Blood on the Boards
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Thursday, he took the examination for lieutenant and had a lot of trouble with it . . .
Friday, his aunt died and left him more money than he bothered to count . . .
Then Joe Burke, a sergeant out of Central Homicide, Los Angeles, turned in his badge. He bought a house, a car, good liquor, and even went in for amateur theater - just in time for a bloody off-stage killing. Joe found himself back on the homicide detail, unofficially this time, in a case that was to teach him more about ruthless murder - and about women - than he had learned in a dozen years on the force.
William Campbell Gault
William Campbell Gault (1910–1995) was a sports fiction author and Edgar Award–winning crime fiction author. Some of his notable works include Don't Cry for Me and the Shamus Award–winning title, The Cana Diversion from the Brock Callahan series.
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Reviews for Blood on the Boards
5 ratings2 reviews
- Rating: 4 out of 5 stars4/5Joe Burke has been a cop in L.A. for twelve years. He's good at his job but still can only afford a small apartment with old furniture, until his wealthy aunt dies and leaves him everything. Suddenly Joe can think about making a life where he's not worrying about what he can afford. He quits the force and buys a house in a good neighborhood and a new car. With no career and realizing he doesn't have any close relationships, Joe starts to wander, and quickly throws himself into helping out at a small theater. He's sucked into the acting troupe's conflicts and jealousies, and his attraction to both Norah, the sharp-tongued blonde and Sharon, the sultry redhead who can't get along with the other actors. When a well-known producer is murdered outside the theater, everyone in the troupe is a suspect.A good mystery with plenty of suspects and a theatrical flavor. I had to check on the date of publication (1953), because there's quite a few instances of political bickering. I'd read more from this author.
- Rating: 4 out of 5 stars4/5Highly entertaining, although I lose track of all the characters because they aren't that well drawn other than the protaganist and a handful of others. Jars you once or twice with its references to Republicans and Democrats. Not sure if the lead character is reflecting the author's own politics--probably so, however, but its nothing too heavy. Occasional references to the recent McCarthy hearings. Still, this is a lightweight book - just a well done one. Look forward to reading other things by this author.
Book preview
Blood on the Boards - William Campbell Gault
CHAPTER ONE
TUESDAY, he looked down at the body of a Mexican girl who’d been clubbed to death with a spade. Looking at death was something he’d been doing for quite a while, now, but it wasn’t anything he could get used to. There was no investigation involved; her husband was panting to confess, and did, and it figured.
Thursday, he took the examination for lieutenant and had a lot of trouble with it. He knew before he turned his papers in that he had failed that part of the exam.
Friday, in Fresno, his Aunt Selena died.
His Aunt Selena had married at forty. She had been a plain girl, romantically unsought, and at forty had more or less resigned herself to a male-less existence. It was at this low ebb in her dreams that Sarkis Gadelian walked into her life.
Sarkis was a raisin farmer, a low, broad, and swarthy man who was trying to wrest a living from the sunny slopes of the San Joaquin Valley. He was a poor man and an unlettered man, his English broken, his full mustache a symbol of his old country background.
He was also a good man and sincere and shrewd enough in his slow way. And he loved Selena. They were married in the Armenian church in Fresno.
All the Gadelians were there. And all the Shirvanians, Bogosians, Kaprelians, Sergenians, and others who were related in any way to Sarkis. Also all the friends of all these families and, of course, all the neighbors. It was one hell of a wedding.
Selena had some relatives, too, Burkes, Hoffmans, Arnettes. Of that brood, only Joe came to the wedding. Joe liked Sarkis and Joe liked Selena. What the rest of the family thought about Sarkis, Joe could only guess; he wasn’t intimate with any of them.
At any rate, they didn’t come to the wedding. Only Joe came. And Selena never forgot it. Sarkis grew and prospered and died. Joe spent at least a part of every vacation at their big place in the San Joaquin Valley and got along fine with all the relatives.
When Sarkis died, again Joe was the only relative of Selena’s present. And now, this Friday, two weeks after Sarkis’s funeral, Selena died.
And Joe Burke, a sergeant out of Central Homicide, became a rich man. Selena had left him every dime of the wad.
Driving back toward Los Angeles, two days after the funeral, he almost went off the road twice, lost in the absurdity of it. No more petty politics. No more cadavers, corpses, or cut-up cuties. No more sneers from reporters, snarls from the Captain or snubs from the big, big wheels.
He was a rich man.
Up to now, Joe’s whole economic philosophy had been based on the Department’s pay, promotion, and pension schedule. He’d gone onto the payroll at twenty-two; he had twelve years of that kind of thinking behind him.
From here in, he meant to live differently. He was going to be a man of leisure…. But what the hell would he do with all the time he was going to have? He didn’t play golf. He didn’t bowl or play tennis or like movies. He liked to watch football, but that was only played on week-ends in the fall.
Well, he could improve his mind, for one thing. It could sure use it. What did he know about art, about music and literature? Yes.
These thoughts he had, driving down Highway 99 from Fresno.
In his one-room apartment on National, he took a shower and put on a robe and poured himself a good stiff jolt of whisky. He turned the radio on to a platter program, and relaxed.
He’d buy a television set. He’d buy some new furniture for the dump. What kind of thinking was that? New furniture? He’d buy a house in a real nice neighborhood. That would give him something to do, cutting the grass, planting, pruning. That would give him some roots, some sense of stability.
He had another, shorter drink and hit the sack. He fell asleep almost immediately and dreamed of blondes.
In the morning, he checked in late, so there were only a few of the boys around to congratulate him. Then he went in to tell Captain McGill he was leaving the Force.
I heard you hit the jackpot,
the Captain said. It’s too bad, in a way. I had hopes for you, Joe.
You haven’t seen my exam yet,
Joe told him. Your hopes would have been discounted.
There’d be other exams. You aren’t much of a man for study. What are you going to do now?
Make like a millionaire. Chase blondes and drink good liquor. See how the upper half lives.
You’ve seen that, working in this town. A man can get tired of boozing and whoring. What then?
Joe grinned at him. When I get tired of that, I’ll be too old to take up anything else. Seriously, Captain, I haven’t made any plans. You know I’m no drinking man.
I know it. And in a year you’ll be back with us. And if you aren’t—well, you’ve been a good cop, Joe Burke.
It was the highest compliment the Captain knew, and Joe said humbly, Thank you, sir,
feeling faintly like Dick Tracy.
In the hall outside the Captain’s office, Arnie Jessup was drinking from the bubbler. Arnie dabbled in real estate in his off-duty hours.
Joe asked him, Where’s a good place to live in this town, Arnie?
Arnie wiped his mouth with the back of one big hand. If you’re rich, Beverly Hills. If you still belong to humanity, the Palisades. It’s got everything, everything. Hills and the ocean view and any kind of neighbor you can afford. It just happens I know of a place on Via de las Olas out there you could get at a fair …
It was a lot of house for one man, twenty-seven hundred square feet of one-story California living, and it had a view of the coastline from Palos Verdes to beyond Malibu. It was too much house for a bachelor.
Joe bought it. The asking price was fifty-one thousand, but he got it for forty-nine thousand, three hundred.
Then he went to one of the town’s better furniture dealers and explained to their decorator the kind of masculine and comfortable décor he had in mind.
Nothing tricky, you understand,
Joe told him, but otherwise it’ll be all your taste. I don’t trust my own.
The results were a little splashier than Joe had hoped for, but it was warm-looking and comfortable and cost even less than the house.
For two days, television fascinated him. He watched the cooking classes, the antique westerns, the Z pictures, even the con men who handled the commercials. One night, he found himself watching the wrestling.
He rose in sudden horror and snapped the set off. He put on a jacket and walked to the village center and bought some cigarettes and magazines. The business district here ran for two blocks along Sunset and he covered that conscientiously, examining each item in every window like a man taking inventory.
At the liquor store he read the sign that informed the potential customers that all whiskies were cheaper by the case. Thinking of whisky by the case made him think of the boys back at Headquarters.
It was something he should have thought of earlier, a party for the gang. A couple cases of bourbon and maybe one case of rye and a case of Scotch should handle it. He’d get some cold meat and bread and a couple decks of cards and poker chips. It should be one hell of a wing-ding.
The trouble was, he called it for a Sunday afternoon. So the boys brought their wives. And their kids. The cards were never opened and the whisky scarcely touched. The talk was Department talk and when Joe brought out the cold cuts, there was a definite letdown.
Women, for some reason, can not get enthused about super-market bologna on unbuttered bread. Joe hadn’t thought to buy coffee; with four cases of whisky in the house, there shouldn’t be any reason to think of coffee.
Half an hour later, they were all gone. The men punched his arm and told him what a lucky dog he was; the women told him in level voices what a fine time they’d had.
Joe watched the last car drive off and turned back to his yawning house. He was no Elsa Maxwell; that much was certain.
His neighbor to the right was having a party in his back yard and Joe saw the elaborate barbecue equipment, the redwood tables and benches. He heard their voices and their laughs and decided there were some tricks to be learned about back-yard California living.
The house was quiet except for the drip of a faucet in the kitchen. He went into the study and saw the empty bookshelves flanking the fireplace. He’d never read much. Well, that was a world he could enter without a formal introduction.
With some assistance from the local librarian, he traveled this road from Spillane to Spinoza and back. Of the writers the librarian called serious,
only Hemingway and Steinbeck seemed to be speaking his language. And though it wasn’t a thing he’d admit to the librarian, neither of these two could quite match his old favorite, Max Brand.
Music, then, from the three B’s
to Hindemith, and only Chopin came through to him at his level. And even Chopin, he decided, didn’t quite have Cole Porter’s touch.
Then to art. From The Stag Frieze to Stag At Sharkey’s, and though he sweated through a thousand critical evaluations by learned and discerning and articulate gentlemen, his artistic enjoyment was least inhibited at the Norman Rockwell level.
There was no use in kidding himself. He had been a lower-middle-class lowbrow; he was now an upper-class lowbrow.
He cut the lawn and watered it and fertilized it and watched it grow. In a Hollywood bar he met a girl he’d known briefly a few years back, and he told her about his new house.
She came out for a week-end, but she was terribly dull in her vertical moments. And he learned that sex without significance was sexually insignificant. At his age.
This was almost the cracking point in the screaming boredom he lived with. He took a walk the next day all the way to Westwood, where he ate, and then walked back to the Palisades.
In the small community park that ran along the Alma Real, he stopped for a drink from the bubbler and heard strange voices coming from within the clubhouse. Somebody was screaming.
The door here was ajar, and he opened it and looked into a small side room of the auditorium.
A lanky, leggy, and busty blonde was the only occupant of this room. She had paint on her nose and a bandanna over her hair. She was wearing denim pedal pushers and a navy blue T shirt. One hand held a brush, the other a can of paint. Her gaze was fastened critically on a half-completed theatrical poster.
She turned, as Joe coughed, and looked at him absently. "What the hell do you want?"
Nothing you’ve got. I heard a scream.
Her eyes moved from his shoes to his eyes and she sniffed. You’ll hear more. Rehearsals are going on. Are you the new boy from the Santa Monica Guild?
Joe shook his head. I’m the old boy from the Los Angeles Police Department. What kind of rehearsals are going on?
Theatrical rehearsals, Inspector. This is the home of the Point Players. Would you like to join?
You mean—anyone can join?
Unfortunately, yes. Anyone, that is, with two dollars. You see, this is public property so we can’t be as exclusive as some of us would like. You have two dollars, I’m sure.
Joe stared at her for seconds. Why so smart, blondie? You allergic to men, or something?
She returned his stare a few seconds and then she smiled. No. Hello, Sam. Welcome to the Point Players. You’ll love us.
She put the paint and brush on a table. Have you a cigarette?
He offered her one, and held a light for her. My name’s Joe.
Mine’s Norah. Hello, Joe.
Hi.
On closer inspection, she wasn’t as young as he first thought. She was thirtyish, though her skin was flawless and her eyes a clear and impressive blue.
She made a face. You look about ready to pinch me. Don’t. That can of paint is almost full and that looks like an expensive jacket you’re wearing.
I don’t pinch,
Joe said. Are you a professional actress?
No. But thanks for the thought. What’s your line?
I was a cop for twelve years,
Joe said. I’m not doing much of anything, now.
Oh? Suspended or discharged?
Retired.
She frowned. At your age? What kind of talk is that?
I inherited some money,
Joe explained. Is it all right to watch them rehearse?
Of course, from out front. Not from here. Money, you said? How much money?
Don’t crowd me, Norah,
Joe said. I want to look over the field.
Mmm-hmmm. And in a few hours you’ll forget your old friends. I know who you are, now. You bought that place on Via de las Olas.
Right. How do I get into the auditorium from here?
She pointed at a door. Through there. Hurry back.
He went through the door and into a gymnasium with a stage on one end. Above the stage, the basketball backboard hung. About twenty feet in front of the apron, a man stood watching the three players up on the almost bare stage.
There were some folding chairs along the wall here and Joe sat on one. The three on the stage were an elderly man and woman and a non-elderly redhead. The redhead could have been seventeen or twenty-seven; it wasn’t a thing that mattered.
The man in front of the stage, who must have been the director, was now addressing her and his voice was not kind. We’ll try that over. Try to remember this isn’t a beach scene, Sharon.
The redhead stared across the lights. I don’t quite understand that criticism, Larry.
It’s a subdued scene. Your body isn’t the major interest.
I see. Perhaps I should have worn a tighter bra. But as this was only a run-through—
The man named Larry raised a hand to silence her.
We’ll take it from your entrance, Sharon.
His voice sharpened. And don’t talk back to me.
For perhaps three full seconds, the girl glared at him and then went toward the rear of the stage. The director glanced his way, then, and Joe felt uncomfortable.
In a few seconds, Joe rose and went quietly through the doorway that led to the small room. Norah was back at work; the poster was almost completed.
Joe said, Who’s that Larry, out there?
That’s Larry Puma. He’s directing our current effort. Why’d you ask?
He’s kind of nasty, isn’t he?
No. He’s the director and the director is king. Larry’s more patient than most.
Joe paused and cleared his throat and studied the poster. Then: Who’s the redhead?
Sharon Cassidy. Five and a half feet tall, one hundred and twenty-two pounds heavy, thirty-four brassière, ‘?’ cup.
Why the remark about the brassière? Are all theatrical people envious?
I don’t know. I’m not a theatrical person. I was measuring her only talent for you. You like her, flatfoot?
I don’t know her. She certainly—well, attracts the eye.
Mmmm-hmm. How about this poster? Think it will attract the eye?
It sure should. It’s great, I think. That looks like professional work.
Thank you, Joe.
She put the brush down. Could I bum another cigarette?
He gave her one and lighted it for her. From the direction of the stage he could hear the voices and from somewhere came the sound of hammering.
Norah took a deep puff and inhaled it slowly. She looked up to find his eyes on her. She smiled. Sharon’s affected you already, has she?
He shrugged. That’s a lot of woman.
Uh-huh. Joe, just for kicks, don’t let her know you inherited any money. And don’t let her see that house of yours.
Joe laughed. Easy, blondie. I don’t even know the girl, and I’ll probably never meet her. I’m no high school punk, you understand. I’ve seen a lot of girls. I was a cop for twelve years. I worked out of Hollywood for six of ‘em.
Yes, yes, yes.
Norah nodded matter-of-factly. Well, no man is going to understand Sharon completely because his ego won’t let him. Just you listen to old Aunt Norah and you’ll save yourself a carload of bitterness.
He grinned at her. Okay. I’ll watch myself. What could I do around here to make myself useful?
Don’t worry about that; there are plenty of jobs for the untalented in this organization. You’ll find your little niche.
I see. What’s yours?
"I act at times and paint at times and sell tickets and make coffee and try to get us publicity and set up chairs and run out for