Special Branch: In at the Kill
By John Eyers
()
About this ebook
Clearly a terrorist operation is being planned but who are the perpetrators and who, or what, is the target?
Based on the renowned British television series this is the story of a dangerous conflict of interests between the police and the intelligence services.
In the early hours of the morning, following an anonymous tip-off, Detective Chief Inspectors Craven and Haggerty ambush a boat landing on the south coast of England near Eastbourne. In the shoot-out that follows, several people are killed and the boat's cargo is found to consist of automatic weapons, ammunition, mortar bombs and explosives.
Craven and Haggerty's investigation is obstructed from the beginning by Strand, a senior MI5 officer, who orders them not to pursue a line of enquiry which they feel might lead them to the truth. Craven needs to know the identity of the informant, but Strand is behaving most mysteriously.
The climax comes with a terrifying race against time to locate the terrorists and save the life of no less a person than ...?
Although based on the characters in the TV series this book is a stand-alone novel and as such can be enjoyed in its own right without prior knowledge of the TV stories.
If you enjoy a good detective story, this is for you.
Also by John Eyers
Survivors: Genesis of a Hero
Amongst the first of the post-apocalyptic novels and just as relevant today.
John Eyers is a pen name of Peter Hill who is the author of the successful Staunton and Wyndsor Series, The Hunters, The Liars, The Enthusiast and The Savages, and the Commander Allan Dice Books, The Fanatics and The Washermen.
These are all British detective murder mysteries and thrillers published worldwide by major publishing houses and now available as eBooks. Each book in these two series is a stand-alone story but has the same major protagonists.
New books by Peter Hill, but in a different genre, are the near and far-future novels in the Evolution's Path Series, Killing Tomorrow, The Ladies' Game, and Procreation, which offer a disturbingly realistic alternative vision of the future.
John Eyers
John Eyers is the name Peter Hill used when commissioned by the television companies to write spin-off novels based on their TV series. Most of his other work has been written under the name Peter Hill. Peter's background is steeped in crime. He was a detective in the Metropolitan Police, London, serving in some of the toughest parts of that city for thirteen years. He also worked at New Scotland Yard in the Company Fraud Department and later the internationally recognised C1 department known as 'The Murder Squad'. In the course of his investigations he travelled widely in Britain, Europe and South America. He left the force at the age of thirty-two, with the rank of Detective Inspector, to become a professional writer. He worked extensively as writer, script editor and producer on many famous drama series both in the UK and New Zealand, where he now lives. He also wrote six novels, which were all published worldwide by major publishing houses. They are The Staunton and Wyndsor Series and The Commander Allan Dice Books. These books are British police detective thrillers set in various locations in the UK and available as eBooks. They are all stand-alone stories, but with the same major protagonists. Under the pen name of John Eyers he was commissioned to write 'Survivors: Genesis of a Hero', the sequel to Terry Nation's novel, based on the famous dystopian 'Survivors' TV series. Also as John Eyers, he wrote 'Special Branch - In at the Kill', a spin-off from the 'Special Branch' TV series. These are now available as eBooks. Peter has recently returned to novel writing but in a new genre and 'Evolution's Path' is a series of related near and far-future crime stories, of which 'Killing Tomorrow' now available as an eBook, is the first. The second in the series is 'The Ladies' Game', and the third is 'Procreation'. These three books are also available as paperbacks. Visit Peter's website to learn more about him and his books.
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Special Branch - John Eyers
SPECIAL BRANCH:
IN AT THE KILL
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John Eyers
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First published by
ARTHUR BARKER LIMITED
LONDON
A subsidiary of Weidenfeld (Publishers) Limited
Copyright © John Eyers
All rights reserved.
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No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
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Based on the Thames Television series created by
George Markstein.
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The places and characters in this story are fictitious and any similarity to, or apparent connection with, actual persons, whether alive or dead, is purely coincidental.
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Although based on the characters in the Special Branch TV series this novel is a stand-alone story and can be enjoyed as such without prior knowledge of the television stories.
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John Eyers is the pen name of Peter Hill, which he used when he was commissioned by the television companies to write two spin-off novels from famous British TV series.
The other one is:
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Survivors: Genesis of a Hero
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Under his own name, Peter Hill, worked extensively in television for renowned British drama series such as ‘Callan’, ‘The Sweeney’, ‘Z Cars’, ‘Public Eye’, ‘The Bill’, ‘Special Branch’, ‘Crown Court’, ‘New Scotland Yard’, and ‘Armchair Theatre’.
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He has been a scriptwriter, editor and producer both in the UK and New Zealand, where he now lives.
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His other published novels include:
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The Staunton and Wyndsor Series
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The Hunters
The Liars
The Enthusiast
The Savages
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The Commander Allan Dice Books
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The Fanatics
The Washermen
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The Evolution’s Path Series
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Killing Tomorrow
The Ladies’ Game
Procreation
You can discover more about the author and all these books on his website
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Peter’s Website
Contents
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Also by John Eyers
And writing as Peter Hill
Press comment on previous books
Author’s Note
Chapter One
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The sea fog had crept in from the channel in the late afternoon and now, in the early hours of the morning, it lay like a dull grey blanket across England’s southern coastline from Dover to Worthing. The fog diffused light, distorted sound and laid its cold clammy hand on everything it touched.
The sea moved in a long succession of oily swells, as if heaving in agony under an unbearable burden. It was no night for a small boat to be at sea unless, like the fishing charter boat Sea Otter, it sought the anonymity that the conditions provided.
Colin Porter gripped the spokes of the wheel and leaned forward to peer out of the canted window of his craft, through the flying blades of the wipers which fought an unending battle against the moisture-laden fog.
His passenger sat beside him in the cramped wheelhouse, a well-built man in his early thirties, silent, morose, clutching a large bulging canvas holdall to his chest. He wore dark glasses and a thin scarf hid the lower part of his face. Not one word had this man exchanged with Porter since the latter had picked him up from the French fishing-boat in mid-channel some two hours before.
The pick-up had been hazardous in the extreme, requiring all Porter’s skill at seamanship. The French MFV had towered above the Sea Otter, threatening with every lurch and roll to crush it into the leaden swell.
The passenger had revealed remarkable agility in boarding the smaller boat, had ignored Porter’s greeting and had set about assisting the French crew to transfer three heavy wooden crates into the well of the Sea Otter. Thereafter he had settled himself into the corner of the wheelhouse and had ignored Porter as completely as if he had not been present.
Porter had soon given up all attempts at conversation. If you needed money badly enough to take on a job like this, you could hardly complain if the passenger chose to treat you as if you were part of the fittings. For the kind of money they were paying he’d have danced the hornpipe naked in Portsmouth High Street.
Porter navigated by guess and by intuition since at no time during the return journey was he able to see further than five feet ahead of the guard rail on the Sea Otter’s high prow, and although he was pursuing a reverse compass course for most of the way, there came a time when he could no longer do so because he was not returning to his berth at Newhaven. Some five miles from the coast he switched on the depth finder and set course by the character of the sea bottom.
If you are chartering your boat to a party of sea anglers they are not buying a trip round the bay; they expect you to find the fish. Since the fish have a habit of not loitering on those parts of the sea bed which provide neither food nor shelter, the charter skipper has to know the bottom like the back of his hand. Too many blank days and the lucrative club bookings soon dry up. So for years Porter had scoured the channel up to ten miles off the southern coastline, locating wrecks, holes, graunchy ground and underwater cliffs, the while trying to keep his hot spots secret from the other charter skippers. Had he not fallen in love with the Sea Otter and borrowed a horrifying sum to buy her, he would still have been doing well enough.
As it was, he picked his way through the fog, heading towards the beach at Warden Steps with an uncommunicative passenger and an undoubtedly illegal cargo─but with another two thousand pounds safely hidden in the tiny cabin forward.
He watched the needle on the depth finder creeping slowly down the scale until, when it registered twenty feet, he could hear the sullen booming of surf on the beach. He throttled back and spoke to his passenger.
‘When I tell you, take the wheel, try to stop her turning side-on to the waves. I’ll be up front with the anchor.’
The man nodded.
A few minutes later the Sea Otter had crept to within fifteen feet of the beach. Porter handed over the wheel and ran forward to drop the anchor. The boat nudged forward against the restraint of the chain as Porter ran the length of the deck to secure her in position with another anchor aft. Then he returned to the wheelhouse, slipped the gear into neutral and cut the engine. It seemed to him that the worst was over.
‘We’ll have to ferry the boxes ashore in the inflatable.’
The man did not answer but helped him to unship the rubber boat and lift in the first of the crates. They made three trips and after they had unloaded the last crate Porter made to return to his boat.
The man spoke for the first time. ‘Wait here,’ he said; ‘help carry them up.’
He spoke with an American accent. Porter was not surprised.
They manhandled the crates up the beach to the foot of the wooden stairs that climbed the cliff face and Porter stayed there while his passenger ran up the steps, out of sight in the fog within seconds. After what seemed an age he reappeared with another man. Neither spoke to Porter. They picked up a crate each and toiled up the steps with them. At the top of the cliff the steps gave on to a hard dirt car park which served a small wooden summer café. Near the steps a white 30 cwt van was parked.
Porter dropped his load, and set off back down the steps. He did not bother to say goodbye. It hardly seemed appropriate. He was half-way back down to the beach when he heard the first shot.
***
Detective Chief Inspector Craven had shivered the night away hidden behind a concrete litter bin on one side of the car park, near the cliff edge. Beside him was another Special Branch officer and six more were concealed in two apparently derelict cars on the edge of the car park. The white van had appeared half an hour before and had taken up position near the steps down the cliff. Craven had had no opportunity to see how many people were in the van and it could have been a courting couple—but policemen are naturally suspicious of coincidences.
If Craven had the slightest doubts they were dispelled when, through the swirling mist, he saw Colin Porter and his passenger struggling to the top of the steps with the three crates. He swore silently to himself when he realized that he had not seen the passenger arrive at the cliff-top to meet the van, as he must have done, and had not seen the two of them leave the van and go back down the cliff steps. It was a clear warning that the fog was going to make his task far more difficult and dangerous than it might have been.
Craven felt a distinct twinge of unease. It should have been a quick clean job but this damned mist was likely to ruin his carefully laid ambush. The men in the derelict cars could not possibly see the van from their position and, most certainly the men in the nearby car that was due to block the car park exit on his call would be able to see absolutely nothing, even when they were in position.
He himself dared not leave the protection of the seat behind which he hid for fear that a sudden shift in the fog would leave him exposed. When he sprang the trap his men would have to advance across the open space of the car park without being able to see their objective, like blind men walking obediently to the firing squad.
That the strangers might not be armed, might not be prepared to shoot their way out of the trap, was a possibility, but not one that Craven was prepared to bet on. He pulled a short-range radio from his pocket and held it close to his lips. He had no way of knowing the disposition of the three men but he saw no point in waiting any longer.
At that moment an eddy in the fog revealed two men loading the crates into the rear of the van.
There was no sign of the third man. Craven spat his words into the radio.
‘Spider Two move in. Spider Three hold position, there’s one coming your way. Spider Four...LIGHTS.’
A number of things happened simultaneously. In the distance, distorted by the fog, there was the snarl of a powerful engine and the whine of tyres under stress as Spider Two, a Special Branch Jaguar with three officers aboard, screamed out of its hiding place behind a hedge bordering the car park and came to a crunching halt blocking the only exit. The headlights on the derelict cars, specially repaired for the ambush, blazed out across the car park to no effect whatsoever, the powerful beams diffused by the fog inside a few feet. Six officers leaped from the derelict vehicles, spread out in a fan formation and advanced, crouched low, guns held out ahead of them threatening an enemy they could not see.
Craven drew his Walther and shouted to the men by the van, once again hidden by the fog.
‘Police. Remain exactly where you are and...’
He got no further. The two men had not been idle. The moment they heard the sound of the Jaguar engine they grabbed skeletal looking but lethal machine pistols from the back of the van. They had no clear target to shoot at, just the faint light from the car headlights across the car park and the remembered position of Craven’s voice.
The driver screamed at his companion.
‘I’ll take the lights.’
His weapon bucked and chattered in his hands as he sprayed a hail of bullets towards the advancing officers he could not see but knew were there. His companion blazed away towards the cliff edge from where Craven’s voice had come, aiming low because, as a professional, he knew his adversaries would not be standing at full height waiting for death.
Craven dropped flat on the ground as the bullets kicked up dust to his right. He heard a strangled scream from the officer who had shared his hiding place and a fierce anger welled up inside, him. He aimed deliberately at the intermittent flashes of the machine pistol which showed no larger or brighter than fireflies through the fog. He fired six bullets in three bursts of two, and was rewarded by a brief cry and the thunk of the machine pistol falling to the ground.
The driver, seeing his colleague fall, slammed shut the rear doors of the van and ran round to driving seat. Bullets from the advancing officers of Spider Four bit into the side of the van.
When Craven heard the engine of the van kick into life he grabbed for his radio.
‘Spider Two...they’re coming your way.’
The three officers in the Jaguar spilled out into the mist and deployed themselves beside the exit as the van bore down on them, an unseen demon, screaming its anger and defiance. The driver had to guess where the exit lay. He knew the car park was surrounded by substantial white-painted concrete posts but he had no time for subtlety. He jammed his foot down on the accelerator and kept going. The van struck the Jaguar with its offside wing and one of the concrete posts, guarding the exit with its right wing. The impact threw the driver head first through the shattered windscreen, the glass shredding his face and neck.
He was dead before he hit the ground.
***
Detective Chief Inspector Haggerty and Detective Sergeant Davis had been somewhat better off than their colleagues in the car park. They had found a depression in the base of the cliff about thirty yards from the steps and had up-ended their Campari inflatable across the entrance to keep out the damp fog. That, and Haggerty’s foresight in providing himself with a hip flask, had left them comparatively untroubled by the elements.
They were, however, less well placed than the others to keep track of events since it had been agreed that radio silence would be maintained until Craven had sprung the trap. They had no idea if the van had arrived or not but had heard the Sea Otter’s engines and the subsequent unloading. When the three men had disappeared up the steps they moved the Campari to a convenient position a few feet from the shoreline and retreated to their hideout to await events. They did not have long to wait. With the sound of the first shots came the rapid scudding of Colin Porter’s feet as he ran full pelt down the steps and across the beach to his inflatable.
On any normal night they would have caught him with ease but they were pursuing a wraith, a phantom that left sounds in its wake but which they could not see. Porter made it to his rubber boat and pushed off. By the time Haggerty and Davis arrived at the shoreline where they had last heard him, Porter had the outboard going and was heading out to the Sea Otter.
Haggerty yelled after him.
‘Police...stop or we fire.’ It was a bluff. In Britain the police don’t yet shoot fleeing men in the back. Haggerty and Davis ran along the beach and struggled to get the Campari with its powerful outboard into the water.
Porter scrambled aboard the Sea Otter in total panic. He abandoned the inflatable and ran into the wheelhouse to start the engine. She seemed to take an age to fire. It seemed like ten years before he could haul up the anchors and throw them inboard. Somehow he made it back to the wheelhouse and jammed the engine into gear.
He swung the wheel hard to starboard and opened up the throttle. He only needed a bare minute in that fog and he would be clear away. The Sea Otter strained forward as she picked up speed. Porter’s luck was out that night. He didn’t get the minute he needed. Before the Sea Otter had reached full speed the Campari was alongside, keeping up with him with insolent ease.
Seeing his cause was hopeless, Porter throttled back and turned towards the shore, Davis kept the Campari close up behind the transom of the larger boat. Twenty feet from the breakers Porter anchored. Haggerty climbed aboard.
‘End of journey, sailor,’ said Haggerty grimly.
Porter stood limp, and indifferent as Haggerty ran expert hands over him but there was no weapon to find. Now, for the first time, the money seemed unimportant. Strange that, when only minutes before it had been sufficiently important to allow him to justify his deliberate ignorance of the intentions of his passenger and the potential for harm of his illicit cargo.
‘Name?’
‘Porter...Colin Porter.’
‘You own this heap?’
‘Yes.’
‘Right, Colin. I’m going to take a look around. Take a seat and don’t do anything daft.’ Haggerty ducked low and disappeared into the cabin.
Porter wondered dully what had happened up on the cliff. The shots. Automatic fire. A rending crash as he rowed desperately back to the Sea Otter. It sounded as if his passenger had run into an ambush. The police had been waiting for them, they’d known all about it.
His mind ranged ahead. The interrogation. The trial. The long years of imprisonment. He was a man of the open air, had been all his life. The prospect of confinement loomed