Monkey Island
By Paula Fox
3.5/5
()
About this ebook
He was eleven years old, and he had never felt so alone in his life.
Clay Garrity lived a normal life until his father lost his job and abandoned the family. Now his pregnant mother has deserted him too, leaving Clay alone in a welfare hotel with a jar of peanut butter and half a loaf of bread. Fearing being placed in foster care, Clay runs away.
Alone in the city, Clay wanders down streets with boarded-up buildings and through dark alleys, until he comes to a small triangular park that looks like an island in a stream. In the light of a street lamp, he sees cardboard boxes, blankets, bundles—and people. Some are lying on benches, others inside boxes. Two of the men, Calvin and Buddy, offer to share their shelter, and Clay is grateful to have a place to stay during the bitter November cold. Before long, Calvin, Buddy, and Clay form a family amid the threatening dangers and despair of the streets.
Clay knows that leaving the streets and going into foster care means that he may never see his parents again. But if he stays, he may not survive at all.
An ALA Best Book for Young Adults, this acclaimed novel offers an intensely moving and candid look at the all-too-real lives of homeless teens.
Paula Fox
Paula Fox was a notable figure in contemporary American literature. She earned wide acclaim for her children’s books, as well as for her novels and memoirs for adults. Born in New York City on April 22, 1923, her early years were turbulent. She moved from upstate New York to Cuba to California, and from one school to another. An avid reader at a young age, her love of literature sustained her through the difficulties of an unsettled childhood. At first, Fox taught high school, writing only when occasion permitted. Soon, however, she was able to devote herself to writing full-time, but kept a foot in the classroom by teaching creative writing at the University of Pennsylvania, New York University, and the State University of New York. In her novels for young readers, Fox fearlessly tackles difficult topics such as death, race, and illness. She has received many distinguished literary awards including a Newbery Medal for The Slave Dancer (1974), a National Book Award for A Place Apart (1983), and a Newbery Honor for One-Eyed Cat (1984). Worldwide recognition for Fox’s contribution to literature for children came with the presentation of the Hans Christian Andersen Award in 1978. Fox’s novels for adults have also been highly praised. Her 2002 memoir, Borrowed Finery, received the PEN/Martha Albrand Award for the Art of the Memoir, and in 2013 the Paris Review presented her with the Hadada Award, honoring her contribution to literature and the writing community. In 2011, Fox was inducted into the New York State Writers Hall of Fame. Fox passed away in 2017 at the age of ninety-three.
Read more from Paula Fox
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Reviews for Monkey Island
24 ratings1 review
- Rating: 3 out of 5 stars3/5A really excellent book about homelessness and creating community.
Book preview
Monkey Island - Paula Fox
1 The Hotel
Clay Garrity’s mother, Angela, had been gone five days from the room in the hotel where they had been living since the middle of October.
On the first evening of her disappearance, he’d waited until long past dark before going to a small table that held a hot plate, a few pieces of china, two glasses, and some cutlery as well as their food supply: a jar of peanut butter, half a loaf of bread in a plastic sack, some bananas, a can of vegetable soup, and a box of doughnuts.
His mother usually heated soup for their supper and made hot cereal for his breakfast in the pot that sat on the hot plate. Clay lifted the lid. There was nothing inside. During their first week in the hotel, she had made a stew that lasted them for three days. That was the only time she had really cooked.
He ate a banana, then picked up the box of doughnuts. Beneath it, he found twenty-eight dollars and three quarters.
He wasn’t especially worried yet about her not coming home. She’d been gone entire days before, not returning until nightfall. But the sight of the money made him uneasy.
Why had she left it there, almost hidden, as if she meant for him to find it after she’d gone? Could she have forgotten it? Where would you go in New York City without money? Still, she might have put the twenty-eight dollars aside for something special, like the clinic where she went for checkups, or for the new shoes she said he would soon need. The quarters could have been for making phone calls. And she might have had more money in her pocketbook. But he couldn’t quite believe that, because she hardly ever had more than twenty-five dollars after buying their groceries.
He ate half of a doughnut as he stood at the table, staring at the carton of milk that stood outside on the sill of one of the room’s two windows. He thought of pouring himself a glass, but, in a flash, he didn’t want it at all. Even the rest of the doughnut felt too thick to go down his throat.
He took the only chair in the room, straight backed and painted with a color his mother called down-and-out brown, to the other window and sat there a while, looking at the street five stories below. The traffic was light at this hour. Most of the people who drove past the hotel on their way to the tunnels that went to New Jersey had gone home by now.
Clay imagined a tunnel going under the Hudson River, imagined the dark, moving water above it and beneath it, people in their cars who talked and listened to their radios that must crackle at such a depth, under so much water and earth and concrete.
On the floor beside his mother’s bed was a small, battery-run radio. In the mornings while he was getting ready for school, washing his face at the basin and dressing, his mother would listen to a news program. Lately, she had been turning the radio on as soon as she came into the room, even before taking off her coat and putting down the bag of groceries she was carrying. When he did his homework, she lowered the volume. But she seemed to want some kind of sound all the time and didn’t care whether it was music or people talking.
Once when he awoke in the night, needing to go to the bathroom, which was outside the room and down at the end of the long corridor near the stairs, he saw her lying in bed, holding the radio on her chest, its dial face casting a pale glow on her chin and mouth, a faint babbling noise issuing from it like voices in a distant room.
Be careful,
she murmured as he went to the door, his key in his hand. He knew that; he knew you always had to be careful when you went outside the room.
He sat absolutely still, his gaze fixed now on the big apartment building across the street through whose windows he could see people moving about in lighted rooms among large potted plants. In the old life, in the apartment where they had once lived with his father, they had had two pots of African violets, and when one of the deep mauve flowers bloomed, it seemed to fill his mother with delight.
The stillness that had come over him was almost like sleep. It was abruptly broken by an urge to look behind him. The first thing his turning glance fell upon was the wheeled metal rack they had found in the room when they moved into the hotel a month ago, and from which their clothes hung. His mother had told him that when people gave parties, they rented such racks for guests to hang their coats on. Probably the rack was left over from the days when the hotel was a real hotel, not an ants’ nest of ugly rooms where people in trouble waited for something better—or worse—to happen to them.
What he saw, hanging from a wire hanger, was his mother’s brown wool coat. He placed his hand against the windowpane. It was cold, like the door of a refrigerator. Where would she have gone? Without her coat?
Soon, he would have to go out to the corridor and to the bathroom that was used by nearly everyone on the floor, though he’d heard there was one room that had its own toilet and tub instead of just a washbasin. He would have to lock the door and hope there were no people leaning against the walls, people who would watch his every step as he went toward a battered door you couldn’t lock, and into the bathroom with its tub full of fans of tobacco-colored stains, the toilet sweating moisture.
But he couldn’t go to the bathroom right now, though he needed to. He took a book from a cardboard box that also held some old stubby crayons and a Lego set he no longer played with. Then he pulled his mother’s coat off its hanger. He got onto his cot and covered himself with most of it, drew up his legs, and turned the pages of Robinson Crusoe to the place where he had stopped reading yesterday. The words he glanced at made no sense at all. He lay there, his finger in the book, the coat collar against his cheek. He was eleven years old, and he had never felt so alone in his life.
Clay didn’t go to school in the morning and not for the rest of the week either.
During the days, he wandered along the hotel corridors and up and down the gray cement stairways. He was always cautious, on the lookout for older boys and girls, some of whom would take whatever you were carrying away from you, and even your clothes. From behind locked doors of rooms, he heard people talking or quarreling. He heard loud radios playing what his mother called hammer music,
and sometimes children laughing and shouting or crying.
There was supposed to be a security man in the lobby, but he seldom showed up. Still, when Clay walked through there, he felt nervous. If the security man suddenly appeared, he’d ask Clay why he wasn’t in school. He might call the police.
One morning he went to a park several blocks east. The only children in the play area were babies in strollers or carriages wheeled by their mothers, and there was nothing to do but watch them. A policeman came and stood behind the swings to smoke a cigarette. Clay left at once.
There was nothing to do on the street near the hotel either except watch the passing cars, or the people going in and out of the apartment house across the street. He wasn’t worried about their noticing him. They never looked at the hotel. They didn’t look at much except the dogs some of them led on leashes out to the sidewalk at dusk.
At night he didn’t get under the blanket on his cot but slept beneath his mother’s coat. He had eaten the bread, the bananas, and the doughnuts. Although he was hungry, he didn’t open the can of soup and heat it up. The thought came to him that it was his mother who should do that, who should turn on the hot plate and open the can with the opener she had bought at the little hardware store around the corner. If he opened the can of soup, she wouldn’t come back.
But he knew he had to eat, even though something peculiar had happened to his appetite. It was as if all the hunger he felt was only in his head, not in his stomach. On the third night he’d been alone, he opened the door a crack and waited for Mrs. Larkin, who lived in the next room with her backward son, Jacob, to put out her garbage in a black plastic bag. During the night, someone was supposed to collect the garbage people left outside their doors even though that was against the hotel rules. There was always enough left scattered along the corridor to sour the air.
He waited for what seemed an hour until he heard Mrs. Larkin drop the bag on the floor and lock her door. He tiptoed out and went to the bag and undid the thick, slippery knot. He found a few pieces of bread, a chicken wing that had a little meat left on it and which he ate with a slight shudder, and an apple with one bite taken from it. His mother had told him