From Schlub to Stud: How to Embrace Your Inner Mensch and Conquer the Big City
By Max Gross
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Max Gross
Max Gross is a former staff writer for the New York Post and the Forward and is currently the Editor in Chief of the Commercial Observer. He lives in New York City with his wife and son.
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The Lost Shtetl: A Novel Rating: 4 out of 5 stars4/5The Mensch Handbook: How to Embrace Your Inner Stud and Conquer the Big City Rating: 0 out of 5 stars0 ratings
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From Schlub to Stud - Max Gross
Introduction
Not too long ago, I went out on an assignment in Brooklyn with a photographer. There might have been something forlorn or melancholy or just plain exhausted about the look on my face because as I slumped down in the passenger’s side of the photographer’s van, he said, Max, you look tired.
A week earlier, my girlfriend had told me that she didn’t think our relationship was going well. I really do love you,
she said, but sometimes you can love a person and just not be able to live with them.
I collected the sundry shirts and books I had left in her apartment, put her keys down on the kitchen counter, and bid her farewell. You should call me in a week or so,
I said, and we can discuss this further.
I never heard from her again.
What’s been going on?
the photographer asked innocently, unaware of all that his question was about to unleash.
How was I going to start? It wasn’t just that my girlfriend had broken up with me. That was, indeed, bad. (We were serious enough that we had discussed a future wedding and children.) Nor was it the fact that I was sleeping on my parents’ couch, which made it worse. Not that my parents were bad people. Difficult, certainly (as these pages will attest), but hardly bad. But after a certain age, living with one’s parents has the unsavory taste of failure.
But there was something else, too, which was shameful and difficult to talk about, as if I was admitting to being a sex offender or having a venereal disease.
My apartment has bedbugs,
I announced.
That was the reason I had moved back in with my parents. And it was at least part of the reason my girlfriend had broken up with me.
The photographer—who was an extremely likeable and laid back southerner of the Owen Wilson variety—suddenly stiffened.
Really?
he said quietly.
Yeah,
I said. And last week I broke up with my girlfriend.
The photographer started the car and we drove along in silence for a few moments.
Wait a minute,
the photographer said. Didn’t you also just get audited or something?
Oh, yes. I might not have mentioned that. The previous November, I had gotten the letter from the IRS requesting an examination of my expenses. I had spent much of the winter sifting through receipts and credit card statements and making desperate late night phone calls to my best friend, who is a lawyer.
Yeah,
I said.
The photographer’s eyes went wide for a split second and then he broke into an unfettered laugh.
Max,
he bellowed, you’re in hell!
And for the first time in more than a month, I didn’t feel like screaming or weeping. For that brief, fleeting moment, I actually felt good. Because I—like many baffled patients before me—finally had a diagnosis.
Yes, I was in hell.
These were the dark days of schlubdom.
I have a syndrome, you see. It can alternatively be called fecklessness
or cluelessness
or haplessness.
But for the purposes of this book, I will call it schlubbiness.
I am a world-class schlub, and at that particular moment, being a schlub felt like a curse.
What is a schlub? The basic definition, as I see it, is this: Someone a little unkempt. A little out of shape. A little clumsy. A little gauche. A little insulated. A little bookish. A little too enchanted with Woody Allen and Philip Roth. (Oh, and The Simpsons.) A little daunted by the outside world and all its demands. And, finally, a little luckless. (Like, they probably won’t print this book.)
I have made numerous questionable decisions over the years—sometimes professionally, sometimes romantically, and certainly stylistically—and they all felt as if they were conspiring to run my life off the tracks.
I couldn’t help but feel that if I had been a little savvier with women, things wouldn’t have spun out of control with my girlfriend. If I had been a little more organized and rigorous with my expenses, I wouldn’t have been audited. If I had kept a neater apartment, it wouldn’t have been infested with bugs.¹
But, having since reflected on this at length, I think I was being much too hard on myself.
Being a schlub isn’t all that bad. In fact, I think you will discover, as I have, that it has definite advantages. Yes, that rotten spring was a definite low point for me—but as time went on, things started to improve greatly. Two years later, I am not unhappy. I owe the IRS no money. I have a hot girlfriend. I have a bug-free apartment.
In that time, I don’t think I’ve gotten significantly less schlubby. In fact, I’ve grown to embrace my schlubbiness.
Fellow schlubs: You have nothing to lose but your zitz. In fact, you have reason to celebrate. Being a schlub is desirable. Hopefully, I will show you how to make life work a little bit smoother through the suggestions and observations in this book.
For non-schlubs out there, here is the ultimate primer on the weird and unkempt people you encounter on the subway or meet in a bar. You might find us a little too disorganized and unserious, but I think you can learn something from us, too. While life is certainly a serious business most of the time, I often think it is taken way too seriously. A schlubby indifference to stupid minutiae can liberate you from stress.
In the summer of 2007, when the movie Knocked Up came out, I (and all the other schlubs I knew) nearly wept for joy. With a big, lumbering galoot like Seth Rogen as the public face of our movement, the whole world could now come to appreciate the benefits of schlubbiness. True, the Rogen character in Knocked Up was a man who was not equipped to deal with the world—and he needed a level-headed Katherine Heigl to steer him away from the rocky shoals—but he had a great, bottomless heart.
The women in the movie theater were actually tearing up at the end. An impoverished, puffy-haired, chunky Jew suddenly seemed like saint and sex god.
There are literary antecedents to the schlub-as-heartthrob; in the nineteenth century, the Russian novelist Ivan Goncharov produced a great book called Oblomov, which presented the most lovingly detailed portrait of a schlub ever created. Oblomov, the eponymous hero, is sort of a comic version of Hamlet—the question he wrestles with is not To be or not to be
; it’s, To get up, or not to get up.
Oblomov is an ode to sloppiness, laziness, and numerous other human flaws. But it’s also about the joy of an interior life. And I think Franz Kafka, Isaac Bashevis Singer, John Cheever, and other great writers saw the wild literary possibilities in men whose tangled heads are somewhere other than their bodies. Knocked Up is very much in that tradition.
This was very good news for me. More than just looking like an unkempt schlub, I bore a startling resemblance to Rogen—down to the puffy red hair, the broad shoulders and the well-fed belly. People stopped me in the street and asked me if I was, in fact, Rogen. (Or a relative.)
And that was the inspiration for the book you are now reading.
Chapter One*
*Looking the Part
Almost all neatness is gained in man or woman by the arrangement of the hair.
—F. Scott Fitzgerald, in a letter to his sister Annabel
There’s an old Gross family story that when I was about two or three years old, my mother took me to a trendy children’s store called Malawi and the Mighty Mole and when she asked me what clothes I wanted, I exclaimed:
I want fashion!
The words were music to my mother’s ears.
Some mothers may have been worried. After all, what does it say about the future sexual preference of your son if he’s a fashionista at age three? (Not that there’s anything wrong with it.)
Other mothers would have brushed it off as the sort of cute thing all toddlers say when they’re three—every linguistic tick and mistake is adorable at that age. But my mother was a fashionable woman who knew a thing or two about style. Her grandfather had been a tailor who spent his professional life in the ladies garment industry, and even though she had long since opted for a career as a writer and editor, her grandfather’s ghost remained firmly perched over her shoulder. When she took a job at the holy grail of professional journalism, The New York Times Magazine, it was as an editor for the style section. She spent her days poring over pantaloons and fabric swatches.
So I imagine that after her initial shock wore off (I want fashion!
is seriously weird even by toddler standards), she must have felt something akin to awe. Fashion had been coursing through her family’s veins, and now her three-year-old showed the family colors!
I sometimes feel sorry for my mother when I think of this, now.
More than a quarter of a century has passed since that afternoon, and I’m fairly certain it was the last time I really cared about fashion. In fact, you could say that I developed something of an aversion to it. When I tell people that my mother is the executive editor of T, The Times’s style magazine, I am oftentimes met with a sideways glance, as if to say, Your poor mother.
Some day I expect to be called a liar.
And I also feel sorry for my mother, because she has worked so earnestly to make me overcome this apathy towards clothes.
Starting at around the time I went off to college until the day this book was published, my mother had been on an endless campaign to get me to dress better, to get slimmer, and to please (please!) put gel in my hair.
Don’t you want a girlfriend?
my mother has pleaded with me. Don’t you want to be happy?
Well, sure I did.
You don’t understand, Max,
my mother has said, and take this from me because I know: Girls are really, really superficial. It’s true. You could be F. Scott Fitzgerald and it wouldn’t make any difference. They want somebody who dresses well. They want somebody who doesn’t look like they just rolled out of bed. They want somebody who doesn’t have holes in their sweaters and in their pants. And the sad truth is, they’re not going to even talk to you if they don’t like what they see.
And, yes, I admit it: I have walked around with holes in my sweaters. (I’ve even shown up for work in such a garment.) I own trousers the cuffs of which are ragged from dragging along the floor; I have other pants with cuffs that are so high that you can see my socks (which, I am told, is extremely uncool). And my hair looks as if it has never touched a comb.
I have a problem that I have no control over, and I need help. But like many other people who need help, I have long reconciled myself to the fact that it is a losing battle. I was born an ungroomed, sloppy dresser. I’ll likely die that way.
But my mother has refused to give up. There’s a kind of Ralph Nader-like purity to her quest into making me less of a schlub. (At least dress-wise.) The phone calls are unrelenting. As are the offers for shopping sprees at Banana Republic where she’ll pick up the tab. (Just promise me you’ll throw away those khaki pants with the hole in the knee.
) Or free haircuts at trendy, East Village hot spots. (Just promise me you’ll use gel afterwards.
)
Max,
she said to me one evening over the phone, "what if I could get you a spot on Queer Eye for the Straight Guy? Would you go on?"
Normally, when she says such things, I have a tendency to humor her. Sure, Ma,
I’ll say and promptly forget about it. And when I thought about it later, I didn’t see how she could secure me a slot on that show anyway. For one thing, I’m not quite as frighteningly nerdy as the guys who generally appear on Queer Eye. Moreover, my lack of style, I think, comes more from a sense of ambivalence about style than seriously bad instincts. And I still can’t think of anybody she knows at the Bravo network who could manage to pull off such a large favor.
But my mother sometimes has an iron sense of determination. Who knows what strings she’d pull and favors she’d call in? I could be exposing myself to the whole world as a hopeless slob. And even though I like to think of myself as a reasonably good sport (who would be willing to have a little fun made of myself if it was an interesting enough experience), I was having none of it.
No, Mom,
I said. "I’m not going on Queer Eye for the Straight Guy."
For a long time, I didn’t realize I was a slob. (Or, more accurately, I didn’t realize I was quite so grand a slob.) Sure, every once in a while I would see some ghastly photo of myself—hair jutting out in all different directions—and agree that it was time to get a haircut. But, mostly, I was comfortable with the way I looked. I believed that my mother’s nagging was standard for any Jewish mother. (Hadn’t Philip Roth made a very beautiful living describing the antics of one such mother? And my mother wasn’t anywhere close to Sophie Portnoy’s level of nuts.)
You could even say that I was proud of my offbeat hairstyle. I’d had a bad experience with short haircuts, you see. When I was eight or nine years old, I was studying myself in the bathroom mirror and decided that my hair was getting too long and there was one clump of hair in particular that just had to go.
With all the forethought of the Bush Pentagon, I picked up a