The Stone Raft
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A Nobel Prize winner who has been called “the García Márquez of Portugal” (New Statesman) chronicles world events on a human scale in this exhilarating allegorical novel.
One day, quite inexplicably, the Iberian Peninsula simply breaks free from the European continent and begins to drift as if it were a sort of stone raft. Panic ensues as residents and tourists attempt to escape, while crowds gather on cliffs to watch the newly formed island sail off into the sea.
Meanwhile, five people on the island are drawn together—first by a string of surreal events and then by love. Taking to the road to explore the limits of their now finite land, they find themselves adrift in a world made new by this radical shift in perspective. As bureaucrats ponder what to do about their unusual predicament, the intertwined lives of these five strangers are clarified and forever changed by a physical, spiritual, and sexual voyage to an unknown destination.
At once an epic adventure and a profound fable about the state of the European project, The Stone Raft is a “hauntingly lyrical narrative with political, social, and moral underpinnings” (Booklist) that “may be Saramago’s finest work” (Los Angeles Times).
Translated from the Portuguese by Giovanni Pontiero
José Saramago
JOSÉ SARAMAGO (1922–2010) was the author of many novels, among them Blindness, All the Names, Baltasar and Blimunda, and The Year of the Death of Ricardo Reis. In 1998 he was awarded the Nobel Prize for Literature.
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The Stone Raft - José Saramago
Contents
Title Page
Contents
Copyright
Epigraph
THE STONE RAFT
About the Author
© José Saramago e Editorial Caminho, SARL, Lisboa, 1986
English translation copyright © 1995 by Harcourt, Inc.
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.
For information about permission to reproduce selections from this book, write to [email protected] or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.
www.hmhco.com
This translation of A Jangada de Pedra has been made possible, in part, by a grant from the Instituto da Biblioteca Nacional e do Livro.
The Library of Congress has cataloged the print edition as follows:
Saramago, José
[A Jangada de pedra. English]
The stone raft/José Saramago; translated from the Portuguese by Giovanni Pontiero.
A Harvest book
p. cm.
ISBN 0-15-185198-0
ISBN 0-15-600401-1 (pbk.)
1. Pontiero, Giovanni. 11. Title.
PQ9281 A66J313 1995 94-49622
869 3'42—dc20
eISBN 978-0-547-54531-8
v4.0716
Every future is fabulous.
—ALEJO CARPENTIER
When Joana Carda scratched the ground with the elm branch all the dogs of Cerbère began to bark, throwing the inhabitants into panic and terror, because from time immemorial it was believed that, when these canine creatures that had always been silent started to bark, the entire universe was nearing its end. No one remembers any longer the origin of this deep-rooted superstition, or firm conviction, in many cases these are simply alternative ways of expressing the same thing, but as so often happens, having heard the story and now passing it on with fresh distortions, French grandmothers used to amuse their grandchildren with the fable that in the times of the ancient Greek myths, here, in the district of Cerbère in the Eastern Pyrenees, a dog with three heads and the above-mentioned named of Cerberus had barked when summoned by its master, the ferryman Charon. We are equally unclear about the organic change this legendary howling canine must have undergone to acquire the historically proven muteness of its degenerate one-headed offspring. Nevertheless, and this is a point of doctrine known to almost everyone, especially to those of the older generation, the dog Cerberus, as written and pronounced in English, guarded with ferocity the gates of hell, so that no soul would dare try to escape, and then, perhaps as one final act of mercy on the part of the moribund gods, all the dogs fell silent for the rest of eternity, perhaps hoping that their silence might erase the memory of the infernal regions. But since the everlasting does not last forever, as the modern age has clearly shown us, it sufficed that a few days ago and hundreds of kilometers from Cerbère, somewhere in Portugal, in a place whose name we shall record anon, a woman named Joana Carda scratched the ground with an elm branch whereupon all the dogs came onto the streets howling, dogs, let me remind you, that had never barked before. Were someone to ask Joana Carda what had possessed her to scratch the ground with an elm branch, more the gesture of a moonstruck adolescent than that of a mature woman, if she had not thought of the possible consequences of an act that seemed meaningless, and these are the most dangerous acts of all, perhaps she might reply, I don’t know what came over me, the branch was lying on the ground, I picked it up and drew a line. She had no idea that it might be a magic wand. It seemed rather big for a magic wand, and besides I’ve always heard it said that magic wands are made of shimmering gold and crystal and have a star on top. Did you know it was an elm branch. I know very little about trees, they told me afterwards that wych-elm is the same as wych-hazel, botanically known as ulmus, none of these having supernatural powers, even when they change their names, but in this case I’m sure that a matchstick would have produced the same effect, Why do you say that, What must be, must be, and there’s no way around it, I’ve heard the old people say this a thousand times, Do you believe in fate, I believe in what has to be.
In Paris they had a good laugh at the appeal made by the maire, who appeared to be telephoning from a kennel at the hour when they were feeding the dogs, and it was only at the insistent pleading of a member of parliament born and bred in the commune, and thus familiar with local legends and tales, that two qualified veterinary surgeons of the Deuxième Bureau were dispatched to the south, with the special mission of investigating this unusual phenomenon and presenting a report and a plan of action. Meanwhile, the desperate inhabitants, reduced to near-deafness, had crisscrossed the streets and squares of the agreeable resort town suddenly transformed into a hellhole, setting out dozens of poisoned meat pies, a method of supreme simplicity and one whose effectiveness has been confirmed by experience in every age and latitude. As it happened, only one dog died, but the lesson was not lost on the survivors, who soon disappeared, yelping, barking, and howling, into the surrounding fields, where, for no apparent reason, they fell silent within a few minutes. When the veterinary surgeons finally arrived, they were presented with the sad Medor, cold, swollen, so different from the contented animal who accompanied his mistress when she went shopping, and who, old dog that he was, liked nothing better than sleeping peacefully in the sun. But since justice has not yet entirely abandoned this world, God decided, poetically, that Medor should die from eating the meat pie cooked by his beloved mistress, who, let it be said, had meant the pie for a certain bitch of the neighborhood who never left her garden alone. The older of the veterinary surgeons, confronted by that sad corpse, suggested, Let’s hold an autopsy, which was pointless, for any inhabitant of Cerbère could, if he or she so wished, testify to the cause of death. But the hidden intention of the Faculty, as it was referred to in the jargon of that secret service, was to proceed in secrecy to an examination of the vocal cords of an animal that, between the quietude of death, which was now definitive, and its lifelong silence, which had seemed eternal, had finally enjoyed a few hours of speech like any other dog. Their efforts were futile, Medor did not even have any vocal cords. The surgeons were amazed, but the maire, giving his official and judicious opinion, said, That’s not surprising, for centuries the dogs of Cerbère have not barked, their vocal cords had wasted away. Then why the sudden change, I don’t know, I’m not a veterinary surgeon, but our worries are over, the chiens have disappeared, from wherever they are they cannot be heard. Medor, dissected and badly stitched up again, was delivered to his weeping mistress, as a living reproach, which is what reproaches are even after they are dead. On the way to the airport, where they were about to catch a plane to Paris, the veterinary surgeons agreed that they would omit from their report the curious business about the missing vocal cords. And to all appearances definitive, for that same night there was Cerberus himself out prowling, an enormous dog as tall as a tree, three-headed but mute.
About the same time, perhaps before Joana Carda had scratched the ground with the elm branch, perhaps after, a man was strolling along the beach, it was toward evening, when the noise of the waves, brief and restrained like an unprovoked sigh, can scarcely be heard, and that man, who will later say that his name is Joaquim Sassa, was walking above the tidemark that distinguishes the dry sands from the wet, and from time to time he bent down to pick up a shell, a crab’s claw, a strand of green seaweed, we often while away the hours in this way, and this solitary passerby was doing likewise. Since he had neither pockets nor sack to hoard his findings, he put the lifeless remnants back in the water when his hands were full, let the sea have what belongs to the sea, let the earth remain with the earth. But every rule has its exceptions, and Joaquim Sassa picked up a stone he had seen ahead, beyond the reach of the tides, a stone as large and heavy as a discus and irregular in shape. If it had been like the others, light, with smooth outlines, like those stones that fit easily between the thumb and the index finger, then Joaquim Sassa would have skimmed it on the surface of the water, watching it bounce, childishly satisfied with his own ability, and finally sink, the impetus gone, a stone that appeared to have its destiny traced out, dried by the sun, dampened only by the rain, but now finally sinking into the dark depths to wait a million years, until this sea evaporates, or, receding, brings the stone back to land for another million years, allowing sufficient time for another Joaquim Sassa to come down to the beach and unwittingly perform the same gesture and movement, let no man say I will not do it, for no stone is secure and firm.
On the southern shores, at this tepid hour, there is someone having one last dip, swimming, playing with a ball, diving under the waves, or taking it easy on an air mattress, or feeling the first waft of the evening breeze on his skin, or shifting his position to receive one last caress from the sun that is about to settle momentarily on the sea, the longest moment of all, for we look at the sun and the sun allows itself to be watched. But here, on this northern shore where Joaquim Sassa is carrying a stone, so heavy that his arms are already tiring, the breeze is chilly, the sun is already halfway down, and there is not a sea gull in sight flying over the waters. Joaquim Sassa has thrown the stone, expecting it to fall a few paces away, not very far from where he’s standing, each of us is obliged to know his own strength, there were not even any witnesses there to mock the efforts of the frustrated discus thrower, it was he who was prepared to laugh at himself, but things did not turn out as he expected, the stone, dark and heavy, went up into the air, came down and hit the surface of the water, the impact sent it back up in a great flight or leap, and down it came again, and then up, and finally it sank in the distance, unless the whiteness we have just seen some distance away is not just the froth of a breaking wave. How did that happen, Joaquim Sassa mused in bewilderment, how could I, weak as I am, have thrown such a heavy stone so far, way out on that sea that is already darkening, and there is no one here to say, Well done, Joaquim Sassa, I’m your witness for the Guinness Book of Records, such a feat cannot be ignored, what rotten luck, if I were to tell people what has happened, they would call me a liar. A towering wave came in from the open sea, foaming and gushing, the stone finally dropped into the water, this evokes the rivers of childhood, for anyone who had rivers in his childhood, this concentric undulation caused by stones thrown into the water. Joaquim Sassa ran up the shore, and the wave broke on the sand, dragging with it shells, crab’s claws, green algae, but also other species, gulfweed, coralline, sea-tangle, and a small stone, light, of the type that can fit easily between the thumb and the index finger. How many years since it has seen the light of the sun.
Writing is extremely difficult, it is an enormous responsibility, you need only think of the exhausting work involved in setting out events in chronological order, first this one, then that, or, if more conducive to the desired effect, today’s event before yesterday’s episode, and other no less risky acrobatics, presenting the past as if it were something new, or the present as a continuous process with neither beginning nor end, but, however hard writers might try, there is one feat they cannot achieve, and that is to put into writing, in the same tense, two events that have occurred simultaneously. Some believe the difficulty can be solved by dividing the page into two columns, side by side, but this proposal is too simple, because the one will have been written first and the other afterwards, nor may we forget that the reader will have to read this one first and then the other one, or vice versa. The people who come off best are the opera singers, each with his or her own part to sing, three, four, five, six in all among the tenors, basses, sopranos, and baritones, all singing different words, the cynic mocking, for example, the ingénue pleading, the gallant lover slow in coming to her aid, what interests the operagoer is the music, but the reader is not like this, he wants everything explained, syllable by syllable, one after the other, as they are shown here. That is why, having first spoken of Joaquim Sassa, only now will we mention Pedro Orce, when in fact Joaquim Sassa threw the stone into the sea and Pedro Orce rose from his chair at the very same instant, although according to the clocks there was an hour’s difference, because the latter happened to be in Spain and the former in Portugal.
It is common knowledge that every effect has its cause, and this is a universal truth, but it is impossible to avoid certain errors of judgment, or of simple identification, for we might think that this effect comes from that cause, when after all it was some other cause, beyond any understanding we possess or any knowledge we think we possess. For example, there appeared to be proof that if the dogs of Cerbère barked it was because Joana Carda scratched the ground with an elm branch, and yet only a very credulous child, if any child has survived from the golden decades of credulity, or an innocent one, if the holy name of innocence can thus be taken in vain, only a child capable of believing that by closing its hands it has trapped the sunlight inside would believe that dogs could bark that had never barked before, for reasons as much historical as physiological. In these tens and tens of thousands of hamlets, villages, towns, and cities, there are many people who would swear that they were the cause or causes of the barking of the dogs and of all that was to follow, because they slammed a door, or split a fingernail, or picked a fruit, or drew back the curtain, or lit a cigarette, or died, or, not the same people, were born, these hypotheses about death and birth would be more difficult to credit, bearing in mind that we are the ones who would have to propose them, for no child comes out of its mother’s womb speaking, just as no one speaks any more once he has entered the womb of the earth. And there is no point in adding that any one of us has reasons enough for judging himself the cause of all effects, the reasons we have just mentioned as well as those that are our exclusive contribution to the functioning of the world, and I should dearly like to know what it will be like when people and the effects they alone cause will exist no more, best not to think of such an enormity, for it is enough to make one dizzy, but it will be quite sufficient for some tiny animals, some insects, to survive for there still to be worlds, the world of the ant and the cicada, for example, they will not draw back curtains, they will not look at themselves in the mirror, and what does it matter, after all, the only great truth is that the world cannot die.
Pedro Orce would say, if he so dared, that what caused the earth to tremble were his feet hitting the floor when he rose from the chair, great presumption on his part, if not ours, since we are frivolously expressing doubt, if every person leaves at least one sign in the world, this could be that of Pedro Orce, which is why he declares, I put my feet on the ground and the earth shook. It was an extraordinary trembling, so much so that no one appeared to have felt it, and even now, after two minutes, as the wave on the beach began to recede and Joaquim Sassa said to himself, If I were to tell anyone they would call me a liar, the earth still vibrates just as the chord continues to vibrate although it can no longer be heard, Pedro Orce can feel it in the soles of his feet, he continues to feel it as he leaves the pharmacy and steps out into the street, and no one there notices a thing, it’s like watching a star and saying, What lovely light, what a beautiful star, without knowing that it went out in mid-sentence, and your children and grandchildren will repeat the same words, poor things, they speak of what is dead and say that it is alive, this deception is not confined to the science of astronomy. Here precisely the opposite happens, everyone would swear that the earth is firm and only Pedro Orce would say that it is trembling, just as well he kept his mouth shut and did not run away in terror, besides the walls are not swaying, the lamps hanging from the ceiling are as straight as a plumb line, and the little caged birds, who are usually the first to sound the alarm, doze peacefully on their perches, each with its head tucked under one wing, the needle of the seismograph has traced and continues to trace a straight horizontal line on the millimetric graph paper.
The next morning, a man was crossing an uncultivated plain, part scrubland, part swampy pasture, he was making his way along paths and tracks between the trees, poplars and ash, as elevated as the names by which they are known, and clumps of tamarisks, with their African scent, this man could not have chosen greater solitude or a loftier sky, and overhead, making the most incredible din, a flock of starlings followed him, so many of them that they formed a huge dark cloud, like the prelude to a storm. Whenever he paused the starlings began to fly in a circle or swooped noisily to roost in a tree, disappearing amid the branches until all the leaves were shaking and the crown echoed with harsh, strident sounds, giving the impression that some ferocious battle was being fought inside. José Anaiço started walking again, for that was his name, and the starlings took sudden flight, all at once, vruuuuuuuuuu. If we did not know this man, and started guessing, we might decide that he was a bird-catcher by trade or, like the snake, had the power to charm and entice, when, in fact, José Anaiço is as puzzled as we are about the reason for this winged festivity. What can these creatures desire of me, do not wonder at this archaic phrasing, for there are days when one does not feel like using commonplace words.
The man was traveling from east to west, for this was the route he favored, but, forced out of his way by a great reservoir, he now turned south around the bend, hugging the water’s edge. By late morning the temperature will soar, but meanwhile there is a fresh, clean breeze, what a pity one cannot store it in one’s pocket and keep it there until it is needed once the heat builds up. José Anaiço was turning these thoughts over in his mind as he walked, vague and involuntary as if they did not belong to him, when he suddenly became aware that the starlings had stayed behind, were fluttering over where the road curves to skirt the reservoir, their behavior was quite extraordinary, but when all is said and done, whoever goes, goes, whoever remains, remains, good-bye little birds. José Anaiço had now circled the lake, an awkward journey that took nearly half an hour, amid thistles and nettles, and he picked up his original route, proceeding as he had begun, east to west like the sun, when suddenly, vruuuu, the starlings reappeared, where had they been hiding. Well, here’s something for which there is no explanation. If a flock of starlings accompanies a man on his morning stroll, like a dog faithful to his master, and waits for him the time it takes to go around a reservoir, and then follows him as before, one doesn’t ask him to explain or investigate their motives, birds don’t have reasons, just instincts, often vague and involuntary as if they were not part of us, we spoke about instincts, but also about reasons and motives. So let us not ask José Anaiço who he is and what he does for a living, where he comes from and where he is going, whatever we find out about him, we shall only find out from him, and this description, this sketchy information will also have to serve for Joana Carda and her elm branch, for Joaquim Sassa and the stone he threw into the sea, for Pedro Orce and the chair he got up from, life does not begin when people are born, if it were so, each day would be a day gained, life begins much later, and how often too late, not to mention those lives that have no sooner begun than they are over, which has led one poet to exclaim, Ah, who will write the history of what might have been.
And now this woman called Maria Guavaira, such a strange name, who climbed up into the attic of the house and found an old sock, of the real old-fashioned kind that were used to keep money as safely as in any bank vault, symbolic hoardings, gratuitous savings, and upon finding the sock empty she set about unraveling the stitches to amuse herself, having nothing else with which to occupy her hands. An hour passed and another and yet another, and the long strand of blue wool is still unwinding, yet the sock does not appear to get any smaller, the four enigmas already mentioned were not enough, which shows us that at least on this occasion the contents can be greater than the container. The sound of the waves does not reach this silent house, the shadow of passing birds does not darken the window, there must be dogs but they do not bark, the earth, if it trembled, trembles no more. At the feet of the woman unraveling the thread is the mountain that goes on growing. Maria Guavaira is not called Ariadne, with this thread we shall not emerge from the labyrinth, perhaps it will help us to succeed at last in losing ourselves. Where is the end of this thread.
The first crack appeared in a large slab of natural stone, as smooth as the table of the winds, somewhere in these mountains of Alberes, which, at the eastern end of the Pyrenees, slope gently down to the sea and where the ill-starred dogs of Cerbère now rove, an allusion that is not inappropriate in time or place, for all these things, despite their appearances, are interconnected. Excluded, as has been stated, from any domestic sustenance, and consequently forced by necessity to recall in his unconscious memory the skills of his predatory ancestors in order to catch some stray rabbit, one of those dogs, Ardent by name and endowed with the acute hearing characteristic of the species, must have heard the stone cracking, for, although incapable of sniffing, the dog approached the stone, dilating his nostrils, his hairs bristling as much from curiosity as from fear. The crack, ever so fine, would remind any human observer of a line drawn with the sharpened point of a pencil, altogether different from that other line made with a branch on hard soil or in the loose, soft dust, or in the mud, should we choose to waste our time on such daydreams. But as the dog was approaching, the crack grew bigger, grew deeper and began to spread, splitting the stone up to the edges of the slab, and then all the way across, there was room to put a hand inside, a whole arm in width and length, had there been any man around with enough courage to cope with this phenomenon. The dog Ardent prowled around, agitated, yet unable to escape, attracted by the snake of which neither the head nor the tail could be seen, and suddenly he was lost, not knowing on which side to stay, whether in France, where he now found himself, or in Spain, no more than three spans away. But this dog, thanks be to God, was not one of those creatures who adapt to situations, the proof being that, with a single jump, he leapt over the abyss, if you’ll pardon the obvious exaggeration in this expression, and ended up on this side, he preferred the infernal regions, and we shall never know what longings influence a dog’s soul, what dreams, what temptations.
The second crack, but for the world the first, appeared a considerable distance away, toward the Bay of Biscay, not far from a place called Roncevalles, alas all too famous in the history of Charlemagne and his twelve Paladins, where Roland died when he blew on Oliphant, without Angelica or Durandal to come to his assistance. There, descending along the northeastern strip of the Sierra Abodi, runs the River Irati, which, originating in France, flows into the Spanish Erro, in its turn an affluent of the Aragón, which is a tributary of the Ebro, which, bearing all their waters, will finally deposit them in the Mediterranean. At the bottom of the valley, on the edge of the Irati, there is a town, Orbaiceta by name, and upstream exists a dam, or weir, as it is called in those parts.
It is time to explain that what is reported here, or may come to be reported, is the truth and nothing but the truth, as you may verify on any map, provided it is sufficiently comprehensive to include certain details that might seem insignificant, for that is the virtue of maps, they show what can be done with limited space, they foresee that everything can happen therein. And it does. We’ve already mentioned the rod of destiny, we’ve already shown that a stone, even if it be removed from the highest tidemark, can end up falling into the sea or make its way back to the shore, now it is the turn of Orbaiceta, where, after the salutary upheaval caused by the construction of the dam many years ago, calm had been restored, a city in the Province of Navarre and dormant amid mountains, now thrown into turmoil once more. For some days Orbaiceta became the nerve center of Europe, if not of the world, invaded by government ministers, politicians, civil and military authorities, geologists and geographers, journalists and mineralogists, photographers, film and television crews, engineers of every kind, inspectors and sightseers. But Orbaiceta’s fame will not last for long, a few fleeting days, not much longer than the roses of Malherbe, and how long could the latter, grown on poor soil, have lasted, but we are talking about Orbaiceta, nothing else, until some more notable event is reported elsewhere, which is what happens with notable events.
In the history of rivers there had never been anything like it, water flowing eternally and suddenly it flows no more, like a tap abruptly turned off, as when someone is washing his hands in a basin after shutting off the tap, he pulls the plug, the water drains away, goes down the pipe, disappears, what has remained in the enameled basin will soon evaporate. To put it more aptly, the waters of the Irati retreated like waves that ebb from the shore and vanish, leaving the riverbed exposed, nothing but pebbles, mud, slime, fishes that gasp as they leap and die, then sudden silence.
The engineers were not on the spot when this incredible event took place, but they noticed that something abnormal had occurred, the dials on the observation panels indicated that the river had stopped feeding the great aquatic basin. Three technicians set off in a jeep to investigate the intriguing development, they made their way along the edge of the weir, considered the different possible hypotheses, they had plenty of time to do so for they traveled almost five kilometers, and one of those hypotheses was that a subsidence or landslide on the mountain might have diverted the river’s course, another was that it might be the work of the French, typical Gallic perfidy, notwithstanding the bilateral agreement about fluvial waters and their hydroelectric uses, yet another hypothesis, and the most radical of all, was that the source, the fountainhead, the spring, had dried up, the eternity that appeared to exist but did not exist after all. On this point, opinions were divided. One of the engineers, a quiet man, the thoughtful type, and someone who enjoyed life in Orbaiceta, feared that they might send him to some remote place, the others rubbed their hands with glee, perhaps they might be transferred to one of the dams on the Tagus, or closer to Madrid and the Gran Via. Debating these personal worries they reached the far end of the reservoir, where they found a drainage ditch but no river, nothing but a thin trickle of water still seeping from the soft earth, a muddy swirl that would not have enough power to turn a toy waterwheel. Where the devil can the river have got to, exclaimed the driver of the jeep, and he couldn’t have been more forthright and explicit. Puzzled, amazed, uneasy and concerned, the engineers once more began discussing among themselves the various hypotheses mentioned earlier, and when they saw that there was nothing to be gained from this discussion, they returned to the offices attached to the dam, then went on to Orbaiceta where the administrators awaited them, having already been informed of the river’s mysterious disappearance. There were recriminations, exclamations of disbelief, telephone calls to Pamplona and Madrid, and the final outcome of these exhausting discussions was expressed in an order of the utmost simplicity, broken down into three successive and complementary stages, follow the course of the river upstream, find out what happened, and say nothing to the French.
Next morning before sunrise, the expedition set out for the frontier, keeping alongside or in sight of the parched river, and when the inspectors arrived, weary, they realized that there would be no more Irati. Through a crack that could not have been more than three meters wide, the waters rushed into the earth, roaring like a tiny Niagara. On the other side, the French had already started to gather, it would have been sublimely naive to think that their neighbors, astute and Cartesian, would have failed to notice the phenomenon, but at least they showed themselves to be as amazed and dumbfounded as the Spaniards on this side, and all brothers in ignorance. The two sides got around to speaking, but the conversation was neither wide-ranging nor profitable, little more than exclamations of justified alarm, a tentative airing of new hypotheses on the part of the Spaniards, in short, a general atmosphere of irritation that could find no obvious target, the French were soon smiling, after all they continued to be masters of the river down to the frontier, they would not need to modify their maps.
That afternoon, helicopters from both countries flew over the area, took photographs, observers were lowered with windlasses and suspended over the cataract, they looked and saw nothing, only the black gaping hole and the curving line and the shining surface of the water. In order to make some useful progress, the municipal authorities of Orbaiceta on the Spanish side, and of Larrau on the French side, met near the river under a tent set up for the occasion and dominated by the three flags, the Spanish bicolor and the French tricolor alongside the flag of Navarre, with the intention of examining the tourist potential of a natural phenomenon that must certainly be unique in the world, and how it might be exploited to their mutual advantage. Having considered the inadequacy and undoubtedly makeshift nature of the methods of analysis at their disposal, the gathering failed to draw up any document defining the obligations and rights of each party, so a joint commission was nominated and entrusted with preparing an agenda for another formal meeting, with all possible haste. At the last minute, however, a complication arose that upset the relative consensus they had reached, this being the almost simultaneous interventions, in Madrid and Paris, of the two States’ delegates to the permanent commission charged with settling boundary disputes. These gentlemen expressed grave misgivings. The first thing to do was to see where the hole was opening up, whether toward the Spanish side or toward the French side. It seemed a trivial detail, but once the essentials had been explained, the delicacy of the matter became clear. It was clearly beyond question that from now on the Irati belonged entirely to France, under the jurisdiction of the