Soul Patch
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About this ebook
Ex-NYPD cop turned P.I. and entrepreneur, Moe Prager is faced with a gut-wrenching case. The apparent suicide of his old friend and NYPD Chief of Detectives, Larry McDonald, forces Moe back onto the decaying Coney Island streets he patrolled when he was in uniform. But now, beneath the boardwalk and behind the rusted and crumbling rides of the midway, he finds a trail of death, betrayal, and corruption reaching back to 1972. As Faulkner once said, ''The past is never dead. It isn’t even past.'' So it goes for Moe Prager in Soul Patch.
Reed Farrel Coleman
Reed Farrel Coleman’s love of storytelling originated on the streets of Brooklyn and was nurtured by his teachers, friends, and family. A New York Times bestseller called “a hard-boiled poet” by NPR’s Maureen Corrigan, and the “noir poet laureate” in the Huffington Post, Reed is the author of novels, including Robert B. Parker’s Jesse Stone series, the Gus Murphy serues, the acclaimed Moe Prager series, short stories, and poetry. Reed is a four-time Edgar Award nominee in three different categories—Best Novel, Best Paperback Original, Best Short Story—and a four-time recipient of the Shamus Award for Best PI Novel of the Year. He has also won the Audie, Macavity, Barry, and Anthony Awards. A former executive vice president of Mystery Writers of America, Reed is an adjunct instructor of English at Hofstra University and a founding member of MWA University. Brooklyn born and raised, he now lives with his family—including cats Cleo and Knish—in Suffolk County on Long Island.
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Reviews for Soul Patch
6 ratings3 reviews
- Rating: 3 out of 5 stars3/5Soul Patch is the 4th in Reed Farrel Coleman’s Moe Prager series. As explained in the frontispiece, the title refers to the name given by police to the predominantly black area in Coney Island. In contrast to the first three installments, Moe is not asked to find a missing person. Instead the plot is set in motion when he is given a tape by one of his old friends on the police force, Larry McDonald, who is now the chief of detectives. The tape is of a police interview in which the subject offers information on the murder of a drug dealer. When Larry is found dead, apparently by suicide decides to investigate. Moe’s marriage is hitting some bumpy spots and he is strongly attracted to a young Puerto Rican detective on the case. (I found it a bit implausible that a cynical middle-aged Moe was mooning over this woman and that she was attracted to him. The connection between them that is revealed at the end of the novel is definitely implausible). The plot gets a bit complicated with a surfeit of characters but works its way to a satisfying conclusion.This is a solid and well-written series and I will continue with it.
- Rating: 4 out of 5 stars4/5The Moe Prager series is just consistently good. It's 1989 and Larry MacDonald comes to Moe with a cassette tape of a police interview with a low level drug dealer, Malik. Malik wants to bargain with information about the murder of a major drug dealer, D Rex, in 1972. MacDonald is scared for some reason that Moe can't fathom.When MacD's body is found near one of the Brooklyn garbage dumps, an apparent suicide, Prager can't believe it. He begins investigating and makes some very unusual discoveries about the case and a few discoveries about other things as well.Moe is just one likable guy, that's all there is to it. I wish there was a little more of Y.W. Fenn and Israel Roth, but hey, you can't have everything. Soul Patch is just a good read. So enjoy. Two more to go before I'm caught up and ready for Coleman's latest (and possibly last) Moe Prager mystery due out at the end of 2011.
- Rating: 4 out of 5 stars4/5(Moe Prager series #4) Like the Harry Potters, successive books always retell the previous ones, include most of the same characters, and the next "assignment" gets foisted on him against his will. A few too many layers of bad guys but it was interesting and I enjoy his writing.
Book preview
Soul Patch - Reed Farrel Coleman
PROLOGUE
1972
NOTHING IS SO sad as an empty amusement park. And no amusement park is so sad as Coney Island. Once the world’s playground, it is no longer the world’s anything; not even important enough to be forgotten. Coney Island is the metal basket at the bottom of Brooklyn’s sink. So it is that when the County of Kings is stood on end, Coney Island will trap all the detritus, human and otherwise, before it pours into the Atlantic.
Coney Island’s demise would be easy to blame on the urban planners, especially Robert Moses, who thought it best to warehouse the niggers, spics, and white trash far away from the crown jewel of Manhattan in distant outposts like Rockaway and Coney Island. If they could have built their ugly shoe box housing projects on the moon, they would have. It is no accident that the subway rides from Coney Island and Rockaway to Manhattan are two of the longest in the system. But Coney Island’s decay is as much a product of its birth as anything else.
Coney Island, the rusted remnants of its antiquated rides rising out of the ocean like the fossils of beached dinosaurs, clings to a comatose existence. Like the senile genius, Coney Island has lived just long enough to mock itself. And nothing epitomizes its ironic folly better than the parachute jump. A ploughman’s Eiffel Tower, its skeleton soars two hundred and fifty feet straight up off the grounds of what had once been Steeplechase Park. But the parachutes are long gone and now only the looming superstructure remains, the sea air feasting on its impotent bones.
It was under the parachute jump’s moon shadow that the four men ambled across the boardwalk toward the beach. No one paid them any mind. No reason to. There was a flurry of activity along the boardwalk and in the woeful vestiges of the amusement park during the window between Easter Sunday and Memorial Day. False hope bloomed like weeds as city administration after city administration promised a return to the glory days of Coney Island. But by the advent of summer, hope would be gone, another silent funeral held for a stillborn renaissance.
At the steps that led down to the beach, one of the four men decided he was having second thoughts. Maybe he didn’t want to get sand in his shoes. No one likes sand in his shoes. The man standing to his immediate right waited for the rumble of the Cyclone — several girls screaming at the top of their lungs as the roller coaster cars plunged down its steep first drop — before slamming his leather covered sap just above the balking man’s left knee. His scream was swallowed up by the roar of the ocean and the second plunge of the Cyclone. He crumpled, but was caught by the other men.
Once their shoes hit the sand, they receded under cover of the boardwalk itself. Above their heads bicycles clickety-clacked along the splintering wooden planks, old Jewish men played chess, teenage boys proved their worth by hurdling wire garbage baskets. Out on the beach, couples sat in vacant lifeguard chairs. Some contemplated the vastness of the ocean or calculated their insignificance in relation to the stars. Some boys kissed their first girlfriends. Some girls placed their heads into their boyfriends’ laps.
It was much cooler under the boardwalk, even at night. The sea air was different here somehow, smelling of pot smoke and urine. Ambient light leaking through the spaces between the planks imposed a shadowy grid upon the sand. The sand hid broken bottles, pop tops, used condoms, and horseshoe crab shells. Something snapped, and it wasn’t the sound of someone stepping on a shell.
CHAPTER ONE
RED, WHITE AND You, that’s what Aaron and I called our third store. It was pretentious, but at the end of the ‘80s pretentious was high art, ranking right up there with big hair bands and junk bonds. The ‘80s, Christ! The decade when video killed the radio star and AIDS killed everybody else. Pretentious worked well on the North Shore of Long Island, especially in Old Brookville, where even the station cars were chauffeured.
The attendees at the grand opening party were a volatile emulsion of relatives — even my sister Miriam and her family were in from Albuquerque — broken down cops, queens, politicians, journalists, kids, clergy, and, oh yeah, the occasional customer. Throw ‘em together, shake ‘em up with a little alcohol, and they all seemed perfectly blended. Not so. The second the shaking stopped, the elements settled out. More like a time bomb than a party, really. Tick … Tick … Tick …
The devil himself, my father-in-law, Francis Maloney Sr., had deigned to grace us with his presence. Several times during the course of the day, particularly during the toasts, I’d spot him raising his glass of Irish in my direction, smiling at me with the accumulated warmth of a tombstone. My tombstone. We’d kept the self-destruct secret between us now for nearly twelve years, neither of us reaching for the red button. There were times I actually forgot about his long-missing son and how I’d come to marry his only daughter, times when I thought he’d just leave it be. Then we’d see each other at some family function and he’d smile that smile to remind me — to remind me that it was just a drawn out game of chicken we were playing, that someday one of us would flinch, that it would probably be me. I needed to breathe fresh air.
Larry McDonald, my old pal from the Six-O precinct and current NYPD chief of detectives, was already out front smoking a cigarette. So much for that fresh air! Something was up. Normally unflappable, Larry was sucking so hard on his cigarette I was afraid he’d inhale his index finger. He had smoked on and off for years, but it was never an addiction with him. Larry Mac’s only vice was ambition and, with a little assist from me, he’d nearly satisfied his craving. He was within sniffing distance of being the next commissioner.
Nice shindig,
he said.
Shindig! Christ, Larry, where’d you come up with that one? Did you already use hootenanny today?
If he was laughing, it was definitely on the inside.
Will you look at this fucking parking lot, Moe?
He flicked the filter away in disgust. If I didn’t know better, I’d swear it was the used car lot of a Porsche dealership. More Jags, Beemers, and 911s here than in all a Brooklyn. You and me, we come a long way from Coney Island, huh?
"Not so long. I still live in Sheepshead Bay, remember?"
That’s not what I —
He stopped himself, lit another cigarette. Sucked on it like Superman.
You trying to smoke that thing or swallow it, bro?
That bounced off him too. Yeah,
he repeated, we come a long way.
Larry was definitely off his game. He was a lot of things — preening and vain for sure, pragmatic to the point of cutthroat — but reflective and philosophical weren’t generally part of his repertoire. I took a good look at him. He seemed much older somehow. I couldn’t quite put my finger on it.
Wasn’t in his posture. Wasn’t how he fit in his clothes nor how they fit him. Tall, broad-shouldered, thin-waisted, Larry wore his clothes the way a smooth plaster wall wears wet paint. Today was no exception. His gray, light-wool pinstripe hung on him perfectly. Even when we were in uniform, his blues looked tailor made. And he was handsome as ever, maybe more so. He was the type of guy God had in mind when he created gray hair. No, the age was in his eyes, in his voice. Larry reached into his jacket pocket.
You believe in ghosts, Moe?
Shit! There it was, that fucking question. A sucker punch. Usually it was my father-in-law who asked it. He had asked it of me a hundred times over the last dozen years, and with each asking came a sick feeling in my belly. Most times Francis didn’t even need to mouth the words. It would come in the guise of a glance or, like today, a smile. He never explained the question, never once discussed it. Didn’t expect or want an answer. It was a pin pricked into the skin of a balloon, but not quite deep enough to pop it.
Ghosts?
I repeated. Depends. There’s shit that can haunt a man worse than the walking dead. But do I believe in spirits and shit? Nah, I don’t believe in things that go boo or bump in the night.
You sound pretty confident.
I am.
Don’t be so sure,
Larry said, his eyes looking through me and into the past. He smiled. Pulled a cassette tape out of his pocket. Put it in my palm and gently folded my fingers around it. Don’t be so sure.
What’s this?
It goes bump in the night.
Very funny, McDonald.
You see me laughing?
I didn’t.
He held his right hand out to me. I put the tape in my pocket.
Again, congratulations on the new store, Moe. Pass it on to your brother and kiss Katy for me. Listen to the tape and call me.
Cryptic isn’t usually your style.
This isn’t ‘usually.’
I thought about saying something to that. Thankfully, he’d gone before I could formulate a question. When I turned back around, Francis Maloney was smiling at me through the plate glass window of the store.
CHAPTER TWO
I COUNTED SLEEPLESS nights instead of sheep, staring up at the ceiling I knew was there but couldn’t see. Katy was next to me, but a million miles away. We had hit the inevitable impasse, that stage in marriage when each day is like a long drive through Nebraska. In the absence of passion, I wondered, what distinguished love from habit? The answer escaped me there in the dark.
Once, many years back, when I was working the case that ultimately led to Larry Mac’s first big promotion, I thought Katy meant to leave me. Only time in my life I felt faint. Had to prop myself up against the furniture. God, I can feel the power of that moment surging through me even now. A few months before, Katy had miscarried. The convulsion of grief and guilt that followed in its wake had overwhelmed us. After the initial tears and blame, Katy fell into a kind of stupor. I thought she was coming out of it, but she was so unpredictable in those long weeks.
The miscarriage and the months that followed caused the first subtle cracks in our marriage. They were hairline fractures, small, barely detectable. I suppose they’ve added up with time. But that day, the day I thought I would faint, my panic wasn’t about the miscarriage. No, the panic belonged to me. I owned it. I thought Katy had stumbled upon the secret, the one her father and I kept wedged between us like a bottle of liquid nitroglycerin.
Back in December of 1977, Patrick Maloney, Katy’s younger brother, had gone into Manhattan and vanished. I had just been retired from the job due to a freak knee injury. Hobbling around on a cane and looking for a way to raise some money for our first wine shop, I was hired by the Maloneys to help find their missing boy. According to the media, Patrick was never found and everyone but the Maloney family had long since moved on. The truth was both more and less than that.
I had, in fact, found Patrick, a college sophomore who had collected a trunkful of his own dark secrets. By that time I’d already begun to fall in love with Katy. But when I found her brother, he begged me for a few more days. He wanted to come back to his family on his own terms. I agreed. Biggest mistake in my life. I should have dragged him out of his hiding spot by the ears and plopped him on his parents’ sofa.
Of course, Patrick was full of shit. He hit the road running and never looked back. Can’t say that I blamed him. My problem was that my father-in-law knew I’d found his son. We both had our reasons for not telling Katy. Now our reasons were moot. The time for confession had come and gone. Compounded with each passing day, this was a sin Katy would never forgive.
For years I had been able to keep the panic and guilt at bay. My sleepless nights were few. Only time it used to get to me was when I’d work the odd case, or see Francis and he’d ask me that fucking question about ghosts. Then I’d relive it all over again, the past churning inside me. These days, sleeplessness was the norm and I’m not sure if guilt or panic has a thing to do with it. I suppose I still loved Katy and that she loved me, but the love just wasn’t the glue it had once been. Sarah, our little girl, she was the glue now. These nights, when I stare up at a ceiling I cannot see, I wonder if I would still feel faint if Katy threatened to leave or if I would simply feel relief.
Tired of the frustration, I got up and fished Larry McDonald’s cassette out of my jacket pocket. Still smelled his smoke on my suit. Went downstairs. Poured myself a few fingers of Dewar’s. Sitting on the floor, hunched against the wing of the sofa closest to the stereo, I sipped scotch and rolled the cassette in my hand. It was a prayer of sorts, a prayer without words; a prayer that the cassette meant trouble, that the trouble meant Larry Mac needed my help. It was a cruel prayer. It’s cruel to pray for troubles, but I was lost. Worse, I was bored.
Some cops are action junkies. They crave stimulation. If it doesn’t come to them, they go looking for it. If they can’t find it, they create it. That wasn’t me, not who I used to be — not while I was on the job, anyway. Now I wasn’t so sure. The wine business had never been my dream. That was Aaron’s gig, not mine. I’d just hitched my ass to it and went along for the ride. I don’t think I ever thought it through, really. But that’s what happens when you’re lost. You make stupid decisions. The wine business had taught me at least one important lesson, though — dust collects on many things other than just old bottles of red wine. Dust corrodes a man’s soul.
I slipped my big old Koss headphones over my ears, clicked off the SPEAKER A button, and pressed PLAY on the tape deck. There were three voices, two men and a woman. All sounded far away, but I could make out what was being said clearly enough. The recording had the sound of a tape that was made surreptitiously, because no one was speaking into the mic. It became immediately apparent I was listening to an interrogation or, as cops euphemistically like to call it, an interview. The suspect’s name was Melvin. Melvin didn’t like being called Melvin. Even my moms don’t call me Melvin no more. It’s Malik!
A strategic mistake, telling the detectives that. The woman detective — young, with the lilt of someone raised speaking English in school and Spanish at home — jumped all over him. She started and ended each question with Melvin, picking fiercely at his scabs. She was the bad cop and was either a great actress or born to the part. The male detective — older, white, Bronx Irish — was the sympathetic voice. Listen, Malik, I’m with you, man, but it’s her case.
You could tell he was the more experienced detective, not because of his age, but because he spoke less. A good interviewer knows that silence can be your best weapon. The Latina’s youth was showing. She was a little too eager, too much of a shark, that one. She smelled blood in the water, Melvin’s blood. She’d learn.
Funny thing is, I was a cop for ten years, but I wasn’t allowed in the box except for maybe once or twice, and then only to try and intimidate the suspect. Detectives guarded their turf jealously; uniforms need not apply. For detectives, the interview room was like the ark that held the torah scrolls; only the rabbis got a free pass. The rest of us had to be invited to stand before the ark or stare from the pews in awe and wonder. It took me a minute to divine that Melvin, a.k.a. Malik, had been snagged with half a key of coke taped to the underside of the dash of his 1979 Buick Electra 225. Things quickly settled into a boring point-counterpoint:
I’m keepin’ my mouf shut till y’all get me my lawyer.
You do that, Melvin. You keep quiet while I extol the virtues of the Rockefeller Drug Laws to you. Okay, Melvin?
The partner bitched about her using words like extol.
What’s the problem? You afraid Melvin won’t understand?
Fuck Melvin. I’m worried I won’t understand!
I didn’t get what this chatty interrogation about a drug bust had to do with Larry, nor why it would worry him so, but it was great for insomnia. I found myself drifting off into that netherworld between consciousness and numb sleep. I was almost fully out when the female detective began a rant about just how much of his worthless life Melvin would be spending in Attica thanks to the former governor of the Empire State.
Shit! Get me my moufpiece and you best bring a D.A. too.
Why’s that, Melvin?
Cause I got something to deal.
Something like what, Malik?
You ever heard a D Rex Mayweather?
There was an uncomfortable silence. I could hear the hum of the ventilation system, shoes brushing along the linoleum floor of the interrogation room, bodies shifting in their chairs. I thought I might have heard whispering, but it was hard to know if I was just imagining it. The silence broke, and the older detective did the honors.
Why should we give a shit about some dead, drug-dealing nigger, Malik?
Man, y’all gimme that buddy-buddy Malik shit and then you gotta get all up in my face like that. S’not right, man. Y’all get my moufpiece and a D.A. We let them decide if they should give a shit about what this nigger got to say.
That was it. End of tape. But not, I figured, the end of the story. It was too late to call Larry. It was too late to go back to bed. Maybe it was too late for a lot of things.
Excerpted from the Daily News, June 5th, 1972:
BOARDWALK BODY IDENTIFIED
Terry O’Loughlin, Staff Writer
The partially decomposed body discovered last week in a shallow grave beneath the Coney Island boardwalk has been positively identified as that of reputed drug kingpin Dexter Mayweather. Mayweather, better known by his street name, D Rex, was alleged to have run the largest drug trafficking network in the five boroughs.
Mr. Mayweather had been arrested on a host of charges over the last ten years, ranging from simple possession to assault and attempted murder. Yet at the time of his death, he had never, been convicted of any crime. Detectives at the nearby 60th Precinct refused comment on either Mayweather’s homicide or on his previous run-ins with the NYPD.
However, an unnamed source in the federal prosecutor’s office was more forthcoming. He spoke of Mayweather with a grudging respect. D Rex was the real goods. He was shrewd, slippery as an eel, and ruthless,
the source said. He was anything but run-of-the-mill and he had been the undisputed ruler of Coney Island. But no lion stays king forever.
Although the Medical Examiner’s office has listed the death as a homicide, it has refused to release the actual cause of death. Beyond stating that Mayweather’s body had been in the sandy grave for about two weeks and that it had been positively identified through the use of dental records, the ME has declined further comment.
Dexter Mayweather, the youngest of seven children, began life in a coastal South Carolina town. When his father abandoned the family shortly after his son’s birth, his mother relocated to the Coney Island section of Brooklyn.
(See Body Identified on page 28)
CHAPTER THREE
I WOULD HAVE caught the winning touchdown pass or floated down some lazy country stream or tasted a woman for the first time. When I woke, the world would take me to its breast and I’d be able to hear myself think for the first time in my life. Not only would that voice inside my head know the right questions, but it would supply the answers for my way ahead. Unfortunately, it had been