The Midnight Cool: A Novel
By Lydia Peelle
3.5/5
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About this ebook
The Whiting Award—winning author of the story collection Reasons for and Advantages of Breathing delivers her enchanting debut novel, set in 1916 Tennessee: a rich and rewarding tale of two flawed yet endearing grifters who pursue women, wealth, and a surprisingly valuable commodity for the troops in Europe—mules.
A middle-aged Irish immigrant, Billy has a gift for illusion—making damaged objects look new. His companion, Charles, the smooth-tongued teenage son of a prostitute, is a natural salesman, just like the mythical father he’s never met. Longtime horse traders and partners, they’ve recently turned their talents to trading mules. But in the summer of 1916, these seasoned grifters skilled in the art of the underhanded deal have just been swindled themselves. They’re saddled with the one thing they may not be able to unload: a gorgeous, murderous black mare named The Midnight Cool.
Charles should have listened to Catherine, the beautiful, rebellious daughter of Leland Hatcher, the richest man in Richfield, Tennessee, and the former owner of The Midnight Cool. The horse would be worth a fortune—if she weren’t a verified man-killer who attacks on sight. Charles and Billy are rooted in this muggy town until they can miraculously retrain their recalcitrant mare, and in the shadow of the growing inevitability of war, their bond begins to fray. Falling in love with Catherine—and under the spell of the deceitful, wealthy Leland, the vision of himself he’d like to be—Charles pulls away from the older man.
Despite their growing distance, Billy and Charles find their business thriving when the war in Europe pushes the demand for mules sky-high and the United States enters the fight. But when a trade goes terribly wrong, Charles is forced to reevaluate his allegiance to his country, the moral implications of his lifestyle, his relationship with Catherine, and, ultimately, his mysterious and surprisingly deep connection to Billy.
Populated by spirited, memorable characters, The Midnight Cool is a startlingly profound tale of aspiration, loyalty, and love—and the eternal search for something lasting in a transitory world.
Lydia Peelle
Lydia Peelle is the author of the novel The Midnight Cool and the story collection Reasons For and Advantages of Breathing, which received an honorable mention for the PEN/Hemingway Award. She received her MFA from the University of Virginia and has been a fellow at the Fine Arts Work Center in Provincetown, Ucross, Yaddo, and Ragdale. Peelle is a recipient of two Pushcart Prizes, an O. Henry Prize, the National Book Foundation's "5 Under 35" honor, and a Whiting Award, as well as the Anahid Award for Emerging Armenian-American writers. She lives in Nashville, Tennessee.
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Reviews for The Midnight Cool
7 ratings1 review
- Rating: 3 out of 5 stars3/5I struggled to get through this book, likely because I'm not that much of a horse person and I didn't find the two main male characters to be entirely likable. I did enjoy the book's atmospheric setting - the last days of the American west filled with horse traders and people seeking new beginning - and the perspective of ordinary Americans has the country became embroiled in the first world war. A good book, but just not for me.
Book preview
The Midnight Cool - Lydia Peelle
Part One
In the Argonne Forest
France
October 1918
Another shell explodes in the distance. Charles and the mule are stuck, mired in the mud. It is dawn, and the sky is the color of mud, the earth is mud, the whole world is mud. The only thing that is not mud is a stand of wasted trees ahead. Beyond those trees the rest of Charles’s unit moves towards the Argonne Forest along a road that is a river of mud, studded with nails and barbed wire the Germans scattered to slow them. A unit was supposed to come through in front of them and clean it up. Nobody seems to know what happened to them.
Charles tugs on his mule’s lead. They have fallen far behind the rest. The mule’s load is heavy: a Vickers machine gun and its tripod, ammo boxes with twenty pounds of ammunition. Sometimes he just plain quits.
Get along, you old mule, Charles pleads. Get along. Come on, Champ.
The mud sucks the animal’s feet. Charles tugs at the animal’s head again. He is thinking of Jones, dead now. Jones used to call Champ Sonofabitch Number Two.
Get along, Sonofabitch Number Two, he pleads. Get.
Jones is dead. Jones was a sonofabitch himself, but he misses him, his bad jokes, the constant drone of his voice. He was a city boy who knew nothing about mules. Now Jones is dead and so is Sonofabitch Number One, a bighearted mule whose real name was Rose. Both her front legs were blown off by a shell and she fell into a pit of mud and she would not quit trying to get up, scrambling with her back legs until they put a pistol to the hollow spot behind her eye and shot her, both of them crying, together, him and Jones. She was a real good mule, Rose.
Champ lurches, slips, goes down to his knees. He struggles, only working himself farther into the mud, which covers him to his withers, covers the machine gun, sucks at his sides. Charles hears another shell in the distance. Whizbangs, they call them. The whiz sets his teeth, whistles inside his skull. The bang makes his guts jump and turns his stomach inside out. He throws himself against the mule. The men beyond the trees shout. A great wall of mud rains upwards. Guns toss into the air like matchsticks. Then, for a rare, odd moment: nothing.
The mule is still, resting for a moment in his struggle. His ears are slung forward towards the place of the explosion, but his big intelligent eyes are calm. Mud on his cheeks and in his shaved mane. Charles rolls over and tries to work loose the hitch that holds the heavy gun to the animal. His hands fumble, useless in the muck, cold and trembling. He is crying now, cursing his hands. The tears run down his face and into his mouth. He isn’t going to leave him here. Another shell bursts. Charles lays his head against the mule’s wet warm shoulder. That one was close. Jesus. Damn close. He can feel the animal’s big heart pounding. He closes his eyes. He takes a breath.
The Prettiest Horse Ever Drew Breath
Richfield, Tennessee
August 1916
Their boxes were packed and the wagon nearly loaded. The morning had broken bright and almost cool, at least for a Tennessee August. It was a perfect day, Billy and Charles agreed, heading out to the pasture gate, the perfect day for traveling.
Charles McLaughlin and Billy Monday were on their way out of town. The last thing left to do now was catch the black mare out in the pasture, and then leave this place as they left all places, headed nowhere in particular, just on, trading horses as they went, a night here, two weeks there, always on, on to what might lie around the next bend in the road. The spring trading season had been miserable. In Celina they had been robbed blind by a ten-year-old boy. Along the Red River, they got lost in the woods and wandered for three days before coming out exactly where they started. The only good to come of the summer, as far as Charles could see, had been that sweet farm girl in Tuckertown, Kentucky, only they’d been run out of town just when he was getting somewhere with her. When last week they landed here, just hardly south of the border, in Richfield, Tennessee, it seemed like it would be more of the same. Then last night Charles hit the jackpot with the deal he got on this beautiful high-dollar horse.
She was a jewel, out there in the green pasture. Her black hide shone in the morning sun. Delicate pipestem legs. Tail set high and proud on her hindquarters. If you drew a line around her she would fit into a square. The kind of horse that people stopped to watch on the street. She made him want to shout for joy.
He had bought her from the richest man in town. Never mind that he had spent nearly everything they had on her, even after Billy had given him that speech about putting all his eggs in one basket. Look at her! She was a hell of a basket.
Billy paused at the gate, tugging one big ear. Blue sun-shot eyes full of mirth.
I bet you think that little Tuckertown girl would swoon to see you come riding in on a horse like this.
Charles gave him the same long-suffering look he had given him after the egg speech. Billy was getting soft, in his opinion, taking fewer risks in his old age. Charles was eighteen and certain of one truth: that he would, as his mother promised years ago, someday rise up and win the bread of life.
He opened the gate, whistling. The mare flung her head around at the sound of it and he should have noticed the change in her, but he strode right up and swung the lead rope to catch around her neck, and when it touched her she went after him, up on her hind legs, front hooves pummeling the air. He dodged and she came down hard, then reared again. Against the green of the grass she rose, a blur of black velvet hide and iron shoes and the yellow-white ivory of blunt horseteeth. He shouted and went to grab her mane, and for the third time she screamed and reared, thrashed the air just inches from his temple. When she landed she went after him with her teeth. That was when he dove for the fence, and she spun and thundered across the pasture.
Billy was laughing so hard it took him a minute to give him a hand up. Charles stood and shook out his long lanky frame.
Quit laughing.
Haven’t ever seen you move that fast without a girl in the near vicinity, Charlie boy.
Charles dug dust out of his eye with his thumb. The horse was far away, watching them.
Sonofabitch, he said. Something was slowly coming to him. She must have been doped up.
He looked at Billy, who regarded him with one eyebrow tented, the corner of his mouth upturned. His hair stuck out wild beneath the brim of his hat. Billy’s laugh was like a force of nature and always left him looking like a stiff wind had knocked him around.
You knew it, didn’t you? Knew it soon as I brought her in here last night.
Billy only grinned.
Monday, you sonofabitch.
Billy jogged out to retrieve Charles’s hat where it had landed in the grass. Before returning it he flipped it in the air, where it somersaulted three times.
Charles took it and jammed it back on his head.
Ah, don’t look so glum, Billy said. She’s only a touch hot.
Charles spat and yanked his shirt.
Touch hot? Liked to have killed me.
They must have had her doped to the gills. Wonder what they used. Did a beautiful job of it. Just enough of a dose.
But I don’t understand. Charles shook his head. This wasn’t no usual place. It was high-class. Fellow’s got a pedigree long as the horse does. He drives a damn Pierce-Arrow.
Up on the road, a passing Model T sounded its horn at the landlord’s flock of chickens. The noise set the horse off again. She sprang into the air and cartwheeled to the other end of the pasture. Clods of grass flew up behind her. When she tore past the oak tree, four crows startled out of it, cackling.
Sonofabitch, Charles said, watching her. She’s bughouse crazy. He grabbed his forelock and groaned. All that money.
Billy put his hand on Charles’s shoulder. A strong big-spanned hand that Charles had felt on his shoulder a thousand times, with a weight which, after all the years, could speak to him nearly as plain as words.
Think of it as an investment in your education, Charlie boy. Like I always say, you get burned you got to learn to sit on the blister. If it makes you feel better, you got burned on what’s got to be one of the prettiest horses ever drew breath.
Let that damn horse catch herself, Charles said, shrugging off Billy’s hand and turning back to the shack. I need a drink.
Ain’t got nothing to drink, Billy called after him.
In Tuckertown, where they had spent the end of June and most of July, camped in the back of a cornfield, eating beans and tinned sardines, Billy had tried to teach two spotted ponies how to bow. They had been hauling the ponies around in their string for weeks, unable to unload them, and when they saw the poster for a coming circus on the side of the Tuckertown general store, Billy got the bright idea: teach the ponies a couple tricks, sell them to the circus for good cash money, make back everything the kid in Celina stole from them, get back on their feet in time for the fall season.
It hadn’t taken long for Charles to find the girl: Fern, sweet and cool as her name.
I got to be honest with you, he said to her after a week, the fireworks set off by young boys popping in the street behind them. They were standing across from the general store, in a little crowd waiting to see the town parade. We’re just here till the circus comes.
The circus?
He pointed to the poster on the side of the building.
Fern strained to see around the woman in front of her, then shook her head.
There ain’t no circus coming. That there poster is two years old.
When Charles reported this back to Billy, Billy only laughed, and in a couple of weeks got the two ponies traded off to a hayseed farmer for a crate of peaches and a bicycle, just by the skin of his teeth. When he demonstrated their trick, the farmer watched the animals bend their knees with his brow furrowed over dull suspicious eyes.
What on God’s green earth do I need with two ponies that can bow?
They ain’t bowing, Billy said, as always hiding his Irish brogue behind a dead-on imitation of the man’s accent. Nossir, they ain’t bowing. They praying.
The next day Billy rode the bicycle out the Franklin Road and came back on an old pelter with a pint of homemade whiskey he’d taken as boot in the trade. They filed the horse’s teeth, blackened his gray hairs, fed him some corn mash, tied him up outside the store, and sat down nearby, minding their own business. Soon enough a man had come along to look the horse over.
Billy got up to meet him. It was the town sheriff.
You in the market for a horse?
Maybe.
Well I wasn’t planning on selling him, Billy said. But I like the looks of you.
The sheriff hemmed and hawed and muttered over the horse while Billy stood silently, letting the man talk himself into it. Finally he did and Billy piped up to name a price. They went back and forth for a while before settling on one with a handshake. Then Billy stepped close.
One last thing, Mister Sheriff. Do you believe that horses go to heaven?
The sheriff was already pulling out his wallet. He looked up and shrugged. I don’t see why not.
This little horse here is going to go to heaven.
Well a good honest horse is just what I need.
Two mornings later, the sheriff was standing above their bedrolls in the cornfield, his pistol in his hand.
That horse you sold me. Well I walked into that horse’s stall this morning. And he was dead.
Dead? Billy said, rubbing his face.
Dead.
Charles looked at Billy and shrugged. He’s never done that before.
The sheriff raised the pistol. Well you got some explaining to do.
Billy looked back at him, cool as anything.
Now, Mister Sheriff, sir. I told you that horse was going to go to heaven, didn’t I? He grinned and tapped the side of his nose. I just didn’t say how soon.
They got out of Tuckertown sort of quick. Coming down off the Highland Rim Charles had seen a boulder painted with one word: repent.
Hell, he thought, with a feeling it had been put there just for him. Poor Fern. He was always doing it to them, girls. Picking them up and leaving them like that. It made him feel awful, but he couldn’t help it. She was probably still waiting for him to meet her in their spot by the tobacco warehouse. The thought was terrible: her waiting, hopeful. Billy tried to cheer him up. There will be plenty more girls, Charlie boy. But what did Billy know about girls.
Over by the shack, in the measly shade of a sick poplar, Gin was standing in the wagon traces. She perked up when Charles passed. Gin was Billy’s horse and devoted to him, but she was always polite to Charles, as she was to all creatures. She lifted a front hoof and scraped the ground once, lightly, with decorum. Blinked her deer eyes.
Don’t look at me like that, he told her. I’m ready to get out of here too.
Gin snorted and shook her head. The yard around her was worn down to dirt, littered with the trash of previous tenants. Cans, broken chairs, a water trough gone to rust, hemmed with lacy holes. Billy had managed to convince the farmer who owned it to rent it to them for just a few nights. Dillehay was his name. There had been a sign up in the yard of his place across the road. When they knocked he had told them he would not rent to Negroes, gamblers, drinkers, Dagos, Chinks, Yankees, or Irishmen. As he spoke he refused to open the front door more than halfway. His wife, watching, was a hand at the curtain in the window.
We’re good respectable men, Billy assured him.
Dillehay shifted first the tobacco in his lip and then his beady turkey eyes.
A man can’t trust anyone these days, he said. Just look at what happened up there in New York City.
On the thirtieth of July there had been an explosion in New York Harbor. Two million pounds of explosives and ammunition, bound for the war and packed in freight cars and barges at a place called Black Tom Island in New Jersey, had caught fire and blown up. The blast picked up boats out of the water, busted the windows of buildings all the way from the Battery to Saint Patrick’s Cathedral, rang church bells in Philadelphia. Killed seven people asleep in their beds, including an infant thrown from his cradle. And the word was that it had blown the arm off the Statue of Liberty, and set her skirts on fire.
Dillehay had a wattle at his neck to match his turkey eyes, and it wobbled furiously while he recounted these details. In the past days they had heard the story told by many men. New York City was a long way away, but the gross injury to the Statue of Liberty made the news everyone’s business, even an old farmer like Dillehay.
Well it’s the Irish dockworkers they can blame, he said. Lazy careless cheats cut every corner they can and look what happens.
His small eyes moved between them. From Charles to Billy back to Charles.
You ain’t Irish, are you?
At the window, the wife disappeared like a fish in a creek. Billy sucked a tooth. Charles was staring at the wash line, thinking about Fern. The way the wind had whipped her thin dress against her legs while she stretched to pin up the laundry, the first day he saw her out in her father’s yard.
We come from Kentucky, Billy said. Which was not a lie.
Passing Gin, Charles kicked a rusted sardine tin against the side of the house. He flung open the loose-hinged door and went inside, where the smell of salt pork and woodsmoke and the stink of laboring men leached from deep in the lath. The walls for years had been insulated with layers of newspaper and magazine print and now the whole place was a crazy patchwork of words and pictures, floor to ceiling. Headlines, Sunday comics, baseball scores. Advertisements for safety razors, health tonics, toothpaste, chewing gum.
do not tinker with your dort. trust only a licensed serviceman for all repairs.
german u-boat sinks passenger liner lusitania. 1,154 dead, 114 americans. many women and children.
straw hat season is here. get yours at castner-knott, nashville.
Charles didn’t bother to shut the door behind him. Let the flies in, hell. They were leaving.
He searched for the Tuckertown whiskey in the boxes lined up to be loaded. It was the jar they had gotten in boot for the trade of the horse they sold to the sheriff who ran them out of town.
Bad luck. Would it never end. The girl in the garden last night had warned him, hadn’t she? She had, in plain words. But he had been too awestruck by her, slack-jawed as a hayseed farmer, to even hear it.
He lifted a pasteboard box, which fell to pieces in his hands. He threw it down and a tangle of harness spilled out of it, along with the green smell of moldy leather. When the kid in Celina cleaned them out he had stolen their crates too. Ever since they had been making do with these damn pasteboard boxes.
Against the far wall sat the toilet they had been hauling around all summer, boot in another trade. When they brought all of this junk in, this house had seemed like high living. Two beds and a stove and a water pump in the lean-to kitchen. But it was nothing more than a shabby old rattrap. The floor was covered in a gaudy purple-and-green Congoleum rug, worn clear through at the door by the feet of countless tenants. Where was that whiskey? Charles ran his hands through his hair and looked around wildly. A worthless crazy horse, doped to the gills. He couldn’t believe he had been so blind.
feed your children cream of wheat.
battle of verdun rages on. casualties approach one hundred thousand.
trust firestone tires.
His eyes moved to the picture just beside the door, the face of a pretty girl selling Pears’ soap. Her cheeks were painted pink and her lips were parted as if she was about to laugh. Her hair sat on her forehead in a soft swoop. For four days Billy had not entered or exited the place without giving the picture a little sweet talk and a kiss. Last night, back from town and tight as a drum, Charles had been so happy he had kissed her too, rolled up the last of his cheap Corn Cake tobacco and smoked it, and declared that after they sold the black mare, only the high-dollar stuff would do.
He studied the smiling face. He should have listened to the girl in the garden. Hell, he should have listened to his gut, which told him to bolt even before he had seen the house, from the moment he turned Gin off the Nashville Pike and passed through the great stone pillars of the gate. The word Everbright was etched in each one, only you couldn’t see the place at all from the road, just a long winding drive, newly graveled, which crunched neatly under Gin’s hooves. At the moment he passed through, an owl hooted in the neighboring wood, and he felt a chill at his neck. It was bad luck, Billy always said, hearing an owl at dusk. Charles halted Gin and reached into his pocket to touch the rabbit’s foot he carried. Then he reached into the other pocket and pulled out a nickel. Heads, he’d go in. Tails, turn around. He tossed it and slapped it down on the pommel of the saddle and lifted his hand.
Heads. In he went.
The house appeared on the hill above him like a great white face, its windows watchful eyes, the roof bristling with chimneys. In front of it spread two big black magnolias, old as time. A man was up on a ladder in one of them. Charles hardly had the nerve to dismount and leave Gin, but he did, and got himself up onto the porch, so big you could have held a dance on it. Through the windows, a colored woman was setting the dining room table. As she put out each glass, she first folded a cloth around the lip and gave it a brisk quarter turn. He watched, entranced, his sweaty hands shoved in his pockets, one clenched around the classified ad he had torn from the paper, the other around the rabbit’s foot, his thumb working the worn place at its tip. The walls behind the maid were hung with old portraits of women in frothy dresses and eagle-faced men with purebred dogs at their feet. The oil paint gleamed and shone. The maid disappeared before it occurred to him to knock. When he did, no one came.
He stood there at the door. There was no way in hell he was going to be able to afford this horse, no matter if the ad in the paper said, Must go. No serious offer turned down. When he left the shack he had emptied out their cigar box of cash and folded it all into his breast pocket. He patted it now, to be sure of it. Finally he looked up at the porch’s pale blue ceiling. A dove perched on a blade of the ceiling fan peered down at him, eyes two black beads pressed in clay.
Alright, he thought. If the bird flies, I go. If she stays, I stay. He counted to ten. The bird did not ruffle a feather.
He went over to the magnolia with the ladder in its branches to speak to the man hidden in the patent leather leaves. He asked for the name on the ad. Leland Hatcher.
The man climbed down slowly, wiping his brow, and told him to try up at the stable. But when Charles asked if he would take him there, he refused.
Soon as I get done with this, the man said shortly, snapping a rag against his leg, I got to do the front windows. And I don’t go near the stable if I can help it, he added mysteriously. He looked Charles up and down. He expecting you?
Charles toed an old dry magnolia cone that lay on the ground beneath the tree.
Nossir.
Well you come at just about the worst time there is. Now let me get back to washing these leaves.
Washing the . . . leaves?
The man nodded, one foot on the ladder. Mister Hatcher’s got company coming. Likes to have everything just so.
The wind gusted and the big trees shook themselves like dogs. The man went up the ladder and disappeared back into the branches. Charles picked up the cone and squeezed it, feeling the prick of its scales in his palm, then headed in the direction the man had pointed for the stable.
In the side yard a Model T up on blocks had a belt run under the hood to power a band saw, a half-built gazebo beside it. It looked as affronted as a man with his mouth cranked open in a dentist chair. Charles was beginning to feel like he was trespassing, that he might look up to see a shotgun in a window. He stopped at a walled garden, where a white cat crouched on a sundial and rosebushes bloomed in riots of red, and palmed the magnolia cone, his eye on a concrete birdbath at the far side.
It goes in, I go on to the stable. If it misses, I get the hell out of here.
It went in with a splash. The cat streaked away.
Someone applauded.
He started. He would have sworn that the garden, save the cat, was uninhabited. But when he looked there she was, not eight feet from him, standing on a wrought iron bench and half hidden in a tree, just as the man in the front yard had been, only this tree was small and delicate, bearing flowers like silk tassels. He could see only a blue skirt and a white blouse with a wide sailor collar, the brim of a straw hat. Above her swung the paper lantern she had just hung, a pale moon.
She climbed down and came over to him. Watching her come his mouth was already going dry, his head emptying of words, and when she was before him he found he could not look directly at her face, this high-class girl, the kind of girl who crossed to the other side of the street when she saw him coming, and he caught only a glimpse of her hair dark and clean-looking beneath her hat and her collarbone at the place where the tie of her blouse was undone, and then he dropped his eyes.
Are you the iceman? she said. Where on earth have you been? Don’t you know we can’t have a party without ice? I was thinking I might have to send my brother to the North Pole and he doesn’t like to travel.
He dared look up at her. She was smiling at him. She had a gap between her front teeth, just like his mother. It hit him like a hammer in his chest and his eyes went straight back to the ground.
Here to see about a horse, he managed to say.
Don’t buy that horse.
Miss?
I’d get out of here, if I were you.
A car was coming around the house, a Pierce-Arrow, big and slick and high. An incredible car—Charles had only ever seen them in pictures. He watched it coming, still rocked by the strange shock of seeing his mother’s smile on this high-class girl, in this high-class garden. And now, this car, the headlights staring him down. If it could talk it would have said, To hell with you.
The Pierce-Arrow stopped at the opposite wall. A pale boy leaned over to the passenger window and pulled a cigarette from his mouth. He wore a brand-new Panama hat with a pencil-curl brim.
Catherine, he said over the engine growl. We’ve got to go pick up the cake.
You go on without me, she said.
Someone’s got to hold it or it’ll get smashed up.
The boy in the Pierce-Arrow looked over, noticing Charles for the first time. He hooked his elbow over the door frame and looked back and forth between the two of them. His eyebrows lifted under the brim of his hat.
If you keep looking for trouble, dear Cat, one of these days you’re gonna find it.
Charles’s hand closed into a fist. Blood will tell, his mother always said. Blood will tell. He had repeated it to many men, but never one in a Pierce-Arrow.
I’ll be waiting for you by the front door, Cat. All you need to do is hold the damn thing in your lap. Or hell. You drive. I’ll hold the damn cake.
The boy had driven away fast, gravel scattering under the Pierce-Arrow’s wheels.
The girl took a step closer. Charles held his breath. He could still only half look at her.
Don’t mind my brother, she said. He’s in a hurry to get up there and get his whiskey before the bootlegger takes off. Otherwise it’s going to be one dull party. Thanks to Edmund, our father’s now a teetotaler. The hardest thing he’s serving tonight is lemonade.
He didn’t like you talking to me.
She sighed roughly. Ed’s had a difficult spring. In fact it’s been an awful year. And I can’t say this in front of him. But look—trust me. You don’t want that horse.
Well, Miss. I seen all kinds of horses in my time. I been all around the world.
Well then you must feel as I do. That the world’s been absolutely turned upside down. Knocked off kilter. The war in Europe. The terrible bloodshed, never ending. And now that business last week on Black Tom Island. A poor little baby was killed, did you hear?
Terrible, was all he could think to say.
Yes, she said. Terrible.
He stole another look at her and realized she was waiting for him to say something more. He groped around, came up with nothing.
Well it was a terrible accident, he finally said.
See! That’s the trouble.
Miss?
She waved at the house. In 1862, she said, the Yankees took Nashville. Two months later Union soldiers marched up this hill and through that front door and moved in. They were here for two years. Just walked right in, while the family stood there clutching their silver, still saying, ‘It will never happen here.’ Well just because you say something’s impossible doesn’t mean it is.
Miss?
Why is everyone saying it was an accident? They blew up those ships on purpose. It’s plain to see.
Charles thought of old wattle-necked Dillehay.
Who did? he said. The Irish?
The Irish! Her hand went up, as if to wave away a fly. The Irish! Of course not. The Germans. All that ammunition was bound for the Allies. It was clearly an act of sabotage.
He looked around the garden for a clue as to how to proceed. The branches of the rosebushes looked as if they might break under the weight of all the blooms, red and pink and white, impossibly fat. The tassels of the tree above the girl were like no flowers he had ever seen, so elaborate they made the lanterns she had hung seem unnecessary. He didn’t think too often about the war in Europe. In towns sometimes he heard people argue about whether or not the United States should get into it, but out in the country it had