Seven Days in May: A Novel
By Kim Izzo
3.5/5
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About this ebook
“In this, her third novel, Kim Izzo renders the last voyage of the Lusitania in such terrifyingly accurate detail that we readers cannot help but feel we too are aboard that doomed ship—and in Winston Churchill’s ultra-secret lair, Room 40—as the ineluctable forces of history converge.”
— Erik Larson, bestselling author of The Splendid and the Vile
For readers of Kate Williams, Beatriz Williams and Jennifer Robson, a captivating novel of love and resilience during the Great War, inspired by the author’s family history.
As the First World War rages in continental Europe, two New York heiresses, Sydney and Brooke Sinclair, are due to set sail for England. Brooke is engaged to marry impoverished aristocrat Edward Thorpe-Tracey, the future Lord Northbrook, in the wedding of the social calendar. Sydney has other adventures in mind; she is drawn to the burgeoning suffragette movement, which is a constant source of embarrassment to her proper sister. As international tempers flare, the German embassy releases a warning that any ships making the Atlantic crossing are at risk. Undaunted, Sydney and Brooke board the Lusitania for the seven-day voyage with Edward, not knowing that disaster lies ahead.
In London, Isabel Nelson, a young woman grateful to have escaped her blemished reputation in Oxford, has found employment at the British Admiralty in the mysterious Room 40. While she begins as a secretary, it isn’t long before her skills in codes and cyphers are called on, and she learns a devastating truth and the true cost of war.
As the days of the voyage pass, these four lives collide in a struggle for survival as the Lusitania meets its deadly fate.
Kim Izzo
KIM IZZO is the author of two novels, The Jane Austen Marriage Manual, which was a bestseller and has been optioned for film, and My Life in Black and White. She is the co-author of the international bestseller The Fabulous Girl’s Guide to Decorum and The Fabulous Girl’s Guide to Grace Under Pressure. Izzo has appeared on numerous television and radio shows, including the Oprah Winfrey Show, the Today Show, the O’Reilly Factor and Canada AM. Her advice and opinions have appeared in the pages of the New York Times Sunday Styles section, InStyle, Marie Claire, Glamour, Redbook, Cosmopolitan and Vogue (UK).
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Reviews for Seven Days in May
21 ratings4 reviews
- Rating: 4 out of 5 stars4/5The last voyage of the Lusitania is brought vividly to life in this novel that traces the intertwining lives of a few passengers and a British spy monitoring U-boats. I loved the character of Sydney Sinclair, a wealthy New York socialite and suffragette, who finds herself sailing on the grand ship with her older sister and her sister's British fiance. Sydney's rebelliousness propels much of the plot, especially as she spares with her more conforming sister and starts to harbor romantic feelings for her sister's fiance. Good reading for those who enjoy this era.
- Rating: 2 out of 5 stars2/5This novel follows the lives of three individuals during WWI. Isabel works in London, decoding hidden German messages. Edward, a poor English lord travels to the U.S. to escort his bride, Brooke, home for their wedding. Sydney, Brooke's sister, is tired of the proper life expected of women of her station and wealth. When Isabel starts seeing messages tracking the progress of the Lusitania, she immediately begins to worry about its safety. Edward, Sydney and Brooke are traveling on the Lusitania.I have mixed feelings about this book. The writing style wasn't bad and the character development was solid. However, the love triangle between Edward, Sydney, and Brooke was trite and predictable. It made Edward and Sydney very unlikeable. Isabel's back story seemed unnecessary, it took away from the strength of her character. The build-up and aftermath of the sinking seemed to take forever. With some editing, the book could have been really good. As is, it's a bust.
- Rating: 2 out of 5 stars2/5In London, a young woman does her part for the war effort by typing up decoded messages in Room 40. In London, a wealthy heiress seeks to further women's rights. Though they never meet, both of their lives are affected by seven days in May.By far, Isabel has the more interesting tale, working with the men who decoded German transmissions, although she was not developed as well as she could have been. I did like that when someone tries to use her past against her, she doesn't give in.Sydney, on the other hand, is cliched and forgettable. A love triangle where one couple is engaged, but the bride to be has an independent minded younger sister? Oh, I wonder how this will end. I did like the details of the 'Lusy' sinking told from her viewpoint, but that was the only noteworthy aspect of her tale.There is mention of abortions, the consequences of such, in the beginning of the story, so those sensitive to that should be warned. Also, a sex scene, though not graphic, was still enough to put me off.I received a free copy from NetGalley for reviewing purposes.
- Rating: 5 out of 5 stars5/5Oh this is such a wonderful book. I couldn't have imagined how much I would end up enjoying it. It has that mix of fact and fiction that I love but it can hinder an author sometimes as they can end up sacrificing elements of a good story by trying to stick to facts. Not so here. Oh there's no doubt that Kim Izzo has researched the story of the Lusitania meticulously but she has also weaved the most fantastic storyline around it.That storyline is one of three incredibly strong women. Sydney and Brooke Sinclair are sisters. They're New Yorkers and very wealthy young women. It's their voyage on the Lusitania that is the central part of the story. And there is also Isabel Nelson, a young woman working in Room 40 which was a pre-cursor to Bletchley Park. In the midst of WWI she is busy helping to decode messages sent by the Germans and in particular those relating to the passage of ships in the exclusion zone where they were liable to be attacked.Both elements were equally strong. When we swapped from one to the other I was never disappointed, just keen to find out what was happening with these wonderfully drawn characters. I loved Sydney. The author has drawn aspects of social history into her story as she's a suffragette and is very much involved in trying to promote contraception. But more than anything else I loved her because she said and did what she wanted in a time when women did as they were told.But let's not forget about the Lusitania herself. I really could have put myself there, it was so beautifully described. I've never been on an ocean liner but it was so easy to imagine the opulence of first class as opposed to the basic set up in third class. Although I had heard of the ship I didn't know much else and I deliberately avoided reading about it online until I had finished the book. It gave a greater impact to what I was reading and at one point a shiver went down my spine.This is such an evocative, emotional, beautifully written book. I just loved it.
Book preview
Seven Days in May - Kim Izzo
1915
JANUARY 4
Sydney Sinclair, New York City
It was half past nine in the morning when Sydney stepped out of the taxi wearing her most drab topcoat. It was plain boiled wool in a dark rust colour that provided a comforting camouflage amongst the worn-out browns of the tenement buildings and bustling pushcarts of Orchard Street.
She picked her way through the maze of foreign languages being shouted about her. Italian, Hebrew, Polish and other unfamiliar tongues swirled around her, the speakers no doubt haggling over the price of potatoes and root vegetables, of articles of clothing, perhaps even of the live birds and rabbits on display. She glanced at the scrap of paper in her hand. The tenement she sought was directly across the street. She crossed cautiously, the heels of her lace-up boots squishing into the dirty snow.
They were expecting her. She followed a small woman wearing a tartan skirt up five flights of stairs and down a hallway, stopping at a black door marked 5C. There was no ceremony upon entering the flat. No one to greet her with deference or offer her a seat, tea or even a glass of water. That she was a young woman of independent means from one of New York’s wealthiest families meant nothing here. Well, not entirely.
You must be Miss Sinclair?
The tartan woman who had led her inside had swiftly disappeared into another room, leaving Sydney alone by the door. Sydney smiled at the woman who spoke now. She was young, at least young enough to still be considered pretty, which was saying something considering the dour nursing uniform she wore. The cap wasn’t especially flattering either.
Please call me Sydney,
she said, and offered her hand but the nurse shook her head.
We don’t shake hands in here. It’s not sanitary. I’m Gretchen.
You worked with Margaret Sanger?
Sydney asked.
Gretchen nodded. Still do work for Margaret, if you ask me. What we do here is all because of her.
Margaret Sanger was a notorious and controversial advocate for women’s reproductive rights; she was also Sydney’s heroine, and someone she wanted to emulate, which had created a bone of contention between Sydney and her sister, Brooke. Tension between them was nothing new but it had risen substantially since Brooke had become engaged to an English aristocrat, Edward Thorpe-Tracey. Even the name was pompous to her. Several bitter arguments over Sydney’s politics, which conflicted with his traditional views, had resulted. And this was before she’d even met the man. Edward wasn’t due to arrive in New York until the end of April to escort his fiancée and her only remaining family to England for the wedding. Of course an American wedding wasn’t grand enough for Brooke. So Sydney was travelling overseas to stand with her sister as she wed Edward on his estate, Rathfon Hall. The only silver lining for Sydney was the opportunity to meet with Sanger, now exiled and living in London, having broken too many laws in America.
Gretchen led Sydney through the flat. In its previous life it would have been a family home with three rooms. Two for sleeping and one for living. But now it was a makeshift hospital. Bed after bed took up most of the floor space. She counted three nurses including Gretchen; the others were occupied with inventory and cleaning. Despite the activity there were only two patients. One sat up reading a novel, a very ragged and dog-eared copy of Anne of Green Gables. Sydney got a closer look at the girl reading it. She can’t be older than fifteen, thought Sydney, who was only twenty-one.
She’s recovering nicely,
Gretchen whispered, and walked well out of earshot of the patients. She had a nasty infection after her procedure. Whoever did it used a crochet hook.
Sydney tried desperately not to react. Squeamishness wasn’t what was needed here. Who did this to her?
Sydney asked, not sure if she wanted the name of the back-alley abortionist or the cad who had impregnated the child.
She worked in a garment factory. I think the man was her boss, poor thing,
Gretchen said as though reading her mind. "I don’t think she went to a doctor but she wouldn’t tell us. Whoever did it butchered her insides getting rid of the fetus, that much we know. We don’t need her telling us that. But she’ll be fine."
Sydney looked at the woman in the next bed. She had her eyes closed and her forehead covered with her arm. Her hair was tangled and dirty.
Has she been here a long time?
Sydney asked, indicating the other woman by a nod of her head.
Gretchen sighed. She tried to abort the baby herself.
Sydney winced. She succeeded in the end but she turned septic. We’re not sure if she’ll make it. And if she does, she won’t be able to bear any more children.
How awful for her.
It’s not too awful,
Gretchen said coldly. She already has nine children at home. Catholic, you know. Husband won’t leave her alone.
Sydney didn’t want to stare at the stricken woman and turned again to the young girl reading Anne of Green Gables. The girl turned a page and giggled.
Will she return to her job in the garment factory?
Sydney asked.
Gretchen shrugged. What choice does she have?
Sydney felt light-headed. It was very hot in the flat. She staggered a few steps. I need water.
She swooned.
Gretchen took her by the arm and led her to one of the beds. Sydney lay down and closed her eyes. She heard a commotion not far from her and then Gretchen was back with a glass of water and a cool cloth for her forehead.
I didn’t really faint,
Sydney said, and struggled to sit up.
Stay put,
Gretchen ordered. You’re not the first visitor to react this way.
Sydney sat on the edge of the bed and Gretchen left her alone a moment. When she was able to focus she looked up and saw the young girl staring at her. Sydney looked away, feeling self-conscious.
Hello, Miss. I’m Mary,
the young woman said. Did you get rid of your baby too?
Sydney looked carefully at the girl. She was so young. Her cheeks still had the rosy glow and baby fat of childhood. Yet her eyes lacked all innocence. To think this child knew more about the intimacy between man and woman than she did.
I did not, Mary,
Sydney said simply.
Better to wait until you got here,
Mary said. They know what they’re doing.
Her words made Sydney wonder. How did you come to be here?
Mary smiled. The man who got rid of my baby, well, when he saw the blood he went crazy. Practically carried me all the way. I was lucky someone was here. Almost died.
She stopped smiling and went silent.
You’ll be fine, Mary,
Sydney said, knowing full well she had no idea if that were true.
Minutes later Gretchen walked with Sydney down the steps to the front door. So will you help us? We could use the money.
Sydney was surprised by her boldness. In her world people didn’t speak of money so nakedly. But she nodded. I will send a cheque,
she said.
Cash,
Gretchen said bluntly. We can’t have any records, for obvious reasons.
They had reached the front door. She still smelled the antiseptics from the clinic. Then again maybe it was Gretchen who carried the odour with her.
I will see to it you get cash,
Sydney said. Goodbye.
Back on Orchard Street the aromas from the pushcarts wafted up to her and rescued her senses. She lifted her chin to take in the soothing smells. The scent of smoked meat and roasted potatoes was more pleasing than iodine and other hospital chemicals. Sydney had stayed longer than she had realized. But it was difficult to walk away from such a place. She pulled on her gloves and headed north, as fast as she could under her own power before hailing a taxi. She was expected at home any minute. It was a bad habit of hers to be late, especially when it came to meeting her guardian. But her guilt only went so far. He’s well paid to put up with me.
Isabel Nelson, London
Isabel stood staring up at the old Admiralty Building. It was an intimidating three-storey U-shaped structure complete with columns and an imposing archway. The building stood on Whitehall and was one of the power centres of the British government and yet she, of all people, was standing on its threshold working up the nerve to cross it. She’d been in London but two days and already she felt sure the city would eat her alive. The crowds, the filthy streets and the fumes in the air smelled unlike anything she’d encountered before. How did people stand it? But she had come for a fresh start and that must be enough to put up with any amount of discomfort. The first week of the New Year was especially cold and a thin veil of wet snow billowed down from the grey murk above. It suited her mood.
Isabel straightened her felt hat and took a deep breath. She was early. It was a habit of hers formed in childhood by a mother who arrived everywhere thirty minutes ahead of schedule. Being late was a sin in the Nelson household. Mind you, she’d since been guilty of greater crimes than tardiness. Why else was she standing in the freezing damp in the capital? She glanced at her wristwatch and felt a familiar panic rise up from her belly. The time had come and she would go from being early to late if she dawdled any longer. She imagined that naval officers agreed with her mother on tardiness being a grave sin. With gritted teeth Isabel stepped forward and marched into the Admiralty.
You must be Isabel." It was Mrs. Burns, who was in charge of all the women typists, clerks and stenographers, who spoke to her, with a stern and assessing gaze. Several other young new hires stood shoulder to shoulder alongside Isabel in the small space that was Burns’s office. She was a stout older woman with a few errant whiskers on her chin and grey frizzy hair poking out of its bun.
Blimey. The government isn’t too fussy about appearances, thought Isabel. She had taken great care to dress, first impressions and all that. While the other young ladies painted their eyelids and cheeks with pots of colour and stained their lips to have that bitten
look, Isabel had forgone this fad and instead used only a translucent powder. And unlike these other girls, who wore their hair in chic chignons with wisps or loose waves softly framing their faces, Isabel’s hair was drawn severely off her face and imprisoned in a tight bun guarded by a dozen bobby pins. Her skirt, blouse and jacket were plain but clean and tidy. Not that she was against prettying herself up; that morning she had stared at her lipstick and pot of rouge on the vanity at the boarding house in Kentish Town. But pretty was no longer her role to play. London was a fresh start to be launched with a fresh face.
Cat got your tongue?
Mrs. Burns was staring at her.
No, ma’am. I’m Isabel Nelson, from Oxford.
Is that so?
she asked. And what did you read up in Oxford then? Ancient history? Latin?
The other young ladies stifled giggles. Isabel hated Mrs. Burns.
I didn’t say I went to the university, ma’am. But the house where I worked was in the city centre.
The older woman pursed her lips, not even bothering to try to hide her disdain. All right, ladies. It’s time for a tour and then you will go to your assigned offices.
I heard that she’s nice enough once she gets to know you,
one of the girls explained to Isabel.
She shrugged. I don’t plan on knowing her.
The girl raised her eyebrows in surprise. Isabel quickly changed tactics. I mean I’m here to do a job, an important job for the war effort. As we all are.
I think we’re here to type and file,
the girl answered, and walked away.
Mrs. Burns gave the newcomers a tour of the old Admiralty Building, which was full of history as expected and had the added distinction of having had the body of Lord Horatio Nelson lie in repose there the night before his burial. Lord Nelson was of no relation to Isabel. She had checked, of course. There was no noble blood in her veins. No heroic ancestors to lay claim to. Yet she wasn’t the only one who made the connection.
Are you related to him, then?
asked one of the girls a little too loudly for comfort.
Isabel hesitated. I’m not sure,
she answered quietly. She hadn’t denied it outright. But that wasn’t the same as lying. Unfortunately Mrs. Burns heard their exchange and rolled her eyes for all to see.
What would the great-granddaughter of Horatio Nelson be doing typing and filing at the Admiralty?
the older woman rightly pointed out.
The group’s next stop was the Admiralty Board Room. Mrs. Burns took great pride in pointing out a wind dial above the fireplace. It’s operated by a metal vane on the rooftop,
she’d explained to the bored faces that stared back. It’s from the original 1695 building.
That didn’t impress them. There were also elaborate carvings of ancient nautical instruments around the fireplace. But it wasn’t until Mrs. Burns brought their attention to a diagram that Isabel really paid attention. The diagram itself meant nothing to her. It was only when Mrs. Burns spoke the word telegraph that her interest was piqued. It’s a shutter telegraph,
she explained to her captivated audience of one. The Admiralty sent important messages to signalmen who were stationed throughout the country. Think of it as the wireless of the eighteenth century.
I prefer not to think of it at all,
whispered one of the other girls into Isabel’s ear. Isabel shunted her off with a disapproving glare. Telegraphy was an interest of Isabel’s. In Oxford she had had the opportunity to listen in as amateur radio operators intercepted foreign messages. She had begun to learn Morse code too but there hadn’t been time to become fluent . . . and now she was here.
That had been the morning gone by. Now she tried her best to appear confident as she made her way down the corridor toward her assigned post—Room 40 OB. Isabel was not at all impressed that the room she was given to work in was so inconveniently located from the main entrance. It was on the main floor but hidden down a dimly lit hallway and tucked in a corner. You’d think they didn’t want to be found, she grumbled to herself. When she arrived at her destination the door was closed. She stood and waited. For who or what she didn’t know. How stupid I must look, standing here staring at a door. But for some reason she was afraid to knock.
You lost, Miss?
Isabel turned to see a young man, about her age, behind her. I’ve been assigned to this office. I’m a secretary.
Isabel held out her written assignment letter as proof she was in the right place. The man skimmed it quickly.
I’ll take you in then.
He opened the door. Isabel stepped inside and was immediately transfixed. For one thing the room was smaller than she expected. Though perhaps it wasn’t the actual square footage that made it seem so, rather it was the fact of its being cramped, as though the men who occupied it had been stuffed inside an envelope and sealed, its creases bulging against the pressure. Paper was everywhere. Neat piles on a table. Haphazard stacks on the floor. Willy-nilly mounds in a corner. There was no obvious order, no apparent system. Nestled inside the mess were several men seated at a table laden with enormous books and still more masses of paper. The men were as silent and intense as seminary students studying for their ordination. None of them looked up at her.
Do come in, Miss.
The young man spoke again, jolting Isabel from her paralysis.
She took another step when there came a crash that made her jump. A loud Oh!
escaped her lips. Then she saw the source of the crash; it was a tray into which several metal tubes had clattered from a pneumatic system. It was a startling sound but the others seemed accustomed to it.
So what’s your name, then?
the young man asked.
Isabel smiled and shook his hand. Isabel Nelson.
I’m Henry Phillipson.
You’re not in the navy?
she asked him quietly.
He shook his head and smiled. Just a civilian volunteer.
Isabel saw that there were a few other girls in the room. They looked about her age but unlike her these girls wore fashionable clothes and cosmetics and styled their hair. They were clustered around several typewriters on one side of the room. Underwood No. 5s, to be exact. She had learned on the same model in Oxford. These machines were things of beauty to her. Like musical instruments that could play prose and poetry (or spew vile remarks if one gave in to impulses), in the right hands, beneath the right fingers, they were freedom and power.
One of the girls walked by with an armload of files and stopped when she saw Isabel. She studied her in a friendly way. You’re the new girl, aren’t you?
My name is Isabel,
she said.
The girl hugged her load and reached out her hand. I’m Dorothy.
She gestured to the other two girls. That’s Joan typing and Violet’s the one filing her nails. She shouldn’t do that in here. Anyway, welcome aboard.
Henry returned to her side as Dorothy scuttled away. I’m to take you to Commander Hope,
he said.
Isabel followed Henry to an isolated desk that was set up on the far side of the room. Seated on a simple wooden chair was Commander Hope. He looked up as she was introduced and without a smile said, Miss Nelson, welcome to Room 40. We perform a vital job for the Admiralty and for the war effort.
Isabel nodded, too nervous to speak. She felt Henry touch her arm. She looked at him and he winked. Then he was gone and she was left alone with Commander Hope. How much have you been told about our work?
he asked with no hint of his own friendly wink being forthcoming.
Not a thing, Commander, sir,
she said. It was true. Mrs. Burns had been incredibly vague about her assignment. The other new girls had been told in front of the others whom they would work for and in what department, and were free to ask questions. When it was her turn Mrs. Burns had handed her an assignment sheet that only listed the room number. When Isabel asked for more information Mrs. Burn had replied sternly, You will know soon enough.
Glad to hear it,
Commander Hope said, and seemed to relax his posture somewhat. He reminded Isabel of a professor. What goes on inside these walls is a secret. I trust you can keep a secret?
Yes—yes, sir,
she stammered, unsure why he’d ask such a thing of her.
When we’re through here, I’ve asked Alastair Denniston, he’s my second-in-command, to instruct you in the details of your job. In the meantime you’re required to sign this . . .
He handed her a government document. Isabel quickly scanned it.
The Official Secrets Act, sir?
she asked, as if she needed confirmation.
Hope raised an eyebrow. Is it going to be a problem for you, Miss Nelson?
Isabel shook her head furiously and, grabbing a pen off the man’s desk, she scrawled her name in the space given and proffered the paper to him. He studied her closely, her sudden eagerness no doubt off-putting to a man accustomed to well-trained sailors and naval officers. Thank you,
he said. I cannot overemphasize how seriously we take discretion, Miss Nelson. Nothing that happens within these walls must ever be spoken of outside of them. Now please go find Denniston. Good luck.
You’re welcome, Commander Hope,
she declared, and with a surge of optimistic energy saluted him. The inappropriate gesture made him smile, but only slightly.
She found Alastair Denniston waiting for her. He wasn’t a tall man, but was rather good-looking. Judging by his heavy eyelids he hadn’t slept in days, though his suit appeared freshly ironed. Beside him was an ashtray overflowing with discarded cigarettes. A few empty whisky tumblers dotted the table but there was no evidence of whisky.
Are you any good at math?
he asked her.
Math, sir?
Do you speak German?
Isabel felt flustered. I can do basic arithmetic. But I don’t speak German.
Her answer seemed to disappoint him.
Very well
he said. I always like to ask new recruits.
I do know some Morse code, sir,
she said, grasping at anything that might impress him. It worked.
Well, then. If you have a knack for that sort of thing we may have to train you beyond secretarial duties,
he said.
What is it you gentlemen do here exactly?
she asked, and looked around the room at the men, pencils in hand, scrawling madly. Are you writing a book?
What makes you ask that?
He laughed.
All the paper, sir,
she said. Though it doesn’t seem very organized.
As soon as the words had left her mouth she regretted them. Who was she to critique the Admiralty? Fortunately, Denniston smiled. That’s why we need you and the other ladies,
he answered, and lit another cigarette. But if you would like to be in on the great mystery, the holy of holies, I can tell you.
Isabel’s eyes narrowed. Was he teasing or mocking her with such an odd expression? Yes, I would.
Denniston exhaled a ring of silver smoke. Cryptography,
he said with a sly grin.
She had never heard the word before. We decipher code,
he said as though that explained everything.
Throughout the country there are amateur ham radio enthusiasts whom we’ve enlisted to intercept wireless transmissions from the enemy via our Hunstanton Coast Guard Station in Norfolk. These men are supplementing the work being done elsewhere by the Post Office and Marconi operators.
Isabel knew this only too well. Her employer in Oxford, George Chambers, was one such man. She had worked for him as a housemaid and he had written her a letter of reference and sent it personally to the Admiralty. Isabel and another girl named Mildred Fox had been let go at the same time for very different reasons. She didn’t know what had become of Mildred. But she felt certain now was not the time to mention Chambers or the letter of reference. What had happened to her in Oxford was as secret as anything in Room 40.
Denniston continued. All of these various groups send the intercepted German messages to the Admiralty. We have men here who take down the messages, which were encrypted and encoded by the Germans, and send them to us through the pneumatic tube system. Then we find the key to the code, decipher the messages and translate them. As you’ll soon learn that’s why so many of us are linguists, we knew nothing of code breaking when we began last autumn. But Fleet Paymaster Rotter was able to find the key and decipher the encrypted messages. From what is intercepted we can track every movement of the German High Seas Fleet. Are you following me?
Isabel nodded and he went on. Most messages are fairly routine, dull you might say. But we’ve found that when organized and compared they often reveal information of vital importance. Indeed we’ve grown so accustomed to the routine messages that when ones arrive that are not routine we pay close attention. This has proven to be useful.
Yes, sir,
was all she could manage to say. Her mind was whirring with all this startling information.
Now where you come in is that each message is typed up and copied and logged. It’s soul-destroying work, I grant you. But it’s our orders from the First Lord of the Admiralty himself. Then Commander Hope interprets the messages from the naval standpoint and passes them along to the Director of Intelligence, Captain Hall, then up the chain of command. Our work is so secret only nine men know of our existence in the whole of the British Empire.
It was a lot to take in. She looked at Denniston expectantly, but he seemed content to wait for her to ask questions.
Oh,
was all she could manage. He seemed disappointed and she couldn’t take that so she quickly added, How do you break the codes?
Denniston grinned, satisfied by her curiosity. Follow me.
He crossed the room to where three great books lay; one was more massive than the others and had covers made of lead. There, Fleet Paymaster Rotter and another man, a Mr. Curtis, were introduced to her. They were hard at work on something and after a swift how-do-you-do their heads were bowed over the papers in front of them. Denniston seemed to look at the books as though they were religious artifacts. He ran his hand across the lead cover of the largest.
"This is the Signal Book of the Imperial Navy, Signalbuch der Kaiserlichen Marine, or the SKM, he told her.
It was captured by the Russians and given to the Admiralty in October. It took us a while to understand how it worked."
At this Rotter lifted his head from his work. It was easy.
He grinned in such a way that made it obvious it was anything but.
Don’t let him fool you, Miss Nelson,
Denniston continued. Rotter was a real hero. He broke the cipher last November.
Rotter appeared self-conscious. Don’t listen to a word he says,
he said modestly. We’re a team here. I got lucky.
By guess and by God,
Curtis added.
Denniston explained at length the difference between codes and ciphers. To send messages in code the codebook was required by both the sender and recipient. To send a message in cipher no book was needed but instead the plain language, or en clair, was enciphered by substituting letters from a key that both parties had access to. Another method was transposition or scrambling of letters; again a key was needed to descramble. Sometimes both methods were used. He explained how the SKM was no use on its own because messages weren’t just coded but were also enciphered. But we were fortunate to intercept enough numbered messages to realize how they were doing it and now we can be quite accurate.
She took shorthand notes but most of it was too confusing to grasp in one afternoon. By four p.m. another man, by the name of Norton, arrived to begin his shift. Denniston nodded in his direction. I’m going to have Mr. Norton finish with you. He’s a naval instructor by trade so he’ll be able to explain the rest.
Norton seemed perplexed by his new order. Should we waste our time teaching the girls?
Isabel flinched. Denniston glared. Yes, Mr. Norton. Teach Miss Nelson to know as much as the others do so she can properly understand her role and how to perform her tasks.
Norton threw his coat on a chair. It’s not like they’re going to be breaking codes.
Mr. Norton, one day you may find women doing the same job as you and more. They work as hard as any of the men and complain half as much, if at all.
If you insist,
Norton said.
I do.
Denniston turned back to Isabel. I’m going home to get some rest.
She watched him move slowly, a mark of his exhaustion, to the closet, where he grabbed his overcoat. He didn’t say goodbye. She looked to Norton. There was no point in trying to make friends after his outburst. If he wanted no-nonsense then she would oblige.
Shall we continue?
she asked him bluntly.
Norton grabbed another of the enormous codebooks and gave it to her. It was heavy and well-used, its cover ragged and dirty. "This is the Handelsverkehrsbuch, or HVB. It fell into our hands along with the SKM. The Germans use it to communicate with merchant ships but we’ve discovered that U-boat commanders use it as well, though they’ve come up with more complex ciphers to try and prevent us from knowing where they’re going."
Do the Germans know we have these books?
Indeed they do. So far they haven’t issued new codebooks. But look at these monsters, that is a massive undertaking.
He then picked up the third book. "And finally this is the Verkehrsbuch or VB, the Transport Book. They use it to communicate with their naval and military attachés, embassies, you know, diplomatic Intelligence."
So that’s the most important codebook?
she asked.
They all have their purpose,
he said. He crossed to a bureau on one side of the room and picked up a folder full of handwritten transcripts. He handed it to Isabel. See to it these get typed up by the end of your shift.
He might be done with her but she wasn’t finished yet. She noticed a large tin on the table that had the letters N.S.L. printed on it in black letters. What goes in there?
Norton snorted. That’s for all the codes and messages we can’t break. The letters mean ‘neither sent nor logged.’
I see.
Let me show you another riveting item,
he said, and took her to an enormous closet. He opened it and she saw that inside were shelves loaded with paper.
What a mess,
she said, panicked that its organization might fall to her.
Stuff.
Stuff?
"Yes. Messages that were intercepted and translated but have nothing to do with the navy. Though I did hear that some Jerry sent a very good strudel recipe over the wireless to his brother who’s stationed on a destroyer. And I think Mr. Anstie uncovered that one of the kaiser’s top admirals is having an affair with his secretary. Those types of transcripts we call stuff and we stuff them in here."
Understood,
she said.
Now be a good girl and type those up,
Norton said, and tapped the pile of transcripts in her arms.
Excuse me, Mr. Norton. I have one question,
she said.
Norton looked at her, his patience wearing thin. Yes?
I understand that Room 40 is run by Commander Hope and Captain Hall. Mr. Denniston mentioned a First Lord of the Admiralty. What is his name?
Norton straightened up like his head was attached to a pulley. That’s none of your concern.
She swallowed. I didn’t mean any disrespect, sir. I thought it would be good to know the names of those in charge is all. I want to do a good job and Mr. Denniston made mention of there being only nine people in the Admiralty who know of Room 40.
I won’t tell you all nine. But those who matter most are Chief of Staff Admiral Henry Oliver, who presides over Captain Hall, director of the Intelligence division, and you’ve met Commander Hope already, he runs the day-to-day of Room 40. They all report to Jacky Fisher, the First Sea Lord. But the First Lord of the Admiralty runs the show. He’s a civilian and a dandy in every sense of the word. I mean that with all due respect, of course.
Of course,
she repeated. And his name?
It was her turn to be impatient.
Norton picked up his jacket from the back of his chair and removed a package of cigarettes. It seemed to take an eternity for him to light the damn thing. He took a drag and blew smoke into the air, waving at it casually so it didn’t drift into her face. He grinned slyly.
Winston Churchill.
Sydney
Your sister will be the ruin of the both of you. Mr. Garrett’s pronouncement of impending doom was spoken with unwavering confidence.
Not that you’ll fare much better, Sydney. Making me wait until half past four. No doubt you were at another of those godforsaken rallies for the women’s vote."
Sydney looked out the window of the second-floor sitting room, the one with the peony chintz drapes, to the bustling street below. She smiled when she answered him. We are both difficult in our own way. But wouldn’t it be dull if Brooke and I felt the same about everything? And I was not at a rally this afternoon.
Mr. Garrett smiled, relieved. Then . . .
I was at an abortion clinic,
Sydney said. I’m giving them a large donation.
Mr. Garrett sputtered but composed himself quickly, fully aware which side his bread was buttered on. Politics aside, you are a grounded, albeit headstrong, girl. Your sister, however, lives in a world that seems to be governed by plots from romantic novels. And given that it is my responsibility to manage both your inheritances, I must go on the record as saying I do not advise this scheme of hers.
Sydney turned away from the window of her family home, which stood at the corner of Fifth Avenue and East Sixty-Fourth Street. It was a Georgian brownstone that might have co-existed elegantly with its neighbour’s façade had it not the added distinction of fire-engine-red shutters on its top-floor windows and an equally vibrant red door. Its number—828—was emblazoned in gold (what else) and set inside a bronze rectangular plaque that had turned verdigris since being affixed, in 1883, onto the wall facing Sixty-Fourth Street. Three stone-arched windows imparted a gothic air. Within the walls of number 828 were five floors of living space designed to impress even the most discerning Gilded Age millionaire. There was a vast parlour on the main floor, what the family preferred to call a salon,
and it was painted a slightly less garish red than the shutters and door. On the second floor were two additional sitting rooms, smaller than the salon, both with fireplaces and one more feminine than the next. The kitchen and staff rooms were in the basement. The other floors were the family’s bedrooms. One floor per daughter, the younger on the third, the elder on the fourth, and the fifth, with its uncompromised view of Central Park, was the domain of Mr. and Mrs. Augustus Sinclair. The top floor had sat empty for some time. Mr. Sinclair, who had accumulated a vast fortune in California oil during the 1880s (thus building on the already extensive fortune his own father had amassed during the California gold rush of 1848), had passed away at the ripe age of sixty-seven, during a snowstorm in the winter of 1914. His wife’s death had predated his by sixteen