New York Breweries
By Lew Bryson
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New York Breweries - Lew Bryson
Cheers!
INTRODUCTION
Welcome to New York and its breweries! After a long time, the Empire State is again home to numerous breweries, though it’s a far cry from the glory days of beermaking one hundred years ago. Almost every New York town had a brewery then; some, like Buffalo and Brooklyn, had twenty or more. Some of the architectural relics of these breweries are still to be found, huge and often ornate memorials to the thirst of swarms of immigrants who wanted only to have a cold beer after their day’s long labors.
New York has grown a new crop of breweries. We’re up to fifty-four, counting the solid presence of survivors like Matt’s and High Falls (formerly known as Genesee) and the big Anheuser-Busch brewery in Baldwinsville, with still more on the way. This is reflected in the resurgence of different styles of beer in America and the rise of what have been called microbreweries or craft breweries. To understand where these new breweries came from, we need to take a look at our country’s history, during which American brewing went from a vibrant, broad industry to a fossilized oligopoly of brewers making one style of beer, take it or leave it. What happened?
The Rise and Fall of American Brewing
The most popular alcoholic drink in early America was cider, followed closely by rum. Americans drank a lot of these beverages and a lot of alcohol in general. Per capita annual consumption of alcohol was over ten gallons by the 1840s. That’s gallons of pure alcohol, not gallons of rum at 40 percent alcohol or cider at 7 percent. Americans drank pretty much all the time.
When Americans did drink beer, they mostly drank imported British ales. And when Americans began brewing, they mimicked the English by producing similar unfiltered ales. Cider was still the most popular drink through Andrew Jackson’s presidency, but things changed rapidly in the 1840s.
There were three complementing components to this change. German-style lager beers are believed to have been first brewed in America in Philadelphia, in 1840, by a brewer named John Wagner. This refreshing beer became very popular with laborers because it could be drunk quickly to quench a thirst.
Paradoxically, the temperance movements that swept the nation in the 1840s accelerated the rise of lager beer. Temperance had strong effects on many suppliers, retailers, and drinkers. One of its major successes
was wiping out America’s cider-producing orchards almost entirely. The 1840s saw fields of stumps on many farms. This movement was particularly rampant in upstate New York, and woodcut illustrations of the devastated orchards are a bemusing legacy. The demand for drink did not go away, of course, and lager brewers picked up the shifting market.
The third thing that drove lager’s popularity was the rise in immigration to America after the squashed European rebellions of 1848. Germans and other beer-drinking Europeans came to America by the thousands, and they wanted their beer. America was happy to supply it.
New York had its hand in all this, with plenty of breweries pumping out beer, ales, and lagers. You may have heard one bit of New York brewing history sung by a Vassar College woman:
And so you see, for old V.C.
Our love shall never fail.
Full well we know
That all we owe
To Matthew Vassar’s ale!
Successful Poughkeepsie brewer Matthew Vassar endowed Vassar College, America’s first privately endowed college for women, in 1861. Vassar had built his business to become a major regional brewer and had strong ideas about sharing his success with the community, an ideal that many New York brewers stick to today.
New York’s contribution was not limited to the famous breweries of the state’s history. The Susquehanna Valley, south of Cooperstown, was once the nation’s largest producer of hops. The Busch family had a large hops farm and mansion on the western shore of Otsego Lake; the Chief Uncas tourboat, which plies the lake, was their little pleasure boat.
There were over two thousand breweries in America at the turn of the century, mostly small local breweries producing almost every style of beer, although lager was a clear favorite. The temperance movements, however, had not gone away.
The Great Killer of breweries in America was the little social experiment called Prohibition (1920–33). By 1939, after this fanaticism had run its course and the industry had briefly boomed and settled down, only about five hundred breweries remained.
Everyone knows that people didn’t stop drinking during Prohibition, but the quality of the beer they drank was dramatically affected. Some drank needle beer
(near beer injected with alcohol) or low-grade homebrew, made with anything they could get their hands on. They used cake yeast and the malt syrup that brewers were making to survive. Other beer generally available during Prohibition was low-quality and relatively weak, made from cheap ingredients with large amounts of corn or rice.
Illicit brewers used the high-gravity system: Brew very strong beer, and then water it down. This saved time and money, as did greatly shortened aging times. Federal enforcement agents knew that hops were a commodity really used only for brewing; brewers, therefore, lowered the amount of hops they used to avoid suspicion. For fourteen years people drank literally anything that was called beer.
These changes brought on some long-term effects. The corn and rice and high-gravity brewing produced a distinctly lighter-bodied beer with an identifiable nonbarley taste. Low hopping rates made for a sweeter beer. Over Prohibition’s fourteen years, people got used to light lager beer. The process continued over the next three decades as big brewers came to dominate the market.
The rise of big breweries and the decline of small breweries can be traced to several important developments. World War II brought a need to get lots of beer to troops abroad. Huge contracts went to the brewers who were big enough to fill them. Hops and malt for home-front brewing were considered largely nonessential. F. X. Matt once told me about going out with his father on Sunday afternoons during the war, trying to talk farmers into growing hops along the borders of their fields.
Improvements in packaging made buying beer for home consumption easier, and refrigerated transportation enabled brewers to ship beer long distances to reach more customers. These improvements required large capital investment possible only for successful, growing breweries.
Mass market advertising during broadcast sporting events got the national breweries in front of everyone. The advertising further convinced Americans that light lagers were the only type of beer out there. Advertising was expensive, but effective. The big breweries got bigger, and small ones went out of business.
Why did the rise of big national brewers necessarily mean that American beer would become all the same type of light lager? Simple reasons, really: Making it all the same is cheaper and easier. Success breeds imitation. Image is easier to market than flavor. A large national brand has to appeal to a broad audience of consumers.
This led to the situation in the 1970s in which one dominant style of beer was made by fewer than forty breweries. People who wanted anything else had to seek out the increasingly rare exceptions made by smaller brewers or buy pricey imports of unknown age and freshness. The varieties of beer styles were unknown to most Americans.
This is the real key to understanding the craft-brewing revolution. These beers are not better made than Budweiser; in fact, Budweiser is more consistent than many American craft-brewed beers. What craft-brewed beers offered was variety.
The American Brewing Revolution
How did microbreweries get started? Fritz Maytag bought the Anchor Brewery in San Francisco on a whim in the mid-1960s. He had heard it was going out of business and knew it brewed his favorite beer. Fritz was an heir to the Maytag appliance fortune and could afford to indulge his whims. But he got hooked on brewing, and Anchor led the return of beer variety in America. Fritz brewed Anchor’s trademark steam
beer, an ale and lager hybrid; he brewed the mightily hoppy Liberty Ale; and he brewed the strong, malty barley wine he called Old Foghorn. Things were off and … well, things were off and walking in the United States.
Next came the microbreweries. Ambitious homebrewers, maverick megabrewers, and military or businesspeople who had been to Europe and wanted to have the same kinds of beer they drank there started these small breweries, cobbling them together like Frankenstein’s monster from whatever pieces of equipment they could find. The beer was anything but uniform—sometimes excellent, sometimes awful—but even so, it found a receptive market.
The revolution started in the West and grew very slowly. New Albion, the first new brewery in America since World War II, opened in 1976. Five years later, Bill Newman started his brewery in an old mattress factory in Albany, brewing his great amber beer. F. X. Matt Brewing started making Saranac 1888 (today’s Saranac Amber) in 1987. They were prescient, they were good, but they were also too soon. Newman finally gave up on brewing, and Saranac was a loss for Matt’s for years.
Things started popping in the mid-1990s, and dozens of small breweries opened. Wall Street and the money people caught wind of this and blew the little fire into a blaze with the focus of their hot attention for possible profit. New York reached a total of over sixty breweries in 1998. Then the long-anticipated shakeout hit the industry, and the press has gleefully reported several times since then that microbrewing is dead. Most of the larger micros had troubles, and some of the undercapitalized ones went under. The tragic events of September 11 hit the industry hard as people reevaluated their lifestyles. Some were hit harder than others. Brooklyn Brewing’s Steve Hindy told me, We lost about fifteen accounts in Manhattan.
Lost? They’re just … gone,
he said. Windows on the World was the biggest.
Has the hammer fallen? Will microbrewing last, or was it just a passing fad? In my opinion, the genie won’t go back in the bottle. Brewpubs are established in their communities, and more are still opening. Matt’s continues to thrive on the Saranac line, and the Pale Ale stubbornly outsells the Lager and the Light. The state’s smaller microbreweries are doing well; a number of them were having their best years ever and were planning expansions as I finished this manuscript.
People have discovered the many different ways beer can taste. No one thinks all wine comes in gallon jugs anymore, and everyone knows there are more types than red and white. Beer is on that same path.
How I Came to Love All Beer
My beer-drinking career has been reflective of America’s beer revolution. I started with beers from big breweries, some that are no longer around. I had my first full beer as a freshman in college. When I was a kid, my father often let me have sips of his beer with dinner. That was Duke Ale, from Duquesne Brewing of Pittsburgh, one of Pennsylvania’s many defunct breweries. But I’d never had a beer of my own until Tim Turecek, a guy from Binghamton who lived on my dorm floor, handed me a Genny Cream, a 16-ounce solidly brown and green returnable, dripping with condensation. I drank it, and it was good.
I drank a lot more of them over the next three years. Genny Cream, Prior’s Double Dark, Stroh’s, and Rolling Rock were my staples, along with Rheingold and National Premium when the money was tight. Then one night in my senior year at Franklin & Marshall College, I met my medieval history professor for drinks, a special treat for a few legal-age students.
The bar was the Lauzus Hotel, in Lancaster, Pennsylvaina. Run by old Wilhelm Lauzus, an ex-German Navy man, the bar carried over 125 different beers in 1981, not too shabby at all in those days. I had no clue and grabbed my usual Stroh’s. My professor laughed and slapped it out of my hand. He pulled a German beer, an Altenmünster, out of the cooler and popped the swingtop. Try this,
he said, and changed my life.
It was big, full in the mouth, and touched by a strange bitterness that I’d never tasted before. That bitterness made another sip the most natural thing in the world, like pepper on potatoes. I’ve been looking for beers outside the American mainstream ever since. It’s increasingly easy to find that kind of beer in New York, where breweries are turning out everything from whopping Imperial stouts to crisp, bitter pilsners to rippingly hoppy India pale ales to bubbly, spicy hefe-weizens.
Is that all I drink, beers like that? Well, no. When I mow my lawn, or when I’m grilling up a batch of spiedies on a hot afternoon, sometimes I want a cold glass of something dashingly refreshing and fizzy. Then I might reach into the back of the fridge and pull out a secretly stashed bottle of Saranac Light. Don’t tell the beer geeks; they might not renew my membership card.
My family and I have enjoyed traveling to New York’s breweries and sampling these beers at the source. I met a bunch of new people and made a lot of friends. Beer traveling is a great way to have fun, and this book will serve as a guide for your travels in New York. Hoist one for me!
How to Use This Book
This book is a compendium of information about New York’s breweries. It also lists some of the interesting attractions and best bars in New York. It offers facts and opinions about brewing and beer-related subjects.
It does not present a comprehensive history of any brewery, nor is it one of the ubiquitous books that try to rate every single beer produced by every single brewery. It is not a conglomeration of beer jargon—Original Gravities, International Bittering Unit levels, Apparent Attenuations, and so on. And it’s not about homebrewing. There are too many of these kinds of books anyway.
It is a travel guide about breweries and New York, two subjects dear to my heart. Sharing information has been a central part of the success of the rise of microbreweries in the United States. I’ve been sharing what I know for over twenty years, and this book and its companion volume, Pennsylvania Breweries, represent my latest efforts to spread the good word.
The book is organized in alternating parts. The meat of the book, the brewery information, is presented in eight sections. The first section begins with a general description of the state’s three large mainstream breweries, The Big Guys. Each of the seven geographical sections— Long Island, Manhattan, Hudson Valley, Capital District, Adirondacks, Finger Lakes/Glacial Region, and the Great Lakes—is prefaced with a description of the area for those unfamiliar with it. The A word about …
sections are intended as instructional interludes on topics you may be curious about. There should be something there for almost everyone, whether novice, dabbler, or fanatic.
The history and character, highlights, my observations, and other information about the company are presented in a narrative section for each brewery or brewpub. A brewpub sells beer to be enjoyed on location, whereas a brewery sells its beer primarily off-premises. Matt’s and High Falls are regional breweries; Anheuser-Busch is national. If any beers have won Great American Beer Festival (GABF), Real Ale Festival (RAF), or TAP NY awards, those are noted, but not every brewery enters these competitions. Potential annual capacity in barrels, as listed for each brewery, is a function of the fermenting tank capacity and the average time to mature a beer. Lagers take longer, so on two identical systems with the same fermenter setup, an all-lager brewery would have significantly lower annual capacity than an all-ale brewery.
The other area beer sites I’ve listed for most breweries may include miltitaps, historic bars, or restaurants with good beer selections. Whenever possible, I visited these bars and had at least one beer there. A few of these descriptions are based on recommendations from brewers or beer geeks I know personally.
The Big Guys
New York has three big breweries that dwarf the other breweries in this book, all three located upstate. There are two homegrown, regional breweries—Matt in Utica and High Falls in Rochester—and an arm of the world’s largest brewer, Anheuser-Busch, in Baldwinsville.
I’m ambivalent about Anheuser-Busch; any lover of small breweries is. They’re huge, and they continue to grow in America’s market and in worldwide markets, at the expense of other breweries. They are a company that is sensitive to perceived threats, and have used their market power to punish other breweries.
Yet they are also extremely successful and insanely quality-oriented. I’ve been to Anheuser-Busch’s Elk Mountain hop farm and Idaho Falls maltings as a guest of the company, and I was terrifically impressed by what I saw. They have forced the rest of the market to consider freshness dating with their Born On
dates—a marketing ploy that leverages their matchless distribution network and the advantages of twelve national breweries, but a good thing nonetheless. They have over one hundred highly skilled brewers. And I admit to a certain pride that the world’s largest brewer is American.
I have been called an Anheuser-Busch apologist by some beer geeks. It’s not so. I seek the truth about Anheuser-Busch, and with all the fog created by angry microbrewers and homebrewers who seek an easy target, and by the company’s own publicists, it’s not always easy to find. I will say that whenever I’ve spoken to Anheuser-Busch technical people, they have always given me honest, complete answers to all my questions. I’ll leave it at that.
As for the other two, they are regional breweries, a strange, caught-in-the-middle class. Some call them fossils, some call them smokestack breweries, some call them beer factories. They somehow survived Prohibition, World War II, and three decades of brewery wars between 1950 and 1980. They are gritty survivors, working with old plants, a fiercely loyal but aging customer base, and sheer guts.
Matt Brewing has been known as F. X. Matt Brewing, West End Brewing, and the Utica Club Brewery. But it’s always been the same brewery, right there in Utica. The brewery is famous upstate for the Schultz and Dooley talking stein
television commercials for its Utica Club beer and beloved by collectors of breweriana for producing a line of character steins (I have an Officer Suds stein on my shelf). The commercials are classics: the tall German stein, Schultz, and the small Irish stein, Dooley, with many sidekicks like Bubbles La Brew and the Moon Man stein, with all the voices done by Jonathan Winters.
These days, the steins are actually doing better than Utica Club. Utica Club is in a planned decline, a heavily discounted brand that relies on a steadily graying market. Matt’s has managed to reinvent itself as a craft brewer. It is all about the Saranac brand these days, though the contract brewing that kept the company alive in the 1980s and 1990s is still important. Matt’s is known as the Cadillac of contract brewers—it’s where brewers would most like to have their beer brewed.
I first visited the brewery back in 1987 and have been back a number of times. It’s one of the best brewery tours anywhere, with its Victorian appointments and spotless brewhouse. F. X. Matt II, the man who saved the brewery from closure in the 1980s, recently died, a death that was mourned in many places. In a long tradition of German brewmasters, he was a firm, patriarchal man, but also quick with a smile and a font of stories about brewing history.
High Falls also recently changed its name and its owners. It was long known as the Genesee Brewery. The change is recent and snatched the brewery from the scrap heap. The new management has latched on to several big contract brewing jobs, and the brewery is working hard.
High Falls is still home to the Genesee line of beers, a mini-mainstream
line of American-style light-bodied lagers. Upstate kept these brands alive for years, though Genesee Cream Ale enjoyed a strong surge in the East in the late 1970s and early 1980s.
In the 1990s, Genesee created the J. W. Dundee’s, HighFalls, and Michael Shea lines of beers; the beers were labeled as coming from, for example, Michael Shea’s Brewing, Rochester,
and many people had no idea they were from Genesee. J. W. Dundee’s Honey Brown Lager hit big in the early 1990s, supported by a hilarious Beer God
advertising campaign. One well-known billboard had the Beer God, a rough-carved stone idol, shouting, You in ’63 Impala! Pull over now, sell car, buy more Honey Brown!
Laughs weren’t enough, though, and the brewery hit rough times. I’m happy to say it looks like it’s back in good shape, with vigorous leadership at the helm and big plans for the future. It even plans to start tours soon. That’s good news for the beer lover, because this is a very cool, very big brewery.
These big breweries are a part of this book as much as the smallest, hippest brewpub. It’s all about beer, folks. The idea that only small breweries can make good beer is ridiculous. Anheuser-Busch’s quality control is at a level most craft brewers wish they could achieve, even if they don’t care for Anheuser-Busch’s beers. Similarly, the idea that only small breweries can make interesting beer is neatly disposed of by the incredibly varied and delicious Saranac line.
Besides, it just warms my heart to see the two old breweries making it in a market dominated by giants like Anheuser-Busch. And those guys aren’t so bad either. Fred Matt told me that his production guys talk to the A-B production guys up at Baldwinsville all the time. They help each other out,
he said. They’re good guys.
Nice to see that under the corporate colors, everyone’s still a brewer—and an upstater.
Anheuser-Busch Companies, Inc.
Baldwinsville Brewery
2885 Belgium Road, Baldwinsville, NY 13027
www.budweiser.com (all Anheuser-Busch website links are collected at www.anheuser-busch.com/misc/links.html, a fascinating page)
Anheuser-Busch is the world’s largest brewer, with approximately 49 percent of the U.S. market and 8 percent of the world’s market. The brewery in Baldwinsville is only one of the company’s twelve breweries in the United States, a diversified production plan that allows Anheuser-Busch to deliver beer across the country, as fresh as possible. The Baldwinsville brewery does not give tours, and it doesn’t even have a gift shop or hospitality center; it is purely a production facility.
So why did I bother to include this brewery in a travel guide? Well, it is a brewery, and it’s in New York; that would be enough for me. But there is another reason: The truth needs to be told about Anheuser-Busch (A-B).
The truth? Yes, truth, because there’s a lot of silliness out there. Because Bud Light and Budweiser are the world’s two largest-selling beers, A-B is often the whipping boy of the microbrewers. A-B has taken its share of shots at the micros as well, to be sure, but that’s business.
The truth is, A-B has over one hundred highly trained and qualified brewmasters, who are fanatical about quality in ingredients and process. I’ve met some of them. They’re nice guys, but just between you and me, they’re nuts. One of them talked to me for an hour about yeast; it was like he couldn’t stop himself. Because A-B is so huge, and so profitable, they can afford to do their own research on barley strains (they have a barley research institute), and malting (they have three of their own maltings), and hops (they have several hop farms), and rice (they have two rice mills), and yeast (they have … well, you get the picture).
Why so much research, why so much fanaticism? Trace it back to the true founder of the business, Adolphus Busch. After marrying Bavarian Brewery owner Eberhard Anheuser’s daughter, Adolphus bought into the business in 1865. He took it from a penny-ante operation to a strong regional brewery. Part of the reason for this success was his superb salesmanship abilities. Adolphus was reputed to use every trick in the book, and some unpublished ones to boot.
But another large component was his obsession with quality. Adolphus traveled widely in Europe and America, sampling beers, studying brewing processes, and evaluating malts and hops. He wrote long letters with detailed instructions on purchasing the finest malt and how to best use it to make excellent beer. You cannot make a fine beer with inferior malt,
he said in one letter I’ve seen.
This obsession continues today. A-B buys only the finest hops they can find; I’ve talked to independent hops brokers who confirm it. Their maltings are top-notch operations, and their rice operations are so high-quality that the company is actually able to export rice to Japan. They buy the best equipment and maintain it perfectly.
That’s why I laugh when earnest beer geeks say, If Anheuser-Busch wanted to, with their talent and equipment and quality control they could make the best beer in the world.
As far as A-B is concerned, they already do make the best beer in the world. It’s called Budweiser.
They don’t actually make that much Budweiser at Baldwinsville. They make a lot of different beers; plant manager Stephen McCormick said his facility was kind of the utility infielder