Race against Empire: Black Americans and Anticolonialism, 1937–1957
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Marshaling evidence from a wide array of international sources, including the black presses of the time, Penny M. Von Eschen offers a vivid portrayal of the African diaspora in its international heyday, from the 1945 Manchester Pan-African Congress to early cooperation with the United Nations. Tracing the relationship between transformations in anti-colonial politics and the history of the United States during its emergence as the dominant world power, she challenges bipolar Cold War paradigms. She documents the efforts of African-American political leaders, intellectuals, and journalists who forcefully promoted anti-colonial politics and critiqued U.S. foreign policy.
The eclipse of anti-colonial politics—which Von Eschen traces through African-American responses to the early Cold War, U.S. government prosecution of black American anti-colonial activists, and State Department initiatives in Africa—marked a change in the very meaning of race and racism in America from historical and international issues to psychological and domestic ones. She concludes that the collision of anti-colonialism with Cold War liberalism illuminates conflicts central to the reshaping of America; the definition of political, economic, and civil rights; and the question of who, in America and across the globe, is to have access to these rights.
Penny M. Von Eschen
Penny M. Von Eschen is Assistant Professor of History at the University of Iowa.
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Reviews for Race against Empire
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- Rating: 3 out of 5 stars3/5he civil rights movement prior to WWII and immediately after it looked at the issue of racial oppression as a global issue. African-American groups allied with African associations to advocate an end to colonialism. While this included the "Double V" slogan, it also included aggressive advocacy for the decolonization of Africa. Lobbying groups went to San Francisco for the UN conference as well as trying to influence State Department policy. The UN, in particular, was important in African-American strategy, as well as that of non-whites globally. Prior to 1946, the UN app[eared a potentially vibrant organization for justice and change. It's eventual emphasis on accepting the sovereignty of all nations severely limited its ability to have an impact in colonialism, but that took some time to become apparent.After 1946, African-American organizations dramatically changed their strategy. The limitations of the UN was not a direct cause of this change, but was a symptom of underlying issues that would provoke the shift in priorities. The fact that the UN had little power reflected the growing conflict between the US and USSR. That conflict, which would eventually be termed the Cold War, forced African-Americans to limit criticism of US foreign policy so that they would maintain some credibility to advocate domestic change. Although there was significant disagreement among the African-American community, Walter White, head of the NAACP, eventually pushed his view into a dominant position, which was to present an appearance of loyal supporters of the US in the Cold War. Such was the dominance of the Cold War consensus that when later African-American groups, such as the Black Panthers and the Nation of Islam, challenged it, they were essentially forced to reinvent the wheel. Established African-American groups had almost completely cut-off contacts with global issues.
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Race against Empire - Penny M. Von Eschen
RACE AGAINST EMPIRE
BLACK AMERICANS AND ANTICOLONIALISM 1937–1957
Penny M. Von Eschen
CORNELL UNIVERSITY PRESS
ITHACA AND LONDON
FOR MY FRIEND GERALD HUDSON
CONTENTS
PREFACE
INTRODUCTION
1 THE MAKING OF THE POLITICS OF THE AFRICAN DIASPORA
2 DEMOCRACY OR EMPIRE?
3 TO FORGE A COLONIAL INTERNATIONAL
4 THE DIASPORA MOMENT
5 DOMESTICATING ANTICOLONIALISM
6 HEARTS AND MINES
7 REMAPPING AFRICA, REWRITING RACE
8 NO EXIT: FROM BANDUNG TO GHANA
CONCLUSION
NOTES
PREFACE
THE IDEA FOR THIS BOOK began to take shape at a time when the end of the Cold War, accompanied by frequent announcements of the end of history,
also witnessed continuing U.S. intervention abroad, assaults on working people worldwide, and a rapid acceleration of global economic inequality. With the untrammeled nature of U.S. power ever more apparent, I was drawn to the story of a group of men and women who had confronted this global reach at its genesis. The title, Race against Empire, speaks in part to their sense of urgency as U.S. political, economic, and military dominance crystallized in the aftermath of World War II. It also points to the compassionate, expansive racial solidarity that animated their global democratic vision. The Cold War era’s end of ideology
blithely celebrated the superiority of America when the United States was still a Jim Crow nation, and while millions of Africans and other colonized peoples not only struggled for political independence but fought the economic exploitation that had characterized colonialism and was further solidifying under new forms of U.S. domination. Against the grain of cynicism about democratic and internationalist projects that has deepened with the more recent assertion of the end of history:
and against the racism that continues to render invisible black political initiatives, we would do well to remember the ways in which Mrican American anticolonial activists of the 1940s demanded a genuine transformation of global power relations.
Over the years, the international nature of this project has necessitated an exceptional dependence on the advice, generosity, and kindness of teachers, friends, and strangers. Marika Sherwood and Hakim Adi introduced me to sources in London, and Marika generously shared her home, her ideas, and her extensive international research on anticolonial projects. In Johannesburg, Keith Breckenridge, Cathy Burns, Clive Glaser, Tom Lodge, and Lumkile Mondi guided me around archives and South African historiography. I also thank Keith Breckenridge, Cathy Burns, Tom Lodge, and Karin Shapiro for valuable advice on early portions of the manuscript. In Cape Town, Alan Hirsch and Pippa Green shared their home, set up interviews, and directed me to important sources. Numerous librarians and archivists have provided invaluable assistance. I particularly thank Anna Cunningham of the Historical Papers Library at the University of the Witwatersrand in Johannesburg.
A generous grant from the MacArthur Committee on Peace and International Security of the Social Science Research Council allowed me to travel to South Africa for interviews and research, and to meet Sam Nolutshungu, whose insights on international politics and South Africa in particular have helped shape this project. Critical to the development of the project were interviews with activists in South Africa; A. M. Kathrada, Govan Mbeki, Henry Mohothe, Ray Simons, and Walter Sisulu not only generously shared their memories and perceptions of the late 1940s and early 1950s but also pointed me to valuable newspaper and archival sources. Conversations with Palo Jordan helped clarify my sense of the 1950s and the impact of the Cold War on international solidarity movements. A special thanks to Rica Hodgson for helping me set up interviews. On this side of the Atlantic, many thanks to Lloyd Brown and the late Doxey Wilkerson for sharing their memories and insights.
I owe an enormous debt to Eric Foner. His work inspired me to study history and continues to set an endlessly challenging example of committed scholarship and teaching. From the time when this book was a series of questions and hunches, he has been an immensely supportive and encouraging guide, as well as my most perceptive and exacting critic. I am profoundly grateful. This book has also benefited from the generous criticism and advice of Alan Brinkley. I thank Manning Marable for conversations about George Padmore and C. L. R. James, and Joshua Freeman for wise and generous counsel at crucial moments. Elizabeth Blackmar offered astute criticism, wise advice, and support at every point.
Special thanks to colleagues Leah Arroyo, Martha Biondi, and Sarah Henry for reading and commenting on drafts of the manuscript. Conversation with Martha Biondi about the 1940s and 1950s has been one of the pleasures of this project, and I am grateful for her invaluable criticism and constant support. I also thank Mark Higbee, Lynette Jackson, Anne Kornhauser, Melinda Lawson, Sumit Mandal, Manisha Sinha, Jotsne Uppal, Michael West, and Wang Xi.
This study owes much to a community of friends and scholars. My greatest intellectual debt is to my friend Gerald Hudson. I thank him not only for years of conversation and love but for the outrageous imagination, uncontrollable spirit, and deep commitment to democracy as a philosopher and trade unionist that have inspired and shaped my work. Conversations over the years with Jerry Watts, along with his penchant for showing up with the right book at the right time, have been vital. A very special thanks goes to Robin D. G. Kelley, first as a fellow historian with an exceptional commitment to getting it right and an extraordinary generosity of spirit, and then as a wise adviser and kind friend. He has been pivotal in my thinking and revision of the manuscript. Thanks also to David Anthony, Joanne Barkan, Paul Buhle, Barbara Caress, Leo Casey, Darío Euraque, Barbara Fields, Moe Foner, Gary Gerstle, Jim Giblin, Michael Harris, Winston James, Mark Levinson, Peter Mandler, Tony Marx, Anne McClintock, Polly Moran, Rob Nixon, Warren Orange, Susan Penny-backer, Michael Pollak, Gyan Prakash, Haneen Sayed, Carl Schorske, Ellen Schrecker, Joe Schwartz, Nancy Sinkoff, Shelton Stromquist, Pamela Von Eschen, and Cornel West.
A Rockefeller Fellowship from Princeton University’s African American Studies Program enabled me to complete this book and, and, most important, provided an endlessly stimulating and supportive intellectual community. I am especially grateful to Arnold Rampersad, Nell Irvin Painter, Judith Jackson Fossett, Jeffrey Tucker, Eddie Glaude, Jean Washington, and Hattie Black. Particular thanks to Judith Jackson Fossett for lending her sharp eye and intellect to the manuscript.
I am indebted to Peter Agree at Cornell University Press for his enthusiasm and his wise advice at critical moments and to Terence McKiernan for his expert editorial stewardship. I am extremely fortunate to have had Thomas Borstelmann and Carl Nightingale as initially anonymous readers for the Press. Borstelmann also generously shared his work at an early stage, and I have relied on his advice and scholarship to wade through the murkier waters of international politics. He has truly been a sympathetic and meticulous critic.
My first sense of egalitarianism and internationalism came from my parents, Avis and Clarence Von Eschen. I thank them for that, along with their unfailing generosity and enthusiastic love and support. Warm thanks also to friends and siblings Patrice Von Eschen, Lou Tilmont, Paula Von Eschen, Atta Orange, Diane Orange, John and Beth Von Eschen, Mary Ann Von Eschen, Kevin Fox, and Catherine Metzger.
Finally, it is absolutely impossible for me to imagine what the work on this manuscript might have been without the companionship and constant critical engagement of Kevin Gaines. His sensitive insights and spirited suggestions have enriched the book in many ways, and his love and support have made it a far more joyful adventure than I had ever dreamed possible. There are no words to express my gratitude or my love.
PENNY M. VON ESCHEN
Iowa City, Iowa
INTRODUCTION
It is not culture which binds the peoples who are of partially African origin now scattered throughout the world, but an identity of passions.
—Ralph Ellison, Shadow and Act
ON NEW YEAR’S DAY IN 1940 Americans thrilled to Paul Robeson’s singing of Ballad for Americans
over the CBS airwaves. The son of a former slave and an internationally renowned singer and Shakespearean actor, Robeson had the extraordinary artistic talent and the capacity for empathy to express the hopes and dreams of a country just emerging from the Great Depression and facing the prospect of war. Using the same imagination with which he embraced the world’s music, languages, and peoples as his own, Robeson projected in music a vision of a prosperous America not divided by race, ethnicity, or creed. His deep, sonorous voice moved Americans from all walks of life with the at once playful and somber lyrics. To the repeated question Who are you?
the song recounts an unfinished history of democratic struggle, naming and embracing all of America’s peoples, until the answer is finally revealed: America.
¹
Yet a decade later, Robeson was officially pronounced un-American.
In 1950 the United States government revoked his passport and rejected his appeal because as a spokesperson for civil rights he had been extremely active in behalf of the independence for the colonial peoples of Africa.
Two years later the U.S. attorney general subpoenaed the files of the Council on African Affairs, of which Robeson was chair, demanding all [CAA] correspondence with the African National Congress and the South African Indian Congress
and with all individuals and leaders
of those groups.²
As the Cold War emerged, the Truman administration was forced to contend with Africans and African Americans articulating links between liberation movements in Africa and the struggles of African Americans for civil and economic rights in the United States. For Robeson connected his own life and history not only to his fellow Americans and to his people in the South but to all the people of Africa and its diaspora whose lives had been fundamentally shaped by the same processes that had brought his foremothers and forefathers to America. And in giving voice to what Ralph Ellison has called an identity of passions,
Robeson was hardly alone. African American anticolonial activists of the 1940s forcefully argued that their struggles against Jim Crow were inextricably bound to the struggles of African and Asian peoples for independence. From Alphaeus Hunton’s insistence that the liberation of Africa would make a concrete difference the struggles of black Americans to Walter White’s argument that World War II has given the Negro a sense of kinship with other colored—and also oppressed peoples of the world,
activists articulated a common experience of racial oppression rooted in the expansion of Europe and the consequent dispersal of black laborers throughout Europe and the New World.³
This book traces the rise and fall of the politics of the African diaspora from the late 1930s to the early Cold War years. At its heart is the story of a political project among an international group of activists and intellectuals and how their vision—for a time—animated African American politics. To make sense of their project and its ultimate demise, one must keep an eye on several interrelated political processes. The rapid acceleration of Asian and African challenges to European domination and the crumbling of European hegemony during and in the wake of World War II coincided with the creation of a U.S. wartime alliance with the major European colonial powers and the Soviet Union, followed by the shift of the Soviet Union from ally to adversary. Moreover, the United States emerged as the dominant global power, a position from which the American government fashioned new responses to Asian and African nation-building projects. In the intersections of these broad processes one begins to understand the development and collapse of the politics of the African diaspora.⁴
To illuminate facets of anticolonial politics and trace the relationship between anticolonial politics and the history of the United States emerging as a world power, the book focuses on the most visible and defining anticolonial projects, including African American participation in the 1945 Manchester Pan-African Congress; support of Nigerian trade union struggles and the fight against the British suppression of Nigerian newspapers; support for striking South African miners; and the joint efforts of African Americans, South Africans, and the government of India in the early days of the United Nations.
By the last years of World War II, internationalist anticolonial discourse was critical in shaping black American politics and the meaning of racial identities and solidarities. As the wartime challenges to colonialism reached fruition in the unusually fluid situation following the war, and the formation of the United Nations provided a forum for international debate and organization, diaspora identities had a powerful resonance and diaspora politics achieved a particular political efficacy. With the imminent independence of India and the promise of new Asian and African states in the foreseeable future, the possibilities for winning political and economic rights through international strategies looked much brighter than they would after the onset of the Cold War.
This politics in the making did not survive the beginnings of the Cold War. Differences proved stronger than the still fragile international institutions and ideologies. As African American liberals began to craft a dominant civil rights argument of the Cold War era, that discrimination at home must be fought because it undermined the legitimate U.S. leadership of the free world,
and the parallel argument for an anti-Communist anticolonialism, the Truman administration and the State Department embarked on far-reaching attempts to shape Asian and African perceptions of American race relations.
An integral part of these efforts was the systematic repression of those anticolonial activists who opposed American foreign policy and who fought for the visibility of the oppression of all black peoples against a bipolar reading of politics that rendered the opression of Africans and people of African descent a secondary issue. The embrace of Cold War American foreign policy by many African American liberals, as well as u.S. government prosecution of activists such as Robeson and the CAA, fundamentally altered the terms of anticolonialism and effectively severed the black American struggle for civil rights from the issues of anticolonialism and racism abroad. This book further explores the reshaping of black American political and rhetorical strategies in the early Cold War and the attendant rewriting of the meanings of race
and racism.
The 1950s eclipse of 1940s anticolonialism had profound implications for the politics of the black American community as questions concerning political, economic, and social rights in an international context were neglected in favor of an exclusive emphasis on domestic political and civil rights.
The significance of the politics of the African diaspora lies both in its creative reinterpretation of a larger diaspora tradition and in its unique contribution to the world of the 1940s. The diaspora politics of this period stood in a complex relationship to African nation-building projects. Those black Americans who constructed diaspora identities did not posit themselves as members or potential members of a nation or advocate a return to Africa in the sense of a back-to-Africa movement. Yet the politics they fashioned did constitute a re-turning toward Africa and an identity defined in relation to Africa. With the demise of European hegemony and the emergence of strong anticolonial movements on the African continent, African Americans claimed a shared history and argued that independent African nations would help their struggles for political, economic, and social rights in the United States. The promise of new African and Asian nations in the near future, coupled with hope that the United Nations would provide a forum in which issues of racial, colonial, and economic oppression could be addressed on an international scale, gave political immediacy to this vision.
Moreover, in articulating a democratic and internationalist politics, anticolonial activists spoke to issues at the center of the reshaping of America in the post–World War II era: the relationship of the United States to emerging Asian and African nations; definitions of democracy, freedom, and the very meaning of American citizenship and what it entailed; how political, economic, and civil rights were to be defined and who in America and across the globe was to have access to these rights. And in articulating common desires and ideals, black intellectuals and journalists increasingly elaborated a conception of democracy that put the struggles of black peoples at the center of world politics but encompassed all democratic struggle. The solidarities and identities they formed were necessarily racial, because they saw race at the heart of the processes shaping the modern world: the enslavement of Africans, the exploitation of colonial peoples, and the development of racial capitalism. At the same time, precisely because they recognized the importance of race, anticolonial activists could point beyond it to a vision of a genuinely democratic world.
As wartime political alliances and innovations in mass communications radically altered the boundaries of the possible, this shared democratic vision gave rise to new political strategies. The new international forums and plans for the United Nations Organization that emerged in the later years of the war enhanced the possibility of redefining political sovereignty and individual and group rights on an international scale. And African Americans—from the avant-garde international left of Paul Robeson and W. E. B. Du Bois to the National Association for the Advancement of Colored People (NAACP), churches, fraternities, and nurses’ associations—came to see these forums as hopeful sites for their own struggles and brought to them a new vision of the rights and responsibilities of citizenship.
The power of the 1940s politics of the African diaspora came from its evocative linking of the 400 million black people scattered about the globe, as well as its descriptive and analytic value. Along with the political recasting of peoples. denied political, economic, and civil rights from a national minority to a global majority, the notion of a diaspora invokes a profound history and materiality. The very concept of diaspora suggests a story about how a people got from one place to another—in this case, the story of the expansion of Europe and the consequent dispersal of black laborers throughout Europe and the New World.⁵ It is not accidental, then, that the architects of the politics of the African diaspora were historians who, more systematically than most, understood racism and shared bonds in the context of the history of slavery, colonialism, and imperialism. Not only Du Bois, as the foremost historian and intellectual, but African American popular discourse in the 1940s linked African Americans with Africa and the Caribbean, not because there were biological blood ties but because their differing experiences of slavery and colonialism were all seen as part of the history of the expansion of Europe and the development of capitalism.
The international anticolonialism of the 1940s was a creative, political project among an international group of activist intellectuals. Activists who came from radically different regional political economies and lived within different national boundaries engaged in a lively debate about the nature of their bonds and the political strategies best suited to their common liberation. Far from assuming a homogeneity based on race,
they often saw themselves as engaged in an innovative project. For example, W. E. B. Du Bois argued in 1945 that Africa is a vast and deeply separated continent and its unity must be a matter of future upbuilding rather than of past fact. Nevertheless, the people of Africa and more especially the darker peoples of Negro and mulatto origin, have in modern day, increasingly common oppression, desires and ideals.
⁶
This book seeks to identify the political leaders, intellectuals, journalists, and activists who articulated the bonds between black Americans, Africans, and all oppressed peoples; to emphasize their creative interventions in a rapidly changing world of war; and to trace the processes by which their vision came to animate African American political discourse. Focusing on the Council on African Affairs, (led by Paul Robeson, Max Yergan, Alphaeus Hunton, and in later years W. E. B. Du Bois) and on the NAACP (led by Walter White) as the major organizations involved in anticolonial politics, it also emphasizes the critical role of the black press and trade unions in reshaping international political debates and crafting new political strategies.
The first four chapters trace the emergence and elaboration of anticolonial politics during World War II and the immediate postwar period. Chapters 1 and 2 show the forging of a new political language by activists and journalists whose vision of the fate of black Americans as inseparably linked to the fate of Africans and other colonized peoples animated African American political thought in a powerful and unprecedented fashion. The roots of this vision lay in the contested left of the 1930s, but it was the anticolonial challenges of World War II that gave it new power and substance. Chapter 3 explores the importance of trade union organizations to the politics of the African diaspora and looks at African American participation in the 1945 Manchester Pan-African Congress and support of African labor. Chapter 4 examines the diaspora-based strategies that coalesced in 1946 and 1947 as the black American Council on African Affairs, the South African Passive Resistance Campaign, and the African National Congress (ANC) came together at the United Nations to support India’s challenges to the South African government. At the dawn of the modern civil rights movement, anticolonialism and civil rights marched hand in hand.
The later chapters trace the eclipse of the politics of the African diaspora and argue that this must be understood as the result of several related political processes. Chapter 5 probes the breakdown of broad anticolonial alliances following the widespread acceptance of the Truman Doctrine of 1947. For many liberals, the criticism of American foreign policy gave way to an acceptance of America’s claim to be the legitimate leader of the free world. In a fundamental reshaping of black American political and rhetorical strategies, anticolonialism did not disappear but, for liberals, was increasingly justified by an anti-Communist agenda. The repression of the McCarthy era devastated the anticolonialism of the left as well, destroying the vestiges of the 1940s politics. Chapter 6 explores the American government’s prosecution of anticolonial activists in the Council on African Affairs in the context of American political objectives in Africa, and the government’s far-ranging responses to African and Asian nationalism.
Chapter 7 considers the impact of the destruction of 1940s anticolonialism on mainstream African American perceptions The eclipse of historical analysis led to a renewed trivialization, exoticization, and marginalization of Africa; the liberal definition of freedom
in the 1950s reconstructed race
and racism
from something understood as rooted in the history of slavery and colonialism to something seen as a psychological problem and an aberration in American life, and from an international to a domestic
problem. Discussions of international politics began to open up again in the mid-1950s but in radically altered terms from those of the 1940s. Chapter 8 probes the extent to which African American intellectuals, politicians, and journalists accepted the new position of America in the world as legitimate, exploring their participation in the Asian-African Conference in Bandung and the Congress of Colored Writers and Artists in Paris, and perspectives on Ghanaian independence.
In the opening epigraph, Ralph Ellison calls our attention to the power of human bonds across national and cultural boundaries. To speak of an identity of passions
is to speak about an achievement, not something given but something that might be made. Architects of the politics of the African diaspora forged an identity of passions through a powerful cross-fertilization of socialist internationalism and the struggles of colonial peoples for independence. Yet if the anticolonial politics of the 1940s cannot be understood outside the context of 1930s internationalism, neither can it be subsumed under or fully explained by the leftist project. The intellectual and institutional links were tangled and complex as international solidarity movements among the colonized peoples of the globe creatively reshaped the language and ideologies of the 1930s and constructed the politics of the African diaspora.
CHAPTER ONE
THE MAKING OF THE POLITICS OF THE AFRICAN DIASPORA
In the deep, heavy darkness of the foul-smelling hold of the ship, where they could not see the sky, nor hear the night noises, nor feel the warm compassion of the tribe, they held their breath against the agony. . . . In a strange moment, when you suddenly caught your breath, did some intimation from the future give to your spirits a hint of promise? In the darkness did you hear the silent feet of your children beating a melody of freedom to words which you would never know, in a land in which your bones would be warmed again in the depths of the cold earth in which you will sleep unknown, unrealized and alone?
—Howard Thurman, On Viewing the Coast of Africa
THE SENSE THAT AFRICAN AMERICANS shared a common history with Africans and all peoples of African descent had long been an important part of African American thought, but the global dynamics unleashed by World War II brought it to the forefront of black American politics and animated political discourse at an unprecedented level. Many African American political leaders and journalists analyzed the war through a prism of anticolonialism. A new political constellation emerged as anticolonial issues acquired a new prominence and stood side by side with domestic demands in the political agendas of leading African American protest organizations.¹
From the 1935 Italian invasion of Ethiopia to the strikes that swept the Caribbean and West Africa in the late 1930s, from Nigerian responses to Roosevelt and Churchill’s dispute over the meaning of the Atlantic Charter to India’s dramatic challenge to the British during the war, African American political discourse was keenly informed by and deeply responsive to events in Africa, in the Caribbean, and throughout the colonized world. Even issues which on the surface appeared strictly domestic, such as the use of black American troops in the war, were approached from an anticolonial perspective and guided by the premise that the struggles of black Americans and those of Africans were inseparably bound. By the end of the war in 1945, even mainstream civil rights leaders such as Walter White, executive director of the NAACP, could declare that World War II has given to the Negro a sense of kinship with other colored—and also oppressed—peoples of the world.
Black Americans, he continued, sense that the struggle of the Negro in the United States is part and parcel of the struggle against imperialism and exploitation in India, China, Burma, Africa, the Philippines, Malaya, the West Indies, and South America.
²
Although the articulation of inextricable ties between African Americans and others of African descent and the attention to anticolonialism were widespread among African American leaders and journalists by the mid-1940s, these issues did not arise uniformly. The crafting of a new international political language and new political strategies, as well as how these came to animate a broader political discourse, can be understood only by looking at the initiatives of the men and women who created this politics both through political organizing and through print capitalism and the black press. The years of World War II and its immediate aftermath were a golden age in black American journalism. Newspapers with national circulations such as the Pittsburgh Courier and the Chicago Defender more than doubled in size between 1940 and 1946. The Courier reached a circulation of more than a quarter-million, with an actual readership easily three times that size.³ This was also the heyday of Claude Barnett’s Associated Negro Press—a syndication service subscribed to by nearly two hundred papers, or 95 percent of black American newspapers—which made international reporting widely available to small black papers that otherwise would not have had the resources to carry reports on African, Caribbean, and international affairs.
The black press was the main vehicle through which public intellectuals spoke to one another and to their main audiences: the black middle classes and working classes, including teachers, ministers, other professionals, and blue-collar and domestic workers.
Moreover, creatively employing the new technologies and new possibilities in communication that came out of World War II, a cast of activists, journalists, and editors clustered in black American newspapers—the Chicago Defender, the Pittsburgh Courier, the Crisis, and the New York Amsterdam News—formed a dense nexus with journalists and publishers from London to Lagos and Johannesburg, marshalling the resources of important black middle-class and entrepreneurial institutions to create an international anticolonial discourse. From Pittsburgh to Lagos to Chicago to London to New York to Johannesburg—the nodal points of production—print journalism both provided the vehicle for the creation of this imagined diaspora and unified intellectuals and activists across the globe.⁴
THE ROOTS OF THE POLITICS OF THE AFRICAN DIASPORA
In linking the struggles of African Americans to African peoples worldwide, architects of the politics of the African diaspora drew on a body of thinking dating back to the eighteenth and nineteenth centuries. In the mid-nineteenth century black American nationalists such as Martin R. Delany and Henry Highland Garnet combined a vision of independent black organizing in the United States with calls for black emigration, sometimes to South America or Canada, sometimes to Africa. Delany, especially, pioneered the creation of a global analysis and a vision of black solidarity that embraced a truly Pan-African sensibility. Inspired by slave revolts that had revealed Pan-African aspirations—such as the South Carolina freedman and artisan Denmark Vesey’s plans in 1820 to establish ties with Haiti—Delany created the character Henry Holland in his novel Blake (1859–61). Holland, a free black man, tries to organize a revolt involving all the slaves in the Western Hemisphere. Moreover, Delany’s presentation of slavery as an international system of economic exploitation further links him to the politics of the 1940s.⁵
Although worlds apart from the projects and aspirations of the internationalists of the 1940s, the civilizing missions of black Christians such as the nineteenth-century black nationalist missionary Alexander Crummell, who spent twenty years in Liberia, and the Ethiopianist tradition in black thought also embodied a belief in universal black solidarity and salvation. Through their wide reach in black American middle-class institutions, these earlier projects were a critical part of the milieu in which later activists formed their own world views and aspirations.⁶
In the twentieth century, a vision of the African diaspora was given a voice in the NAACP’s journal the Crisis—which, under the long editorship of W. E. B. Du Bois, consistently presented the struggles of the black world in international terms—and in Carter Woodson’s Journal of Negro History as well.⁷ In a life that spanned the rise and fall of colonialism, from the European partition of Africa in Berlin in 1884 and 1885 when he was still a child to his death in Ghana in 1963, six years after the new nation’s independence, Du Bois possessed a keen awarness of history. He resisted the prevailing discourses that naturalized colonialism and race. From the earliest issues of the Crisis, readers were reminded that colonialism had a beginning. And in the gift of historical imagination, whatever has a beginning, constructed by human actions, may also have a middle and an end.
Du Bois was also a founder of the Pan-African Congress movement. From the turn of the century, Pan-Africanist intellectuals gathered in the 1900, 1919, 1921, and 1927 Pan-African Congresses to challenge the excesses of colonial rule, to establish intellectually the existence of a bond between Africans and persons of African descent in the diaspora, and to demonstrate the importance of Pan-African unity for building an emancipatory movement.⁸ Delegates to the early congresses articulated an elite ideology and, more accommodationist than anticolonial, appealed as intellectuals to European powers to act more humanely (see Chapter 2). The carnage of World War I and the mistreatment of colonial subjects, however, demonstrated that colonial metropoles were unreceptive to humanitarian appeals. The war also deepened the integration of African societies into the world economy and unleashed a major migration of peoples of African descent within the Western Hemisphere, setting the stage for the emergence of new kinds of movements and new forms of Pan-Africanism.⁹
The early Pan-African Congresses, however, remained the province of intellectuals and a small African American elite. It was Marcus Garvey and his Universal Negro Improvement Association that brought the notion of the links between the black world and Africa to a mass audience, creating a new working-class diaspora consciousness. By linking the entire black world to Africa and its members to one another, Garvey made the American Negro conscious of his African origins and created for the first time a feeling of international solidarity between Africans and peoples of African descent. In a brutal era of Jim Crow, lynchings, and political disenfranchisement, Garvey transformed African Americans from a national minority into a global majority.¹⁰
Garvey remained ambiguous in his critique of the West. His thought and movement embodied unprecedented forms of organization and a modern diasporic sensibility, yet at the same time he embraced many of the ideals and forms of Western imperialism and colonialism. The same period, however, also saw a flowering of nationalists on the left such as Hubert Harrison, Cyril Briggs, and the African Blood Brotherhood, who unequivocally rejected beliefs in the superiority of Western civilization. Historians have documented the rich cross-fertilization of leftist and Pan-African movements, beginning most visibly after the Russian Revolution. Although these movements were partly inspired by Bolshevist ideals, the Soviet Comintern and the American Communist Party were also pushed to acknowledge—implicitly if not explicitly—the distinct histories of black laborers throughout the globe, leading to their advocacy of black self-determination and formations such as the Negro Trade Union Committee. As Robin D. G. Kelley has argued, the Communist Party often provided, if inadvertently, spaces in which black nationalists were able to carve out considerable autonomy. Thus, by the 1930s, not only had the left helped to reshape nationalist thought, but the internationalism of the left—responding to assertions of black nationalism—had already been transformed by its appropriation of Pan-African thought.¹¹
In addition to traditions of Pan-Africanism and left internationalism, the broad anticolonial alliances of World War II built on the rich black oppositional politics of the 1930s. Through diverse protest efforts such as the Don’t Buy Where You Can’t Work
campaign, the Scottsboro case, and the NAACP’s anti-lynching crusade, the modern civil rights struggle was beginning to get under way with an increasing emphasis on economic issues. The development of alliances among liberals, leftists, and nationalists around