Shanghai Bandit
By Eric Qiao
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Shanghai Bandit - Eric Qiao
grandmother.
Part One
Chapter One
Five o’clock in the afternoon, right before closing, the bank gets robbed.
I know as soon as the guy approaches Cass’s counter, flashing a genuine shitty grin, trotting a gangster walk, which looks like he’s either got a cramp, sustained a knee injury, or is mentally challenged. I know he’s robbing us because there’s a fire up north and that can’t be a coincidence. I know what he’s going to sound like, too, pretty much. Guy’s wearing a bright orange bandanna; might as well stamp the text, bank robber on his forehead. He opens with, My oh my,
hands rubbing with glee. Peering at Cass’s double D’s, then her nametag, he says, Cassandra Roselyn, don’t mind me calling you Cassie Rose.
Cass doesn’t get it. How may I help you, sir?
She pulls her face to a standard teller’s smile, her teeth an ad for reasons not to smoke.
You can start by opening them drawers and show me what you got.
Guy tongues his lips. Sorry to ruin your day, honey. In case you don’t know, this is a holdup.
Cass shoots me a sideways glance; her smile turns to a frown. I’m standing at the next counter about six feet away. I trigger the silent alarm. With that fire burning still at north side of town, I know the alarm is a hopeless cause.
He turns to me. What you looking at, my boy?
I’m his boy. I’m past thirty. The guy’s the same age, if not younger.
Now, in the bank, there’s Cass, me, the robber dude in his bandanna, Jim the loan officer at his desk, and Ester the branch manager—she’s in the back office away from the action. Jim looks up, dumbstruck.
I say to the robber, Sir, why don’t you just leave the building, right now?
Why don’t I bust a cap in your ass, right now?
His hand goes inside his pocket and comes out with…nothing. He pats himself up and down as if he forgot where he pocketed his keys, an uh-oh moment across his face. Yeah, uh, gimme a minute.
Licks his front row teeth, left and right.
Sirens in the distance.
The guy, still licking, still patting himself up and down his jacket and his pants, backs away. One step. Two steps. A siren goes woop woop in short bursts, another one goes weewoo weewoo. The dude in his bandanna scratches his head, doesn’t seem particularly worried about the police.
Next, two sheriff’s cruisers race past the building, not stopping. They’re off to contain the fire on the north side of town. The sirens diminish in that direction. Then the door swings open. A young Latina enters.
Early twenties. Curvy figure. No need for her to turn around to reveal her nice can. Her face is about the prettiest thing I’ve ever seen. Belongs on TV, not in the real world.
The robber shouts at her, Girl, what I tell you? Stay the lookout!
She says, You forgot your gun. Here,
handing over a M1911 semi-automatic, in high heels, in perfect composure.
Shoot, baby, I didn’t forget. Don’t think I needed it is all.
The guy’s calm and playing it cool. He cocks the pistol to a lock and load. Badass gangster ready to rob.
The police are all gone.
She thumbs at the exit. Where’s the money?
I’m gettin’ it.
He returns to Cass’s counter and points the gun at her face. Cassie Rose, meet Mr. Colt. Now please, won’t you grab a bag and stuff it full with my goddamn money.
To me, C’mon, you too. Let’s go, white boy.
Again, I’m no boy. I’m not white, either. Just do as he says.
I nod at Cass, calm as can be.
As we empty our cash drawers, Jim, the loan officer, pushes himself up from behind his desk. Cassandra? What’s going on?
The robber turns to him with the gun. What’s it look like, dipshit?
Jimbo lifts his hands in surrender, sitting his ass back. His eyes are asking me, Didn’t you trigger the silent alarm? I ignore him. He stays quiet.
Once the bags are stuffed with cash, we concede them to the guy in the bandanna. He chuckles, pleased. Thank you. Yeah, thank you very much, no doubt.
I shrug. You’re welcome.
The Latina approaches the counter. Your wallets too. C’mon, take ’em out.
Jesus Christ, she approaches at me like a runway model. Judgment severely clouded, I withdraw my wallet and lay it on the counter. After my compliance, my colleagues follow suit. The bandanna guy snatches my wallet and slides it in his ass-pocket. The Latina collects the rest.
Finally satisfied, the girl beams exhilarated, then she swings her arms around her dude and they start making out right here in the middle of the floor, each holding a bag of money. The guy grabs her ass, putting on a show. I catch Cass rolling her eyes. Jimbo looks to be drooling quite a bit.
Right then, a third person bursts into the building.
It’s quarter after five. Fifteen minutes past the bank’s usual operating hours. The third guy who just entered, is short, has a pump action shotgun at his hip, and he’s wearing a black ski-mask. The couple making out disengage, and then exchange expressions with each other, and finally stare at the intruder, appearing absolutely bewildered, seeming to say, Who the hell are you?
And I get it, right away.
The intruder’s not with these two. Not part of the plan. They don’t know one another. Christ, what are the odds? Three years I’ve worked here, three mundane years as a teller. The most excitement I witnessed was when a stray dog came in and took a dump. That was two years ago. Today, the first time the bank gets robbed; it gets robbed by two separate, unrelated parties—at the same freaking time. I survey the newcomer shaking my head. Naturally, I know what the poor guy is about to announce.
You! You and you! E-everybody on floor! I-I am banker robber!
His voice sounds old, almost ancient. I detect his accent and his broken English, both are a surprise. The stammering is also out of left field. One simply doesn’t expect a bank robber to stammer in a holdup.
No one gets on the floor.
You kidding me?
the Latina snaps, sounding bitchy. "The place’s already robbed. We got here first, okay, mister? Speaking and looking hot.
Us—el primero."
Yeah, homeboy,
her partner adds. Set your own fire tomorrow and then come back. Or better yet, try a ghetto-ass town someplace else.
The guy in the ski-mask appears stunned. He says nothing.
"Yo, you heard? This joint here, it’s ours."
The two parties are standing face to face, but aren’t exactly standing off, because the newcomer’s right side seems to be shaking, a lot. He looks unsteady. The shotgun at his hip is trembling too. He appears to be having trouble lifting it upright, as if it were an anchor of a boat gradually sinking. So the shotgun lowers, its barrels pointing to the floor. Now the guy’s using the thing to prop himself like it’s a cane. He stumbles, head snaps back. Then finally his ass hits the floor, jerking. The shotgun grip falls on his knee with a dull thud.
Shit, dude’s having a heart attack or somethin’.
The bandanna guy tucks the Colt behind his back and surveys the bank: seeing no one’s taking initiative, he tends the patient after a short pause. Kneeling beside him, Man, you all right?
The Latina babe also comes to his aid. Take off his mask.
No, woman. We’re like, industry colleagues, you hear? We gots to observe professional courtesy.
The patient is wheezing. Me…s-str-stroke.
You having a stroke?
The poor guy pleads, C-call…911.
Get real, fool. We’re pulling a bank job and you expect us to dial 911?
Let’s roll,
the girl scoffs, stands, and backs away. We have the money, let’s just go.
What if I had a stroke on the job?
Her partner rises patting his own chest. We gotta take him to the ER.
"You out of your mind? We don’t even have a car."
"Don’t be such a cold-hearted bitch. Man’s dying. Ain’t no ambulance gonna come for him. They up at the fire scene. A fire we lit. He dies, it’s on us."
So what?
Woman, do as I say.
His eyes narrow, meaning it. Boot us a ride, ASAP. We’re dumping him at the ER.
The girl mumbles something in Spanish and turns to the loan officer by the desk. Girl’s b-side is sensational. She says to Jimbo, You there—you seem like a person who owns a running automobile. Hand over your key.
Jim wheels back in his chair, stuttering, I-no, p-please. I-I’m two months away from paying it off.
The girl places both hands on his desk, leaning over. I look the type who gives a damn?
Jimbo cringes on the verge of weeping.
I eyeball the stroked-out dude on the ground, and all of a sudden I’m hit with memories of China Beach during the war. Poor fellow, he needs immediate medical attention, no doubt about it. Miss, leave my coworker alone, please.
I exhale, at the same time I wink at Jim, letting him know I’ll take care of this. I got a car.
Producing my key, I make it jingle.
Everyone turns, sights on me.
I got a car but I’m not about to turn it over. I like my car and I intend to keep it mine. So I let on, "Here’s what’ll happen, my car—I’ll drive. The señorita is welcome to ride with me."
No!
Cass objects. "Take my car. Please—"
"Cassandra." I motion for her to zip it shut. I got it handled. To the robber dude, I resume, Leave my coworkers safely out of this and you can ride with me as well, asshole.
The hell you think you are?
The bandanna guy pulls out Mr. Colt. His legs spread and his shoulders lock in, aiming the weapon square at my face. In that instant, I recognize his fire-ready position, his stance and posture are all part of his muscle memory. I know exactly what he is, or rather, was—before he fell to bad habits. Judging by the way he’s licking his teeth, it’s got to be cocaine. Your car key, toss it over.
Guy steps closer with hostility in his stare. But his finger isn’t on the trigger, it’s on the safety. The safety is on.
Unflinching, I address him, "Soldier, listen up, this is a small town and we got a sad excuse for a hospital, a hospital you likely don’t know the location of. A fellow like you approach the ER with my vehicle, hospital staff will realize it’s stolen. Next thing you know there’ll be an APB out for you and stolen autos. You won’t be getting out of this town in any type of wheels whatsoever. On the other hand, we drop him off together, hospital staff would be inclined to believe you’re my guests visiting from out of town."
What you mean a fellow like me?
The way he says you sounds like chew. His eyebrow goes up and down and he knows what I mean. Shaking his head, he says, What, we’ll dump him at the hospital and you’ll let us jack your ride?
His aim lowers.
We’ll drop him off and I’ll see how it goes from there.
Shit, I got the gun, what you gonna do?
He glances over at the wheezing dude on the ground. Time is of the essence and this we both agree. All right then, let’s hustle.
We lift the stroke patient and prop him on our shoulders. The four of us make for the exit with the robber saying to the patient, Man, you better have insurance.
At the same time, Ester, the branch manager comes out from her office, finally getting off her lazy overweight ass. Coming out not because she heard the ruckus, but because it’s time to head home for supper. Taking not a second to grasp the scene, she inquires of me, Where you going? Aren’t you closing today?
Well boss, we just got robbed, two, three grand worth.
Before she starts, I request, Cass, help me close today? Shouldn’t take you long to balance our cash drawers. I mean, hell, the drawers are empty.
****
The car’s AM radio is on, a guy criticizing President Reagan’s fiscal responsibility. I turn him off. In the distance, thick smoke rises from a hill, ascending into the clouds. The fire is an inferno and it’s losing control, making the desolated town appear more exciting than it is. Excitement is good. Gives folks things to talk about. Keeps their mind off the economic depression.
I veer left on Citrus Street—not a citrus tree in sight—and pass the closed post office, heading westbound to the county medical. Should be there in ten minutes. Only one traffic light on the way, and if it’s red I’ll have to run it, no question. Not as if I’ll be encountering pedestrians at the crossing.
The pretty babe is in the passenger seat, the stroke patient and the bandanna dude in the back. The dude says, Shit, you ever met robbers like us, teller boy?
From the rearview, he takes off his bandanna revealing a bald head—by choice, not circumstance. We’re on a robbery and we’re saving a fellow human being. That’s an act of valor worthy of a Bronze Star, man.
Then he leans forward. "Yo, you called me soldier back there. How’d you tell? Before I reply, he lets on,
I got drafted, then dishonorably discharged before I saw ’Nam. Shot an officer in the ass, ha-ha…talk about bustin’ a cap. He rubs his head.
It was one of those freak training accidents. But a lucky one, I guess. Most of my homies never made it back. Wielding his gun, he tells me,
I shot him with this, too."
Colt 1911, once army standard issue, now the most popular weapon in American crime. The car’s quiet for a spell, except for the wheezing patient. His eyes are closed, arm clutching his shotgun tight. I say nothing. Just here to drive and observe.
Hey, Cujo,
the girl turns back and suggests, why don’t we count the take?
Counting the take in a gateway is terrible idea, but the guy called Cujo tucks his gun away and extracts some loose cash from the bag, saying, Yeah, baby, why don’t we.
The babe also starts to count, but she stops before getting too far. Weird. Why is there an envelope in here?
"No, don’t open that! I spread out my right arm, stopping her as if I’m about to grope her breast.
That’s a dye pack."
A what?
"A dye pack. It’ll explode if you tamper with it and dye everything blood red. You won’t be able to wash it off the bills, not unless you got the solution from the feds. Try spending tainted el dólar, you’ll be picked up in less than ninety seconds."
Bullshit.
The girl scoffs, has that bitchy, hot look on her. Her eyelashes are lined with black makeup. Batting her lashes she opens the envelope. You think this is our first rodeo?
Soon as her words leave those luscious lips, the dye pack explodes. Pah! like popping a balloon. Red liquid splashes everywhere, on her face, on her hair and clothes, on the window and on the dash, and mostly, on the cash.
Damn woman!
Damn sounding like Day-yam. The guy reaches forward and seizes the bag from her. You done ruined the money!
The girl speaks in hysteria, español rolls off her tongue like a Gatling gun. She’s obviously cursing, either at me or at her luck. Her hands are all red, she holds them out, trying not to touch anything. Then she turns to me looking like she got shot in the face. Hotness evaporates. "You—you put that pack in there, you son-of-a-bitch," more Spanish follows.
Cass dropped it in,
I explain. We only got one pack.
Midway to the hospital now, Cujo is complaining, the girl is hysterical. I request the latter not to move ’cause she’s getting red dye all over my seat. Christ, I offer these criminals a ride and they go about messing up my car.
Straight head, a traffic light turns from green to yellow to red right before the train tracks. The rail line’s defunct but the traffic light isn’t. The trains stopped rolling in since after the Second World War, after Eisenhower built the interstate highways for the purpose of national defense. Abisko, California, akin to many small towns in America, dwindled and suffered as a result. Now the shanty town is halfway through its death rattle.
As I’m trying to remember the last time a train rolled through here, the word baichi reaches my ears in a whisper, amidst the girl’s Spanish. I turn my head feeling I’m in slow-mo. Then the sound of a shotgun racking—that one-two action, unmistakable—silences the commotion.
Stop now.
The double-barrels are connected to Cujo’s temple. The stroke patient sits erect, holding the gun. Not wheezing any more, no longer weak on one side. His finger is on the trigger, holding steady. Behind the ski-mask, his eyes are wide open. The man means business. Stop car,
he commands again, not stammering any more.
Dude,
Cujo pleads, kicking my seat. You hear? Stop the car!
His hands are up.
So my foot eases off the gas and the car coasts to a halt at the red light before a railroad crossing.
The ex-stroke patient takes control of Cujo’s Colt and tucks it under his waistband. Now he goes for the money, the tainted bag and the untainted one, as well, muttering, "How you so stupid, eng? He combines the bags into one, easier to hold on to.
You no made for this, baichi."
Slowly, the man opens the door and backs out ass first. The shotgun grip is clutched in his armpit, right hand on the trigger, left hand with the money. "All you—out! To me,
Leave me key."
We climb out of the car with our hands up. The two lane street is empty. There’s a pawnshop on one side, a tire-shop opposite. The pawnshop has been closed for a month, its aluminum door rolled all the way down and locked. The tire-shop doubles as a used car lot, and is having a buy-two-tires-get-two-free special. No customer cars out front. The owner’s truck is gone. Probably off to see the fire, that’s where excitement is at its utmost.
The three of us shuffle onto the curb. In her high-heels, the señorita’s tits bounce, no bra, heaving.
Thought you was having a stroke, man.
Cujo shakes his head, disbelieving and dismayed. "We were saving your life. How you gonna play us like that?"
The ski-masked dude hurries to the driver’s side casting one last pathetic look at the three of us. Me, in my work clothes, shirt tucked in and wearing a tie; the Latina covered in red dye, in desperate need of a steamy, hot shower; Cujo, his hands up, holding his orange bandanna in a wad. The guy in the ski-mask ducks inside my car with the money. He says nothing. The car door slams and seconds later, the traffic light turns green.
Like that the