The Novellas
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About this ebook
An omnibus collection of four novellas by Bram Stoker Award-winning author Kealan Patrick Burke (Kin, The Turtle Boy).
Featured in this book are:
THE TENT
The perfect getaway...
The perfect place to hide...
Hocking Hills, Ohio is an oasis for campers, hikers, nature enthusiasts, and for those who just want to get away and lose themselves in the wild.
And as long as you follow your guide's advice and stay within the permitted areas, you can expect to survive the night.
Because deep within the dark woods, something insidious awaits, something few have ever seen, something ancient, unknowable, and insatiable.
If you go down to these woods today, you won't live to see the sunrise...
YOU IN?
For years the Wickerwood Inn has stood abandoned, home to nothing but dust and the trapped echo of past celebrations...and tragedy.
For a down on his luck ex-gambler, the inn's reputation is a thing of myth, and certainly not reason enough to turn down the first paying job to come his way in months. The inn will soon be renovated in preparation for a new lease on life. So tonight, from midnight till six, Peter Haskins will watch over the machinery.
And he will soon discover that there is something else in the hotel with him, something that needs no new lease on life, for it has never died.
And never will.
SELDOM SEEN IN AUGUST
Wade Crawford is not a good guy. He’s a bank robber and a ruthless killer, and now three people are dead and Wade is on the run. With the cops hot on his heels, he breaks into a seemingly ordinary house in a seemingly ordinary neighborhood to hide and wait on word from his partner.
But this neighborhood is far from ordinary. Indeed it has a very specific purpose, and soon Wade will discover that life in prison would be preferable to the hellish torment Seldom Seen has in store for him.
MIDLISTERS
Meet Jason Tennant, a writer of violent horror novels whose career is mired firmly in a maddening swamp of frustration somewhere north of nowhere and south of success. He is a midlister, those thankless souls who labor in the shadows of sometimes better, sometimes luckier writers, and it's starting to take its toll.
Meet Kent Gray, wildly popular author of a string of so-called "sex-fi" novels. He's wealthy, handsome, and the object of Jason Tennant's professional jealousy.
Welcome to Baltimore, Maryland, and the Aurora Science Fiction & Horror Convention, where these two men, midlister and bestseller, will meet for the first time, and the midlister motto "Better Read Than Dead" will be put to the ultimate test.
Kealan Patrick Burke
Born and raised in a small harbor town in the south of Ireland, Kealan Patrick Burke knew from a very early age that he was going to be a horror writer. The combination of an ancient locale, a horror-loving mother, and a family full of storytellers, made it inevitable that he would end up telling stories for a living. Since those formative years, he has written five novels, over a hundred short stories, six collections, and edited four acclaimed anthologies. In 2004, he was honored with the Bram Stoker Award for his novella The Turtle Boy. Kealan has worked as a waiter, a drama teacher, a mapmaker, a security guard, an assembly-line worker at Apple Computers, a salesman (for a day), a bartender, landscape gardener, vocalist in a grunge band, curriculum content editor, fiction editor at Gothic.net, and, most recently, a fraud investigator. When not writing, Kealan designs book covers through his company Elderlemon Design. A movie based on his short story "Peekers" is currently in development as a major motion picture.
Read more from Kealan Patrick Burke
Kin Rating: 4 out of 5 stars4/5Jack & Jill Rating: 4 out of 5 stars4/5Secret Faces Rating: 4 out of 5 stars4/5The House on Abigail Lane Rating: 4 out of 5 stars4/5Blanky Rating: 4 out of 5 stars4/5Guests Rating: 4 out of 5 stars4/5The Tent Rating: 4 out of 5 stars4/5We Live Inside Your Eyes Rating: 4 out of 5 stars4/5Theater Macabre Rating: 4 out of 5 stars4/5Grim Portraits: Six Stories About the Dark Side of Art Rating: 0 out of 5 stars0 ratingsThe Number 121 to Pennsylvania & Others Rating: 4 out of 5 stars4/5Currency of Souls Rating: 4 out of 5 stars4/5Below Rating: 0 out of 5 stars0 ratings
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The Novellas - Kealan Patrick Burke
Pepper is nervous, and that in turn makes McCabe uneasy. The collie is not given to barking at every sound or she’d long ago have driven him insane. Up here in the mountains, they have long shared real estate with rabbits, cows, deer and sheep, and birds aplenty. Pepper learned this as a pup, learned to recognize the ambient sounds of the mountain’s many residents, and now rarely does she raise her head from her tattered old wicker basket in the corner of the cabin.
Tonight, however, her head and her hackles are raised. Her brown eyes are wide and wet and fixed on the door of his small bungalow as if trouble casts its shadow on the other side.
Sitting before the fire, the air tinged with smoke, the damp logs still crackling and spitting three hours after he set them alight, McCabe watches the dog watching the door, and cocks his own head in an effort to detect whatever might have upset his old friend. Unsurprisingly, he hears nothing but the wind. Twenty years ago, maybe even ten, he’d have stood a slim chance of competing with the dog’s hearing, but not anymore. They are both in the winters of their lives, but Pepper still has the edge on him when it comes to the senses.
Reluctantly he stands, his knees crackling louder than the logs, and puts one rough hand on his lower back, absently massaging away the dull fiery pain that settles in like a cuckoo whenever the weather turns cold. Pepper gives him a brief glance, her worried eyes reflecting the small flames in the hearth, clearly unwilling to break her concentration from whatever has her dander up, and goes back to watching the door.
What is it, Pep?
he asks in a soothing voice. What’s got you upset?
The dog whines but does not look at him.
Visitors are rare during the day, and rarer still at night. When anyone does have occasion to seek his cabin out, it is seldom with good news.
As he shrugs on his peacoat and sighs, Pepper gingerly steps from her basket and plods over to join him. She trembles slightly and McCabe doesn’t like that at all. She may be old, but he has always thought of her as fearless. He reaches down and he is alarmed when the dog lowers her head as if afraid she is about to be struck, something he has never done in all their years together.
He frowns. This is one of those times I wish you could talk,
he says, something he has wished often in the four years since his wife Susan passed away.
Coat fastened, he fetches his old hand-carved, bleached pine walking stick from the corner by the door and turns his attention back to the dog.
Her head is still bowed in deference to the unknown threat. As he watches her tremble, he briefly considers abandoning the idea of venturing out into the cold and giving Trooper Lyons a call instead. Then he just as quickly dismisses the notion. Lyons is a good and fair man, but he’s also a drunk and as it’s after ten on a Wednesday night, the chances of finding him sober are slim. He’d undoubtedly balk at the idea of the twenty mile drive to the mountain, especially to investigate what will no doubt prove to be little more than the result of a nervous dog’s hypersensitivity. Instead he’ll slur a few reassurances and promise to stop by in the morning. But because McCabe has unwavering faith in his dog’s ability to sense something amiss out there, he doesn’t fancy the idea of waiting that long. The wondering will keep him awake all night if he doesn’t go see what it is.
How likely am I to run into a demon or a ghost out there, girl?
he asks the dog.
Pepper says nothing, just looks through him to the door as if, merely by mentioning it, he has become a ghost himself.
And though the old man feels silly at the note of fear pealing through him, he can’t deny that the dog has him more worried than he’s accustomed to being. The last time he saw Pepper this alarmed, McCabe had stood up from the supper table and followed her outside into the fine spring evening, where he found his wife lying prostrate in the yard, her heart as dead and cold as the rocks upon which she lay, her laundry basket turned on its side, the freshly laundered clothes strewn about her head and shoulders.
He doesn’t like to think about that now, no more than he likes the waves of terror that radiate from the dog and creep into the marrow of his old bones.
Something is wrong out there, and he tells himself that if he has any sense at all, he’ll stay locked up inside with the old girl and wait until sunup to go investigate. But then he reminds himself that people sometimes get themselves in trouble on the mountain; youngsters mostly, sometimes the occasional hiker who tries to scale the peak without doing their homework first. The mountainside is full of bottomless holes and crevasses partially concealed by shrubbery, mires disguised as weed-choked clearings, and loose shale that can go from under you in a heartbeat and send you tumbling. He’s watched many a man being airlifted off the slope, fielded questions about youths gone missing, some of whom showed up looking worse for wear, some of whom were never seen again. And every time he’d felt a twinge of guilt for not intervening, for not shooing them off the slope or at least giving them some advice on how best to proceed if they were determined to carry on. He knows it is ridiculous, of course. He can hardly be held responsible for what others choose to do of their own free will, but the fact of the matter is that nobody out here knows the mountain better than he does—he has after all, lived here for the greater part of his long life—and so he feels a sort of guardianship toward both the mountain and the people who traverse its hostile terrain. He is one of the few people who still call the mountain home, the lure of the big city too great to resist and the increasing lack of agricultural viability too great to survive. He knows the mountain is a dangerous place, but he has never really feared it, despite acknowledging that there are things about it that he can’t explain and that don’t always make sense.
But thanks to Pepper, he fears it now.
C’mon then,
he tells the dog, and tries not to let her anxiety freeze him in place. With one last longing look back at the fire, he sighs, snatches a flashlight from its hook by the door, and opens the door to the night.
It is quiet out there. No birdsong, no bark of mating animals, no shriek of cornered prey. The slope rises greenly up to his left until swathed by a dark bandolier of beech and oak. Boulders speckle the plain around his small cabin, looking like knuckled bones in the cloudy moonlight.
Behind him, Pepper whines on the threshold, the small silver bell on her collar jingling as she reluctantly does her duty and follows her master out the door.
Troubled, he closes the door behind her, offers her a soothing word she does not, despite the acuity of her senses, seem to hear, and heads off toward the only thing on the mountain that has immediately registered as out of place: the small amber glow of a campsite somewhere up there in the trees. He assumes that if there’s something amiss, he’ll find it there. What he does not yet know is the nature of the trouble, and offers up a silent prayer to his deceased wife that he will not regret answering its call.
* * *
The storm had come upon them without warning, a hungry, violent thing that roared in from the north, as if they’d camped on a railroad track assumed abandoned only to have a freight train barrel through in an explosion of sudden light and noise.
And now their tent was destroyed and they were lost in the dark woods, having fled in the kind of panic unique to unseasoned campers, shelter taking precedence over direction.
Mike? Do you know where we’re going?
Sure, babe.
This is the first of many lies he has told her on this trip, and he fears it won’t be the last. They’re lost, and it’s his fault—of course it is, isn’t everything?—but Mike is determined not to acknowledge the fact if only to deprive his wife of just one more reason to think less of him.
You’re sure?
Emma yells at him over the wind and rain that sends spectral horses galloping through his flashlight beam.
The verdure weaves and dances around them in submarine symphony. They are miles from anywhere. There are only trees here, tall and stolid and dark, the forest floor soft and spongy, greedily sucking down the rain and their ill-prepared feet after months of drought. Above their heads, the canopies of the beech, poplar, and oak are thick enough to appear conjoined, relegating the lightning to startlingly bright pulses between the crowded boles.
Mike stops, eager to go on, eager to be out of this interminable forest, but glad for the chance to catch his breath, which a quarter mile or so ago became labored and now feels like he’s pulling flaming cotton into his lungs instead of air. The hiking boots he bought just for this occasion are sawing open the backs of his heels, making each step torture. He turns to face his wife and son, knowing they need reassurance, knowing he could use it just as much, and struggles against the encumbrance of the backpack full of items that were of little enough use before the storm and are absolutely useless now, and his yellow slicker, which flaps madly as if eager to free of him. He empathizes, eager as he is right now to be free of himself and the situation into which he has thrust them. This was a mistake, and probably the last one he’ll ever make as a married man. That it was supposed to revitalize their crumbling union is only the larger part of the tragedy this trip has become. That he knew his luck would pull the rug out from under him is another. Because the last time he can remember his poor luck changing to any substantial degree, he was three weeks shy of his thirty-first birthday, still living with his parents, unemployed and flirting with alcoholism as a way to subvert his loneliness, when he answered the door to a perky blonde, her pretty face glowing with rehearsed Republican charm as she espoused the benefits of reelecting George Bush Sr. It had taken uncharacteristic levels of courage and impulsivity for him to ask out a girl he knew was so far out of his league they likely didn’t share the same quality of oxygen, but it had to have been pure luck, or some other strange upset in the mechanics of the universe, that had made her response an affirmative one. Luckier still that he hadn’t blown it on their subsequent dates, that she hadn’t seen—or that she chose to ignore—the insecurity that hounded him like a starving dog he’d been foolish enough to feed and now couldn’t shake.
That blonde is not as pretty now, and he knows not all of that can be blamed on the weather. Her red slicker clings to a body made shapeless by the years, the disappointment, and the stress of being married to a man crippled by the ever increasing weight of his own failure and unrealized dreams. Her hair, which has lost its luster and faded in synch with her expectations of him, is pasted to her pallid face, but not enough to hide the doubt from eyes made darker by the shadow of his presence in their marriage.
I think so, yes,
he tells her, and even to his own ears it sounds like a no
. But the lies seem to come easier the deeper into the woods they go, and he doesn’t care if they’ve become as transparent as the rain-horses riding through their flashlight beams. He can see on her face and in her posture as she hugs herself against the relentless battering of the storm that she recognizes the lie, but knows better than to challenge it, especially when she is not the only one who might suffer from its exposure. With a smile of feeble wattage, she turns away from him and drops to her knees on the sodden, steaming carpet of dead leaves. Cody, their thirteen-year-old, who has been trailing them soundlessly and with a complete and enviable absence of worry, finds her face with his flashlight beam.
The boy smiles, and as he looks from his mother’s face to the storm-wracked woods around them, Mike sees the twin sparks of wonder in his son’s eyes, and feels a tightening in his throat. The boy has a spirit he could not possibly have inherited from his parents, the genesis of his cheerful disposition an equal mystery. Tears prick the corners of Mike’s own eyes and he does not bother to sleeve them away. The rain will excuse them.
I don’t want to lose my son, he thinks.
Whatever Emma is saying to the boy is lost in a peal of thunder that sounds like the roar of some forest god enraged by their intrusion, and even as Mike winces against the violence of it, he tries to read in Cody’s face the impact of Emma’s words.
I don’t want to lose my boy, he thinks, don’t take him from me. The dread that lies like a cold hard stone in the pit of his belly is a wicked thing, an ever-present thing, and with it comes an irrational certainty that whatever his wife is saying, it is designed to undermine the child’s confidence in his father’s ability to see them through this nightmare.
Worse, he knows such speculation may be depressingly close to the mark.
It’s time we had a talk about Daddy, he imagines his wife telling their child. It’s time for you to realize the sad truths we’ve been keeping from you. First of all, we’re lost because your father thought taking us into the wilderness would somehow keep us together. But it won’t, because I hate him, and in time, you’ll learn to hate him too. But don’t worry; I plan to get us both away before he can destroy your life like he did Mommy’s. That is, if we don’t die out here first.
Cody picks that moment to nod in agreement, compounding Mike’s paranoia, and abruptly he is reminded of his own childhood, specifically his mother’s habit of turning the volume on the TV down to nothing whenever a character started using foul language, like damn
or heck
, or discussing subjects she deemed inappropriate, like alcohol, or drugs, or romance. Not for your ears, Mikey, she would tell him, and he would wait impatiently for the sound to come back. Sometimes the silence only lasted until the scene changed, or until the commercials. Sometimes his mother would get distracted and forget to turn it back up at all, and he would be sent to bed with a headful of questions about what those characters might have been discussing that was so terrible he’d been forbidden from hearing it. He would learn it all in the schoolyard when the other kids discussed the latest episodes of Hawaii Five-O and Bonanza, and he would laugh right along, pretending he was one of them, knowing he wasn’t. Since then, he has been an outsider, and he is made intrinsically aware of that feeling again now as he stands watching his wife counseling his son in a dire situation of Mike’s own making, helpless to do anything but hope he’s wrong about the weight of their words.
As the thunder rolls away into the woods to the left of them, Emma touches the boy’s cheek and rises. As she approaches Mike, she folds her arms again—a natural reaction to the hostile weather, but also, according to their marriage counselor, a defensive posture, the manifestation of which seems directly proportional to her proximity to her husband. When she reaches him, he sees that she is shivering.
Is it safe to be out here with all this lightning?
It’s not like we have a choice,
he says. But we’ll be fine.
Well, whatever the case, we should keep going,
she says, a bead of rain suspended from a nose the cold has made red and raw.
He nods. I think we should be close to the campground offices. Can’t be more than ten, twenty minutes from here.
She looks at him for a long moment before speaking again. What makes you think that?
It’s a question he had hoped she wouldn’t ask, because the truth is that he doesn’t think that, has no idea how far they are from anything except lost. The truth is that he knew an hour ago, right around the time he felt the ground begin to rise ever so slightly upward instead of down, that they had gotten completely turned around. The campground offices were in a small valley between the hills. This much, he remembered. If they were headed the right way, the going would have been easier because they’d have been on a decline. The trees would have thinned out too, but the longer they walk, the denser the woods become. The reality, as terrible as it is, is that, yes, he has them well and truly lost, probably miles away from anyone who might be able to help, and all he’s doing now is walking in the hope of finding a cabin, or a lodge, or any kind of shelter.
He knows Emma knows this too, and that the long look she gave him was her way of parting the veil of his deception and looking at the complete truth of the matter for herself. He decides the best thing to do is to change the subject, and what better subject than the one that’s hanging over them as heavy as the storm.
About earlier...
he says.
She shrugs, but does not meet his gaze. Forget it. You were upset.
Yeah, but still, I shouldn’t have snapped at you. It wasn’t your fault. The tent was a cheap piece of crap anyway.
The slight smile is very slight indeed, but more than he hoped for, so it will do just fine for now. Yeah, it was. I did try to tell you that. Made a better kite than a tent.
The levity, here in this frightening, storm-washed darkness, is so unexpected and so desperately needed, he bursts out laughing. Cody, still enthralled by the hissing, weaving, thunderous woods around them, looks in their direction and smiles. Such a happy child, he thinks. So unflappable. He didn’t get that from me. But in the extensive catalogue of his failures, he’s thankful that he can at least count his son as a success, a good thing, the one bright spot in the Rorschach pattern of his uneven life, even if ultimately he cannot find a way to keep them all together.
And yet you didn’t want him here. This is yet another unpleasant truth. It isn’t that he doesn’t love the boy, because he does, more than anything. It was just that he’d wanted to be alone with Emma, to get her out of the quagmire of routine of which their son was an integral part, and to discuss with her the kinds of pressing issues not meant to