Meeting the Tormentors in Safeway
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WINNER OF THE PAT LOWTHER MEMORIAL AWARD
Alexandra Oliver has many arrows in her quiverall of them sharpened to a fine point. This is an excellent and entertaining collection.”TIMOTHY STEELE
In Meeting the Tormentors in Safeway, Alexandra Oliver zooms in on the inertias, anxieties, comedies, cruelties, and epiphanies of domestic life:
They all had names like Jennifer or Lynne
or Katherine; they all had bone-blonde hair,
that wet, flat cut with bangs. They pulled your chair
from underneath you, shoved their small fists in
your face. Too soon, you knew it would begin,
those minkish teeth like shrapnel in the air,
the Bacchic taunts, the Herculean dare,
their soccer cleats against your porcine shin,
that laugh, which sounded like a hundred birds
escaping from a gunshot through the reeds
and now you have to face it all again:
the joyful freckled faces lost for words
in supermarkets, as those red hands squeeze
your own. It’s been so long! They say. Amen.
Oliver’s poems, which she describes as text-based home movies,” unveil a cinematic vision of suburbia at once comical and poignant: framed to renew our curiosity in the mundane and pressing rhyme and metre to their utmost, Meeting the Tormentors in Safeway is a five-star performance from Canada’s new formalist sensation.
Alexandra Oliver is in full command of a saber wit and impeccable ear. Lucky the reader along for the ride.”JEANNE MARIE BEAUMONT
Brilliantly contemporary poems in traditional forms, the work of a stunning new voice.”CHARLES MARTIN
Alexandra Oliver was born in Vancouver, Canada and divides her time between Toronto and Glasgow, Scotland. Her most recent book is Meeting the Tormentors in Safeway (Biblioasis). She currently teaches in the Stonecoast MFA Program at the University of Southern Maine.
Alexandra Oliver
Alexandra Oliver was born in Vancouver, BC. She is the author of three collections published through Biblioasis: Meeting the Tormentors in Safeway (2013; recipient of the Pat Lowther Memorial Award), Let the Empire Down ( 2016), and Hail, the Invisible Watchman (2022). Her libretto for From the Diaries of William Lyon Mackenzie King, conceived in conjunction with composer Scott Wilson at the University of Birmingham, was performed by Continuum Music in Toronto in December, 2017. Oliver is a past co-editor of Measure for Measure: An Anthology of Poetic Meters (Everyman’s Library/Random House, 2015) as well as of the formalist journal The Rotary Dial. She has performed her work for CBC Radio and NPR, as well as at The National Poetry Slam and numerous festivals and conferences. Oliver holds an MFA in Creative Writing from the University of Southern Maine's Stonecoast program and a Ph.D. in English and Cultural Studies from McMaster University. She lives in Burlington, Ontario with her husband and son.
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Meeting the Tormentors in Safeway - Alexandra Oliver
THE PROMISE WE MADE
TO THE EARTHQUAKE
I’m going to turn my back on death, forsaking
fatalistic anomie. I’ll forge
a human heart from rogue tectonic plates,
a way to make the flocks of birds return.
I’ll wait until the church has ceased to burn,
the arms to pull away from iron gates,
rebel against geology in rage.
I swear I’ll do it when my hands stop shaking.
I’m going to turn the world back by a day,
raise stone walls and conjure panes of glass
from mournful piles of sand and broken streets.
I’ll tell my neighbour what he means to me,
give back his toaster, skis, and new TV.
I’ll make the rude wind raise tarpaulin sheets
and let them part until the children pass
to parents resurrected from the clay.
I’m turning over fifty-two new leaves.
I’m going to speak with kindness to my wife
and tell my baser thoughts to disappear.
I will not steal my brother’s medications,
fake illness at my in-laws’ celebrations,
or make my office intern weep in fear.
I fell apart so I could make my life
a binding deal within a den of thieves.
I swear to you that, when the ground stops shaking,
I’ll put this day behind me like a dream.
I’ll step out with my ordinary hands,
clear lumber and lay bricks for twenty years,
re-irrigate the gardens with my tears,
endeavour to be one who understands
how our own better angels can redeem
a country from the hell of earth’s own making.
CHINESE FOOD WITH GAVRA,
AGED THREE
We choose a corner table, far away
from jars of chopsticks, tempting potted trees.
The wine list? No. The lunchtime special? Please.
You thrill to this diversion in your day,
the clack of plastic spoons, the smooth ballet
of plates and bowls passed out in Cantonese
and then, you’re craning forward on your knees,
and rocking in your chair. Mum look! You say.
Our placemats swirl with dragons, dogs, and rats,
an explanation of the beasts within
each one of us, born under some mute star
of venom, talons, teeth. Please tell me that’s
the other ones, my joyful mandarin,
you, crowing like the rooster that you are.
OTTAWA WALK-IN CLINIC
WAITING ROOM, 9
AM
The girl at the desk lives in fear of the phone.
The boy in the chair keeps his foot on a plant.
An