story here that anyone that enjoys reading plays should read this. This was another book that I had to read for my Theatre course.
- Rating: 5 out of 5 stars5/5One of my favorite comedies. Significant to me because I've actually been in a love rhombus, as it were; therefore, I can relate some of the characters.
- Rating: 4 out of 5 stars4/5I was on a Shkespeare kick!
- Rating: 5 out of 5 stars5/5Every read of this classic reveals another tongue in cheek pun. This humorous comedy of errors deals with love, romance, fairies in an enchanted forest, a traveling actors' troupe that passes itself as professional, but offers comic relief, mistaken identity, and of course parents at the crux who will not let true love have its way. Just a simple, straightforward Shakespearean tale. Enjoy!
- Rating: 5 out of 5 stars5/5"The course of true love never did run smooth"; but oh my friends and neighbours, when was love ever "true"? This is the jolly cynic's Romeo and Juliet, with English country faire elements displaced to Theseus's Athens (itself a place that hardly did exist) and the mythological, metaphysical backdrop, the ridiculous-but-still-great-and-terrible Olympians, disinvited from the party in favour of the fairies, magnificent and dreadful but still ridiculous (it sounds like the same thing as the gods but it's actually the opposite): Oberon, equal parts virile intensity and cat-chasing-his-tail; Titania, majestic and intoxicating and yet you also just want to pat her on the head; Puck, with all the mystique of a trickster spirit and all the bathos of a cigar-smoking baby. Lord, what fools these immortals be!They elevate the humans as the humans drag them into the mundane, to the benefit of the action in both cases. Just a quartet of pretty young goofballs bouncing through the sacred groves on a wave of hormonal exuberance, as the rules get mixed up and upside-downed and love-potion-number-nined till it's all reduced to the lowest common denominator. Bucolic rumpus--pratfalls and sex. They seem too quick and alive for the law to catch up with them, and indeed Theseus and Hippolyta do present a fairly mellow or enlightened face on disciplining authority, as the king reassures us that EVEN IF things fall over the precipice and go all two-households-both-alike-in-dignity on us, Hermia can choose forcible cloisterment over death--but is this really such a comfort? We see Demetrius and Lysander play fistfights for laughs and never think about how close either of them is to braining himself on a rock, the other being strung up. Skulking around somewhere in the background is always the deeply unfunny Egeus, the patriarch with filicide in his fist.The estimable Bottom and his bunch of goony players (special shout out to Wall--I see you, Wall!) bring it all home by staging the tragic romance of Pyramus and Thisbe farcically for a bunch of complacent chuckleheads who don't know that they're in a play themselves, and that comedy and tragedy are a mere knife-edge apart. And ever if we manage to keep it light and nobody falls on a dagger, love fades and everyone you know will one day still certainly die. The comic dignity of the man with the donkey's head sums up the message quite nicely: The play's an ass, and it is a matter of life and death that we keep it that way. Laugh at that! No, I mean it!
- Rating: 5 out of 5 stars5/5A great story of romance with enough trickery to make it fantastical. He loves her but she loves him, and nothing is ever clear when you're in the middle of it all!
This is an easy-to-read for anyone who is new to Shakespeare, play formats, or both. I highly recommend this for a fun look into romance and the drama that naturally ensues. It seems that we all have our own Fae dictating the rules of our hearts, sometimes. - Rating: 5 out of 5 stars5/5Beautiful copy of Shakespeare's play, with the text written out by hand and Arthur Rackham's gorgeous illustrations and decorations. Gave away my copy of this to my niece one Christmas, and recently found this replacement. I'm not sure it's the same size.
- Rating: 5 out of 5 stars5/5I have read this book twice and I really like it, it even might be my favorite among Shakespear books, for some reason the song "Strange And Beautiful (I'll Put A Spell On You)" Lyrics by Aqualung always reminds me of this book:
I've been watching your world from afar
I've been trying to be where you are
And I've been secretly falling apart... Unseen
To me, you're strange and you're beautiful
You'd be so perfect with me
But you just can't see
You turn every head but you don't see me
I'll put a spell on you
You'll fall asleep
When I put a spell on you
And when I wake you I'll be the first thing you see
And you'll realize that you love me
Sometimes the last thing you want comes in first
Sometimes the first thing you want never comes
But I know that waiting is all you can do
Sometimes
I'll put a spell on you
You'll fall asleep
When I put a spell on you
And when I wake you I'll be the first thing you see
And you'll realise that you love me
I'll put a spell on you
You'll fall asleep
Cause I put a spell on you
And when I wake you I'll be the first thing you see
And you'll realize that you love me - Rating: 4 out of 5 stars4/5** spoiler alert ** This is a very dramatic lovestory about two men, one named Demetrius, one named Lysander, and two girls, one named Helena, and one named Hermia. Hermia loves Lysander, and wants to marry him, even though her father doesn't like him and wants her to marry Demetrius. Helena loves Demetrus, but is jealous of Hermia because he loves her and not Helena. The fairies cast chaotic love spells that cause much trouble, as well as trouble for the fairies, not just Lysander and Demetrius and Helena and Hermia.
- Rating: 5 out of 5 stars5/5It's Shakespeare, so I'm naturally biased as to its excellence. The play is short, sweet, funny, endearing and my daughter is going to perform in it so I wanted to know the story line prior to watching her on stage. The King of the Fairies and Puck causes all sorts of mischief amongst the humans Lysander, Demetrius, Helen, and Hermia, not to mention the trouble he causes for his wife Titania and Botton, the merchant actor.
- Rating: 3 out of 5 stars3/5In "A Midnight's Summer Dream", there are four lovers, Lysander and Hermia, and Demetrius and Helena. Hermia wishes to marry Lysander but Demetrius is also in love with her. Hermia's father, Egeus, wants her to marry Demetrius. If she refuses, she could receive the full extent of the law and be executed. Nevertheless, Hermia and Lysander plan to flee Athens the next night and marry in the house of Lysander's aunt. They tell Helena, who was once engaged to Demetrius, who still loves him even though he dumped her for Hermia. Helene wanting to regain Demetrius's love, tells him about Lysander and Hermia escaping. Demetrius follows Lysander and Hermia while Helena follows Demetrius. Fairy king, Oberon, notices how cruelly Demetrius acts towards Helena. Oberon orders Puck, a fairy messenger, to spread the juice of a magic flower on Demetrius's eye lids so that the first person he sees, he will love. Puck mistakes Lysander for Demetrius and when Lysander wakes up he immediately falls in love with Helena, who was the first person he saw. Later that night, Puck tries to fix his mistake, but it ends up that they both now love Helena. The next night Puck succeeds in making Lysander love Hermia, and Demetrius love Helena. Theseus, a duke, and Hippolyta, the queen of the Amazons, find them sleeping and take them to Athens to be married. Overall, this book was lacking. I thought this because it was dull. I found it dull because you would know what happened next. it didn't have any cliffhangers. I thought it was slow to get to the climax... if there was one. Shakespeare wrote using strong literal and metaphorical language, which makes it confusing. It was not my cup of tea.
- Rating: 5 out of 5 stars5/5I consider this my first Shakespeare: this is the play that made me fall in love with the master. It's a supremely delightful work that never wears thin with time. It's that immortal "O lord, what fools these mortals be" that does me in every time. Humorous and splendidly human despite the fairies dancing across the words.
- Rating: 3 out of 5 stars3/5Kinda boring.
- Rating: 4 out of 5 stars4/5A Midsummer Night's Dream starts off with 4 stoies, but at the end they all come together. There was one with 4 people who were in love. The love got all switched around by fairies. Some of the fairies were fighting over a child. At the end the love got all staightened. They all got married and Oberon a fairy got the child. Everything was good at the end. I liked this book. The book really got my attention. The book was diferent, but reall interesting. i hope to read the book. I encourage most people to read this. If you like different but interesting books you should read this book.
Book preview
Hamlet (new classics) - William Shakespeare
V.
PERSONS REPRESENTED.
Claudius, King of Denmark.
Hamlet, Son to the former, and Nephew to the present King.
Polonius, Lord Chamberlain.
Horatio, Friend to Hamlet.
Laertes, Son to Polonius.
Voltimand, Courtier.
Cornelius, Courtier.
Rosencrantz, Courtier.
Guildenstern, Courtier.
Osric, Courtier.
A Gentleman, Courtier.
A Priest.
Marcellus, Officer.
Bernardo, Officer.
Francisco, a Soldier
Reynaldo, Servant to Polonius.
Players.
Two Clowns, Grave-diggers.
Fortinbras, Prince of Norway.
A Captain.
English Ambassadors.
Ghost of Hamlet's Father.
Gertrude, Queen of Denmark, and Mother of Hamlet.
Ophelia, Daughter to Polonius.
Lords, Ladies, Officers, Soldiers, Sailors, Messengers, and other
Attendants.
SCENE. Elsinore.
ACT I.
Scene I. Elsinore. A platform before the Castle.
[Francisco at his post. Enter to him Bernardo.]
Ber.
Who's there?
Fran.
Nay, answer me: stand, and unfold yourself.
Ber.
Long live the king!
Fran.
Bernardo?
Ber.
He.
Fran.
You come most carefully upon your hour.
Ber.
'Tis now struck twelve. Get thee to bed, Francisco.
Fran.
For this relief much thanks: 'tis bitter cold,
And I am sick at heart.
Ber.
Have you had quiet guard?
Fran.
Not a mouse stirring.
Ber.
Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
Fran.
I think I hear them.—Stand, ho! Who is there?
[Enter Horatio and Marcellus.]
Hor.
Friends to this ground.
Mar.
And liegemen to the Dane.
Fran.
Give you good-night.
Mar.
O, farewell, honest soldier;
Who hath reliev'd you?
Fran.
Bernardo has my place.
Give you good-night.
[Exit.]
Mar.
Holla! Bernardo!
Ber.
Say.
What, is Horatio there?
Hor.
A piece of him.
Ber.
Welcome, Horatio:—Welcome, good Marcellus.
Mar.
What, has this thing appear'd again to-night?
Ber.
I have seen nothing.
Mar.
Horatio says 'tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us:
Therefore I have entreated him along
With us to watch the minutes of this night;
That, if again this apparition come
He may approve our eyes and speak to it.
Hor.
Tush, tush, 'twill not appear.
Ber.
Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,
What we two nights have seen.
Hor.
Well, sit we down,
And let us hear Bernardo speak of this.
Ber.
Last night of all,
When yond same star that's westward from the pole
Had made his course to illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one,—
Mar.
Peace, break thee off; look where it comes again!
[Enter Ghost, armed.]
Ber.
In the same figure, like the king that's dead.
Mar.
Thou art a scholar; speak to it, Horatio.
Ber.
Looks it not like the King? mark it, Horatio.
Hor.
Most like:—it harrows me with fear and wonder.
Ber.
It would be spoke to.
Mar.
Question it, Horatio.
Hor.
What art thou, that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee, speak!
Mar.
It is offended.
Ber.
See, it stalks away!
Hor.
Stay! speak, speak! I charge thee speak!
[Exit Ghost.]
Mar.
'Tis gone, and will not answer.
Ber.
How now, Horatio! You tremble and look pale:
Is not this something more than fantasy?
What think you on't?
Hor.
Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.
Mar.
Is it not like the King?
Hor.
As thou art to thyself:
Such was the very armour he had on
When he the ambitious Norway combated;
So frown'd he once when, in an angry parle,
He smote the sledded Polacks on the ice.
'Tis strange.
Mar.
Thus twice before, and jump at this dead hour,
With martial stalk hath he gone by our watch.
Hor.
In what particular thought to work I know not;
But, in the gross and scope of my opinion,
This bodes some strange eruption to our state.
Mar.
Good now, sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land;
And why such daily cast of brazen cannon,
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week;
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is't that can inform me?
Hor.
That can I;
At least, the whisper goes so. Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dar'd to the combat; in which our valiant Hamlet,—
For so this side of our known world esteem'd him,—
Did slay this Fortinbras; who, by a seal'd compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands,
Which he stood seiz'd of, to the conqueror:
Against the which, a moiety competent
Was gaged by our king; which had return'd
To the inheritance of Fortinbras,
Had he been vanquisher; as by the same cov'nant,
And carriage of the article design'd,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimproved mettle hot and full,
Hath in the skirts of Norway, here and there,
Shark'd up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in't; which is no other,—
As it doth well appear unto our state,—
But to recover of us, by strong hand,
And terms compulsatory, those foresaid lands
So by his father lost: and this, I take it,
Is the main motive of our preparations,
The source of this our watch, and the chief head
Of this post-haste and romage in the land.
Ber.
I think it be no other but e'en so:
Well may it sort, that this portentous figure
Comes armed through our watch; so like the king
That was and is the question of these wars.
Hor.
A mote it is to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless, and the sheeted dead
Did squeak and gibber in the Roman streets;
As, stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star,
Upon whose influence Neptune's empire stands,
Was sick almost to doomsday with eclipse:
And even the like precurse of fierce events,—
As harbingers preceding still the fates,
And prologue to the omen coming on,—
Have heaven and earth together demonstrated
Unto our climature and countrymen.—
But, soft, behold! lo, where it comes again!
[Re-enter Ghost.]
I'll cross it, though it blast me.—Stay, illusion!
If thou hast any sound, or use of voice,
Speak to me:
If there be any good thing to be done,
That may to thee do ease, and, race to me,
Speak to me:
If thou art privy to thy country's fate,
Which, happily, foreknowing may avoid,
O, speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth,
For which, they say, you spirits oft walk in death,
[The cock crows.]
Speak of it:—stay, and speak!—Stop it, Marcellus!
Mar.
Shall I strike at it with my partisan?
Hor.
Do, if it will not stand.
Ber.
'Tis here!
Hor.
'Tis here!
Mar.
'Tis gone!
[Exit Ghost.]
We do it wrong, being so majestical,
To offer it the show of violence;
For it is, as the air, invulnerable,
And our vain blows malicious mockery.
Ber.
It was about to speak, when the cock crew.
Hor.
And then it started, like a guilty thing
Upon a fearful summons. I have heard
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day; and at his warning,
Whether in sea or fire, in earth or air,
The extravagant and erring spirit hies
To his confine: and of the truth herein
This present object made probation.
Mar.
It faded on the crowing of the cock.
Some say that ever 'gainst that season comes
Wherein our Saviour's birth is celebrated,
The bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad;
The nights are wholesome; then no planets strike,
No fairy takes, nor witch hath power to charm;
So hallow'd and so gracious is the time.
Hor.
So have I heard, and do in part believe it.
But, look, the morn, in russet mantle clad,
Walks o'er the dew of yon high eastward hill:
Break we our watch up: and by my advice,
Let us impart what we have seen to-night
Unto young Hamlet; for, upon my life,
This spirit, dumb to us, will speak to him:
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?
Mar.
Let's do't, I pray; and I this morning know
Where we shall find him most conveniently.
[Exeunt.]
Scene II. Elsinore. A room of state in the Castle.
[Enter the King, Queen, Hamlet, Polonius, Laertes, Voltimand,
Cornelius, Lords, and Attendant.]
King.
Though yet of Hamlet our dear brother's death
The memory be green, and that it us befitted
To bear our hearts in grief, and our whole kingdom
To be contracted in one brow of woe;
Yet so far hath discretion fought with nature
That we with wisest sorrow think on him,
Together with remembrance of ourselves.
Therefore our sometime