Western Wind
By Paula Fox
3.5/5
()
About this ebook
Eleven-and-a-half-year-old Elizabeth Benedict is furious when she finds out she’ll be spending a month with her grandmother in Maine. She’s sure she’s being packed off to a remote island to live in a cottage without electricity or plumbing so that her parents can be alone with her new baby brother.
While her grandmother spends her days painting, Elizabeth explores the island. She is drawn to Aaron, the strange son of their only neighbors. One day, something happens that changes everything—and reveals the real reason she was sent to Pring Island.
A School Library Journal Best Book of the Year, this incandescent novel takes on themes of isolation, creativity, and family as an elderly woman confronts her own mortality with acceptance and dignity.
Paula Fox
Paula Fox was a notable figure in contemporary American literature. She earned wide acclaim for her children’s books, as well as for her novels and memoirs for adults. Born in New York City on April 22, 1923, her early years were turbulent. She moved from upstate New York to Cuba to California, and from one school to another. An avid reader at a young age, her love of literature sustained her through the difficulties of an unsettled childhood. At first, Fox taught high school, writing only when occasion permitted. Soon, however, she was able to devote herself to writing full-time, but kept a foot in the classroom by teaching creative writing at the University of Pennsylvania, New York University, and the State University of New York. In her novels for young readers, Fox fearlessly tackles difficult topics such as death, race, and illness. She has received many distinguished literary awards including a Newbery Medal for The Slave Dancer (1974), a National Book Award for A Place Apart (1983), and a Newbery Honor for One-Eyed Cat (1984). Worldwide recognition for Fox’s contribution to literature for children came with the presentation of the Hans Christian Andersen Award in 1978. Fox’s novels for adults have also been highly praised. Her 2002 memoir, Borrowed Finery, received the PEN/Martha Albrand Award for the Art of the Memoir, and in 2013 the Paris Review presented her with the Hadada Award, honoring her contribution to literature and the writing community. In 2011, Fox was inducted into the New York State Writers Hall of Fame. Fox passed away in 2017 at the age of ninety-three.
Read more from Paula Fox
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Reviews for Western Wind
11 ratings2 reviews
- Rating: 4 out of 5 stars4/511 year old Elizabeth is shipped off to a remote island in Maine to spend a month with her grandmother after her brother is born. She's an engaging heroine, spunky and flawed. There were some clunky moments, but by the end of the book, I was liking the writing style more.
- Rating: 5 out of 5 stars5/5It’s really good. Paula Fox did a great job on this one. I enjoyed it a lot. It’s quite sad at the end. (I won’t ruin it though. :) )
Book preview
Western Wind - Paula Fox
1
Six months after Elizabeth Benedict was born, her grandmother, Cora Ruth Benedict, moved to Maine. Now, eleven years later, Elizabeth was to spend the month of August with her on a small island in Penobscot Bay she had never seen, in a cottage without electricity or plumbing.
"What is there to do there? What will I do?" Elizabeth asked her father, Charles.
There’ll be plenty to do: swim—
Swim! I know about Maine swimming. You turn into a tray of ice cubes as soon as you stick your toe into that water,
she said.
The water is warmer in the coves,
Daddy said.
Coves!
exclaimed Elizabeth scornfully.
Daddy laughed. "That’s the first time I ever heard cove used as a swear word."
What about food? Or do we live off the land?
Elizabeth asked.
Daddy ignored her sarcastic tone. There’s a boat that comes to the island once a week from Molytown on the mainland. It’ll bring groceries and mail—and we’ll expect weekly letters from you.
Groceries? Canned corn … stale bread,
Elizabeth muttered.
You have a poor attitude about this, my girl. You love Gran. Don’t you? What’s eating you?
Elizabeth flushed and turned away. Love had nothing to do with it. She began to flip the pages of a law journal on a nearby table. Daddy knew what was eating her. She wasn’t going to put into words what she felt—he would argue with her then, the way he probably did in court with a prosecutor.
She glanced at him over her shoulder. He was staring at her. She was startled by his expression, how uncertain he looked, as though he’d stumbled on evidence that didn’t fit his case.
I was going on the bicycle trip with Nancy to New Hampshire,
she said. I’ve been thinking about it for months.
She turned to face her father, feeling a faint hope she might still persuade him to go back to the original plan for August.
The trip was only for a week. You can do that any summer. You’re going to Gran, and that’s that,
he said matter-of-factly.
Found guilty,
Elizabeth said under her breath.
Her father smiled. She recognized the powerful grown-up smile of a parent who has made up his mind absolutely.
She started across the room to the door of the study.
Where are you going?
he asked pleasantly.
To pack winter clothes for August in Maine,
she said as coolly as she dared.
Old Mrs. Benedict was not a grandmother in name only, as some of her friends’ grandmothers were. Elizabeth, her father, her mother, Emilia, and Gran had visited each other as far back as she could remember. The younger Benedicts would go to Maine for a week or so as soon as Elizabeth’s school closed for summer recess. They stayed in a bed-and-breakfast inn outside of Camden, where Gran had a small apartment overlooking a street that, she told Elizabeth, filled up with snow in winter and tourists in summer.
Ten years ago, Gran started renting the cottage on the island during July and August. It was a good place for a painter, she said. None of the Benedicts had visited her there. It was too hard to get to, Gran insisted, and it certainly wasn’t big enough for four people. We’d go mad!
she’d said.
Why does she need two places at her age?
Elizabeth heard her father ask her mom. In some ways, she’s as extravagant as an adolescent.
She’s a painter,
her mother had replied. They never grow older than the age at which they began to paint.
It wasn’t, Elizabeth knew, that her mother didn’t care for her mother-in-law. But there was a kind of hesitation in her feeling for Gran, like a hiccup before you get out a word.
Elizabeth could hear that hesitation in the way her mother laughed, always a few seconds late, at something odd or comical Gran said. And she could see it when Gran came through the front door of their farmhouse north of Boston at Christmas, carrying her old morocco leather suitcase in one hand and a shopping bag of gifts in the other. Mom would nearly always wait a minute too long to hug her so that Gran, after a brief pause, would walk past her into the living room. Then she might say something like I’m glad to see you haven’t blocked up the fireplace yet
or I hope you don’t pull the shades down on these shorter days. The light is so smoky and mysterious. These folk around here tend to pull down their shades at five P.M., and they’ll do it on the last day of the world.
Elizabeth could see her mother’s mouth tighten at the very moment she was trying to smile.
The farmhouse had been Gran’s before she’d deeded it over to Elizabeth’s father and his family the year she’d moved north. Before that, before Elizabeth had been born, the three of them had lived together while Charles Benedict was finishing law school.
Even though Elizabeth’s mother had already begun teaching the fifth grade in a local public school and had regular paychecks, living with Gran had been a financial godsend, Daddy said. There hadn’t been much money in those days.
Elizabeth understood how irritating Gran could be, yet she knew that her mother admired her. Elizabeth did, too. Though Gran didn’t pay much attention to her as a rule, and she could be sharp.
One Thanksgiving, she’d told Elizabeth that if she described something as cool once more, she’d have her arrested for melting down the English language.
The police don’t arrest you for that,
Elizabeth responded.
I’ll make a citizen’s arrest,
said Gran, and burst into laughter.
That was how it often went between the young Benedicts and the old Benedict. Gran would say something cutting, then smile or laugh outright. But when she was around, there was an edge to the days, a kind of nervy liveliness. Even Elizabeth’s father, a rather silent man, would grow talkative, arguing with Gran about painters he thought were better than she did, or about the government, which he thought worse than she did, and about a dozen other things. The hundred-year-old conversation, Elizabeth called it in her mind.
Now and then, on a rainy day, Elizabeth would go up to the attic that Gran had used for a studio when she had lived in the farmhouse. There were two old steamer trunks there, a battered easel near the big north-facing window, and a few canvasses propped against an unfinished wall. Some pencil sketches were still tacked to a rickety screen. One was of Elizabeth as a tiny infant. At times she thought it looked like her, but at other times it could have been any infant in the world.
There was one finished painting among the canvasses. It was a winter landscape. Two crows sat on a fence that slanted across snow-covered corn stubble in a long field that reached to the horizon. Elizabeth liked that painting and told Gran so.
It looks just like what I see out the window in winter,
she’d said.
Do you only like what you can recognize?
Gran asked her. She seemed really curious.
How can I like something I can’t recognize?
Elizabeth asked after thinking a moment.
Why do you have to like everything?
Gran asked.
Elizabeth was speechless.
I mean,
Gran went on in an unusually gentle voice, can’t you just be interested in things? And forget about liking?
She’d brought Elizabeth a small pearl ring one Christmas. She’d found it in a shop on a shabby boulevard in Paris.
One of those places you can’t imagine surviving from one week to another, like some of the little stores you see here in town. The owner had a few rings in the window, a cameo or two, a boring gold chain, and the ring I got you. The shop was no bigger than a closet, but when I went inside I saw that the walls were covered with photographs of a beautiful chestnut racehorse. It turned out the man owned that horse. It had won two races for him. Suzerain was its name, and it was what he most loved in the world. He kept the shop to support the horse, not himself. I found out he was originally from Algiers. Your little ring is connected to all of that, Elizabeth. Do you know where Algiers is?
Sort of,
Elizabeth had replied.
‘Sort of’ won’t do for geography,
Gran said. So very soon, she’d found an atlas in the house and shown Elizabeth just where Algiers was, and told her a few things about colonies and revolutions.
Gran was an encyclopedia of her own interests.
But she didn’t know much about music of any kind. As for books, all Gran read was poetry, or the diaries and letters of painters. She could see why people liked stories, she told Elizabeth, but after a few pages of a novel, she’d find herself dropping the book and going to a window or a door to look out at something, a