100 Things Lakers Fans Should Know & Do Before They Die
By Steve Springer, Bill Sharman and James Worthy
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About this ebook
Steve Springer
Steve Springer is the author of five books, including two bestsellers, and has been a journalist for more than thirty years, the last twenty-five with the Los Angeles Times. Steve Springer es el autor de cinco libros, incluyendo dos bestsellers, y ha sido periodista por más de 30 años—los últimos 25 han sido con el Los Angeles Times. Es ganador del Nate Fleischer Award, un gran logro profesional y honor otorgado por el Boxing Writers' Association of America. Actualmente vive en Los Ángeles con su familia.
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100 Things Lakers Fans Should Know & Do Before They Die - Steve Springer
yours.
Contents
Foreword by James Worthy
Acknowledgments
1. Showtime
2. Magic-Bird
3. The Shaq/Kobe Dynasty
4. Kareem
5. LeBron Takes His Talents to the Lakers
6. The Logo
7. At Last
8. Flying Under the Radar
9. The Announcement
10. The Shaq-Kobe Feud
11. Born at the Back of the Line
12. Going West
13. The Zen Master
14. The Torch Is Passed
15. The Family Feud Erupts
16. Relevant Again, Like Magic
17. A Magical Night
18. From Clark Kent to Superman
19. Riles
20. Wilt: Nobody Roots for Goliath
21. The Fabulous Forum
22. Big Trade for the Big Fella
23. The Streak
24. The Shaq/Kobe Gamble
25. Field of Nightmares
26. The Junior Junior Skyhook
27. Big Game James
28. Kobe Gets His Man
29. Rings Half a Century Late
30. The First Lakers Team
31. Gems Before Rings
32. Rings
33. Why Lakers?
34. Return to Carroll
35. The First Trip to L.A.
36. Short Comes Up Short
37. Baylor Beats the Bigots
38. Lakers vs. the Harlem Globetrotters
39. Chick to the Rescue
40. Sports Arena: JFK, MLK, UCLA, and NBA
41. The Clown Prince
42. Nice Shot, Baby
43. Lakers-Celtics: Game 8?
44. Tight-Fisted Lou Mohs
45. The Hawk: Lakers and All That Jazz
46. Fred Schaus and That Damn Cigar
47. A Laker Corpse?
48. A Clock in His Head
49. Jim Krebs: His Luck Ran Out
50. Lakers-Celtics: Forgetting Those Unforgettable Moments
51. Dodgers/Lakers: It Almost Happened
52. The Wrath of Cooke
53. Cooke vs. the Landlord
54. The Balloon Game
55. Wilt vs. Butch: No Contest
56. Another Streak— 3,338 Straight
57. Pulling a Willis Reed
58. Nice Guy Finishes First
59. Stumpy
60. Redemption at Last
61. The Punch
62. They Played It for Laughs
63. Monopoly as the Game of Life
64. Sand Dabs?
65. The Dog Days of Jerry West
66. The Architect of Showtime
67. The Downfall of Jack McKinney
68. The Substitute Teacher
69. The Curious Case of Spencer Haywood
70. Silk
71. Coach Westhead: To Be or Not to Be
72. No More Magic
73. I’m Not Happy
74. Tragic Johnson
75. Who Is the Coach?
76. Riles’ Roots
77. Destiny’s Child
78. Beat L.A.!
79. Out Like Magic
80. West’s Spies
81. They Played It for Laughs, Part II
82. 25 Years, $25 Million
83. Coop
84. The Aging Hippie
85. From Cold Shoulder to Hot Touch
86. The Guarantee
87. Numbers Game
88. 0.4
89. Big Shot Rob
90. Panic in the Bathroom
91. The Great Voice Is Stilled
92. Phil and Jeanie
93. What If…
94. Harsh Reality
95. Metta World Peace, Man of Many Names and Many Faces
96. Kobe’s 81
97. Kobe’s Farewell 60
98. Revenge Is Sweet
99. Best and Worst
100. A True Fan
Sources
Foreword by James Worthy
Growing up in Gastonia, North Carolina, I was a huge Magic Johnson fan. So much so that, even though I knew I was going to go to college at North Carolina, I took a recruiting trip to Michigan State just to see him play. A 6-foot-9 point guard? I had never heard of anything like that.
So I was thrilled when I learned I was going from being a Laker fan to being a Laker forward when they selected me with the first pick in the 1982 draft.
Jerry West picked me up at the L.A. airport in a Porsche 944. I wasn’t in Gastonia anymore.
He drove me directly to a picnic for Laker employees. When I met Dr. Jerry Buss there, he turned out to be not at all what I had expected. The genius behind Showtime and all the glitz and glamour surrounding it was very soft-spoken, very low key, wearing ragged jeans, a cigarette dangling from his fingers. I instantly related to him because I was a pretty quiet guy myself.
I broke my leg in April of my rookie season and didn’t get a chance to play in the postseason, so my first playoff experience was in 1984, ending with a matchup against the Celtics in the Finals. I had a really good postseason with the exception of Game 2 against Boston. After we won Game 1, I made an errant pass with 16 seconds left in regulation time in Game 2. The Celtics’ Gerald Henderson stole it, scored, the game went into overtime, and we lost. That was a painful experience for me. As I sit here writing this all these years later, it still stings because we wound up losing the Finals in seven games.
By the end of that series, I knew I would forever bleed Purple and Gold.
The following year, we were able to get revenge for ourselves and so many previous Laker teams by beating the Celtics in the Finals. And we did it on their parquet floor in Boston Garden, that terrible, bleeping gym. I can still remember getting off our bus on trips there and having to walk in with the fans who would loudly give it to us with their nasty comments. There was no heat in there in the winter, no air conditioning in the spring. You could die in that place. There was cold water only in the showers and no individual locker stalls. It was a mess. In our Boston hotel, there were prank calls all the time, even if you told the operator to please hold our calls. I think they were in on it, too.
For a country boy like me, the whole Laker experience was amazing. Coming from Gastonia, I had never seen a star. Never. I wasn’t used to the fast pace or the diversity of different cultures. The reality is, coming from where I did, I was just afraid. It took me about three years to come out of my box and learn to love L.A.
For the Lakers, it started in Minneapolis with George Mikan, No. 99, the first dominating big man.
Then there was Elgin Baylor. He was Mr. Laker, Air Baylor. Chick Hearn used to tell us that none of us could do what Baylor did. I remember seeing an article in the L.A. Times in which I was listed as the second-best small forward in Laker history. My initial reaction was, Who’s first?
When I saw it was Baylor, I thought, What a privilege to be second to him.
Next came Jerry West, then Wilt Chamberlain. They won one title, but once the kid from East Lansing—Buck
as we called Magic—came along to team up with Kareem, that changed everything.
What was the secret of the success of the Showtime Lakers? We certainly had a unique collection of talent, and we were able to mold that talent into a cohesive unit because we were all so close. Man, we loved each other. We loved being around one another. We couldn’t wait to get to practice. And we monitored each other, had respect for each other. Magic could look at you when you walked in the door for practice and know if you had had a fight with your wife or girlfriend, or if you had stayed up all night at a club. Seeing where you were at, he would pull you back into the team.
One of my favorite people was Bill Sharman, who coached the Lakers’ first world championship team in L.A. and went on to become general manager and then team president. It was he who started to put together the Showtime Lakers, beginning with the hiring of coach Jack McKinney. Sharman was a true gentleman, very wise. A star player for Boston, he broke in with the Washington Capitols in the 1950–51 season, as did as Earl Lloyd, the first African American player to appear in an NBA game. Lloyd once told me that Sharman would pick him up for every home game and then drive him back afterward to make sure he got there safely, this back in a time when Lloyd’s mere presence on the team was controversial.
In the late ’90s, West put together another Laker dynasty, getting Shaq and Kobe and filling in the necessary pieces around them like Derek Fisher, Brian Shaw, and Robert Horry. And to run the show, the Lakers got Phil Jackson. They won three titles in a row and, I think, if Shaq and Kobe had stayed together, we would have probably surpassed the Celtics’ record 17 championships by now.
After Shaq was gone, Mitch Kupchak, who replaced West in the front office, got Pau Gasol. What a great move that was. I don’t think there was anybody else out there who could have fit in that well with Kobe. Gasol, a versatile center with great court intelligence, was perfect.
It was yet another example of the Lakers finding the right people to continue their long tradition of excellence. They went from Mikan to Baylor, West, Wilt, Magic, Kareem, Shaq, Kobe, and Pau. More so than any other team, we always seem to land the iconic players of their respective eras.
And find iconic coaches like John Kundla in Minneapolis, Sharman, Pat Riley, and Jackson to lead them.
Now, with the arrival of LeBron, the Laker brand lives on.
—James Worthy
Seven-time All-Star, three-time NBA champion, 1988 Finals MVP, and member of the NBA’s 50th Anniversary All-Time Team
Acknowledgments
A couple of years ago, I was on a five-person panel that was formed to come up with five inductees for the first class of a Los Angeles Sports Hall of Fame. Each of us struggled to keep the number of Lakers nominees to two.
After all, L.A. is a town that can also boast of the Dodgers, Angels, Rams, Chargers, USC, UCLA, Kings, and Ducks, along with the Raiders from a previous era. Add in Oscar De La Hoya, Billie Jean King, and Rafer Johnson, to name a few, and the dilemma is obvious.
How do you limit it to a pair of Lakers when you’ve got Magic Johnson, Kareem Abdul-Jabbar, Jerry West, Chick Hearn, Elgin Baylor, Wilt Chamberlain, James Worthy, Gail Goodrich, Phil Jackson, Pat Riley, and Shaquille O’Neal to consider? (The candidates had to be retired, which made an extremely tough decision slightly easier, since at the time Kobe Bryant and Jerry Buss were not yet eligible.)
The difficulty of this task demonstrates just how special the Lakers have been to Los Angeles (and to Minneapolis before that).
When Tom Bast at Triumph Books approached me about writing another in their excellent series, 100 Things Fans Should Know & Do Before They Die, I figured, considering the incredibly rich history of the Lakers, the problem would be limiting it to 100.
I was right.
I have taken the franchise from its roots in Detroit—where it was known as the Gems—to its present lofty status as, arguably, L.A.’s most celebrated team, and the second-most successful club in NBA history, with one championship fewer than the Lakers’ archrivals, the Boston Celtics.
Although some descriptions of great moments on the court are necessary to tell their story, I have mainly focused on what has happened off the court, taking readers into the locker room, the front office, the practice facility, the team plane, and even players’ homes. A team is judged by its wins and losses, but it is defined by its personality, the flesh and blood behind the numbers. In the case of the Lakers, there is no shortage of colorful, intriguing people, creating a rich and indelible history that will unfold in the pages that follow.
No matter how much you thought you knew about the Lakers, you are about to learn more.
Among the 100 things are the stories of the struggles of African American players like Elgin Baylor in the years before integration, the frightening night the Lakers’ plane crash-landed in an Iowa cornfield, how the team got LeBron James, how the Lakers could have become the Oceaneers, how Jerry Buss amassed his fortune, how Jim Buss lost his job, how a nearly deadly bike ride drastically changed the course of team history, how Jerry West spied on Norm Nixon, how Lakers teammates once carried matchbook covers that read Trade Kareem,
how Rick Fox tried to keep Kobe and Shaq together, how Francis Dayle Hearn became Chick,
and how Jeanie Buss and Phil Jackson found true love.
There are lists in here as well, bests and worsts.
I want to thank Adam Motin and Jesse Jordan, the best basketball editors on the planet, and all the hardworking people at Triumph.
I want to thank my son, Alan Springer, the most knowledgeable Lakers fan I know, for supplying insight and good advice.
I want to thank Jeanie and Jerry Buss for generously giving their time; Chick for his memories; the inspirational Marge Hearn; Lon Rosen; all of the Lakers players, coaches, front-office personnel, and broadcasters over the last three decades who supplied material; Gary Vitti; Jack Curran; Dr. Steve Lombardo; Mary Lou Liebich; Joyce Sharman; Bob Baker; Mark Wallach; Scott Ostler; Rich Levin; Mitch Chortkoff; Mark Heisler; Steve Bisheff; Bill Dwyre; Randy Harvey; Peter Schmuck; Jim Rhode; Barry Stavro; and the Lakers gatekeeper, John Black.
1. Showtime
The name came from The Horn, a Santa Monica nightclub.
Starting back in the early 1960s, it would begin its nightly shows, staged in an intimate setting in a room holding about 150 patrons, by dimming the lights. A singer stationed at one of the tables would stand up and sing, It’s Showtime.
A second singer would join him and then a third.
It was the kickoff of a full night of entertainment for the wealthy, hip crowd that filled the encircling booths.
One regular in the audience was a young playboy, a rising star in the real-estate market who never forgot the lessons he learned in those enjoyable nights at The Horn about attracting customers, inspiring loyalty among them, and generating energy and involvement.
Jerry Buss applied those lessons when he bought the Lakers nearly two decades later.
Buss didn’t invent the synergy between athletes and Hollywood. That went back as far as big-time professional sports in the city.
Bob Hope and Bing Crosby were investors in the Los Angeles Rams football team.
Another pro football club, the Los Angeles Dons of the All-America Football Conference, was named for actor Don Ameche, one of the team’s owners.
When the Dodgers came west, Walter O’Malley wasn’t looking for investors. But he was in search of star attractions. So he made sure the box seats were filled with recognizable faces, from Cary Grant to Danny Kaye. When Tommy Lasorda was manager, Frank Sinatra was a frequent visitor to his office.
Hollywood Stars Night—a chance for celebrities to put on a Dodgers uniform and live out their baseball fantasies in a pregame exhibition—was one of the team’s most popular events.
Doris Day was the most recognizable Lakers fan in the early days at the Sports Arena, the Jack Nicholson of her time.
Owner Bob Short was thrilled to have her, recognizing that she added credibility and class to his operation.
Only Jack Kent Cooke—among L.A. owners—had the nerve to turn his back on Hollywood.
He took Day off the comp list and then trashed the list altogether.
We didn’t need it,
Cooke said. "We were selling seats."
Nicholson, however, hung in there. He didn’t want comps. He was happy to pay his own way and thus avoid any obligation to the team.
But when Buss took control, the Hollywood snub was over. He understood that filling the courtside seats with famous faces would draw in the general public to fill the other seats.
Being in the entertainment capital of the world, Buss knew the value of celebrities and realized before any of his fellow owners that a natural bond existed between entertainment and sports.
What movie star hadn’t imagined themselves in a real-life role as a star athlete? And what athlete wouldn’t love a screen career when their playing days are over?
Bringing in the stars, however, was only the beginning of Buss’ master plan.
Thinking of the cheerleaders he watched at USC football games, he created his own rooting squad, calling them the Laker Girls.
Incorporating his love of music, Buss brought in a live band.
From The Horn, he took the name to describe his unique approach to basketball: Showtime.
But he knew that the entertainment could not be limited to the sideline. It had to be evident on the court as well.
No plodding players for Buss. No half-court offense. No sleep-inducing style.
He wanted a flash-and-dash team, a fast-breaking, high-energy squad that could not only win, but do so in a crowd-pleasing manner.
Wanting it is one thing, getting it quite another.
Buss would need a maestro to orchestrate his grand scheme, a ringmaster who also possessed the talent to be the consummate player.
Where could he find such a multitalented athlete? He got lucky in that regard.
The Lakers went into the 1979 Draft with the No. 1 pick in hand.
And sitting there at the top of the list was Earvin Johnson, the 6'8" sophomore from Michigan State coming off an NCAA championship game victory over Larry Bird–led Indiana State.
Magic was just what the doctor—Dr. Buss—ordered.
First Pick
Take Magic Johnson if he’s available in the draft? Was there ever a better example of a no-brainer?
In retrospect, no, of course not.
But at the time, there were those in the Lakers organization who had their doubts.
Honestly.
Nobody will fess up to being in that group now. Jerry West, then a Lakers consultant, was supposed to have expressed his support for Sidney Moncrief, though he won’t say so now.
Remember, the Lakers already had a good point guard in Norm Nixon, considered one of the league’s rising stars.
Remember, the 6’3" Moncrief from the University of Arkansas was the prototypical shooting guard.
Remember, nobody had ever seen a 6’8" player like Johnson at point guard. Yes, he had done some wonderful things in college, but this was the pros, and he didn’t have a great outside shot nor impressive jumping ability.
So yes, some—admittedly not the visionaries—questioned the choice.
Although the draft would not be held until after Buss had officially bought the Lakers from Cooke, the latter was still in charge when the team won a coin flip to decide who had the No. 1 choice.
So Cooke made the decision.
There was some thought among my counselors that Sidney Moncrief might have been the better choice,
Cooke said. Never any question in my mind. I said to my counselors, ‘I don’t give a damn what you say. It’s going to be Magic Johnson.’
Cooke got no argument from Jerry Buss.
2. Magic-Bird
Finally.
After Magic Johnson and Larry Bird faced each other in the 1979 NCAA Tournament championship game—Johnson playing for Michigan State and Bird for Indiana State—fans waited with agonizing anticipation for what they hoped would be sequel after sequel at the pro level.
The appeal was obvious, and it explains why—to this day—that 1979 game remains basketball’s highest-rated game, college or pro, ever.
As NBA players, Magic and Bird were not only two of the most talented men to ever play the game, but their rivalry also matched Lakers versus Celtics, West versus East, Tinseltown versus Beantown, black versus white, and extrovert versus introvert.
Johnson had come to symbolize the glitter and glamour of L.A. while Bird seemed to represent the blue-collar work ethic of Boston.
It was, of course, an illusion. Johnson was no more a product of Hollywood than Bird was of the tough New England winters. Both men were Midwestern born and raised.
Imagine if the draft had been reversed. If Bird had gone to the Lakers, with his blond hair, fair complexion, and consummate passing skills, he would have been portrayed as a slick surfer in sneakers. If Johnson had gone to Boston, his die-hard attitude and bruising rebounding style would have been viewed as the epitome of hard-hitting East Coast basketball.
But image is a staple of sports, and so Magic and Bird were locked into their public personas.
All that was needed to instill new appeal and interest in a league, sadly deficient in both as the 1980s dawned, was for Magic and Bird to meet in the NBA Finals.
It took a while because the timing was off. The Lakers reached the Finals in 1980. But with Dr. J, Julius Erving, leading the way, Philadelphia had become a powerhouse in the East and knocked off Boston in the Eastern Conference Finals that season.
A year later it was the Celtics who prevailed and the Lakers who stumbled. With Johnson recovering from a knee injury that forced him to miss a huge chunk of the season, L.A. was knocked out in the first round.
The Lakers got back to the Finals in each of the following two seasons, but again it was Philadelphia coming out of the East.
Then, in 1984, the dream matchup occurred. For the first time in 15 years, the Lakers and Celtics would battle for the NBA title.
It figured to be a fierce, competitive Finals and no one, regardless of loyalty, could later argue it had turned out to be anything less.
The series went seven games, each one a mini classic.
Game 1: The Migraine
Kareem Abdul-Jabbar, prone to such headaches, was stricken by one on the eve of the first game.
He missed the team bus to the arena and the pregame meeting. But Abdul-Jabbar calmed Pat Riley’s fears that he’d miss the game as well, telling his coach by phone, I’ll be there. Just give me a couple of hours to rest in a quiet place.
That cleared Abdul-Jabbar’s head enough to allow him to take the court. And once he did, it was the Celtics who had the headache as Abdul-Jabbar got 32 points in 35 minutes along with eight rebounds, five assists, two blocked shots and two steals to lead the Lakers to a 115–109 victory.
Game 2: The Lost Pass
It came with 18 seconds to play and the Lakers leading by two.
It was thrown by James Worthy under the Celtics’ basket and intended for Byron Scott.
Instead, it was intercepted by Gerald Henderson, who softly laid the ball into the hoop to tie the game. When Magic Johnson was late passing the ball to Bob McAdoo in the closing seconds, the game went into overtime where Boston clinched a 124–121 victory.
Game 3: The Sissies
The Lakers in general and Johnson in particular took out their frustration about fumbling away Game 2 by blasting Boston 137–104 in Game 3. Johnson recorded a triple double with 14 points, 21 assists, and 11 rebounds.
When it was over, Bird referred to his teammates as sissies.
The Los Angeles Herald-Examiner crowned Worthy the Finals MVP a bit prematurely.
Now, it was the Celtics’ turn to be angry.
You guys have already written us off,
Boston’s Dennis Johnson told the L.A. media. Why even bother going on with the series?
Magic guarding Bird at the Forum in 1984 during one of their many Finals matchups.
Game 4: The Clothesline
There was no such thing as a flagrant foul back then, but if there was, this would have been Exhibit A.
With the Lakers’ Kurt Rambis on the end of a fast break, the Celtics’ Kevin McHale, running at full speed, wrapped one arm around Rambis’ neck and threw him to the hardwood.
The foul was so dramatic that, over three decades later, it is still a favorite film clip for highlight reels and arena big-screens.
Riley called McHale’s takedown thuggery.
But rather than becoming inspired by the play, the Lakers again collapsed at the end. They blew a five-point lead with less than a minute to play, Johnson had the ball knocked away near the finish of regulation time, and he and Worthy each missed