Autoboyography
4.5/5
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About this ebook
“A hopeful and moving love story.” —Publishers Weekly
Fangirl meets Simon vs. the Homo Sapiens Agenda in this “sensitive and complex” (BCCB) coming-of-age novel from New York Times bestselling author Christina Lauren about two boys who fall in love in a writing class—one from a progressive family and the other from a conservative religious community.
Three years ago, Tanner Scott’s family relocated from California to Utah, a move that nudged the bisexual teen temporarily back into the closet. Now, with one semester of high school to go, and no obstacles between him and out-of-state college freedom, Tanner plans to coast through his remaining classes and clear out of Utah.
But when his best friend Autumn dares him to take Provo High’s prestigious Seminar—where honor roll students diligently toil to draft a book in a semester—Tanner can’t resist going against his better judgment and having a go, if only to prove to Autumn how silly the whole thing is. Writing a book in four months sounds simple. Four months is an eternity.
It turns out, Tanner is only partly right: four months is a long time. After all, it takes only one second for him to notice Sebastian Brother, the Mormon prodigy who sold his own Seminar novel the year before and who now mentors the class. And it takes less than a month for Tanner to fall completely in love with him.
Christina Lauren
Christina Lauren is the combined pen name of longtime writing partners and best friends Christina Hobbs and Lauren Billings, the New York Times, USA TODAY, and #1 internationally bestselling authors of the Beautiful and Wild Seasons series, Autoboyography, Love and Other Words, Roomies, Josh and Hazel’s Guide to Not Dating, The Unhoneymooners, The Soulmate Equation, Something Wilder, The True Love Experiment and The Paradise Problem. You can find them online at ChristinaLaurenBooks.com or @ChristinaLauren on Instagram.
Read more from Christina Lauren
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Reviews for Autoboyography
326 ratings18 reviews
What our readers think
Readers find this title beyond their expectations. It's so good, beautiful, and it made them happy. The book had them laughing, crying, and it broke their heart in the best kind of way. They would give it ten stars if they could."
- Rating: 4 out of 5 stars4/5In this YA contemporary romance, Tanner lives in Provo, Utah, not necessarily the easiest place to be bisexual. His father is Jewish, his mother is ex-LDS, and the family moved to Provo from California when Tanner was a teen, so he always feels somewhat like an outsider in town and at school, though he has a loving, supportive family and a best friend named Autumn. During his senior year of high school, Tanner finds himself falling for LDS golden boy Sebastian Brother, who TAs the creative writing seminar Tanner is taking. Eventually he discovers Sebastian reciprocates his feelings, and then thing get reeeally complicated. I loved all the characters here, as well as the format of the book (most of it takes the form of the autobiographical novel Tanner is writing in his seminar). The depiction of the complications that arise for Tanner and Sebastian is tender and lovely, and I really appreciated the way Lauren grapples with Sebastian's faith and never lets the story brush off how important it is to him, despite the difficulties it causes him. I thought the book dragged a little around the three/fourths mark, but on the whole this was a wonderful, engaging read. Recommended.
- Rating: 5 out of 5 stars5/5I loved this book. I cried. I know so many stories don't have happy endings in real life, but a lot of romantic fiction does have them. I was so happy about this book. Both main characters are beautiful.
- Rating: 4 out of 5 stars4/5Oh my God. This book is beyond my expectation, it's so good!
- Rating: 5 out of 5 stars5/5This book had me laughing and crying and most of all it broke my heart in the best kind of way. I would give it TEN stars if I could.
- Rating: 5 out of 5 stars5/5This is a wonderful book that operates on many levels. The plot and storyline are well done, the setting allows for a certain extra tension as well as giving an opportunity to reflect on the impact of religion on who we are and who we become.
In addition to accepting the challenge for how many books I will read in a year, I always set out to explore genre and subject matter I have not previously explored. I tried out a few YA books last year and found them to be great and this year, I added YA-LGBT.
Love is the most complicated and wonderful thing there is. However, in books dealing with adult romantic relationships, the author deals with adults, people who already know what love is, who in many books pair love with sex. In fact, is real life, many people never fully understand the difference between the two. Adult romances may deal with adults who are confused about their sexual orientation, but whether or not they are uncertain about it, they certainly know the difference between “being in love” and “being in lust.”
In dealing with adult protagonists, authors are denied access to the innocence and confused pain and terror adolescents feel.
Good YA writers understand well the difference between the crushes, loves and bewildering passions adolescents feel and those experienced by adults. They help readers remember the first time we were in love, something that happened just as we were also experiencing the rising passions of sexuality and often leaving us confused about which was which.
For young people who find love in members of their same sex, the pain and confusion is greatly increased. (Suicide among LGBT teens is incredibly frequent).
Moreover, because adolescents are reaching out to discover their place in the world, to grow into what it means to be an adult, they become very tribal and are capable of delivering verbal blows and judgments that their victims will carry all their loves.
In Autoboyography, one boy is reluctant to accept his sexuality and thinks himself “bi” while the other denies his sexuality altogether. He suffers from the usual teenage confusion about sexual preference and is also burdened with a repressive, judgmental and condemnational family and religious strictures.
Autoboyography is a great book. Is a great fictional read yet also a painful reminiscence of our own youth and a book that genuinely confronts how far religion sometimes falls from the call of the divine to love. - Rating: 5 out of 5 stars5/5RIGHT IN THE FEELS!!!!
This book beautifully described young love, or rather first young love.
Tanner, and his family are also beautiful people. Inside and out. Full to bursting with love, support and understanding. They help to shape him into a loving and considerate young man.
Quotes and Notes
ch 2: The bond between Autumn and Tanner
"bisexuality is really about indecision, that it's impossible for bisexuals to be satisfied with one person and that the label is a way to not commit.....no I'm willing to fall in love with anyone but the specific parts don't matter as much as the person."
ch 12: you need to be clear about what you are and are not willing to tolerate. Are you willing to be a secret?
ch 19: it hits me like a slap across my face that I'm his safe space. I get his real smiles. - Rating: 5 out of 5 stars5/5You know all the stuff I have said about not liking YA, I take it back. A lovely coming of age story. I loved Tanner, who knows himself and makes interesting and age-appropriate decisions. He is smart, thoughtful, and hard-working, a good friend and son and boyfriend. He is bi in a really authentic way. He knows he is privileged, and understands that comes with responsibilities. There is pain here, but in the end nothing is unnecessarily dramatic. I also loved that female virginity was not treated as the MOST IMPORTANT THING EVER but its loss is still given its due as a major life event. Tanner and Autumn particularly are such authentic characters. One of my regular YA issues is that the teens don't act like teens. That was not an issue here. My biggest issue with YA is that it oversimplifies issues, and that there are no secondary issues, its just the central conflict and nothing else exists in the world and no one is impacted but the primary characters. Not so here on either count. I had a couple concerns that cost this a half star. Given Tanner's mother's almost pathological PFLAG zeal I don't think she would have moved her kids to Provo, no matter how appealing the job offer. Also, years ago I spent a good deal of time in Utah for business reasons, and though I would NEVER want to live there, the LDS people I got to know were good people. I am not saying they would not reject their gay child if they had one, they well might, but there would be real pain and conflict and not just a bloodless rejection. I would have liked to get a hint of that. Otherwise just great.
- Rating: 4 out of 5 stars4/5teen romance w/LGBTQ interest (bisexual 18-y.o. boy from Palo Alto meets closeted/in-denial Mormon 19-y.o. in Provo, UT).
Lots of sparks and heartache in this very absorbing love story from co-authors Christina Lauren. I didn't cry, but I was definitely shipping these two boys.
parental notes: contains lots of making out (and more, but not explicitly), light swearing (maybe a "shit" or two), NO drinking (cuz they're in Utah). - Rating: 5 out of 5 stars5/5This is a sweet teen love story. Tanner, a bisexual teen from Palo Alto, went back in the closet a few years ago when his family moved to Provo, Utah. Now he finds himself falling for a Mormon boy. I loved the open-handed approach the book takes to the LDS church -- showing it as having some very caring members who do a lot of good in the world while also being deeply traumatizing to some of its members, including queer ones.
- Rating: 5 out of 5 stars5/5Oh my god this was so good! I loved Tanner, loved his family, and his mom made me cry when she "went into triage mode" upon finding them under the willow tree. I was glad they didn't take the easy way and make the Mormon world suddenly accepting of homosexuality. There was real struggle here, as there should have been, and I'm so glad they didn't sugarcoat it.
- Rating: 5 out of 5 stars5/5This is a very touching story; the skilled writing makes it easy to get inside the minds of two teen boys discovering their sexuality and their love for each other. Heavy on LDS beliefs (although same issues apply to other religions) and how difficult it would be to navigate the ideologies so deeply ingrained within your church and family life when you realize you are gay.I was going to say how important it is for teenagers to read this book; however, I think it is so well written it is actually important for everyone to read it. This isn't simply a teen romance. It goes deep into what it actually feels like to be in their situation and how important the opinions and perceptions of those around them affect their lives--often to their detriment.
1 person found this helpful
- Rating: 5 out of 5 stars5/5I would give this book 10 stars I could!! Sigh...
- Rating: 4 out of 5 stars4/5Tanner is a bisexual high school senior living in Provo who signs up for his high school's famous Seminar course, where students draft a novel in a semester. The golden child from last year's Seminar, Sebastian Brother, sold his drafted novel to a publisher; now a (very Mormon) freshman at BYU, having delayed his mission by a year due to the book deal and publicity tour, Sebastian is helping this year's class. Tanner quickly begins to fall for Sebastian as the semester begins.I really enjoyed this, and I think that it was age-appropriate and well done (definitely reads younger than many of the authors' books). One thing that I really liked about this was that I think that it did a good and sensitive job of exploring faith and sexuality--coming into the book, I was worried that it would be a full-on "love conquers religion" story (which I don't find super convincing, and which I think can oversimplify things). But it doesn't; there's a lot of focus on struggling with one's faith while at the same time recognizing and believing in that faith.
- Rating: 4 out of 5 stars4/5An evocative and heartfelt depiction of two young men experiencing the same singular scenario from very different perspectives. As a queer reader raised LDS, I appreciated the time and attention paid to exploring how Sebastian's view of his religion and family, and his relationship to himself, evolved.
- Rating: 4 out of 5 stars4/5I received an eGalley of this book from the publisher in exchange for an honest review.
Have you ever seen that tumblr post (Natsui) that reads how the OP can keep a poker face during some of the kinkiest erotica they'll ever read, but struggle to keep from reacting during the stupidly cute moments in a story? This book's very tame on the graphic descriptions once the romance starts to heat up, but there were so many adorable cringe-y moments in this book and I. Loved. Them. I think it's fantastic that Tanner's unapologetically, unquestioningly bisexual. And in case you or any character forgot, he'll remind you. Sebastian isn't brainwashed by his faith. You'll get to experience why he loves it, why it makes sense to him.
I'm tapering off of the honeymoon period from reading this book, so my revised rating is closer to a 3-3.5. It's a good book, and totally worth reading if you enjoyed FANGIRL or CARRY ON (Rowell).1 person found this helpful
- Rating: 5 out of 5 stars5/5An endearingly honest, sweet, humorous, and thoughtful love story! Here’s to Tanner and Sebastian and first loves!
- Rating: 2 out of 5 stars2/5This was fun and entertaining, but other than that it wasn’t very good.One of my biggest pet peeves was the writing style. It felt very amateur to me, even though I was listening to it instead of reading it physically (which generally helps me to not notice writing style as much.) For example, Instead of saying what a character did or felt the authors were constantly writing things like “seemed to” or “practically.” Every time I noticed the narrator saying things phrases like the side of my brain that edits my own writing just couldn’t help but notice it and that took me out of the story because it felt overwritten. I don’t know what someone’s hands ‘practically shaking’ means, are their hands shaking or aren’t they?Another thing I didn’t like was the insta-love aspect of Tanner and Sebastian’s relationship. I feel like it’s one thing to look at your classroom TA the first day and be like “Damn they fine” and another to be like “I would jump off a cliff right this second if they asked.” Unfortunately, Tanner’s thoughts are closer to the latter but it sure does set the tone for how much unnecessary drama ensues throughout the next 400 pages.The side characters don’t really matter at all. I’m not sure what I was supposed to feel for Tan’s BFF Autumn, but whatever it is, I didn’t. Speaking of Autumn, the whole thing that happens with them later in the book is just ??? I have no other reaction to it besides “what the fuck” and it never really gets resolved? It gets pseudo-resolved, and then we just move on and it never gets touched on again. I still don’t know what the fuck to make of it.I thoroughly enjoyed the exploration of the intersection of religion and identity, and what happens when those two things maybe don’t fit together as nicely as we’d like. I’m a sucker for that shit, and it makes me wish that this book had been written entirely from Sebastian’s perspective. It would have even been nice to have alternating perspectives throughout the book, but the sections from Sebastian’s point of view at the end of the book felt a little like an afterthought, like the authors decided “Oh, maybe we should give some of Sebastian’s thoughts?” After…. not doing that for the first 85% of the book.What I didn’t really enjoy was that the resolution to the religion problem was a fade-to-black scene of Sebastian having a conversation with his parents— which I think the reader should have been privy to, and because of that I suspect maybe the authors just didn’t know how to write it— and then a “Happily-Ever-After”-esque ending for Tanner and Sebastian. I almost wish the epilogue had been cut, because the ending where Tanner went to college and Sebastian finally decided that Mormonism wasn’t right for him was the perfect place to end it. I cared more about whether Sebastian’s family would eventually come around and accept him for who he was than I did about him showing up at UCLA to make out with Tanner.Other than the insta-love and the less-than-impressive ending, I did fully enjoy the rest of the journey of Tanner and Sebastian’s journey. I liked Tanner as a character, even though he sucks at writing fiction (but still gets an A for some reason,) I really enjoyed Sebastian, even though I wish we’d had his point-of-view more consistently. There wasn’t much room for me to care about the other characters one way or another (there are a bunch of characters that have names, but literally don’t do anything that matters) but, with the exception of Autumn, I was fine with that.The book was just entertaining, and I enjoyed reading it a lot despite that it maybe had more flaws than not. That said, because of it’s flaws, I can’t really justify giving it a higher rating than 2-stars.
- Rating: 5 out of 5 stars5/5I can’t believe that I just finished a book that took me on emotional roller coaster ride. It’s been well over a decade since that has happened. The tears are still coming. Throughout Autoboyography I was crying my eyes out, squealing with joy, felt like my heart is braking in two and slowly mending again. I’m going to be recommending Autoboyography to anyone who asks me for a book recommendation. I leave with this question - How soon is too soon for a reread?I’m off to get a tissue.
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Book preview
Autoboyography - Christina Lauren
CHAPTER ONE
The end of our final winter break seems almost like the beginning of a victory lap. We’re seven semesters into our high school career, with one last—token, honestly—semester to go. I want to celebrate like your average guy: with some private time and a few mindless hours down the YouTube rabbit hole. Unfortunately, neither of those things is going to happen.
Because, from across her bed, Autumn is glaring at me, waiting for me to explain myself.
My schedule isn’t complete and classes start up in two days and the good ones fill up fast and This is just so like you, Tanner.
It’s not that she’s wrong. It is just like me. But I can’t help it if she’s the ant and I’m the grasshopper in this relationship. That’s the way it’s always been.
Everything’s fine.
Everything’s fine,
she repeats, tossing her pencil down. You should have that printed on a T-shirt.
Autumn is my rock, my safe place, the best of my best—but when it comes to school, she is unbelievably anal-retentive. I roll onto my back, staring up at her ceiling from her bed. For her birthday sophomore year—right after I moved here and she took me under her wing—I gave her a poster of a kitten diving into a tub of fuzzy balls. To this day, the poster remains sturdily taped there. It’s a super-cute cat, but by junior year I think the innocent sweetness of it had been slowly sullied by its inherent weirdness. So, over the motivational phrase DIVE RIGHT IN, KITTY! I taped four Post-it notes with what I think the creator of the poster might have intended it to say: DON’T BE A PUSSY!
She must agree with the edit because she’s left it up there.
I turn my head to gaze over at her. "Why are you worried? It’s my schedule."
"I’m not worried, she says, crunching down on a stack of crackers.
But you know how fast things fill up. I don’t want you to end up with Hoye for O Chem because he gives twice as much homework and that will cut into my social life."
This is a half-truth. Getting Hoye for chem would cut into her social life—I’m the one with the car; I chauffer her around most of the time—but what Autumn really hates is that I leave things to the last minute and then manage to get what I want anyway. We’re both good students in our own way. We’re both high honor roll, and we both killed our ACTs. But where Autumn with homework is a dog with a bone, I’m more like a cat lying in a sunny window; if the homework is within reach and doing something interesting, I’ll happily charm it.
Well, your social life is our priority.
I shift my weight, brushing away a trail of cracker crumbs stuck to my forearm. They’ve left a mark there, tiny red indentations in the skin, the same way gravel might. She could stand to spread some of her obsessiveness to room cleaning. Autumn, my God. You’re a pig. Look at this bed.
She responds to this by shoving another stack of Ritz in her mouth, crumbling another trail onto her Wonder Woman sheets. Her reddish hair is in a messy pile on her head, and she’s wearing the same Scooby-Doo pajamas she’s had since she was fourteen. They still fit . . . mostly.
If you ever get Eric in here,
I say, he’ll be horrified.
Eric is another one of our friends and one of only a handful of non-Mormon kids in our grade. I guess technically Eric is Mormon, or at least his parents are. They’re what most people would call Jack Mormon.
They drink (both alcohol and caffeine) but are still reasonably involved in the church. Best of both worlds, he says—although it’s easy to see that the other Latter-day Saints students at Provo High don’t agree. When it comes to social circles, Jack Mormon is the same as not Mormon at all. Like me.
A few dry flecks of cracker fly out when Autumn coughs at this, feigning repulsion. I don’t want Eric anywhere near my bed.
And yet here I am, lying on her bed. It’s a testament to how much her mother trusts me that I’m allowed in her room at all. But maybe Mrs. Green senses already that nothing will happen in here between me and Auddy.
We did that once, over winter break our sophomore year. I’d lived in Provo for only five months by that point, but there was an immediate chemistry between us—driven by a lot of classes in common and a comfort from our shared defector status with the Mormon kids at school. Unfortunately, the chemistry dissolved for me when things got physical, and by some miracle we dodged the post-make-out awkward bullet. I am not willing to risk it again.
She seems to grow hyperaware of our proximity at the same moment I do, straightening and pulling her pajamas down her torso. I push up so I’m sitting, leaning against the headboard: a safer position. Who do you have for first?
Autumn looks down at her schedule. Polo. Modern Lit.
Same.
I steal a cracker, and—like a civilized human—manage to eat it without dropping a crumb. Scanning down my paper with an index finger, I feel pretty good about this last term. Honestly, my schedule isn’t too bad. I only need to add something for fourth.
Maybe you can add the Seminar.
Autumn claps joyfully.
Her eyes are flashlights, beaming their thrill into the dusky room: She has wanted to take this course since she was a freshman.
The Seminar—I’m serious; when the school references it in newsletters or announcements, they even capitalize it like that—is so pretentious it’s unreal. WRITE A BOOK IN A SEMESTER, the catalog cheerfully dares, as if that could happen only in this class. As if the average person couldn’t throw together enough words in four months. Four months is a lifetime.
Students who apply need to have completed at least one advanced placement English course and have a minimum of a 3.75 GPA for the previous term. Even if that includes seventy kids in our grade alone, the teacher only enrolls fourteen.
Two years ago, the New York Times wrote an article and called it "a brilliantly ambitious course, earnestly and diligently directed by the NYT-bestselling faculty member Tim Fujita." (I know that direct quote because the piece was printed out, enlarged to about five thousand times the original size, and framed in the front office. My frequent gripe is the criminal overuse of adverbs, which Autumn thinks makes me petty.) Last year, a senior named Sebastian Brother took the Seminar, and some big publisher bought his manuscript. I don’t even know who he is and I’ve heard his story a hundred times: He’s a bishop’s son! He wrote a high fantasy novel! Apparently, it was amazing. Mr. Fujita sent it to an agent, who sent it to people in New York, and there was some sort of civilized warfare for it, and boom, now he’s across the street at BYU and apparently delaying his mission so that he can do a book tour and become the next Tolkien.
Or L. Ron Hubbard. Though I guess some Mormons might take issue with that comparison. They don’t like to be lumped in with cults like Scientology. Then again, neither do Scientologists.
Anyway, now—other than BYU football and the sea of Mormons—the Seminar is the only thing anyone ever talks about anymore when they mention Provo.
You got in?
I confirm, not that I’m surprised. This class means everything to Autumn, and apart from already meeting the actual requirements, she’s been devouring novels nonstop in the hope that she’ll get a chance to write her own.
She nods. Her smile stretches from sea to shining sea.
Badass.
You could, too, if you talked to Mr. Fujita,
she says. You have the grades. You’re a good writer. Plus, he loves your parents.
Nah.
I’m expecting acceptance letters to colleges anywhere but here—Mom begged me to only apply out of state—and a yes from any one of those schools will be conditional on my grades this last semester. Regardless of how easy I think this might be, this is not the time to be taking chances.
Autumn picks at a beleaguered fingernail. Because then you’d have to, you know, finish something?
I finished your mom earlier. I think you know what I mean.
She pulls my leg hair, and I screech out a surprisingly feminine sound.
Tanner,
she says, sitting up, I’m serious. It would be good for you. You should take this class with me.
You say that like I would want to.
Glaring at me, she growls, "It’s the Seminar, asshole. Everyone wants to."
See what I mean? She’s got this course on a pedestal, and it’s so nerdy it makes me a little protective of Future Autumn, when she’s out in the world, battling her Hermione Nerd Girl battles. I give her my best smile. Okay.
Are you worried about coming up with something original?
she asks. I could help you.
"Come on. I moved here when I was fifteen—which I think we can agree is the worst time to move from Palo Alto, California, to Provo, Utah—with a mouth full of metal and no friends. I have stories."
Not to mention I’m a half-Jewish queer kid in a straight and Mormon town.
I don’t say that last part, not even to Autumn. It wasn’t that big a deal in Palo Alto when, at thirteen, I realized I liked the idea of kissing guys as much as kissing girls. Here, it would be a huge deal. She’s the best of my best, yeah, but I don’t want to risk telling her and finding out she’s only progressive in theory and not when a queer kid is hanging out in her bedroom.
We all had braces, and you had me.
She flops back on her bed. Besides, everyone hates being fifteen, Tanner. It’s period emergencies and boners at the pool, zits and angst and unclear social protocol. I guarantee ten out of fifteen students in this class will write about the perils of high school for lack of deeper sources of fiction.
A quick scan through the Rolodex of my past gives me a lurching, defensive feeling in my gut, like maybe she’s right. Maybe I couldn’t come up with something interesting and deep, and fiction must come from depth. I’ve got two supportive—maybe overly supportive—parents, a crazy but wonderful extended family, a not-too-terrible-although-dramatically-emo sister, my own car. I haven’t known a lot of turmoil.
So I balk, pinching the back of her thigh. "What makes you so deep?"
It’s a joke, of course. Autumn has plenty to write about. Her dad died in Afghanistan when she was nine. Afterward, her mom—angry and heartbroken—cut ties with the Mormon Church, which, in this town, is a huge defection. More than 90 percent of the people who live here are LDS. Being anything else automatically leaves you on the outskirts of the social world. Add into the mix that on Mrs. Green’s salary alone, she and Autumn barely scrape by.
Autumn looks up at me flatly. I can see why you wouldn’t want to do it, Tann. It’s a lot of work. And you’re lazy.
• • •
She baited me into adding the stupid class, and now, as we drive to school together the Monday after winter break, she’s being brittle and clipped because I told her I got in.
I can feel her heated glare on the side of my face as I turn onto Bulldog Boulevard. Fujita just signed your add card?
she says. That’s it?
Auddy, you’re insane if you’re pissed about this. You get that, right?
And . . . what?
she says, ignoring my rhetorical and turning to face forward. "You’re going to do it?"
Yeah, why not?
I pull into the student lot, scanning for a spot close to the door, but of course we’re running late and there’s nothing convenient here. I slip into a spot along the back side of the building.
"Tanner, do you realize what it is?"
"How could I attend this school and not know what the Seminar is?"
She gives me an aggressively patient look because I’ve just used my mocking voice and she hates it. "You’re going to have to write a book. An entire book."
When the end of my fuse appears, it is predictably mild: a rougher than normal shove of my door open into the frigid air. Auddy, what the hell? I thought you told me to add it.
"Yeah, but you shouldn’t do it if you don’t want it."
I pull out my best smile again, the one I know she likes. I know I shouldn’t, but hey, you use the tools you have. Then you shouldn’t call me lazy.
She lets out this savage growl I think I like. You’re so lucky and you don’t even know it.
I ignore her, grabbing my backpack from the trunk. She is confusing as hell.
Do you see what I mean, though, that it was so easy for you?
She jogs after me. "I had to apply, and interview with him, and, like, grovel. You walked into his office and he signed your add slip."
"It wasn’t exactly like that. I went to his office, chatted him up for a bit, updated him on my folks, and then he signed my add slip."
I’m met with silence, and when I turn, I realize she’s walked in the other direction, toward a side entrance. I’ll see you at lunch, best friend!
I call out. She raises her middle finger.
The warmth inside the hall is heaven, but it’s loud in here and the floors are soggy with dirty, melting snow knocked off boots. I squeak down the hall to my locker, sandwiched between Sasha Sanderson and Jack Thorne, two of the best-looking—and nicest—people at Provo High.
Socially, things here are mixed. Even two and a half years later, I still feel like the new kid, and it’s probably because most of the students here have gone to school together since kindergarten and live within a handful of wards—meaning, they’re in the same congregation and see each other for about a million church activities outside of school. I essentially have Auddy, Eric, and a few other friends who happen to be LDS, but cool, so they don’t drive us too crazy and their parents don’t worry we’re corrupting them. Back in Palo Alto, my freshman year, I was sort of dating another guy for a few months and had a whole group of friends I’d known since kindergarten who didn’t blink when they saw me holding Gabe’s hand. I wish I’d appreciated that freedom more at the time.
Here, girls flirt with me, sure, but most of them are Mormon and would never, not in a million years, be allowed to date me. Most LDS parents hope their children will marry in their Temple, and that just can’t happen with someone like me, a nonmember. Unless I converted, which . . . is never going to happen. Take Sasha for example. I feel something brewing between us; she’s super flirty and touchy, but Autumn insists it could never go anywhere. To an even greater extent, the same is true of my chances here with guys, LDS or otherwise; I don’t get to test those waters in Provo. I’ve had a crush on Jack Thorne since tenth grade, but he’s off-limits for three important reasons: (1) male, (2) Mormon, (3) Provo.
Before she got pissed at me this morning, Auddy handed me, without comment, a sheet of sparkly dinosaur stickers. So, without question, I pocketed them; Autumn is known to hand me things that will be of use at some unknown point in time, and I roll with it. As I open my locker, I realize her motive: I am notoriously bad about remembering my A and B day schedule—we practice an alternating-day class schedule here, with periods one through four on some days and periods five through eight on others. Each term I need to tape my schedule to my locker, and each term I find myself without any tape.
You’re brilliant,
Sasha says, coming up behind me to better see what I’m doing. "And ohmygod, you’re so cute. Dinosaurs! Tanner, are you eight?"
I got them from Autumn.
I hear Sasha’s reaction to this in her silence, the unspoken, Are they, or aren’t they? Everyone wonders whether Autumn and I are casually banging.
As ever, I leave it unanswered. Her suspicion is a good thing. Unwittingly, Autumn has been my shield.
Nice boots,
I tell her. They reach a suggestive height: just past her knees. I wonder whose attention she’s aiming for the most here: the guys at school, or her parents at home. I give her a dinosaur sticker and a kiss on the cheek as I slip past her down the hall with my books.
Provo High is not by any means a religious school, but sometimes it feels that way. And if there’s one thing you learn quickly about Mormons, it’s that they focus on the positive: positive feelings, positive actions, happy, happy, joy, joy. So Modern Lit with Mrs. Polo starts out with an unexpected and decidedly unhappy bang: The first book we’re reading is The Bell Jar.
I feel a faint murmur around the room as students shift in their seats to make surreptitious eye contact in such dramatic unison that their covert efforts are wasted. Mrs. Polo—wild hair, flowy skirts, rings on thumbs, you know the deal—ignores the commotion. In fact, I think she’s sort of enjoying it. She rocks back on her heels, waiting for us to return to the syllabus and see what else she has in store for us.
Barbara Kingsolver’s The Poisonwood Bible, Elie Wiesel’s Night, Milan Kundera’s The Unbearable Lightness of Being, Jeannette Walls’s The Glass Castle, and on and on into Toni Morrison’s Sula, and even James Goddamn Frey’s fake memoir. Perhaps most shocking is Sinclair Lewis’s Elmer Gantry, a novel dealing with fanatical religion and a tent-revival-style creepy preacher. It’s pretty on the nose. Mrs. Polo is ballsy, and I for one like seeing their cages rattled.
At my side, and still giving me the silent treatment, Autumn is sitting up, eyes wide. She’s read almost every book on this list, and if I know her, I know what she’s thinking: Is there time to transfer to Shakespeare with Mr. Geiser?
She turns and looks at me, her eyes narrowing as she reads my mind right back. She growls again, and I can’t help the laugh it pulls from me.
I’ve read almost all these books too. Autumn insisted.
I lean back, lacing my fingers behind my head and giving her another good smile.
Piece of cake. I have an easy semester ahead.
CHAPTER TWO
By the time fourth period rolls around, Autumn is buzzing with nerves. She’s excited for the Seminar, but still irritated that I wormed my way into it. I trail just behind her down the hall and try not to let her see me smile when she purposefully evades me inside the door, moving toward a group of desks where only one seat remains free.
Over here, Auddy.
Standing in the back row, I hold out an empty chair for her beside one I plan to claim.
She has the option to come join me, or look mysteriously petulant, so she shuffles over, glowering. You’re a pest.
I love you, but only a little.
She laughs. Don’t ruin this for me.
And there, right there, it is. I could ruin this by being a total jackass about something she’s put her whole heart into. She thinks I’d want to?
The way I’m acting, she probably does.
I won’t.
I slide my good-luck eraser onto her desk, the one she gave me for Christmas two years ago, with the old-school He-Man illustration printed into the rubber. What used to be a white square is now a gray nub. Present-day Eraser He-Man barely has a face, and only one leg.
Her freckled nose wrinkles as she scowls at me without much commitment. I am forgiven.
Mr. Fujita walks in, arms filled with a teetering stack of books. He slides them gracelessly onto his desk in the center of the semicircle of worktables and ignores them when they slide onto a messy pile. A copy of Stephen King’s The Stand slaps harshly to the floor, landing facedown and open. He ignores it; in my peripheral vision I can see Autumn sit up straighter, and I know she is now intensely worried about the pages of the enormous book growing crumpled under its own weight the longer it sits there.
Morning!
Mr. Fujita sings, and then looks up behind us at the clock on the wall. Oops! Afternoon! I’m Tim Fujita. Everyone just calls me Fujita.
I’ve always really liked Fujita, but the way he hands out his own nickname makes me like him about 7 percent less.
We murmur greetings in return, quiet from intimidation or because we’re tired after lunch, and he grins at us, taking in our faces one by one. I glance around too at the class composition: Josh, Dustin, Amanda. Julie, Clive, Burrito Dave. Sabine, Soccer Dave, Asher. Kylie, McKenna, James, Levi.
Every single one of them is Mormon. Trimmed hair, modest sleeves, good posture. In the back row, Autumn and I are a pair of gangly trees looming over a lush, manicured lawn.
Fujita winks when he sees me. He thinks my mom is a superhero. Beside me, Autumn lets out a measured exhale through her nose; because of my mom (a computer genius) and my dad (a highly profiled cardiac surgeon who, according to the papers, saved the governor of Utah), I’ve received special treatment from teachers since the day I moved here. Fujita adding me to the Seminar is clearly one such perk.
Welcome, guys.
He spreads his hands out and then takes another sweeping glance around the room. Where is he?
At our puzzled silence, Fujita scans the room again and then looks at us for answers.
Who?
Dustin, seated—as ever—right up in the front, finally asks.
Fujita glances at his watch as if to confirm that he’s in the right place. I had hoped this would be a cool surprise, and I assume it will be anyway, but I guess he’s running late.
We reply with anticipatory silence as his eyebrows slowly lift skyward. We’ll have a special aide this term,
he tells us. I can imagine the drumroll he’s intending, but his dramatic pauses give the moment a bewildering, anticlimactic feel instead. You’ll be thrilled to hear that Sebastian Brother will be mentoring each of you!
A chorus of excited noises pours out of the fourteen other bodies in the room—a Mormon hero, coming to spend time with us. Even Autumn has clapped her hand over her mouth. To her—LDS or not—Sebastian is a local celebrity.
With his hands laced together in front of him, Fujita rocks back on his heels. Seb has a very busy schedule, of course
—I mentally groan. Seb—"but he and I both feel that his experience can benefit each of you. I believe he will inspire you. After taking this very course, he is only nineteen and on his way toward a prestigious literary career. Leaning in, Fujita adds confidentially,
Of course, I’ve read his novel. It is stunning. Stunning!"
Has he heard of Christopher Paolini?
I whisper to Autumn.
She delivers a shut up by way of an icy glare.
Fujita grabs a stack of papers from a torn folder and begins handing them out. I assume we can skip the Why-Are-You-Here. You’re here to write a book, right?
Nearly everyone nods enthusiastically. "And you will. Four months isn’t very long, it’s true, but you will get it done. You will figure it out. That’s why I’m here.
We’re going to hit the ground running.
He makes his way around the room. I have a suggested reading list, and I have a variety of resources on how to get started and what types of writing processes are out there, but in truth, the only way to write a book is to write it. However you get it done—that is your process.
I look down at the syllabus and proposed drafting schedule he’s slipped on my desk and feel my forehead heat, feel that prickle-pin crawl of panic up my neck.
I have this week to come up with an idea.
One week.
When I feel Autumn’s attention on me, I turn, giving her an easy smile. But apparently, it isn’t as easy as I hope; her own grin falters, cracking at one side.
You can do this,
she says quietly, seeing straight through me.
Ask me to differentiate trigonometric functions and I’ll nail it. Give me a molecular modeling kit and I’ll build you the most beautiful organic compound you’ve ever seen. But ask me to pull something straight from my gut and share it with the world? Mental mayhem. I don’t particularly relish working, but at odds with this is my other hatred of doing a shitty job at anything. I’ve never tried to be creative before and realize it only now that I’m sitting here.
To make it worse, Fujita adds, Now, experience tells me that most of you already have an idea in mind. But over the next week, Sebastian and I will help you hone it. Polish it. And then: You dive right in!
I can’t even enjoy that he’s repeated Autumn’s inspirational pussy-poster slogan verbatim, because for the first time in . . . well, maybe ever, I feel like I’m in over my head.
Autumn slides my He-Man eraser back onto my desk and uses it as an excuse to squeeze my hand.
The side door opens, and chairs scrape mildly across hardwood as people turn. We all know who it is, but we look anyway.
• • •
The one and only time I’ve ever seen Autumn drunk was this past summer, which is also the one and only time she admitted she was in love with me. I thought we’d been on the same page after our make-out session two years ago, but apparently not. Sometime after drinking four Mike’s Hard Lemonades but before shaking me awake on her floor and begging me with boozy breath to forget everything she said, she babbled for an hour about the secret feelings she’d been harboring the past couple years. From the haze of my own inebriation and the tangle of her alcohol-fueled incoherence, I remember only three clear sentences:
Your face makes sense to me.
Sometimes I get the weird feeling that I wouldn’t be enough for you.
I love you, but only a little.
Being who we are, the only way to move past the potential for profound awkwardness afterward was to joke about it for a solid week.
I love you, but only a little became our new best-friends motto. Autumn tried to explain the logic of my face making sense to her a few times to no real success—something about symmetry of features and how they’re pleasing to her on an instinctive level—but it’s still one of my favorite non sequiturs when I see her getting stressed about anything. I just say, Auddy, calm down; your face makes sense to me,
and she breaks. Every time, she laughs.
The second sentence—Sometimes I get the weird feeling I wouldn’t be enough for you—hit too close to home. Although I’d been working up the nerve to come out to her, after she said this, I changed my mind. Auddy’s words twanged that dissonant chord inside me, the inner conflict about what it means to be bisexual. There’s the devil on one shoulder, the ignorant perception that I get from all sides, both inside and outside the