A Study Guide for Robert Frost's "Out, Out--"
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A Study Guide for Robert Frost's "Out, Out--" - Gale
1
Out, Out—
Robert Frost
1916
Introduction
Out, Out—
was first published in the 1916 collection Mountain Interval. Both the description of a terrible accident and a comment on the human need to resume one’s life after a tragedy, Out, Out—
is one of Frost’s most shocking and disturbing performances. Like many of Frost’s poems, Out, Out—
is written in blank verse, with the events described by an unnamed (yet characterized) speaker.
The poem is based upon a real incident. In 1901, Michael Fitzgerald, one of Frost’s friends and neighbors, lost his son Raymond during an accident with a buzzsaw; after accidentally hitting a loose pulley, the saw descended and began cutting his hand. He bled profusely and was rushed into the house; a doctor was called, but the young man went into shock and died of heart failure.
According to Jeffery Meyers (author of Robert Frost: A Biography), Frost thought that the poem was too cruel to read in public.
For those readers who associate Frost with folksy, homespun philosophers observing the beauties of rural New England, Out, Out—
will be something of a surprise—for the poem is, in a sense, cruel: the boy dies a terrible death and all the speaker can say is, No more to build on there.
Even more shocking is Frost’s depiction of the adults who watch the boy take his final breaths. After his death, they turned to their affairs
since they / Were not the one dead.
Ultimately, Frost suggests, this turning away
from death is, sometimes, the only possible