Blonde Ice: A Gil Malloy Novel
By R G. Belsky
4/5
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About this ebook
“This excellent thriller....establishes Malloy as a formidable hard-boiled hero.” —Booklist
From the author of the “thought-provoking thriller” (Jan Burke) The Kennedy Connection comes a gripping mystery featuring crime-stopper and star Daily News reporter Gil Malloy who takes on his most explosive and exciting story yet—a blonde femme fatale in New York City who is killing men for thrills.
Son of Sam. Ted Bundy. The Boston Strangler. All of these infamous serial killers who made front page news shared a common trait—they were men who killed women for a sexual thrill.
But now Gil Malloy—ace reporter for the New York Daily News—is on the trail of a different kind of serial killer who breaks all of the rules. Dubbed “Blonde Ice” by the media, she’s a sexy blonde who picks up seemingly random men at bars and clubs, has sex with them, and then brutally murders them afterwards.
Malloy—who is already in the middle of a major political story about the election of the next New York City mayor—finds himself drawn to the case by secrets from his past. As he digs deeper, he begins to suspect that there could be some kind of link between the mayoral race and the emergence of the Blonde Ice killings.
As the body count and the political stakes continue to rise, Malloy soon realizes he’s covering what could be the biggest story of his career. All he has to do is live through it.
R G. Belsky
R.G. Belsky lives in New York City.
Read more from R G. Belsky
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Reviews for Blonde Ice
3 ratings1 review
- Rating: 4 out of 5 stars4/5This is the third crime mystery in the series featuring New York Daily News reporter Gil Malloy, dogged practitioner of a fading profession. Written in the first person, it holds you close to the genial Malloy and his ups and downs—reportorial, romantic, and bureaucratic. On the up side, Gil Malloy has fallen into what may be the scoop of the year: a beautiful blonde serial killer is targeting married men cheating on their wives. Malloy's print editor Marilyn Staley and his internet/social media editor Stacy Albright want to milk the sexy story for all it’s worth. Keeping these two antagonists happy could be a second career. Another plus, Malloy’s adored ex-wife Susan shows promising signs that all is not well with hubby #2. Is there a chance? Capstone to his good luck, Malloy has a juicy job offer from the man likely to be New York’s next mayor.On the down side, Malloy discovers the scoop through Victoria Issacs, who tells him her husband's gone missing. In a former life, Issacs was the infamous prostitute Houston. When Malloy wrote a Pulitzer-nominated feature article about her several years back, neglecting to disclose his quotes were all second-hand and he’d never actually met the elusive Houston, criticism of him and the paper was withering. He nearly lost his job, and the stress cost him his marriage. Saying too much about Issacs now will reveal that Malloy actually knows her real identity and, probably worse, has concealed it from his editors. But Houston’s secret isn’t keepable when a hotel maid finds Walter Issacs dead. The knockout blonde who went up to the room with him has disappeared. As the murders keep coming, the chase is on: NYPD after the killer, and Malloy after the story.Malloy is a regular-guy kind of narrator with a wisecracking exterior that makes for some lively banter in the newsroom and in his efforts to get back between the sheets with Susan. His colleagues keep telling him his constant jokes can wear thin. He knows that, but can’t seem to stop himself. It is, in fact, his armor.Frustratingly, Staley, Albright, and NYPD detective Wohlers repeatedly jump to conclusions about the case, based on their assumptions and a remarkable lack of definitive evidence. The narrative glosses over various routine questions that arise in murder investigations. How is it possible there was no forensic evidence at any of these violent crime scenes? No long blonde hair, for instance? How did a woman overpower these much larger, fit men? Drugs are an obvious possibility, but there’s no mention of toxicology tests of the victims until Chapter 49. Although this book is not a police procedural, Malloy’s proximity to the investigation and his evident skills as a reporter suggest he should be asking questions exactly like these.Despite these quibbles, it’s fun to spend time with Gil Malloy on another wild ride. Author Belsky is an experienced New York journalist who perceptively describes the woes and conflicts in today’s news business and conjures a realistic, energetic New York City, too.On my website I give this book three stars, because in my rating scheme, three stars means "a good book with a few flaws," and lots of books fit that description. Other sites' rating schemes are different and three stars seems to mean "not that good," so here I gave four stars.
Book preview
Blonde Ice - R G. Belsky
PART ONE
LIVE FROM NEW YORK
CHAPTER 1
THE best thing about being a newspaper reporter is working on a big story. A big story is what it’s all about in the news business. It gets your adrenaline flowing. It makes you remember why you wanted to be a reporter in the first place. It makes you forget about all the problems in your life. A big story always makes everything better.
I did not have a big story.
Gil Malloy, the hotshot reporter, did not have anything to report.
It was 9 a.m., and I was sitting in the newsroom with my feet up on my desk, sipping black coffee and pondering this dilemma—along with trying to remember exactly why I had ordered that last tequila the night before—when the phone rang.
There’s someone here to see you, Malloy,
said Zeena, the receptionist outside the New York Daily News offices.
Who is it?
A woman.
What’s her name?
She didn’t say.
What does she want?
She says she has a news story.
What kind of a news story?
She didn’t tell me.
Zeena was a practitioner of the minimalist school of receptionists. She never gave you anything more than she had to. Getting information from her was like interrogating a prisoner at Gitmo.
Have her talk to one of the other reporters,
I said.
She asked for you.
I don’t do walk-in news tipsters.
Why not?
I’m a TV star now, remember?
Okay.
Anything else?
Stacy was looking for you before you came in.
Stacy Albright was the city editor of the Daily News.
Any idea what she wanted?
No.
Where is she now?
Beats me.
Good job, Zeena,
I said.
After I hung up, I checked my voicemail just in case the Pulitzer people had called, Hillary Clinton wanted to do an exclusive sit-down interview, or Bob Woodward was looking for any reporting tips from me. There was a series of messages. All of them from the same person. Peggy Kerwin.
I listened to them one after another. The basic highlights were that she really wanted to see me again, she thought we hit it off as a great team, and—if you read between the lines of what she was saying—she hoped to be the mother of my babies.
Now I remembered why I’d had that last tequila.
To try to forget about Peggy Kerwin.
Peggy Kerwin was the worst kind of date. Nice woman, decent looking, good job. But she was completely boring. She talked about working at some big accounting firm, about her family, about her life and dreams and world peace and a zillion other things during the entire damn evening. By after-dinner drinks, she’d made my Top 10 list of all-time worst dates. Hence, that final tequila.
Marilyn Staley, the Daily News managing editor, walked over to my desk. Marilyn was in her fifties, had a husband and two kids in Westchester, and was my city editor at the News for many years. Then she got fired when the paper went through a big youth movement—stressing a digital-first strategy, enhanced social media presence, and total demographic makeover—that they decided she was too old to be a part of. They told her she didn’t understand what the new media newspapers needed to embrace in order to survive. But eventually they realized that they needed someone like Marilyn to . . . well, run the news. So they hired her back and promoted her to managing editor. Go figure. As editors go, she was all right. Of course, the bar isn’t set very high when it comes to newspaper editors.
What are you doing, Gil?
she asked.
Being introspective.
You look hungover.
Yeah, well there’s that too.
Rough night?
I had the date from hell.
You’re getting too old for this.
But I still have my boyish charm, right?
I sipped on some more of the black coffee. It helped.
Any idea what Stacy wants to talk to me about?
Bob Wylie.
Ah, yes. Our nationally renowned crime fighter and potential future mayor.
"I think he wants to drop a big trial balloon about his candidacy for mayor through the News. Do it with you on the air as part of Live from New York. Stacy thinks that would be a terrific opportunity to promote us as a new media/print crossover. We put it on the air, we live tweet it, we post podcasts on the website, and eventually, of course, we put it in the paper."
Life used to be so much simpler for me.
I was a newspaper reporter, which is all I’d ever wanted to be. I rose from cub reporter to star writer to columnist at the Daily News like a skyrocket. I thought it would always be like that for me. But then things went horribly wrong—some of which were my fault and some that weren’t. I almost got fired from the paper, then did get fired at another point—but wound up breaking a couple of front page stories that got the Daily News national attention. Now I was a star again. Just not in the same way as before.
Somewhere along the line the paper decided to take advantage of all the notoriety I’d gotten by using me as a publicity vehicle. I wound up doing a lot of webcasts, social media live chats with the readers, and making appearances on TV and radio and everywhere on the Internet to promote the paper’s biggest stories.
Then, a few months ago, Stacy came up with the idea to partner with a local TV news station to promote our big stories on air. It is called Live From New York. We talk about the news the paper is covering and give viewers an inside look at the Daily News people who are covering it. At the same time, the telecast is livestreamed on both of our websites. Guess who Stacy picked to be a big part of it? That’s right: yours truly.
Now I was on TV regularly talking about the big news stories—even more than I was actually reporting them. It was heady stuff, I must admit. People recognized me on the street, there was more money, it was kinda neat being a broadcast celebrity. But I missed being a real reporter.
Marilyn Staley sat down now in front of my desk.
I asked her if she wanted to hear all the details about my date the night before.
She said she’d just as soon not.
Hey, is that a touch of gray you’re getting there?
she said to me.
What are you talking about?
Your hair. I see a speckle or two of gray.
Probably just the light in here makes it look like that.
Sure, I guess that’s it,
Marilyn agreed.
I looked out the window next to my desk. Spring had finally come to New York City. We’d had a helluva winter—four months of relentless snow, ice, and cold that seemed like it would go on forever. Now I could see the sun shining brightly, people walking on the sidewalk outside in their shirtsleeves. It was as if Mother Nature had finally said, Enough already.
I loved spring. My favorite season of the year. A time for new beginnings, a fresh start, another chance to make right all the things in your life that had gone wrong in the year before. Spring always cheered me up and made me feel young again and optimistic about the future.
Damn, that’s going to bum me out all day,
I said.
What?
Your comment about me getting gray hairs.
Getting gray hair isn’t the worst thing in the world, Gil.
Not the best either.
How old are you?
I just turned thirty-eight.
Well, people do start turning gray at that age. And somehow they still manage to go on with their lives.
You mean like George Clooney?
Interesting comparison.
An apt one too.
You’re telling me you think you look like George Clooney?
On his good days.
Marilyn sighed and stood up. She had a higher threshold for my personality than most people did at the News, but I think I’d just about reached it with her. She started to walk away toward her office, then stopped and turned around.
By the way, there’s a woman waiting outside to see you,
she said.
So I heard.
She apparently wants to talk to you about a story.
Yeah, people keep telling me that.
Do you know what the story is?
No, Zeena didn’t feel compelled to ask her that question.
The woman’s name is Victoria Issacs.
I stared at Marilyn.
Do you know her?
she asked.
Yeah, I knew her, all right.
Not really as Victoria Issacs though.
I remembered her by another name.
Houston.
CHAPTER 2
I’D only met Victoria Issacs once before. But she’d played such a big part in my life that I felt as if I’d known her forever. Not as Victoria Issacs, the person she was now. But as Houston, the person she used to be.
Houston was a famous New York City prostitute. She got her name from Houston Street in downtown Manhattan, where she’d first worked before moving up to expensively priced escort services with high rollers all around town. She’d become a legend in the world of hookers.
Which is why I made her the focus of a series I did for the Daily News about prostitution in New York City. I quoted her at length in the articles, talking about her life on the streets and in hotel rooms and the kinky stuff men paid her to do.
The only problem was I never actually talked to Houston. Instead, I’d strung the quotes together secondhand from people who said they knew her, and then made it sound like they came directly to me from Houston. Which is a journalistic no-no. The truth eventually came out, and I almost lost my job. A lot of people even questioned whether Houston ever existed. I believed she did, but I had no proof. To this day, what I did on that story is my biggest mistake in journalism. It will haunt me until the day I die.
Much later, I was finally able to track down Houston. She was living as Mrs. Victoria Issacs now. Her husband, Walter, was a prominent corporate attorney; she had two beautiful children and a townhouse on Sutton Place. She’d discovered art and spent much of her time painting. No one—not her husband, her family, her friends—knew about her past life. I could have written a story about it all, which, by proving Houston really did exist, might have helped clear up the stain on my reputation from the controversial series. But I didn’t. Instead, I walked away and let Victoria Issacs keep living her new life.
I figured that was the last time I would ever see her.
But now here she was sitting in front of me again.
How are you, Mr. Malloy?
she said to me.
I’m just fine, Mrs. Issacs. And you can call me Gil.
Please call me Vicki.
Well, Vicki,
I said, now that we’re both on a first name basis . . .
You’re wondering why I’m here?
The thought had crossed my mind.
I guess I’m probably just about the last person in the world you’d expect to walk into your newsroom.
You’d sure be on my short list.
She looked good. Damn good. She had to be well into her thirties now, but she was still drop-dead gorgeous. Long blonde hair, wearing a fashionably short skirt, a silver chain-link belt, a low-cut pale blue sweater, and expensive-looking boots. She crossed her legs while she talked, and I couldn’t help but notice they were mighty fine-looking too. I could see why men had paid her hundreds of dollars—sometimes thousands—for an hour or two of her companionship.
We were sitting in an empty office at the Daily News. There were plenty of empty offices at the paper these days due to all the layoffs in recent months. All newspapers were struggling to stay alive, and belt-tightening was a big part of that. I’d suggested we move out of the newsroom because I didn’t want anyone there overhearing our conversation. I figured she felt that way too.
Except she hadn’t really said anything yet. Oh, she’d talked about her kids, community work, and paintings that she was doing, even about watching me on TV—but nothing about why she was there.
I listened quietly to all of it, sneaking a peek once or twice at her legs as she crossed and uncrossed them. I deduced that she was wearing old-fashioned silk stockings, that her calf muscles were in terrific condition, and that the skirt she was wearing might even have been shorter than I had first suspected. Hey, I’m an investigative reporter. You can never accumulate too much information.
Mr. Malloy, there’s something I have to tell you,
she said.
Gil,
I reminded her.
Gil, this is very difficult for me to talk about. But I didn’t know where else to turn. The last time we met—the only time—you agreed to keep my past a secret. I was impressed with your honesty, your kindness, your sensitivity to how devastating it would be if the people in my life now ever found out about Houston. I . . . well, I need someone with that kind of sensitivity now.
I can do sensitive,
I said.
I just have to be absolutely certain before I tell you what I’m about to say that you’ll handle all of this very discreetly.
I can do discreet.
She sighed.
I’m still not sure how to even begin. . . .
Victoria Issacs suddenly burst into tears.
My husband is gone,
she said.
Gone how?
He hasn’t come home in two days.
Have you reported this to the police?
No.
Maybe you should.
I can’t involve the police.
She’d stopped crying now. She took a tissue out of her purse and dabbed at her eyes with it.
I think Walter has been cheating on me,
she said.
Okay.
I’ve suspected it for a while.
With one woman or more than one?
I’m not sure.
Did your husband admit to you that he was seeing someone else?
No.
Do you have anything beyond your own suspicions to indicate that he is cheating on you?
No.
Then how do you know for sure?
A woman senses something like that. Especially a woman like me. Husbands would cheat on their wives with me all the time. I know the signs from being on the other side of that equation. I don’t know if it’s one woman or more than one or even prostitutes that he’s paying. But he’s more interested in them than in me.
Looking at her again, I couldn’t imagine why Walter Issacs would want to cheat on this woman. No matter how beautiful some new girlfriend was.
Listen,
I said, you’re not the first woman whose husband has cheated on her. A majority of marriages in America wind up with some kind of infidelity. The rest of them . . . hell, they’re thinking about fooling around too, but they haven’t gotten up the courage to actually live out the fantasy. The whole idea of the happy marriage is pretty much a mirage these days, as far as I can tell.
You sound very cynical about marriage.
I guess I am.
Have you ever been married?
Once.
It didn’t work out?
She’s married to someone else now. So no, we did not live happily ever after. The only difference here is I can’t understand why your husband would want to cheat on you. You’re the kind of woman men sneak out on their wives to cheat with. Like you said, you know how that works better than anyone from all the men who paid you all that money back in the day to be with you. So why would your husband need to go to anyone else when he had you waiting at home for him?
She smiled slightly now. I learned a lot about men as Houston,
she said. Men are always attracted to what they don’t have. Even if what they have is pretty darn good. I was far more appealing to men as a flirty and promiscuous call girl than I am as a wife and a mother, I guess. The grass is always greener, or something like that. Anyway, that’s how most men screw up their marriages. By not realizing how good a woman they’ve already got and going looking for more excitement.
I nodded. She could have been talking about me and how I messed up my marriage to Susan, but I didn’t tell her that.
So you think that your husband’s disappearance is somehow related to his playing around with other women?
I asked.
I think so. I’m not sure, but . . . yes.
Okay, your husband is shacked up with someone else. I’m sorry, but it happens.
I just hope that’s all it is.
What else could it be?
She reached into her purse. At first, I thought she was going to take out more tissues for her eyes. But instead she had a piece of paper in her hand.
Did you ever tell anyone that I used to be Houston after that day you found me?
she asked.
No.
You’re sure about that?
Of course, I’m sure.
Not even your editor? Maybe to make sure you got your job back? Or a close friend? Or some woman you were sleeping with, in a moment of passionate outburst? Have you ever told anyone, anywhere, anything about how I really was the Houston in your story? I have to know the truth.
I’ve never told anyone,
I said. Why would I? I have as much to lose as you by doing that at this point. Hell, knowing the truth about Houston and keeping it from my editors—it would have been a great follow-up story—that’s as almost as bad a journalistic sin as pretending I found and talked to you in the first place.
I have to know that I can trust you.
We share a secret, Vicki,
I said. You and I both. We need to be able to trust each other.
She hesitated for a moment, looking down at the piece of paper in her hand that she’d taken from her purse.
I found this note under my front door,
she said. While I was worrying about why my husband hadn’t come back. I didn’t know what to do. I didn’t want to tell the police. Or any of my friends. All I could think of was you. You were the only person I could talk to about this. I kept hoping you’d have some answers. I almost wished you had told someone about Houston. At least it would make some sense then.
I’ve never told anyone,
I repeated.
Then how do you explain this?
She handed me the piece of paper.
I read the note.
It consisted only of a few words. Someone had written them on the paper in large letters with a red Magic Marker. The note said:
I know where your husband is, Houston.
CHAPTER 3
I WAS living on East 36th Street, just off Lexington, in the Murray Hill section. I’d moved there from Chelsea after breaking up with the last woman I’d been seeing. Before that, I’d been on the Upper East Side, where I’d moved from Gramercy Park after my marriage broke up. I had a problem staying in an apartment by myself where I’d spent a lot of time with a woman I loved. Too many memories, I guess. It was easier just to move on. At the moment, I was considering the possibility of moving to Brooklyn or Staten Island to get away from Peggy Kerwin.
I let myself into the empty apartment, grabbed a beer from the refrigerator, plopped down on my couch, and turned on the TV set. TV was the perfect solution for loneliness. TV was my true friend.
I clicked around through the channels—watching snatches of news, sports, cable reruns—and thought about Houston and her missing husband.
Before I left work, I’d talked to a police detective I knew named Frank Wohlers. I trusted him and I figured he could check into it quietly for me. I told him how Walter Issacs was a prominent attorney, and that his wife—who was a friend of mine—had become concerned because he had not come home. I did not tell him about his wife’s suspicions that he was cheating on her with other women. Or how I knew the wife. Or about the note she’d gotten, addressed to Houston. Those details might have to come out later, but I was hoping Wohlers would find out some answers without them. He said he’d make some discreet inquiries and get back to me as soon as he came up with anything.
There were still several problems I had with all this.
First, what would make Walter Issacs disappear? He’d never done that before, so why now? Even if he was running off with another woman, there were more logical ways to leave your wife. There was also the possibility of foul play, of course. But then wouldn’t he have shown up in a hospital or—worst case scenario—the morgue by now? I suppose he could have been kidnapped, but why target him? He was a successful lawyer, but he wasn’t famous or particularly high-profile or controversial. Kidnapping didn’t make any more sense than any of the other possibilities.
My second concern was over my own involvement in this. If whoever wrote that note knew about Victoria Issacs’s past life as Houston, then maybe they knew about my knowledge of it too. How I’d tracked her down and never told anyone—most notably my editors at the paper—that she really did exist. I didn’t like the idea of anyone else knowing that secret besides her and me.
Finally, and perhaps most troubling of all, Houston, I had thought, was finally in the past. The most traumatic thing I’d ever gone through, it dramatically affected my career, my marriage, my whole psyche, for years. I wound up having anxiety attacks from it. Attacks so bad that I needed to see a doctor and a psychiatrist and take medicine to battle the stress. It left me a different person. But now I had thought it was finally over. That illusion was shattered when Victoria Issacs—aka Houston—walked into my newsroom that morning.
I finished off my beer, grabbed another one from the refrigerator, and switched around the channels looking for something to take my mind off all of this and my empty apartment and the many other problems in my life.
One of the cable channels was showing reruns of Mister Ed. Perfect. Wilbur was in trouble with his neighbors because Mister Ed had been making annoying phone calls to them. Everyone thought it was Wilbur making the calls, and he wasn’t able to convince them it wasn’t because he couldn’t tell them that . . . uh, his horse talked. With TV fare like this, who needed a woman around?
It had been more than six months now since Sherry DeConde left. We’d met while I was working on a big story that involved her and wound up in a pretty passionate romance for a while. She was a theatrical agent in Greenwich Village, and we split our time between her townhouse there and my apartment in Chelsea. In the end, it didn’t last though. She was much older than me, twenty-five years or so, although she still looked damn good and damn sexy. We might have survived the age difference, but we both also carried a lot of messy baggage from our pasts that in the end couldn’t be forgotten. Sherry had been married four times. She wanted to marry me too. She thought that would solve everything. I kept holding her off on the marriage stuff, and then one day she was just gone. The next time I heard from her she was in Europe. She traveled around there, finally settling down in Italy, where she met a count or something and married him. When I asked her why, she said: I get married, Gil. It’s what I do.
My ex-wife, Susan, had married again too. To an estate lawyer, or something like that. Susan was a prominent assistant district attorney in Manhattan, and the two of them together were a definite power couple. For a long time after our divorce I’d held out hope that she’d come back to me. Endured the other men in her life, even an engagement to another guy. But there wasn’t much I could do after she got married. That was pretty much the end of it for me.
And then there was the other woman in my life. Houston. I gotta say again that I couldn’t stop thinking about how good she looked when she came to see me at the News. The first time I saw her she looked more like a housewife and a mother. This time I could see the Houston
sexiness that drove so many men mad for her. Maybe she’d glammed herself up to try to win her husband back. Whatever, it was all academic. She came to me because she was worried that her husband might be badly injured or dead or something. I decided it would be extremely tacky for me to ask her out on a date while she was waiting to find out.
I needed someone else.
There had to be another woman out there for me.
I mean what I was looking for in a woman really shouldn’t be all that difficult to find.
All I wanted was someone who was attractive, intelligent, interesting to talk with, a nice person and . . . well, not married.
I’d DVR’d a previous appearance I’d done recently on Live from New York with Bob Wylie, who was the deputy mayor for New York. I figured it might be useful to re-watch now since Stacy wanted me to interview him again. It used to make me uncomfortable to watch myself on TV. But now I sort of liked it.
At the moment, Wylie was the leading contender to be the next mayor. He had quite an impressive résumé—in politics, law enforcement, and private business. He’d been police commissioner in a few cities, most notably St. Louis, and then moved to New York, where he set