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John the Revelator: A Novel
John the Revelator: A Novel
John the Revelator: A Novel
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John the Revelator: A Novel

Rating: 3.5 out of 5 stars

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“Murphy’s darkly gorgeous debut . . . is an Irish coming-of-age novel. It’s also a meditation on why we tell stories.” —The Plain Dealer

This is the story of John Devine—stuck in a small town in the otherworldly landscape of southeastern Ireland, worried over by his single, chain-smoking, Bible-quoting mother, Lily, and spied on by the “neighborly” Mrs. Nagle. When Jamey Corboy, a self-styled Rimbaudian boy wonder, arrives in town, John’s life suddenly seems full of possibility. His loneliness dissipates. He is taken up by mischief and discovery, hiding in the world beyond as Lily’s mysterious illness worsens. But Jamey and John’s nose for trouble may be their undoing, and soon John will be faced with a terrible moral dilemma.
 
Joining the ranks of the great novels of friendship and betrayal—A Separate Peace, A Prayer for Owen Meany, and Paddy Clarke Ha Ha HaJohn the Revelator is “remarkable” and grapples with the pull of the world and the hold of those we love (The Observer).
 
“Murphy’s strongly written debut splits the difference between the sensitivity of Portrait of an Artist and the freakishness of Butcher Boy.” —Publishers Weekly
 
“Jaw-dropping . . . A terrific, disquieting addition to the long tradition of Irish storytelling.” —Kirkus Reviews
LanguageEnglish
Release dateApr 13, 2010
ISBN9780547393926
John the Revelator: A Novel
Author

Peter Murphy

PETER MURPHY, a writer and journalist, has written for Rolling Stone, the Sunday Business Post, and others. He has written liner notes for albums and anthologies, including for the remastered edition of the Anthology of American Folk Music, which features the Blind Willie Johnson recording of the song “John the Revelator.”

Read more from Peter Murphy

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Rating: 3.583333263888889 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    Like John the Evangelist, for who he is named, who recounts in the Book Of Revelation, "And I John saw these things, and heard them.", our narrator recounts his experiences growing up as a boy in a small Irish town, filled with his own signs and somewhat bizarre and disturbing dreams.Young John is a bit of an odd fellow, a loner with no friends, obsessed with things like tapeworms and maggots. His mother, who works as a maid for a number of the more affluent residents of the town, worries about him, while not letting on how serious her own health issues are. Then, one day, John makes a friend, a new boy in town, the very cool Jamey Corboy. Jamey will become his guide and companion for a number of John's firsts; his first cigarette, his first bar and nightclub visit, his first drink, his first attempt to pick up a girl...and his first act of betrayal of a friend.I had mixed feelings about this coming of age story, things I like and things I disliked. First, the minute you open the first page, you will see that this 250 page story is actually more of a novella, it's length padded with large type and large page margins. I am not saying that is a bad thing, to be shorter, but I just wonder why the publisher was just not direct about that.Second, I choose this book, at least in part, because as the back cover says, it is set in southeastern Ireland. Now, my father was born in Ireland, I have relatives in Ireland and have been there many times, so that was of interest to me. But anyone looking for a description of the beautiful Irish countryside, or any Irish countryside for that matter, will not find it here. There is virtually no description of the setting, except a bit of the town and of the seaside, when John and his mother take a picnic to the beach one day. Murphy totally captures the feel of an Irish town, but I guess I hoped for more. Perhaps a beautiful countryside would have clashed with his often dark vision, filled with the flaps and crackles of old, black crows and dreams of nuclear destruction.And then there is the issue of the plot, or lack of it. This is the type of books that the award givers love these days. Character heavy, plot light, but that, to me, is not a great thing.All that being said, there was also a good bit I liked about this book. There are Jamey's short stories, which he shares with John and we read throughout the book. Also Murphy totally captures these characters and his dialogue is excellent, spot on. His portrayal of Jamey's and John's friendship, through it's ups and downs, is always realistic. Finally, there is the relationship between John and his chain smoking, Bible quoting mother, which I found very moving, not caught in cliches and the highlight of the book.Fans of so-called literary fiction may love this one and it has gotten some great reviews in the press, but bottom line, I'll end where I started, with mixed feelings about this book.
  • Rating: 3 out of 5 stars
    3/5
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  • Rating: 5 out of 5 stars
    5/5
    I started to read this as I sat down to my lunch; that was a mistake, the narrator John Devine is fascinated by worms and parasites and provides in the opening pages many a lurid description of the subject of his interest. John Devine lives with his mother in the house she inherited from her parents. He is something of a loner but feels hemmed in by the Irish small town attitudes. When John is in his sixteenth year the hip and articulate Jamie moves into town and makes a friend of John on the spot, instantly confiding in him. John's life is suddenly opened up by this new friendship. But John has his problems to cope with, a bombastic domineering local spinster, Mrs Nagle, intent on moving into and taking over John's and his mother's life; a local and possibly corrupt Guard officer; and some local heavies with criminal tendencies. He has to cope also with his own inner turmoil, troubled by dreams dominated by a large black bird, an old crow; what does it mean? But his biggest worry is his chain smoking mother's failing health, and as he tries to care for her needs he gradually learns of her past, and his origins. The story covers John’s life from his very early years to his mid teens; it is eloquently told and beautifully conjures the troubles of youth. Into the fabric of the main story Murphy ingeniously interweaves other short or very short stories. John quickly engenders one’s empathy, and as the story entwines and unfolds towards its mournful yet ultimately positive conclusion one’s heart will ache for our young hero.I did not much enjoy my lunch, but I did immensely enjoy John the Revelator; its humour, its re-creation of small town Ireland, its portrayal of friendship, but above all its evocation of the turmoil of youth.

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John the Revelator - Peter Murphy

Copyright © 2009 by Peter Murphy

First published in 2009 by Faber and Faber Limited, London

ALL RIGHTS RESERVED

For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003.

www.hmhbooks.com

The Library of Congress has cataloged the print edition as follows:

Murphy, Peter, date.

John the revelator / Peter Murphy.

p. cm.

ISBN 978-0-15-101402-6

1. Boys—Fiction. 2. Single mothers—Fiction. 3. Mothers and sons—Fiction. 4. Adolescence—Fiction. 5. City and town life—Ireland—Fiction. 6. Ireland—Fiction. 7. Psychological fiction. 8. Domestic fiction. I. Title.

PR6113.U773J65 2009

823'.92—dc22 2008043414

eISBN 978-0-547-39392-6

v4.0813

For Peadar and Betty

‘And I John saw these things, and heard them.’

Revelation 22:8

I

I was born in a storm. My mother said the thunder was so loud she flinched when it struck, strobes of lightning and slam-dancing winds and volleys of rain for hours until it blew itself out and sloped off like a spent beast.

‘I knew you were a boy,’ she said. ‘Heartburn. Sure sign of a man in your life.’

My name is John Devine. I was christened after the beloved disciple, the brother of James the Great. Our Lord called them the sons of thunder.

‘John was Jesus’ favourite,’ my mother told me. ‘The patron saint of printers and tanners and typesetters.’

When she got started on this, it could go on for hours. We were out walking the fields at the back of our house. I was still in short trousers. My mother strode ahead, hell bent on where she was going, and I had to trot to keep up.

‘He was the only one to stay awake in the garden while Our Lord sweated blood,’ she said. ‘After the crucifixion, the emperor brought him to Rome to be flogged and beaten and thrown in a cauldron of boiling oil. They tried to poison him with wine, but the poison rose to the surface in the shape of a snake. In the end they banished him to Patmos, where he wrote the Book of Revelation.’

She took out her handkerchief and dribbled on it.

‘The only apostle to escape martyrdom.’

And she wiped my face. The smell was like when you lick yourself, a compound of saliva and tissue and skin. I tried to pull away, but she wouldn’t let go until she was satisfied I was clean.

‘He died in the year a hundred and one. People believed that once a year his grave gave off a smell that could heal the sick. Just before John passed away, his followers carried him into the assembly at the church of Ephesus and asked him how to live. You know what he said?’

She stuffed the tissue up her sleeve.

‘Little children, love one another.’

‘That’s all?’

‘It’s enough to be going on with.’

Said my mother, I was still an infant when we moved from the caravan near Ballo strand to a house a couple of miles outside Kilcody. Her mother and father willed it to her when they died. It was always so cold there you could see your breath hang in the air. Vines of ivy crawled across the pebble-dashed walls; weeds strangled the few sticks of rhubarb. There was a sandpit out the back, broken toys and mustard minarets of turd, an orange clothesline dripping laundry.

Every day after school I dragged my schoolbag home like it was a younger brother, let myself into the house and snapped on all the downstairs lights. There was a cactus on our kitchen windowsill, swollen green fingers and prickly white spines. Beside that was Haircut Charlie, the clown’s head for planting seeds in, grass growing out of the tiny holes in his skull. A sacred-heart lamp glowed atop the mantelpiece. The floor was new blue linoleum with black patterns. One time a pipe under the sink leaked and we had to tear up the old stuff and underneath was crawling with bulbous pea-green slugs and brown fungus, like deformed bonsai trees.

My mother was still at work when I got home. She cleaned people’s houses, and sometimes she took in clothes to be washed or mended. She said you could tell a lot about a person from their dirty laundry.

I’d sit over my homework at the kitchen table, anticipating the squeak of the gate, the parched bark of her cough. If she were late I’d start to worry that she’d been taken, and I’d be sent to an orphanage or made to live with her friend Mrs Nagle or someone else old. But she always came home, shrugging out of her coat and saying she was choking for a cup of tea and a fag.

After the kettle went on she set the fire, placing bits of Zip under the briquettes, blue and orange flames licking at her fingers. Then she hefted the big pot onto the cooker.

‘What’s for dinner?’

‘Pig’s feet and hairy buttermilk.’

She spread the tablecloth and set the Delph. There were Polish cartoons on television, followed by the Angelus’ boring bongs. My mother looked out the window and smoked while I ate. Her green eyes went grey whenever it rained and her hair was braided halfway down her back. After the washing up, she sat by the fire and read her Westerns. Gusts sobbed in the chimney and the fire spat and crackled.

‘Book any good?’

‘Ah—’

She slapped it shut, shook a Major’s from the box and broke the filter off.

‘Too many descriptions. I know what a tree looks like.’

The long nights were hard going. There was nothing to do but stare at the fire or listen to the wind howl around the eaves. The sound reminded my mother of the night I was born.

‘You were a typical boy,’ she muttered under her breath. ‘You came early.’

She screwed the truncated cigarette into a holder, lit it, took a deep breath and hawed a coil of smoke rings.

‘It was about the thirty-fourth week.’

Then she leaned down and cranked the bellows, sending firefly flurries up the chimney. The fire blazed and crackled. She let me climb onto her lap, and her long fingers latticed across my stomach.

‘There was a storm waiting to happen. The air was full of it.’

Her voice was deep and hypnotic, her breath warm against my crown. I closed my eyes and could almost smell the bonfire smoke as it drifted through the halting site, could see children running around with no trousers on, dogs tearing plastic bags of rubbish asunder. Air pressure like a migraine, pitchfork lightning and growls of thunder.

My mother described how when the storm struck she covered all the mirrors and crawled under her quilt and spread her hands over the swell of her belly, as though to protect me from the flashes of light and the noise. Fear churned her insides, travelled downward and became a clenching of pelvic muscles. She prayed it was a false alarm, tried to will the pangs away, but they intensified.

Her waters broke, soaking her leggings. She grabbed the bag she’d packed and out she went into the furious night and knocked on caravan windows. Nobody answered. Fear came upon her in great black waves. Panic welled up in her chest. But just as she despaired of finding help, a man appeared, unsteady and reeking of stout and sweat, but a man all the same, and he said he’d oblige her with a lift.

He was so jarred it took his Fiat three goes to exit the roundabout. Raindrops burst like pods against the windshield and water coated the road in a gleaming slick. My mother screwed her eyes shut and tried not to vomit or pass out as the waves of pain broke inside her lower parts.

They barely made it. A nurse helped my mother onto a trolley and wheeled her into the elevator cage and up to the delivery ward, no time for an epidural or any of that, just gas and air, my mother gumming on the apparatus like a suckling calf, hair plastered across her forehead, grinning at the midwife.

‘You wouldn’t happen to have a Baby Powers in your bag of tricks there,’ she slurred.

‘Be quiet and keep pushing,’ said the midwife.

Breathing and pushing and moaning, gas and air and more breathing and pushing and moaning, and then I slithered out. The midwife scooped me up and the obstetrician cut the cord.

‘A boy?’ my mother asked, lifting her sweaty head.

‘Aye,’ said the midwife, as she wrapped me in a terry-towel.

‘Any extras? Harelip? Flippers?’

‘Whisht,’ said the midwife.

The obstetrician looked me over, pronounced me hardy as a foal.

‘He used to kick like one,’ said my mother, and sank back into the pillows.

The recovery ward was full of nightgowned, slippered women, their faces flushed with fatigue. The rooms were warm and stuffy and my mother couldn’t sleep. Soon as she could walk she called a taxi and took us home to the caravan. She padded the top drawer of an old teak dresser with blankets for a bassinet and placed me in it. Then the trouble started.

‘You were a holy terror,’ she said, mashing her fag into the seashell at her feet. ‘You got in a knot with the colic and wouldn’t let me sleep a wink. No sooner fed than you had to be winded. Then you’d poss up, and you’d be hungry again, so I’d feed you a second time, and as soon as I’d put you down to sleep you’d dirty your nappy, so I’d have to take you back up, and you’d be wide awake and hungry all over again. You had me vexed, son.’

For weeks she didn’t get to finish a cup of tea or sit down to a proper meal. She barely spoke, and when she did it was through a veil of exhaustion, with a two-second satellite delay. Bad thoughts came. Fear for this tiny thing in her care, all kinds of wicked shadows snarling and pawing at the door. Some nights her moods got so moribund she harboured thoughts of putting a pillow over my head so as to get it over with quick.

‘What stopped you?’

‘You weren’t baptised yet.’

Night after night I wailed my beetroot head off, and my mother walked the floor and patted my back in time with the songs playing on the local radio station, her walking, me bawling. One night, maybe three or four in the morning, the news came on. The man reading the headlines said the Met Office had issued a storm warning: gale-force winds, possible flooding. People were advised to stop home except for emergencies.

I went on caterwauling, and my mother rocked me in the crook of her shoulder, breathing my newborn smell. She held me to her breast and murmured into my pink cockleshell ear, ‘It’s an ill wind, son.’

And for no other reason than to drown out my squalling, she began to sing, the first thing that came into her head. As soon as I heard that sound, I fell silent. The song died in her mouth and she stared, stunned, as my eyelids came down and my body went limp. She laid me in my crib, checked my breath with her compact.

‘At last,’ she sighed, and crawled into bed.

It was the queerest thing, said my mother, but ever after that, I slept peacefully, ten hours a night. Provided she sang.

And I believed her, because a mother’s word is gospel to her son.

***

Sundays we put on our good clothes and walked two miles to Mass in the village, a starched shirt collar gnawing into the back of my neck, my mother’s perfume more potent than any incense. Father Quinn droned the First Letter of St Paul to the Corinthians like a dozy circuit-court judge, and I was bored stupid from listening to desultory hymns, the Eucharistic prayer, the mutters of people receiving Communion. The old ones took the Eucharist on their tongue, the young ones in their palms.

‘Body of Christ.’

‘Amen.’

More hymn-singing. An early haemorrhage of dossers. The blessing.

‘Mass is ended. Go in peace.’

My mother sighed.

‘Thanks be to God.’

Every Sunday night after bath time I’d bend over and touch my toes while my mother shone a torch up my scut. The blood-rush made my head swim.

‘What you looking for?’ I said.

She was sat on the floor, a fag burning in the seashell ashtray beside her. I was about yea big.

‘Worms.’

‘How do worms get up my scut?’

‘They don’t.’ Her voice was faint, distracted. ‘They go in your mouth.’

She cleared her throat.

Steer clear of swine and creeping things and eaters of carrion and fish that have neither fins nor scales. These are unclean and harbour abominations in their flesh. Leviticus, something-something.’

She switched off the torch and tapped my backside with it, the signal for me to pull up my pyjama bottoms.

‘Do people die from worms?’

‘It’s been known to happen.’

She ran her fingernail along the teeth of a fine-toothed comb. It made a sound like Chinese music.

‘But Our Lord said it’s not what goes in your mouth that does the damage.’

She began to scour my hair for hoppers.

‘It’s what comes out.’

I plagued my mother with so many questions about worms she banned the subject. But one day she came home with a book—Harper’s Compendium of Bizarre Nature Facts—containing loads of facts and figures about lizards and squids and duck-billed platypuses, and a whole chapter on worms entitled ‘The Secret Life of Parasites’. The illustrated plates made my scalp tingle, like the time my head got ringworm. Mrs Nagle told me that ringworm is not actually a worm; it’s a fungal infection. The medical name for it is dermatophytosis. You can get it on your body, your groin, your feet, your nails, even your beard. The kind I got was called Tinea capitis.

My mother started in on dinner and asked me to read aloud from the book, said the big words were good practice for school. I flipped straight to the part where it explained that a parasite is an organism that lives on or in another organism, known as the host. Big parasites can grow to dozens of feet in length. Some of the little ones are so tiny you can only see them under a microscope. Some parasites lay eggs; others duplicate themselves like bacteria.

Hunched over the sink, my mother unwrapped grease paper from around a gutted fish. I continued reading.

In ancient Asia and Africa, the book said, the cure for guinea worms was to lie down for a day, or two days, or a week, as long as it took, and slowly wind the worm around a stick to get it out alive. If you jerked it out, it’d break in half and die, infecting your insides. This is where the symbol for medicine comes from, two serpents wound around a staff, the Caduceus. In the Bible, serpents plagued the Israelites, but some people thought that was a poetic way of saying they had worms. In Edwardian times, they laid out the infirm and the consumptive in a room alongside troughs of flesh-fed maggots, believing the smell of ammonia and methane to have healing properties. They called this room the Maggotorium.

‘That’s the smell that came off St John’s grave and healed people,’ I said.

Peeling spuds, my mother grunted. I read on.

According to Harper, a nineteenth-century doctor called Friedrich Kuchenmeister tried to demonstrate the evolution of the bladderworm into the tapeworm by feeding infected blood sausage to a convicted murderer four months before the man’s execution. After the convict was put to death, they cut him open and found five-foot tapeworms in his stomach.

Eyes squeezed tight, my mother removed a slug from the heart of a cabbage and dropped it into the pedal bin. She plucked the cigarette from her mouth and looked at it.

‘You know,’ she said, squinting through fag-smoke, ‘people say what doesn’t kill you makes you stronger. Don’t believe a word of it. What doesn’t kill you just makes you sick. And what makes you sick—’

She ran a tap over her cigarette. It sizzled out.

‘—Kills you.’

One school day Guard Canavan came to the Presentation Convent to tell us what happens to bad children when they die. He was a big tree-trunk of a man, dressed all in the same shade of navy blue, a voice so deep you felt rather than heard it.

‘Do you know where bad boys and girls go, boys and girls?’ he said.

No one answered except for Danny Doran, who put his hand up and said, ‘England?’

Guard Canavan shook his head.

‘No, but you’re close. They get picked up and thrown in the back of a big Black Maria that drives them down to hell, where the devil sticks them on the end of his toasting fork and roasts them over the hot coals and eats them alive, and what comes out his other end gets flushed down the drain and into a lake of everlasting fire. The only way to stop this from happening is to go to confession every Saturday. That means saying sorry to God when you do bad things.’

‘God save all here.’

Mrs Nagle’s benediction at the doorstep was my mother’s cue to shoo me upstairs so I wouldn’t be putting in my spake where there was grown-ups talking. As they supped tea in the kitchen, I bellied down on the landing and earwigged on the gossip. There were biscuits down there; I could hear them.

My mother heaved a great sigh.

‘What am I going to do with him, Phyllis?’

Because we had a visitor, she was using her telephone voice, pronouncing all her -ings. I crept all the way downstairs and peeped around the door.

‘He won’t come out of himself. I’m afeared he’ll grow up morbid.’

Mrs Nagle made sympathetic throat noises. She was a tall mannish woman with a loud hee-haw of a voice. Always went by Mrs, even though she’d never married. She lived in a draughty stone cottage about a quarter-mile down the road, right next to the freshwater well, the ownership of which was the subject of some dispute. Mrs Nagle maintained it was on her property and erected a Keep Out—Private sign at the mouth of the narrow lane that led

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