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The Captives: A Novel
The Captives: A Novel
The Captives: A Novel
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The Captives: A Novel

Rating: 3.5 out of 5 stars

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A Recommended Summer Read from
Vanity Fair * New York Post * BBC

The riveting story of a woman convicted of a brutal crime, the prison psychologist who recognizes her as his high-school crush—and the charged reunion that sets off an astonishing chain of events with dangerous consequences for both

As an inmate psychologist at a state prison, Frank Lundquist has had his fair share of surprises. But nothing could possibly prepare him for the day in which his high school object of desire, Miranda Greene, walks into his office for an appointment. Still reeling from the scandal that cost him his Manhattan private practice and landed him in his unglamorous job at Milford Basin Correctional Facility in the first place, Frank knows he has an ethical duty to reassign Miranda’s case. But Miranda is just as beguiling as ever, and he’s insatiably curious: how did a beautiful high school sprinter and the promising daughter of a congressman end up incarcerated for a shocking crime? Even more compelling: though Frank remembers every word Miranda ever spoke to him, she gives no indication of having any idea who he is.

Inside the prison walls, Miranda is desperate and despairing, haunted by memories of a childhood tragedy, grappling with a family legacy of dodgy moral and political choices, and still trying to unwind the disastrous love that led to her downfall. And yet she is also grittily determined to retain some control over her fate. Frank quickly becomes a potent hope for her absolution—and maybe even her escape.

Propulsive and psychologically astute, The Captives is an intimate and gripping meditation on freedom and risk, male and female power, and the urges toward both corruption and redemption that dwell in us all.

LanguageEnglish
PublisherHarperCollins
Release dateJun 5, 2018
ISBN9780062747563
Author

Debra Jo Immergut

Debra Jo Immergut is the author of the Edgar-nominated novel The Captives and the story collection Private Property. She has been awarded a MacDowell fellowship and a Michener fellowship. Her literary work has been published in American Short Fiction and Narrative. As a journalist, she has been a frequent contributor to the Wall Street Journal and the Boston Globe. She has an MFA from the Iowa Writers’ Workshop.

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Rating: 3.3636363636363638 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    Some Surprising TwistsReview of the Ecco hardcover (2018) edition.I picked up The Captives based on its nomination for the 2019 Edgar Award for Best First Novel and was not disappointed. This has a setup which in less imaginative hands might have ended up as a conventional redemption story i.e. both protagonists have issues, each of them solves that of the other, the psychologist's career is redeemed, the prisoner is proven innocent and is freed: BUT THIS IS NOT THAT NOVEL There are some fairly harsh reviews of this book and I suspect those might partially be because of people's conventional expectations not being met.Instead, the plot takes a dramatically different turn and that is not the end of the twists that are to come. No spoilers here. It will be interesting to read what writer Immergut comes up with for a sophomore effort.Trivia NoteThe cover image, although quite a striking attention grabber, does not really have anything to do with the plot (i.e. this is not a thriller with any blindfolds), unless you want to interpret it in a purely symbolic fashion i.e. people held captive to their innermost desires and/or demons.
  • Rating: 5 out of 5 stars
    5/5
    This is the story of a prison psychologist and a female inmate serving fifty two years. in the slammer. What drives the novel is that he recognizes her as a beautiful girl from his high school that he became fixated on. He was a nobody and she doesn't recognize him at all. We learn about her back story on why she is in prison. The psychologist eventually adopts a wholly inappropriate strategy to help her. This is a really unique premise with a very innovative outcome. I loved it and can see why it got all the acclaim that it did.
  • Rating: 4 out of 5 stars
    4/5
    Frank Lundquist used to be a well regarded psychologist. Being the son of the man who invented the method used by all psychologists to measure potential in children (and patient zero of the method) had not harmed his prospects either. Until he misses the signs in a very troubled child and the story ends in a tragedy. Anyone else would have lost any chance for future work in the field but at least partially because of his father, Frank ends up working as one of the psychologists in a state correctional facility - passing the time and feeling sorry for himself. Until his high school crush Miranda walks through his door - locked up for a heinous crime. And that changes everything. The chapters alternate between Frank's story and Miranda's story. Before long we learn that what we are reading on Frank's side is a diary, written much later. Which causes occasional issues in the narrative - as both he and Miranda keep secrets from each other, the lack of anticipation when writing in the future does not ring completely true - no matter how much you try, something always slips when you know what is coming - a throwaway line somewhere, changing your own remembered thoughts so you do not look like an idiot, something. The lack of that makes the novel feel a bit lifeless in places - as if it is using the surprises to further the plot instead if integrating them in it. The expected story here is clear - Miranda is innocent, Frank helps her prove that and gets redeemed that way. Debra Jo Immergut throws away the expectation and goes into a totally different direction. Which saves the novel - had she gone where she was expected to go, the novel would have lost all of its power and became one of the many with a similar plot. Where the writing shines though is the background - Frank's brother and father should have sounded like a cliche but they worked (it also helps that both Frank and Miranda are unreliable narrators who plainly tell us they lied earlier more than once). It is a slow novel - we spend more time in the characters' heads and their backgrounds than in the story itself. In places that gets a bit annoying - the transitions to the flashbacks are not always clean enough and some of it felt like filler - trying to make it long enough to qualify as a novel. By the end the pace and the story make more sense and work somewhat but it is also easily identifiable as an early (in this case debut) novel - there is a rawness and an attempt to say too much in some places that usually disappears as the author gets more experience (at least with the good authors).The novel got a nomination for first novel in the 2019 Edgar Awards. That surprised me a bit - I found the novel a bit too flawed for a nomination. But I can see what they saw in it - it is unusual and the deliberate decision not to go where everyone expected the author to go and pulling that off without making it sound artificial is impressive for a first novel. I plan to check what Immergut publishes next (or had published in the meantime) - there is a something in the style that works despite the flaws.
  • Rating: 3 out of 5 stars
    3/5
    The Bad Psychologist

    Women’s prisons seem all the rage these days; witness Orange Is the New Black’s success and the recent Mars Room (a better choice, by the way). Here we have another one, a psychological thriller featuring a psychologist, and quite a flawed practitioner at that.

    The gist of it is, psychologist Frank Lundquist finds himself pretty much at the end of his career almost before it has begun. He made a bad diagnostic/judgement call concerning a child patient who turned out to be a kiddie psychopath who killed his sister. What’s worse, he’s the son of a famous, highly respected, and very influential psychologist father. Literally, the man wrote the book on childhood development and Frank served as the subject and later benchmark. You’ll agree being the scion of a landmark researcher and the very yardstick by which parents and doctors judge growing children places a heavy burden on a person. You’re always striving to please your father, live up to his reputation, while you hit all the benchmarks that validate his research. When you fall, you fall very hard. And Frank, always the insecure and diffident type, falls harder than most. Then one day in the dank women’s prison in which he works, who shows up as a prisoner but the girl he dreamed about in high school, the girl who never noticed his pining heart, Miranda. She brings back all his urges and desires and punctuates with new intensity the dismal state of his life.

    Miranda is in for fifty plus years for murder, the deceased being her boyfriend who involved her in a crazy scheme to get rich instantly, then betrayed her twice in the process. She’s the bad girl who began as a very good girl. Her dad served a term as a congressman, until he lost the support of the big backer with money. So desperate for the man’s approval, support, and money, he kowtowed when this man was responsible for the accidental death of his other daughter, Amy, Miranda’s older and admired sister. This incident and her father’s spinelessness drove her off the rails and into the arms of boys and men who weren’t any good for her. Last stop, Milford Basin state prison for women. She seeks psychological help in prison as a prelude to drugged suicide and meets Frank Lundquist. The question becomes, does she recognize him?

    Because for certain, obsessive that he is, he sure recognizes her and derives pleasure from treating her, without acknowledging he knows her, let alone that all these long years he has desired her. And then he hatches a plan, a plan of desperation, a plan that only a man who believes he has reached bottom would conceive and possibly think might work. That is, he dreams up a way to spring her and spirit her away to another, full life with him. Therein lies the twisty road of improbabilities meant to surprise and titillate the reader. But as improbabilities go, these hang together quite well because there’s a little bit of plausibility in them. There’s even a bittersweet payoff at the end, solace for the lovelorn Frank.

    The Captives isn’t terrible but it isn’t spellbinding either. The idea of whether Miranda is using Frank or is Frank’s dupe just isn’t enough to move it along at a quick pace. Plodding probably best describes it.
  • Rating: 4 out of 5 stars
    4/5
    THE CAPTIVES is written unlike any book I’ve read before, and I‘m happy that I did.At first I thought it might bore me because it seemed to contain more rambling thanaction. But I came to realize what you should know beforehand: although there isn’t much action in this book, what action there is is important and is dependent on the rambling thoughts of both the psychologist and Miranda. Pay attention. The rambling should give you a clue.Every other chapter is the psychologist at a women's minimum-security prison who failed at private practice, who seems to have failed at much of what he has ever attempted. Perhaps this is why, when one of his patients at the prison turns out to be a woman he had a crush on in high school, he becomes obsessed with saving her.In every other chapter are remembrances of that woman, Miranda. She seems to have had a normal childhood until her sister was killed in an auto accident. Little by little, we learn of her bad choices from then on and what she did and what she said and what she really intended.The end may surprise you but probably shouldn't.

Book preview

The Captives - Debra Jo Immergut

Chance

1

Refrain from Taking on a Professional Role When Objectivity Could Be Impaired

(American Psychological Association Ethical Principles and Codes of Conduct, Standard 3.06)

What happened to me is universal. And I can prove it.

Think back on the people you knew in high school. Now zero in on that one person, the one who starred in your daydreams. The one who, when you glimpsed him or her down the corridor, set off that pre–Homo sapiens sensation, that brainstem jolt of pure adrenaline. The crush, in other words.

See that person walk toward you now. Approaching along the noisy crowded hallway, toward you, toward you, and by you. The hair, the stride, the smile.

Your pulse has just heightened a bit. Right?

That shows you the power. You’re picturing a kid, this is years later and you’re picturing some gawky school-bound kid, and yet the image of this kid in your mind’s eye can still vibrate your cerebral cortex, disturb your breathing pattern.

So you see. There’s something involuntary at work in these situations.

NOW IMAGINE THIS: YOU’RE A THIRTY-TWO-YEAR-OLD MAN, AND you’re a psychologist. You’re sitting in your basement office in the counseling center of a New York State correctional institution. A women’s prison. And you’ve come late to work on a Monday morning and haven’t had time to review your case files or even glance at your schedule. In walks the first inmate of the day, dressed in a state-issued yellow uniform.

And it’s that person.

Looking shockingly unchanged from the kid approaching down the hallway lined with slamming locker doors. The hair, the stride.

Would that not throw you for a bit of a loop?

Be honest. There’s no telling what you would do.

I RECOGNIZED HER INSTANTLY. WHO WOULDN’T? SHE’S NOT THE KIND you forget all that easily. At least, not the kind I forget. Especially not the face. I might compare it to the variety of flowers my mother used to tend in beds alongside our house, pretty in an unsurprising, backyard-grown way, but giving glimpses of inner complexities, if you looked carefully enough. This face had lingered around the fringes of my memory for almost fifteen years. Every so often something—a tune of the correct vintage, the sight of a female runner with long reddish hair—would summon her to the forefront. If I were the kind of guy who attended reunions—I’m not—I would have sprung for a ticket and pinned on a name tag just to get news of her, to see if she turned up. To see what had become of her.

Now I saw. She sat in the aqua vinyl chair across from me with NYS DOCS stamped in blurry black ink across her heart.

She didn’t remember me. This was clear. I couldn’t see a flicker or a flare of recall.

So I didn’t address it. What could I say? Crow out her name, how the hell are you, what brings you here? No. While trying to process this situation—her? here?—I propelled myself to the file cabinet in the corner, where I kept the makings for tea: a small red hotpot, boxes of oolong and Earl Grey, cardboard cups, plastic spoons. My brief tea ritual injected a mild coziness that put my clients slightly more at ease, and so I performed it at almost every session. As I shakily prepared two cups, I spewed out my usual opener, which is welcome, thanks for coming, let’s establish some ground rules, what you reveal here doesn’t leave this room. A speech that, after six months on the job, I could reel off without thinking. I offered her a steam-crowned drink, and she accepted, with a smile that stabbed me a bit. I returned to my seat, let my hands steady around the warm cup. A note clipped to her file folder stated that she’d just been released from segregation. So I asked her about this. But I didn’t hear her answer. I couldn’t help but sink back into that memory. A memory that had looped through my mind countless times over the years, like one of those sticky school-era radio hooks. Thinking about it with her sitting there in the flesh made me want to squirm, though I managed to uphold my professional demeanor and not squirm.

I remembered her naked back, a sweep of whiteness like a flag, and then the flash of a breast as she twisted to grab a towel from the bench. Her hair—that red with brown undertones—swished down over this breast and matched the nipple perfectly. Jason DeMarea and Anthony Li were snickering. But I was silent, clinging to the wall outside the girl’s locker room, my fingertips aching against the concrete windowsill, toes of my sneakers jammed hard against the brick. This had been my idea. I’d seen the windows cracked open to catch the breezes blowing on this sunny, only slightly chilly November day, and I had seen this member of the girls’ freshman track team heading in all alone after her race. I’d been covering the meet for the Lincoln Clarion. My beat was JV girls’ sports, and Anthony was the JV girls’ sports photographer, which gives you an idea of our status on the Clarion staff and at Lincoln High in general. Jason DeMarea just tagged along for lack of anything better to do on a Tuesday after school. They snickered and elbowed each other and after she had finished dressing (baby blue cords, shirt emblazoned with sparkly flowers), they dropped off the ledge. But I continued to cling there, watching. She sat on the bench, tying up the laces of her ankle boots. Then she grabbed her bundled track uniform and wiped at her eyes with it. I could only see a small slice of her face and one dainty ear—the ear with the intriguing double piercing, with the silver wire hoop, and, just above, the minuscule silver Pegasus that I’d secretly studied sitting behind her in trig class, wondering if it were a signifier for horse love, or drugginess, or for some other shading of hers that I would never decode. With her wadded uniform, she wiped her eyes and really looked extremely teary, she did. Her eyelids were all puffy. And then she turned her gaze up, up to her open locker. She tossed her track clothes in and reached toward the open door. Some kind of sticker was plastered there. I couldn’t read it from my perch. With a certain forcefulness, she yanked that thing, tore it right down. Then she slammed the locker shut and flung her hand out to toss the crumpled decal away. But it stuck to her palm. She stared at this obstinate clump of paper for an instant and she began to really cry now. Then she reopened her locker and carefully set the balled-up thing on the floor inside. She closed the door, held her hands to her eyes. After a while, she walked out of the room, and disappeared from my view.

I HAD OPENED HER FILE FOLDER. MY EYES SKATED OVER THE WORDS without seeing them. I asked a bit about her recent stint in segregation, launched into the usual personality diagnostics. I spooled out a few sequences by rote, she responded, and I began to regain my focus then. I listened and I didn’t say anything about Lincoln High or her naked breast or the yanked decal or the fact that I was that guy from the last row of her trigonometry class. I didn’t say that I’d been in the stands every race she ran, that one season she ran track, and that I knew she’d won only once, that very day, that sunny November day. I didn’t say that I knew her father had been a one-term congressman, and I didn’t say that I’d adored her from afar through every long and confounding day of my high school career. She clearly did not remember me. Did this bother me? In a very slight, subsumed way, maybe. Not with any conscious awareness. In any case, I didn’t speak up.

We finished the diagnostic segment, and then she told me she had trouble sleeping. The noise, the shouting on her unit at night. She folded and unfolded her hands in her lap and asked hesitantly if there might be some pill that could help her. I just need to fade out for a few hours, she said.

I couldn’t help noticing that the tomato-colored polish on her nails was chipped. If there was one thing all my clients had, it was impeccable and usually jaw-droppingly intricate manicures—rainbows and coconut palms and boyfriends’ names, glittered stripes and stars and hearts. Those women didn’t pick at or chew their nails. They flashed them. But her nails were short. Ravaged.

I found myself scrawling on a blue slip, recommending Zoloft. Rising from my chair, I walked around the desk and held it out to her. She stood, a head shorter than me. Her downcast eyes, her long lashes. A scatter of faint freckles. I dragged my gaze away, pulled my shoulders back, summoning every inch of my height. Just show this to Dr. Polkinghorne’s aide two doors down.

She read it and thanked me softly. We both stood there for a minute. I debated about whether to say what I knew I should say. Um, you know what? I started. Then I said something else instead. I’d like to add you to my list of standing appointments. I think we can pursue some solutions for you.

She bent her lips into this tiny, melancholy smile. Wonderful, she said, then turned to leave. Her ponytail swayed gently to and fro as she walked away and out the door.

Letting her leave then, without revealing what I knew, was an ethical violation, the first in a string of them that I’ve committed since that moment. The American Psychological Association guidelines on preexisting relationships are very clear. They should be acknowledged, and if such a relationship might in any way impair objectivity, therapy must not go forward. It’s all pretty straightforward in the guidelines.

That must have been when I stopped following guidelines. Up to that point, I was more or less your average, law-abiding, guideline-following man.

She changed all that, though she didn’t mean to at all, this person in the state-issued yellows, with the backyard-flower face. She who I remembered so clearly as a girl. She who you wouldn’t forget.

I can’t refer to her here by name. Let’s call her M, and move on.

2

May 1999

Miranda Greene was born in Pittsburgh, PA. She was born in Pittsburgh, PA, she lived out the larger portion of her childhood in the suburbs of Washington, D.C., and in May of her thirty-second year, 1999, one of the loveliest Mays in memory on the Eastern Seaboard, she was making plans to die in New York. In Milford Basin, New York. More specifically, in the women’s correctional facility that occupied 154 shaven acres in the maple-and-scrub woods outside the town of Milford Basin.

A Rockefeller or a Roosevelt or someone rich had owned a spread in Milford Basin during the 1920s, real estate agents told prospective buyers. Unfortunately—for real estate reasons—this rich person had a zeal for the reform of wayward girls. What had been a hunting lodge was turned into a reformatory, and now, seventy or so years down the line, it had become a full-blown state prison, minimum to medium security. Women weren’t regarded as wayward anymore. They were perpetrators, criminals, and in need of fourteen-foot heavy-gauge perimeter mesh, festoons of razor ribbon, and armed guards.

The prison was up and over the crest of two hills from the semiquaint downtown center of Milford Basin. Up and over those two hills was a sprawling fenced complex, and inside this complex was Miranda, formulating her plans. The method would be an overdose of pills. Pills were abundant in the system; more than half the ladies of Milford Basin were being state medicated: Xanax, Lithium, Librium, and Prozac were dosed out daily by the medical staff. Certain shadowy characters offered them for sale, too—of course, the pharmaceuticals could be purchased, so many substances could be. But often, it was easier to get a prescription from the Counseling Center, a diagnosis of depression or violent associability or even mere social anxiety. Meds were dispensed liberally, since meds worked well, all around.

Miranda wished to die because, having been incarcerated for nearly twenty-two months, she saw no point in hanging around for the remaining portion of her sentence. The sentence stretched for such an obscene number of years that she shied away from thinking about its precise length in numerical terms, preferring to think of the time as a road vanishing into a fog. She had no chance of parole, and if she were ever free again, she would be much, much older than she was now. Somehow, the promise of a taste of liberty in time to enjoy the infirmities of advanced age did not seem reason enough to cling to her mortal coil. She wanted to shrug it.

This is why Miranda visited the Counseling Center. She did not like the idea of going to a shrink. Her mother had booked her an appointment once, during that turbulent stretch of her teenhood after Amy died. She’d refused to get in the car. Simply put, she had never been the introspective type. She took after her father that way. But at Milford Basin, where empty time was dished up in yawning craterfuls, she could hardly avoid contemplating her lot in life. What else was there to do? And two weeks in the Segregated Housing Unit had crystallized her thinking. The more deeply she searched within herself, the more certain she became. She would not wait for fate to make its move—hadn’t fate already had its way with her, slapped her down hard? No, now she would take her destiny into her own small, insignificant, incarcerated hands.

ON A MONDAY MORNING AT 9:30 A.M., MIRANDA STROLLED THE ASPHALT walkway connecting Building 2A&B to the long low admin building, home to visits and counseling. She passed an old lady named Onida, who was working out her frustrations in the garden plot she’d been granted by administration. Onida was not allowed garden tools—sharp-edged metal implements were not smiled upon—so she clawed at the wormy spring dirt with her hands and a spade fashioned out of a square of cardboard, humming to herself. Flats of petunias donated by the local ladies’ garden club rested nearby. She looked up as Miranda passed. God is good, he sure is, she said.

You think? replied Miranda. She walked on. She heard Onida muttering behind her. The sky above stretched painfully blue. The smell of shorn grass, the meek breeze warming her skin. She still couldn’t get used to the idea. Walking outside, with only the dome of the universe above her. No heavy cement, no locked-down souls. She had been out of segregation just three days. Two weeks in the SHU—the shoe, the ladies called it—had flattened out her perceptions somehow, as if she’d been pressed and dried, an exotic cutting. Could she be soaked and reconstituted? Doubtful, she whispered to herself.

DID SHE KNOW HIM FROM SOMEWHERE? AT FIRST GLANCE, HE SEEMED to shimmer with a faint familiarity, the face—perhaps she had seen it before, or maybe he just looked like someone she’d known. Gray-blue eyes, hair thick, blond, in slight disarray. Beneath pale stubble, his jaw was strong. Not a bad-looking man, in a subdued way. You had to look twice to see it. Frank Lundquist, she thought to herself, to test his name in her mind.

He was the first man out of CO uniform she’d talked to in almost a year, not counting family members and legal counsel. That could account for the strangeness.

Welcome, he said, shifting papers on his desk with a distracted air. Thanks for coming to see me today. He spoke with a halting, deep voice. He rose abruptly and he was quite tall, she realized. A little electric kettle murmured atop a file cabinet in the corner, misting. His back to her, he fiddled with cups for a longish moment, reciting something about ground rules. What you say here won’t leave this room. The tea was lovely, though. Worth the trip alone, perhaps. He sat and found a folder, stared down at it. Miranda let the tea vapors warm her nose and studied the forelock of hair that slipped over his brow, smooth as a bird’s wing. She tried to figure out how she would broach the subject of medication.

At last he looked up from his file folder and spoke. Says here you’ve just been released from segregation. Can you tell me what happened to put you there?

Surprised. That’s not in your file?

I’d like to hear your side of things. He leaned back in his chair. His eyes kept darting back and forth, to her face, then away, to her face, then away.

That could get on my nerves, she thought.

My side of things. She let slip the barest smile. I didn’t know I still had a side of things.

He nodded. I hear you. Rubbed his jaw. A sandpapery noise. Take a moment. Take your time.

SHE WAS WATCHING FRAYED WISPS OF WHITE, THE SUGGESTION OF clouds, trailing past a thin slice of window eight feet over her head. She lay there in a corner of her cell in the shoe, trying to see out a window designed to reveal nothing. And slowly, as she watched the wisps, she grew aware of a rhythmic rumbling. A low repeated note that reminded her, in some primal part of her being, of early childhood. She couldn’t imagine what it might be.

She moved up toward the door and peeked out its little porthole, a piece of reinforced glass about the size of a kitchen sponge. All she could see was the cell door across the hall: beyond it was Patti, who’d murdered a surgeon in a dispute involving Blue Cross/Blue Shield payments.

She pressed her ear to the little metal flap that popped open three times daily, when meals were delivered. Through the thin steel, the rumbling continued.

She lowered herself to the floor, slicked with lumpy gray paint and eternally chilly, and pressed her mouth to the inch-high gap beneath the door. Patti.

No answer. She tried again. Then, suddenly, she pegged the rumbling sound. Patti was snoring, deep and snuffly. She snored just like Miranda’s dad had, nights when she’d woken from dreams as a little girl. Patti was asleep. Patrizia Melvoin, transgender HIV-positive swindler from Morrisania, the Bronx, snored in precisely the same key and rhythm as Edward Greene, onetime congressman from Pennsylvania’s Twenty-Eighth District.

Miranda sat back on the floor and giggled. She giggled and the noise of her giggle was alien to her ears and snapped her back into silence. The snoring pressed on.

It was her final day in the lock, and it had stretched for eons already. She squinted up at the patch of sky. It was certainly after noon.

Usually the COs released prisoners from the shoe in the morning. Why the delay? She thought about her photos, her clothes, her Cup-a-Soup waiting for her in a locked storage bin back on the unit. She unbelted her flannel wrap, which was dull yellow and reminded her of the bathrobes she and Amy used to get at Christmastime from Grandma Rosalie—always to their great dismay. They would have much rather received those dolls whose hair and makeup you could style, or drum majorette batons, or pet rabbits. The wrap had been issued to her when they took her standard yellows away as she’d been admitted into the lock. She shrugged it off and slipped off her state-mandated briefs. In the shoe, you weren’t allowed your own clothes, so it was NYS DOCS even across your ass.

She contemplated the steel toilet, lidless, seatless, a gawping frozen gullet. She sat. And began to bounce up and down. Fast.

Fourteen days ago, Miranda couldn’t do this. When Patti had told her about this peculiar pastime, she’d said, I’ll never be that starved for entertainment.

Patti had chuckled. No cable TV in here. No Reader’s Digest to read.

But the first few days had been okay—she’d suitcased four sleeping pills that Lu had pressed on her when it was clear that Miranda was doomed to the shoe, tucking two tiny pills in each nostril—she’d been sure her mouth breathing would give her away, but it didn’t. The pills kept her nicely conked. But they ran out and she was left staring at the patch of sky and wisps of Lewis Patterson began to drift across it, and Duncan, and worse, and soon she was in an agony of replays and desperate for anything to occupy her mind, to fill it and extinguish all thought.

And so she perched on the toilet and she bobbed. She bounced. Skeptically, at first. She even laughed. How ridiculous. She laughed, but she continued, as if riding English saddle, as she did at Camp Piney Top in the Allegheny front range, age nine. And then she heard a reverberating gulp, and sure enough, her bouncing had created a plunger effect, and the water had suctioned back down into the pipes, leaving them clear. She knelt beside the toilet, squeezed shut her eyes, plugged tight her nose, and lowered her head into the bowl.

She heard voices.

DARK CUSTOM SUITS, BRIGHT ITALIAN TIES SPUN WITH THICK SILK and tied in swollen knots. Plus matching pocket squares. One day peacock blue, the next day deep crimson with gold fleur-de-lis. Miranda sometimes wondered if that’s why she’d ended up with the mind-fogging sentence. Her lawyer exuded money. The members of the jury—the line cook at a pizza parlor, the snowplow driver—imagined they were shooting down a princess perched on a lofty mountain of cash. They didn’t know that the inherited capital talked up in the newspapers, the Greenes of Pittsburgh fortune built upon decades of drop-leaf dining tables and convertible settees and barrel-back patio chairs, had long since been depleted, the bulk of it bled out in advertising fees incurred during her father’s final, losing campaign. Alan Bloomfield, connoisseur of exciting Italian ties and pocket squares, was an old family friend, a frat brother of her dad’s, and in love with her mother, and providing his service at a steep discount.

Bethanne Bloomfield, Alan’s daughter, had been the same age as Miranda’s sister, Amy. They’d been best friends for a time; they’d go to Twin Oaks Mall, the movies, they’d lock themselves away in Amy’s room. A pair of fourteen-year-old adventuresses. Miranda remembered standing at the door to the room once, the teens primping for a junior-high dance. Blow-dryers, curling irons—the place sounded and smelled like a small factory. The adults weren’t around. The primpers decided to raid

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