The Lover: A Novel
3.5/5
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About this ebook
In Haifa, at the dawn of Israel’s 1973 war, the lives of a middle-class garage owner named Adam, and his schoolteacher wife, Asya, have come undone in ways for which they are totally unprepared. Adam has just found out from his distraught wife that she has been having affair—and has fallen in love with—the enigmatic Gabriel Arditi. But Asya’s hysteria isn’t rooted in her admission of infidelity—but rather her discovery that Gabriel has disappeared. Has he gone to war? Has he been killed? Or has he left Asya for another? Finding him has become Asya’s obsession, and it’s about to become her husband’s, too.
Set against the backdrop of a turbulent moment in history and featuring a myriad of characters—each with his or her own versions of events—The Lover is a witty, suspenseful, audacious novel that lays bare the deep-rooted tensions within families, between generations, and between Jews and Arabs, offering “a profound study of personal and political trauma” (Daily Telegraph), from a recipient of honors including the National Jewish Book Award, the Man Booker International Prize, and the Los Angeles Times Book Prize.
A.B. Yehoshua
A. B. Yehoshua (1936-2022) was born in Jerusalem to a Sephardi family. Drawing comparisons to William Faulkner and described by Saul Bellow as “one of Israel's world-class writers,” Yehoshua, an ardent humanist and titan of storytelling, distinguished himself from contemporaries with his diverse exploration of Israeli identity. His work, which has been translated into twenty-eight languages, includes two National Jewish Book Award winners (Five Seasons and Mr. Mani) and has received countless honors worldwide, including the International Booker Prize shortlist and the Los Angeles Times Book Prize (Woman in Jerusalem).
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Reviews for The Lover
64 ratings2 reviews
- Rating: 2 out of 5 stars2/5A strange book, the search for a vanished man. Somewhat inconsequential.
- Rating: 4 out of 5 stars4/5The best thing I can say about A.B. Yehoshua's "The Lover" is that it isn't a political novel, or, rather, that it's not just a political novel. It's set in Haifa just after the 1973 Yom Kippur War, so, as expected, the politics of the place and time are constantly felt. But it's the characters in it that seem to matter most to the author and which will probably stick with me. In a sense, "The Lover" is the story of a disintegrating marriage that could be set anywhere. Asya and Adam are wealthier and more successful than they imagined they'd be, but stolid, silent Adam seems adrift and Asya, who is wrapped up in her teaching job, seems to be growing old a bit too quickly.The best-drawn character in the book is their daughter, Dafi, whose body and will seem to be maturing at a fantastic pace and who seems estranged from her parents. Asya has a brief affair with a rather recently returned French Jew whose identity and current whereabouts slowly become Adam's obsession. A blue 1947 Morris Minor plays something of a starring role. Adam enlists Na'im, an Israeli Arab teenager who has recently begun working for him at his garage, to help him find out where he's gone to, and, from that point, things play out as they usually do. As a plot, it's good enough. But Yehoshua is particularly good at describing -- and making you feel -- the emotional strain this small family is being subjected to. If anything, his description of their emotional distress is, if anything, too sharp: I read "The Lover" constantly waiting for the other shoe to drop, for the next plot point to blow the entire novel apart. I suppose it's fitting, as it's set in a fairly tense time and place, but, good as it was, reading this one was sort of exhausting. The reader might feel this all the more keenly because the emotional stress that they're under seems to knock everybody's sleep cycle far out of balance. Dafi suffers from acute insomnia, while Asya works herself into a stupor and spends much of her time at home asleep. She dreams, and -- if only to remind the reader that this novel really is about Israelis, not just Israeli politics -- vivid descriptions of her dreams are included in the text of the novel. Adam sleeps soundly but, on several occasions, also forgoes sleep for several days in a row searching for his wife's former paramour. As the novel goes on, it becomes difficult to be sure exactly who the title refers to: there's not much cruelty in this novel, but frustrated -- even misshapen -- forms of love seem to trap its characters in constant turmoil, and, as the novel comes to a close, it becomes simultaneously more sexual and more spiritual. I'm not sure the novel ever reaches a properly satisfying conclusion on all fronts. A good book, but I felt like picking up something nice and light after reading this one.
Book preview
The Lover - A.B. Yehoshua
Translation copyright © 1977 by Doubleday, an imprint of The Knopf Doubleday Publishing Group, a division of Random House, Inc. Used by permission of Doubleday Publishing Group, a division of Random House, Inc.
Copyright © 1977 by A. B. Yehoshua
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.
For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003.
www.hmhbooks.com
This paperback edition of The Lover first published in 1985 by E. P. Dutton.
Library of Congress Catalog card number: 84-72787
ISBN 0-15-653912-8
eISBN 978-0-547-54177-8
v2.1213
For my children
Sivan, Gideon and Nahum
PART ONE
ADAM
And in the last war we lost a lover. We used to have a lover, and since the war he is gone. Just disappeared. He and his grandmother’s old Morris. And more than six months have passed and there has been no sign from him. We are always saying it’s a small, intimate country, if you try hard enough you’ll discover links between the most distant people—and now it’s as if the man has been swallowed up by the earth, disappeared without trace, and all the searches have been fruitless. If I was sure he had been killed, I would give up the search. What right have we to be stubborn about a dead lover, there are some people who have lost all that is dear—sons, fathers and husbands. But, how can I put it, still I’m convinced that he hasn’t been killed. Not him. I’m sure that he never even reached the front. And even if he was killed, where is the car, where has that disappeared to? You can’t just hide a car in the sand.
There was a war. That’s right. It came upon us a complete surprise. Again and again I read the confused accounts of what happened, trying to get to the bottom of the chaos that ruled then. After all, lie wasn’t the only one who disappeared. To this day there is before us a list of so many missing, so many mysteries. And next of kin are still gathering last remnants—scraps of clothing, bits of charred documents, twisted pens, bullet-ridden wallets, melted wedding rings. Chasing after elusive eyewitnesses, after the shadow of a man who heard a rumor, trying in the mist to piece together a picture of their loved one. But even they are giving up the search. So what right have we to persist. After all, he’s a stranger to us. A doubtful Israeli, a deserter in fact, who returned to the country for a short visit to sort out some inheritance and stayed, perhaps also on our account. I don’t know, I can’t be sure. But I repeat, he hasn’t been killed. Of that I’m convinced. And that is the cause of the unease that has been eating at me these last months, that gives me no rest, that sends me out on the road in search of him. More than that: strange ideas occur to me on his account, that in the thick of the battle, in the confusion and disorder of units disbanding and regrouping, there were some—let’s say two or three—who took advantage of this confusion to break off and disappear. I mean, they simply decided not to return home, to abandon their old ties and go elsewhere.
It may seem a crazy idea, but not to me. You could say I’ve become an expert on this subject of missing persons.
Boaz, for example. Again and again since the cease-fire there has been that announcement in the papers about Boaz, who disappeared. Something like this: Mom and Dad are looking for Boaz. And a picture of a young man, a child almost, with short hair, a young soldier in the Tank Corps, and some astonishing details. At the beginning of the war on such and such a date he was seen in action in his tank in the front line in such and such a place. But ten days later, toward the end of the war, a childhood friend, a trusted friend, met him at a crossroads far from the front. They had a short conversation, and parted. And from that point on, Boaz’s traces have vanished.
A real mystery—
But we have hardened, reading announcements such as these in the papers, pausing for a moment and continuing with a weary glance to flick through the pages. This last war has made us numb.
But Boaz’s parents persist, and why shouldn’t they? For years they brought up a son, walked with him to the nursery, ran with him to the doctor, made sandwiches for him in the morning when he went away to the youth camp, waited for him at the railway station when he returned from a school trip. They washed and ironed and worried the whole time. Suddenly he disappears. And nobody can tell them where he is, what has happened to him. The whole system, nation, society, which absorbed him so voraciously, now begins to falter. And when the parents persist, and why shouldn’t they, a young officer is sent to them, well meaning no doubt but lacking experience. He arrives in a jeep and takes them, on a bright winter’s day, on a journey to the middle of the desert, driving long hours in silence deep into the wilderness, on roads that are not roads, through the dust and the desolation to a bare unmarked little mound of sand, vast emptiness all around. This officer boy goes red, stammers, here is where he was seen for the last time. See, even the dry rocks are broken in mourning. How is it possible...
And I say, these parents who do not give up, who are not content with this sandy conclusion beside a lonely hill, who glare with hatred at the young officer, who from sheer anger and disappointment are ready to attack him, these parents demand further explanation, for who can assure them that their Boaz, Boaz their son, is not sitting at this very moment, in summer clothes, with long hair, on a distant beach, in the port of a far-off country, watching the landscape that lies open before him and sipping a soft drink. Perhaps he had reasons for not returning home, even at the price of his parents’ misery. He grew suddenly disgusted by something, or something scared him. And if his parents would only study the problem from such an angle, instead of scurrying from one army office to another, there might be a chance of picking up his trail.
But how could they—
I too once visited such an army office, searching for him, and I saw how hopeless it was, in spite of the smiles and the willingness and the sympathy. But that was only after two months or more, when we realized that the lover had really disappeared, that he wasn’t going to return. Until then we had said, he must still be on the move, caught up in new experiences, confused by encounters with unfamiliar things. What does he know about the real Israel. Besides, We were so busy that we hardly had the leisure to think about him. Asya was at the school all the time, filling in for teachers who had been called up, running around in the evenings between meetings of the emergency committees, visiting the parents of pupils from the senior grades who had been killed or wounded. At night she used to come home exhausted, collapse on the bed and fall asleep right away. And I had a heavy load of work also, the garage was full of cars already in the first days of the war. Some of my customers were on their way to the front, already in uniform, and they brought their cars in for major repairs, thinking that the war would be a short one, a quick journey of adventure, a good opportunity to have the engine overhauled or the bearings changed, or get a new coat of paint, and in a few days they would be returning home, picking up their cars and going back to their business.
But they didn’t return so quickly. My parking lot filled up. One of my customers didn’t return at all. I had to return the car personally to his parents’ house, to shake hands with the mourners, to mumble some words of condolence and, of course, to cancel the fee, which amounted to several hundred pounds. The other cars were taken away by the wives, those of them who knew how to drive. I never had so much to do with women as in those weeks immediately after the war. They took the cars over, and slowly but surely they ruined them. Driving without water, without oil, even forgetting to look at the fuel gauge. In the middle of the night the phone would ring, and a woman’s voice appeal for my help. And I would drag myself out in the middle of the night, roaming the darkened city to find in a narrow side street a young woman, a child really, standing panic-stricken beside a huge luxury car with an empty fuel tank.
But that disruption also came to an end, and life began to return to normal. The men came back from the army, wandering about in the mornings in their khaki clothes and heavy boots, buying supplies in the grocers’ shops, dust in their eyes, looking dazed, stammering a little. They came and collected their cars and postponed payment. A hard winter was setting in. Dull days, sodden with rain. It became harder and harder for us to sleep at night. Waking in the middle of the night to the sound of thunder, going to the bathroom, switching on the radio for a moment. So it was that I discovered the extent of Dafi’s insomnia. The lover’s disappearance began to penetrate. Yearning for him, wondering where he is. Asya knows no peace, running to the phone every time it rings. She says nothing, but I catch her look—
In the mornings I have taken to driving to the garage by a roundabout route, by way of the lower city, passing his grandmother’s house, looking for a sign of life behind the sealed shutters with their peeling paint. Sometimes even parking the car for a moment and running up the deserted staircase to examine the broken letter box that hangs there precariously, to see if there’s a letter or a message for him, or from him. Can we abandon him, forget him? After all, who but us could know he is gone?
DAFI
Dafi, my dear, it’s a white night, there’s no point in trying. You’ll only end up crying again, kid. I know you, I heard you whimpering under the blanket. It’s only when you try too hard to sleep that all these things get on your nerves—the faint snoring of Daddy or Mommy, the noise of a car in the street, the wind rattling the shutter in the bathroom. It’s already past midnight. You thought you’d get away with it, pudgy, but tonight is a night without sleep. There’s no choice. Stop, enough turning the pillow and tossing from side to side, playing dead. No more fooling. Who are you trying to kid? Open your eyes, please, pull yourself together, sit up and put on the light and make a plan for killing the time that’s left between now and morning.
I knew this afternoon that tonight there’d be problems, that I wouldn’t be able to sleep. It’s a strange thing, this premonition. Tali and Osnat came around this afternoon and stayed until the evening. We had a good time, chatting and laughing and gossiping, about the teachers to begin with, but about the boys most of all. Osnat’s completely crazy, she’s been like this since the beginning of the year, she’s got nothing else to talk about, just boys. Every few weeks she falls in love with someone new, goes right off her head. Usually boys from the seventh and eighth grades who don’t even know they’ve been fallen in love with. But that doesn’t stop her from making a fantastic story out of it, every time it happens. I really love her. She’s ugly and thin, wears glasses, and she’s got a tongue like a sharp knife. Tali and I roared with laughter at her descriptions, we made such a row that Daddy opened the door to see what was going on, but he closed it again in a hurry because Tali had taken off her shoes and her sweater, opened her blouse, let her hair down and lay down on my bed. Wherever she goes she’s always taking something off and getting into other people’s beds. Completely unbalanced. A real looker and a good friend.
We had fun. Osnat was standing in the middle of the room with her glasses pushed down on her nose, imitating Shwartzy, and suddenly in the middle of all the fun and excitement, beyond Osnat’s head, outside the big window, there’s a little purple cloud, a night cloud, floating very low, actually touching the rooftops. And a little lightning flash ignites inside me, deep inside my head, a physical sensation. Tonight I won’t be able to sleep, a prophetic warning. When Tali and Osnat are fast asleep, I shall be tossing about here on my bed. But I said nothing, I went on chatting and laughing, and there was just that obstinate little flame burning away inside me, like the little pilot flame that’s always alight in our oven. No sleep for you, Dafi. Afterward I forget about all this, or I pretend to forget. In the evening they went away and I sat down to do my homework, still expecting a normal night. I did a quick analysis of the two prophecies of wrath in Jeremiah and compared them. I soon polished off the images of death and destruction in The City of Slaughter. Stupid questions. But as soon as I opened the math book, I started yawning. I suddenly felt terribly tired. Maybe I should’ve laid down on the bed and slept, made the most of it.
But I was silly and went on trying to understand the questions, and then Daddy called me to come and eat supper. When he gets the meal ready and I don’t come straightaway it always puts him in a foul mood. He’s in such a hurry to eat that he finishes off the meal before he’s finished preparing it.
Mommy hasn’t come in yet—
I sat beside him even though I wasn’t hungry, just to make him feel that he wasn’t alone. We hardly talked because it was the evening news on the radio and he was glued to it. He cooked me some scrambled eggs that I didn’t want. The food that he cooks never has any taste to it, although he’s sure he knows how to cook. When he saw I wasn’t eating the eggs, he ate them himself and left the kitchen. I threw some of the food in the garbage, put the rest back in the fridge, promised to wash the dishes and went to watch TV. It was a program in Arabic, but I sat and watched it, rather than go back to my room and find the math book waiting for me there. Daddy tried at first to read the paper and watch TV at the same time. In the end he got up and went off to bed. A strange man. Deserves a close look, sometime. Who is he really? Is he just a garage boss who doesn’t talk and goes to bed at 9:30 in the evening?
Mommy still hasn’t come in—
I switched off the TV and went to have a shower. When I’m naked under the running water I really feel as if I’m drugged, time becomes sweet and shapeless, I could stand like this for hours. Once Daddy broke down the door because Mommy thought I’d fainted or something. I’d been standing there maybe an hour and I hadn’t heard them calling me. Now the water slowly goes cold. I’ve emptied the tank. Mommy will be mad at me. I dry myself, put on my pajamas and switch off the lights in the house. I go into their bedroom, put out Daddy’s bedside lamp and pull the newspaper from underneath him. His beard is big and bushy, there are white hairs in it, glinting in the light from the passage. I feel sorry for him as I watch him sleeping, and it isn’t natural for children to pity their parents. I go into my room, take another look at the math homework, perhaps inspiration will come from heaven, but the sky is dark, without a single star, and there’s a light rain falling. Since our math teacher was killed in the war and they brought in that kid from the Technion I’ve lost all interest in the subject. It isn’t for me. I can’t even begin to understand the questions, never mind the answers.
I pull down the blinds and switch on the transistor, it’s that crooner Sarussi. Slowly I pack my school bag, leaving out the math book on purpose. I’ll say I forgot it, that’ll be the fourth time this month. Next time I’ll have to think up a new excuse. At the moment Baby Face doesn’t say anything, he blushes as if he’s the one who’s lying, not me. He’s still a bit nervous, scared of getting involved, but he’s beginning to gain some confidence—there are disturbing signs. Mommy still hasn’t come home. Such a long teachers’ meeting. They must be hatching great plots against us.
It’s quiet in the house. Deep silence. And then the phone rings. I run to it but Daddy answers before I get to it. Since that man disappeared I’ve never been able to get to the phone first, Mommy or Daddy always pounce on it, they’ve even got an extension beside their bed.
I pick up the receiver in the study, and I hear Daddy talking to Tali. She’s startled to hear his sleepy voice. I join in the conversation at once. What happened?
She’s forgotten what the history test tomorrow is about. That’s what she and Osnat came around for this afternoon, to learn some history, and somehow they forgot all about it. Me too. But I’m not worried about history, maybe it’s the only subject that I’m pretty sure about, a talent I got from Mommy; all sorts of pointless and trivial facts stick to me. I tell her the page numbers and she starts to protest, as if I’m the history teacher. That’s far too much, what’s the big idea? Can’t do all that.
Then she calms down, starts whispering something about Osnat, but a strange whisper rises from the phone, like heavy breathing. Daddy’s fallen asleep with the receiver. Tali shrieks. The girl’s a total hysteric. I put the phone down, hurry to Daddy, take the receiver from the pillow and put it back in its place. If only I had a fraction of his ability to sleep.
Go to sleep...
he says suddenly.
Yes, right away ... Mommy hasn’t come in yet.
She’ll be home soon. Don’t wait up for her. You’ll be worn out in the morning.
Back to my room. I start to sort it out, to turn over the day, scraps, feelings, words and laughter, all are like a thin layer of rubbish that I gather up and throw into the basket. I start tidying up the bed, airing it, I find Osnat’s purse and a Tampon in a nylon bag that must be Tali’s, she carries it around with her everywhere. At last the room has some sort of shape. I put out the main light, switch on the bedside lamp. I pick up the book on the Age of Enlightenment and get into bed with it, to prepare for the test. The letters go blurred, my head goes heavy, my breathing heavy too, the moment of grace, grab it, wonderful, I’m asleep.
And then Mommy arrives, her footsteps so quick on the stairs sound as if she’s returning from an orgy, not a teachers’ meeting. The door opens. At once I call out, Mommy?
She comes into my room, her coat is wet, a stack of papers under her arm, her face gray, she’s very tired.
Asleep yet?
Not me.
What’s happened?
Nothing.
Then go to sleep.
Mommy?
Not now ... you can see I’m exhausted.
Lately that’s been her constant refrain. A terrible exhaustion. You can’t talk to her, she’s always busy, as if she were running the whole world. Now her quick footsteps in the house, moving about in the dim light, taking something out of the fridge, undressing in the bathroom, tries to shower but turns it off immediately. Quickly I switch off the light so she won’t come in and shout at me for using all the hot water. She goes into the dark bedroom, Daddy mutters something, she answers, and they are silent.
A quiet married life—
The last light in the house has gone out. I close my eyes, still hoping. Everything is quiet. My mind at rest, my school bag packed, the house locked, the shutters closed. The street is quiet. Everything is right for sleep and maybe I really have slept for a minute or two and then time passes, and I understand that I’m really not asleep, that the little flame burning down inside the soul won’t leave me alone. I begin to stir restlessly and the strange wakefulness gets stronger. I turn the pillow over, change position every quarter of an hour, then every few minutes. An hour passes. The luminous hands touch midnight. That’s it. You might just as well get up, my dear. Poor Dafi, it’s a white night and there’s no point in fighting it, get up and wake up.
The path of light on sleepless nights. First the small light beside the bed, then the main light in the bedroom, the light in the passage, and the white light in the kitchen and last of all the light inside the fridge.
Midnight feast. What use is a diet during the day if at night you gobble up four hundred calories on the quiet? A slice of cake, cheese, a piece of chocolate and the last of the milk. Then, heavy and drowsy, I sink down on the sofa in the dark sitting room, facing the big window, opposite me is a mighty ship, a brightly lit palace, under the mountain on the invisible sea. A wonderful vision of people awake. I go to fetch a pillow and a blanket, I come back and the ship has already vanished, she’s gone before you even realize she’s moving.
Once I managed to get some sleep on the sofa in the sitting room, but not tonight. The upholstery scratches me. I lie there for a quarter of an hour, half an hour. I reach out for the radio. What language is this? Greek? Turkish? Yugoslav? The songs are nice. And the disc jockey has a sexy voice, chattering away. Old women are talking to him on the phone, their voices shaky, they make him laugh, he’s in fits of laughter, quite uninhibited. I almost join in. Well, it seems not everyone’s asleep. Suddenly he fades out, there’s an ad for Coca-Cola, for Fiat, a last song, an announcer’s voice, she sounds half asleep, seems to be saying good night. A whistle. The station’s closed down. It’s already after one o’clock.
The clock creeps on, five hours at least until first light. I sit in the chair, I can’t even lie down, I’m close to tears. What about the man who types? I almost forgot him. The man who types at night in the house across the wadi. I go to the bathroom and through the little window that looks out across the wadi I search for his lighted window. There he is, that’s him. Three cheers for the man who types at night Sitting at his desk and working hard, my nocturnal friend.
I discovered him by chance a few weeks ago. A bachelor? Married? I know nothing about him. In the daytime the curtains are drawn, he appears only at night, alone there in the light, working at something, writing without a break. Every time I see him I’m determined to visit the neighborhood across the wadi, find out which is his house and what his name is. I’d phone him and say, Mr. Typist, I watch you at night from the other side of the wadi. What are you writing? A thesis? A novel? What’s it about? You should write about insomnia, a subject that hasn’t been enough studied. The insomnia of a fifteen-year-old girl, for example, a student in the sixth grade, who lies awake every fourth night.
Tears in my eyes—
I get dressed in a hurry, changing into a thick pair of woolen trousers, putting a big scarf over the pajama top, taking an overcoat and Daddy’s fur hat. I put out the lights in the house and open the front door, holding the key in my clenched fist, going down the dark steps into the street. A little night stroll, I won’t go far. A hundred meters down the hill to the roundabout where Yigal was killed and back again. If Mommy and Daddy knew about this going for walks at night they’d kill me. It’s two-thirty. I’m in bedroom slippers, my feet are cold and shivering. I walk down a street that’s dead and damp, looking at the stars. Suddenly a car with lights full on comes racing down the slope, passes me and stops about five meters from me. I freeze. The car jerks backward. A powerful torch flashes on, searching for me. Maybe they think I’m a little hooker. I’m seized by panic, the key drops into a puddle, someone jumps out of the car, a tall smiling figure. I pick up the key and run, hurrying up the steps, into the house, panting, I lock the door, undress in a hurry, get into bed and pull the blanket over my head.
How will it end, this night life? What’s eating me? Everything’s fine, after all. Good friends, comforts at home, boys starting to love me in secret, I know, they don’t say anything but they can’t hide it, those furtive glances in the classroom, those eyes following my legs. Someone from the eighth grade even tried to get off with me. A big boy with a dark face and pimples on his forehead grabbed me once by the school fence and kept me there for a whole hour, and talked. I don’t know about what. Crazy. Until I got away from him.
So why is it that I can’t sleep, even now at half-past three in the morning after I’ve gone through the whole program of night activities and I’m exhausted, and tomorrow I’ve got seven hours in school and a test in history and math that I haven’t prepared for.
I throw the blanket off again, getting out of bed heavily and clumsily, putting on the light, stumbling over the furniture, meaning to make a noise. I go to the bathroom for a drink of water, looking bleary-eyed at the man who types. He isn’t typing now, he’s sitting there resting his head on the typewriter. Even he’s asleep. I go to their bedroom, stand in the doorway. They’re fast asleep, like little children. I begin to wail softly, Mommy, Daddy,
and then I go away.
At first, when I started having sleepless nights, I used to wake them up, Mommy or Daddy, whichever one I chose, sometimes both of them. Not really knowing why, in despair, wanting them to stop sleeping and to think about me. Mommy used to answer me at once, as if she’d been awake the whole time waiting for me. But it wasn’t like that. She’d just finish the sentence and fall straight back to sleep.
It takes time to wake Daddy up. At first he grunts and mumbles nonsense, he just can’t understand who is talking to him, you’d think he had a dozen children, I have to shake him to wake him up. But once he wakes up, he’s wide awake. He gets out of bed and goes to the bathroom and then he comes into my room, sits down beside me on the chair and starts asking questions. What’s up? What’s the trouble? I’ll sit with you now until you go to sleep. He covers me up, puts out the light, puts a small pillow behind his head and slowly drops off to sleep. I feel sorry for him. After a quarter of an hour he wakes up and whispers
Are you asleep, Dafi?" I’m wide awake but I don’t say anything. Then he waits a little longer and goes back to his bed, stumbling like a sleepwalker.
I don’t wake them up anymore. What’s the point? Once when I went in to wake him, he said, Go away, I told you to get out of here.
It was in such a clear voice. I was startled and hurt. What?
I said, but then I realized he was talking in his sleep. I whispered, Daddy?
but he didn’t answer.
Tears. Good morning. The tears again. Under the blanket I cry, out of self-pity, weary, bitter tears. It’s four o’clock in the morning. What’s going to happen?
I raise the blind, opening the window a little. The night lies cruel and endless on the world. The sky clears a bit, heavy clouds shift slowly, piling up on the horizon. Morning breeze. But I’m getting hotter and hotter. I throw off the blanket completely, undo the buttons of my pajama top, baring my aching chest to the cool wind. I throw the pillow down on the floor and lie there like a corpse, arms outstretched, legs spread-eagled, and slowly, with the smell of the rain as the sky grows pale, I start to doze. Not really asleep, just feeling myself grow lighter. My limbs disappear one by one. Leg, arm, back, the other arm, hair, head, I shrink into a tiny crystal, into my essence. What refuses to disappear is that cruel flame, no bigger than a dry little coin.
And when Mommy wakes me in the morning her voice is vigorous, she draws the blanket from my face (Daddy must have covered me up before he left the house) saying, Dafi, Dafi, get up now. You’ll be late.
I search for my eyes. Where are they? Where did my eyes disappear to? I roll about in a cauldron of lead, searching for my eyes to open them. I hear Mommy in the shower and the hiss of the kettle.
When at last they are wrenched open, cracks in white-hot steel, the window is open to the light, to the high gray winter sky. Between the sky and the earth, hovering like a hit space ship, is the little purple cloud, the hateful cloud that robbed me of my sleep.
Mommy comes in, dressed, her bag in her hand.
Dafi, are you crazy? How much more can you sleep?
ASYA
What sort of a trip? A school trip but more than that in a camp near a big mountain city, a mixture of Safad and Jerusalem, a big lake visible in the distance. And a crowd of young people, gray tents full of schoolchildren not only from our school but from others too, former pupils from the senior grades of my old school dressed in khaki, eternal youth training with sticks, standing and beating in long lines. For it seems there was a war and there were soldiers on the hills around us. Midday and I’m walking through this crowded camp looking for the teachers’ room, stepping over tent ropes, among thorns and rocks and smoke-blackened camp cauldrons till I see the faces of children from Dafi’s class and I see Sarah as well and Yemimah and Vardah in long broad khaki skirts and the janitor and Yochi and the secretaries; the entire staff of the school has moved here complete with typewriters and filing systems. And there’s Shwartzy dressed in a khaki British uniform looking young and sunburned and impressive with a stick in his hand.
Well, what’s the matter? The bell is ringing.
Yes, it really is the bell, as if from the sky, like the ringing of cowbells. And I have no books and no notes and I don’t know what I’m supposed to be teaching or which classroom I’m supposed to be in. I say to him, This is a real revolution...
and as always he echoes my words:
A revolution ... precisely, a revolution...
He laughs. People don’t understand that ... come and see....
And suddenly he has time to spare despite the bell, leading me to a little cave, a crevice really, and there under a pile of stones is a bundle of page proofs for a book. There the true revolution is written. But the text itself I recognize as the text of his old handbook for the matriculation exams in Bible studies. Simplified explanations of passages set for the exams.
And meanwhile there is silence all around. The great camp is still, students sitting in tight circles and the teachers knitting in the center and someone reading from a book. I feel tense and excited. The word revolution
will not leave me alone. I want to find my class. I want desperately to teach. Such a pain in my chest from wanting to be with my pupils. I know that they are beside the little acorn tree. I go in search of them but now I can’t remember what an acorn tree looks like, I’m staring at the ground searching for acorns. Going down a hill slope to a big wadi. It seems the enemy lines are not far away. Not children patrolling here but grown men, soldiers. Gray-haired men with helmets and firearms. Advance positions among the rocks. The sky clouding over toward evening.
I ask about the little acorn and they show me a little acorn on the ground, light brown. We are your class.
They laugh. I don’t mind talking to adults. On the contrary. And the faces are familiar, fathers of children in the seventh and eighth grades who come to parents’ meetings. And they are sitting on the ground but not looking at me, their backs are turned and their eyes are on the wadi. They are so uneasy. And I want to say something of general significance about the importance of studying history. Someone stands up and points to the wadi. A suspicious movement there. It’s an old man wearing a hat and he’s walking down the wadi with such determination, receding in the distance toward the enemy lines. My heart stands still. He looks like my father. Is he here too? Does he belong here or not? Walking erect and excitedly down the rock-strewn ravine. What sort of a revolution is this, I wonder, what are they talking about? It’s a war, it’s only a war.
VEDUCHA
A stone laid on a white sheet. A big stone. They turn the stone wash the stone feed the stone and the stone urinates slowly. Turn the stone clean the stone water the stone and again the stone urinates. The sun disappears. Darkness. Quiet. A stone weeping why am I only a stone weeping stone. She has no peace begins to stir rolls without sound hovers over a dirty gray floor a great desert there is nothing a giant swamp a dead burned land. Wanders till she stumbles on tight ropes cables in a dark tent touching a spade. A stone halting a stone sinking. A root stirs in the stone, embracing crumbling entwining within. A stone not a stone dying and sprouting a stone sprouting a stone a plant among plants among stillness burrowing in the dust rising from darkness a strong branch and more branches. Strong growth a plant clad in leaves among leaves. A great sun outside. Day. A great old plant on a bed. They turn the plant clean the plant give tea to the plant and the plant still lives.
ADAM
Actually it was we who sent him to the army, he received no orders, nor could he have. Two hours after the alarm was sounded he was already with us. Apparently we didn’t hear his knock and instead of waiting he opened the door with a key that Asya had given him. So he’s already got a key to the house, I thought, but I said nothing, just watched him as he came into the room, confused, agitated, talking in a loud voice. As if the war that was breaking out was directed personally against him. He asked for explanations, and when it became clear that we had nothing to tell him he seized the radio and began frantically searching for news, for information, going from station to station, French, English, even pausing for a while over a Greek or a Turkish broadcast in his attempt to put some facts together.
He was growing pale, his hands shaking, he couldn’t relax.
For a moment I thought, he’s going to faint, like that time in the garage.
But there was also the freedom with which he behaved in the house. The way he touched things, going to the kitchen and helping himself to food, raiding the fridge. He knew exactly where to find the big atlas when he wanted to look at a map. And there was the way he behaved toward Asya, interrupting her in midsentence, touching her.
In recent months pictures of that evening have come into my mind again and again. The last pictures of him before his disappearance. The twilight hour, him standing in the middle of the big room, his white shirt straggling out of his black trousers, his thin delicate back a little exposed. The big atlas open in his hands and him standing there explaining something to us, and she, her face flushed with embarrassment and fear, nervously watching, following his movements as if afraid that he’ll break something. This is a real lover, I thought, she’s really fallen for him.
And in the middle of all this, the war breaking out with such force. The certainty of a new reality overtaking us, there would be no going back. The evening came down quickly and we put no lights on in the house so we could leave the windows open. Every plane flying overhead sent him rushing out to the balcony. Was it one of ours or one of theirs, he had to know. He even gave me a piece of paper and asked me to draw a MiG and a Mirage and a Phantom, and he would take the miserable sketch outside with him, his eyes fixed on the sky.
What do you mean one of theirs?
growled Dafi, who was sitting all the time in a corner, scowling, not taking her eyes off him.
But their air force hasn’t been destroyed,
he explained with a grim smile. This time it will be a different story.
A defeatist? Not exactly. But there was something strange about him. He was interested only in peculiar practical questions. What was the range of their missiles, could they blow up the ports from sea, would there be food rationing, how soon would he be able to leave the country. He had been abroad for more than ten years, he had no idea what goes on here in wartime. He had old-fashioned, European ideas.
I was patient toward him. I answered his questions, tried to reassure him. Watching Asya, who sat on the edge of the sofa under the lamp, which had an old straw hat for a shade, a stack of exercise books on her lap, a red pencil in her hand, trying to calm herself, I know, but not succeeding, a gray woman with white streaks in her hair, wearing an old dressing gown and flat slippers, her face drawn and the tension filling it with light and power. In love despite herself, against her will, confused by her love, ashamed perhaps. Saying hardly a word, just getting up from time to time and fetching something to eat or drink, coffee for me, fruit juice for Dafi, a sandwich for Gabriel, and all the time the endless stream of garbled information-reports from correspondents, television interviews, foreign stations, news pouring out from all directions but obstinately repeating itself. The phone rings. It’s the garage foreman, telling me he’s been called up. I myself phone several of the mechanics at home, it turns out they’ve all been called up, some of them as long ago as yesterday afternoon.
I return from the study and find him sitting in the kitchen. The blinds are closed, he’s drinking soup, she sits beside him, watching him.
Establishing himself among us—
He smiles at me apologetically, fear makes him hungry, he admits. He’s always been that way, and he scoops up the rest of the soup into his mouth.
It seems that he’s decided to spend the night here, if we don’t object. He’s prepared to sleep on the floor, or on the sofa, wherever we put him. It’s just that in his grandmother’s house there’s no radio, and the house is directly opposite the port, the classic target for a first attack. In the First World War they always attacked the ports first....
He turns to Asya, as if asking for confirmation. But she doesn’t respond, she looks anxiously at me.
There was something laughable about him, but something pathetic as well, like a lost child. He will spend the whole war in this house, I thought, without anger but with a kind of excitement, a feeling that anything was possible now. I kept my distance.
Nearly midnight. A phone call from Erlich, the old cashier at the garage. He’s in high spirits, informs me that he’s been called up. He starts to explain to me where the accounts are kept, what our bank balance is, how much is owed to us, what to do about the wages, you’d think he was going away to fight on the other side of the world. A fussy, tiresome old yeke, though not without humor. It doesn’t matter, it doesn’t matter,
I try to reassure him but he isn’t reassured. In financial matters he doesn’t trust me. Finally he announces that he’ll come into the garage himself tomorrow morning, he’s being posted not far away, near the refineries.
They’re drafting the entire population ... really...
I announced. They were sitting in the dark. And what about you?
I turned to him, not meaning to imply anything.
But he started to mumble, he doesn’t know, obviously he has no unit to go to, it’s true that at the airport they gave him a certificate to take to an army depot within two weeks, but he had no intention of staying for two weeks, he hadn’t known then that his grandmother wasn’t dead but had only lost consciousness.