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Riding on Duke's Train
Riding on Duke's Train
Riding on Duke's Train
Ebook140 pages1 hour

Riding on Duke's Train

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About this ebook

  • Will appeal to parents and grandparents who grew up with the music of Duke Ellington
  • There is a resurgence in interest in jazz among middle-schoolers and pre-teens. This book shows the lifestyle, music, and colorful personalities of Duke and his musicians through the eyes of a 9-year-old.
  • This is a book about real black people, not stereotypes.
  • Educational value: teaches about jazz and Ellington, but also, gently, teaches about racism.
  • LanguageEnglish
    Release dateDec 13, 2011
    ISBN9781935248224
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      Book preview

      Riding on Duke's Train - Mick Carlon

      One

      So there I was in old Paris, gazing over the gypsy’s glowing crystal ball with Rex.

      What do you see, Madame? Rex asked her, shooting me a wink.

      The wrinkly woman looked up. Do you like hamburgers? she asked.

      Rex chuckled. Well, sure—who doesn’t?

      Two bloodshot eyes lingered first on me, then on Rex. I could feel the tingles zig-zagging up my spine.

      Don’t, she said. That will be ten francs.

      Can you believe that old crow? chuckled Rex, as we stepped back onto the rue de l’Harpe. I easily kept up with my chubby yet fleet friend.

      Man, she had eyes like an angry old muskrat’s, I said.

      It was April, 1939, and Rex and I—along with the rest of the Duke Ellington Orchestra—had been in Paris a week. For me, an eleven-year-old boy from the back woods of Georgia, the trip had been one wonder after another.

      "Your belly’s not that big, Rex," I said, trying to find some explanation for the old gypsy’s words.

      Checking out his round reflection in a bakery window, Rex frowned. Cootie’s got a bigger gut than me—and Sonny out-eats us both. Anyways, I’m hungry—let’s find a café.

      The afternoon was cool and breezy, with plump blimpy clouds floating over the city. Finding a café on the Boulevard St. Michel, we were soon both diving into bowls of onion soup and frothy mugs of café au lait.

      Beats chitlins, doesn’t it? I asked.

      Actually, Daniel, I’m partial to Southern cooking, said Rex, who talked like a professor, read four or five books at once, and was constantly jotting down his impressions of the world in a calf-skin journal. (Not to mention playing one of the most supple, lyrical cornets in all of jazz). A few stray crumbs fell onto his shirt. Remember, both Duke and I hail from Washington, which is decidedly a Southern town.

      Did you know him when you were my age? I asked.

      Two lovely French gals smiled at Rex as they sauntered by. Tipping his hat, he smiled back—an action that could get a black man lynched back home in Georgia. I was liking Paris more all the time.

      Remember, lad, I’m eight years younger than the Gov’nor—with a few less bags beneath my eyes. But one broiling summer day when I was a wee lad, I dove into the deep end of the YMCA pool—where I had no business being, seeing that I couldn’t swim. Man, everybody was having so much fun that they didn’t notice little old me going down for the last time. But then Duke—his pals called him that even back then—dove in and yanked me up to the fresh air. Now, he swears he doesn’t recall that day—but I sure do! And that was my introduction to Edward Kennedy Ellington. Hey, speaking of the man, we have a rehearsal in about thirty minutes. Let’s scarf down this chow, Daniel, and scram.

      Two

      I figure now’s a fine time to tell you about my introduction to Edward Kennedy Ellington. I don’t quite believe the details of this tale myself, so if you’re a bit disbelieving, I can’t say that I blame you.

      Now please don’t bother feeling all weepy for me (because I have no memory of it), but when I was ten months old my folks died in a car wreck in Tennessee. I was asleep in the back seat and stayed in the car, but my mom and pop were thrown through the windshield and died. The drunken white man who plowed his truck into our Tin Lizzy never spent a day in jail either.

      My pop’s mom grabbed a train to rescue me from the orphanage. Turned out that old Pop had purchased a healthy life insurance policy so Granny and I lived snug and comfortable in her rented cottage in the woods outside of Helen, Georgia.

      One afternoon in late May of 1937, I walked home from school to find old Granny dead in her rocker on the front porch. Her eyes were wide open and she was smiling, so I figured her end hadn’t been too tough to take. Naturally, I was sad—but old Granny had been reminding me that this day was coming for years, so I wasn’t too surprised.

      After burying her in the woods behind the cottage, I grabbed a gunny sack and threw in some clothes and all the cash money Granny kept in her strong box beneath her bed. Then, after locking up our old cottage good and tight, I hit the road.

      A Georgia dusk in May can snatch your breath away, with the sky as red as the clay beneath your feet. I walked for hours, not seeing a soul, hearing only the insects and the owls. A crater-filled moon lit my way.

      Are you up there, Granny? I thought to myself—but if she was, she wasn’t letting on.

      Near midnight I came to a clearing—and rightly gasped. For before me stood a sleek silver train—a silver engine pulling four silver cars, each one soaking up and shooting out all that moonlight.

      Shoo, now! Get going! yelled the conductor to a mother cow and her calf who had decided that the tracks were a fine place to spend the night.

      Hidden in the shadows, I noticed that one of the train’s car doors was ajar. Hmm, I thought to myself. This train is headed North—the same direction I’m headed. Why don’t I just hitch myself a ride?

      Making a dash for it (I’m rather speedy), I hoisted myself up and into the train, gently sliding the heavy door closed. Absolute blackness. The car smelled of wood and leather and was so cozy that almost as soon as the train began to move, I was asleep.

      Three

      Now what do we have here? asked a man with a chubby black face. A stowaway?

      I was up on my feet in a flash. I’m sorry, Mister! I pleaded in my best little-boy-lost voice. I didn’t hurt anything. I just needed a place to sleep. Please don’t throw me off the train! I added this last bit because I could feel that the train was now zipping along quite quickly.

      First off, said the chubby face, "no one’s going to throw you off anywhere. And secondly, cut the mister jazz and called me by my name: Rex. What’s your name, son?"

      Danny.

      Well, Daniel, I’m not going to hurt you, but Rabbit will whup your behind if he catches you near his saxophone.

      And that’s how I met my pal, Rex.

      Since I hadn’t eaten in a while, I guess I wobbled a bit.

      Are you alright? asked Rex.

      Just a little hungry.

      Well, come on then! Let’s go meet the Duke. He’s eating breakfast right now and if we don’t hightail it, there won’t be any food left for us!

      Figuring that Rex must be the man-servant to some English toff, I said, Can you understand him with the accent and all?

      Rex chuckled in that deep-chested way of his. "Sure, I can. Being a Washingtonian myself, I can understand the local patois. Seeing my confused face, he said, Daniel, my friend, you are traveling in style with Duke Ellington and His Famous Orchestra. Step into the dining car, Sir!"

      Now I knew who Duke Ellington was. Granny had owned a Victrola and four 78s: Bessie Smith’s Mean Old Bedbug Blues; Louis Armstrong’s West End Blues; and two by Duke: Solitude and East St. Louis Toodle-Oo. I loved them all.

      Finding myself stepping into a sunlit car, full of the smells of bacon and coffee, I wondered if I were perhaps dreaming. Many men, all black like me, along with one lovely coffee-colored lady, sat at tables, eating and talking and laughing. The countryside rolling past the windows was green and thick with trees.

      Duke, look what I found, said Rex. A little stowaway hiding in the baggage car! His name’s Dan and he’s so hungry he almost began gnawing on Rabbit’s saxophone.

      A little man seated nearby lifted his hat, eyeballing me suspiciously.

      Greetings, fine lad, said one of the smoothest voices I’d ever heard. Granny would’ve said it was as smooth as buttered caramel. Sit down, please. Would you like some breakfast?

      Yes, Sir, I said.

      Wrapped in a royal-blue bathrobe, Duke was a husky man with kind, almond-shaped eyes—eyes that seemed to dig deep into you, sizing you up with remarkable accuracy. In all the years I knew him, I never knew Duke’s mind to take a break—not even for a second. (Even when he slept, Duke’s fine mind was conjuring up blues, blues, and more blues). His mustache was so slight that I wondered why he’d bothered to grow it.

      Then sit down, sit down. Jonesy! Duke called to a tiny man who came running. Fix the lad here a plate of—how does eggs and bacon sound, with steak on the side?

      Sounds fine to me, I said.

      Duke’s almond eyes were now grazing over me with amusement, it seemed. Actually, Duke gazed at the world with amusement. The only time this amusement took a vacation was when he dove into composing music—and then the world was tuned out and nothing mattered but the notes he’d be scribbling onto envelopes, gum wrappers, menus—anything that he could get his hands on.

      While I stuffed myself, Duke and the lovely coffee-colored lady—her name was Ivie—asked me the questions you’d expect: How old are you? Where are you from? Do you have any family? Where are

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