Hymn for the Black Terrific: Poems
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About this ebook
Kiki Petrosino
Kiki Petrosino is the author of two books of poetry: Hymn for the Black Terrific (2013) and Fort Red Border (2009), both from Sarabande Books. Her collection Witch Wife is forthcoming from Sarabande in December 2017. She holds graduate degrees from the University of Chicago and the University of Iowa Writer’s Workshop. Her poems have appeared in Best American Poetry, The New York Times, and elsewhere. She is founder and co-editor of Transom, an independent online poetry journal. She is an Associate Professor of English at the University of Louisville, where she directs the Creative Writing Program.
Read more from Kiki Petrosino
White Blood: A Lyric of Virginia Rating: 5 out of 5 stars5/5Bright: A Memoir Rating: 0 out of 5 stars0 ratingsWitch Wife Rating: 4 out of 5 stars4/5
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Reviews for Hymn for the Black Terrific
5 ratings1 review
- Rating: 5 out of 5 stars5/5This bruise dazzles.
It is rare enough to find poems that use form, sound, meter, and image gracefully. To do so while pushing out the edges is notable. Almost never can the parts come together, all at once, and be enjoyable. Fair warning, some words are uncommon and some references may require digging. Delightful and astonishing.
Book preview
Hymn for the Black Terrific - Kiki Petrosino
OISEAU REBELLE
PERSONAL STYLE MONOLOGUE
The doctor is in. Martinis are out.
Dirty is in. Stripes are out.
Absence is out. Driving is in.
Black lung is in. Angry is out.
Bacon is in. Sparkles are in.
Elbows are in. Wasp waists are in.
Portugal is out. Velveeta is in.
The Strokes are out. Kiss is back in.
Time travel is in. Going out is out.
To be in is out. To be out is still out.
Blondes are in. Blades are in.
Vampires are in. Gullets are out.
The power is out. Darkness is in.
America is out. America is out.
The dark is here.
THIS WOMAN’S FACE IS YOUR FUTURE
I, too, have hated it. Something off about the teeth. Long & long, I’ve studied on its shape: dumb as domett. Dulsome as Dallas ditchwater. Lantern-head, I’ve said. Happy horsebag, too bad to bleed. Just wanna iron shut its mouth from hem to hem. Wanna break the nose down to a hawse-hole. Could I gag it out? Once gagged, I mean, with long dry coughs of hair. Could I shutter it with one quick knot to the nape? Snap it off in my hands? Old blister pack, old zit. In my cabin, I’d snag that thing on the first nail. Keep pulling it down & down by the jaw. Yes, & let them shreds hang lovely in the lamps. Only then would I give up awhile. Put on my sea-gown & rise, beautiful on the dark decks.
ALLERGENESIS
They come in their millions, breaking open in the muck. They come with their barnacle bodies blooming. In white, in sulfur colonies they come. Rising from radial engines of dark, from millions of low hatcheries they come, unfolding their jaws sequin by sequin. They come hot & star-limbed & buzzing, with their wire bones, with their names turning edgewise in the mouth. Bloodweed, Chestbane, the names. Knifeclock, Mulehook, the names. They come lifting themselves long as sentences in air, spiraling down the rifled barrel of the windpipe. Riven & sweltering & swelling, they come into the body’s sad lake, its blue bag of steam. So I, Eater of Pith, I Gum Knuckles, I, Threshing Spoon, must move in wiles across the tracheal field, must knock & drag to meet them where they camp, deep in the soft combs of the lungs. Even my breath turns black as I pursue my course. See their millions of insectile wings grown thick with theft.