Holding On To Nothing
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About this ebook
"Holding On To Nothing is a resonant song of the South, all whiskey, bluegrass, Dolly Parton, tobacco fields, and women who know better but still fall for the lowdown men whom they know will disappoint them." —Lauren Groff, National Book Award finalist author of Fates and Furies and Florida
Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than bluegrass music, tobacco fields, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive.
In luminous prose, debut novelist Elizabeth Chiles Shelburne brings us a present-day Appalachian story in the tradition of Lee Smith, Silas House, and Ron Rash, cast without sentiment or cliché, but with a genuine and profound understanding of the place and its people.
New edition features a readers' guide in the back of the book with questions for discussion and an interview with the author.
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Reviews for Holding On To Nothing
15 ratings4 reviews
- Rating: 2 out of 5 stars2/5A very predictable plot, writing is unintelligent and lacks emotion
- Rating: 5 out of 5 stars5/5This book. So many feelings. It was very honest about the ability of people to change and make the best or worst of their situations. I might read it again and that's not something I do very often.
1 person found this helpful
- Rating: 4 out of 5 stars4/5My friend Alison, of the Literary Atlanta podcast, gave me an uncorrected proof copy of a debut novel called Holding On To Nothing over lunch one day a few weeks ago. I was finally able to read it during my holiday break from work.
All I have to say is WOW. It grabbed me from page 1.
I don't know that I would exactly call this an Appalachian novel. As I was reading it I thought to myself that the themes in the book are just human nature and not necessarily Appalachian. The setting could have been anywhere; South Alabama, Texas, etc. It's just rural farming community living. I've even seen this in the city.
The storyline itself isn't that new either. One night stands, pregnancy, alcoholism, poverty, bar drinking, day drinking, music, and all the other themes that go with that.
I had even painted a picture in my mind of what this place looked like. When I went to Shelburne's website she's got a photo on it of some barns in the country and that is exactly the way I pictured it.
But what makes it special for me is Shelburne's lyrical way of writing these themes and making the characters so relatable that you want everything to work out. You know it won't, because this isn't a fairy tale, but you have no idea how it won't. You want Jeptha to quit drinking. You want Lucy to get that college degree. You begin rooting for these characters to buck the system and prove everyone wrong. But, just when you think it might happen..............
..........BOOM! Plot twist. I literally yelled a WTF! from the couch. My husband peered around his computer and asked if everything was ok.
No, it most certainly was not. I totally didn't see it coming.
But I'm not going to spoil it for you.
Just read the book. - Rating: 4 out of 5 stars4/54.5 stars.
Holding On To Nothing by Elizabeth Chiles Shelburne is a raw and gritty novel about life in a small town in East Tennessee.
Lucy Kilgore has suffered the heartrending loss of her parents but her mom's best friend LouEllen Moss stepped in to raise her. The town is also very supportive of their golden girl as her plans to go to college are on the verge of coming to fruition. Lucy works two jobs in order to save up enough money to leave but an ill-advised, impulsive decision alters her future. Pregnant after drunken one-night stand with Jeptha Taylor, Lucy's dream of creating a family is within reach, but can she trust Jeptha to take care of her and their unborn baby?
Jeptha is a talented musician but he lives up to his reputation as a aimless drunk. His feelings for Lucy are well-known and he is hopeful their one-night stand will lead to a relationship. At first rebuffed by Lucy, Jeptha is surprised when she suggests they date. However, his low self-esteem and dysfunctional siblings cause self-doubts that sabotage his chance with Lucy.
After discovering Lucy's pregnancy, Jeptha leaps at the opportunity to stop drinking and prove to her that he is up to the challenge of providing a stable home for her and their baby. But Jeptha's sobriety is precarious and his reputation makes it virtually impossible to find a steady job. Nonetheless, Jeptha wins Lucy's heart but is their fragile relationship up to the challenges that await them?
Holding On To Nothing is a truly captivating novel that is heartbreaking yet hopeful. Jeptha and Lucy are beautifully rendered characters who breathtakingly life-like. Life in a small town is realistically portrayed and the residents are vividly drawn. A thought-provoking, poignant and sorrowful debut by Elizabeth Chiles Shelburne that will linger in readers' minds long after the last page is turned.
Book preview
Holding On To Nothing - Elizabeth Chiles Shelburne
PART ONE
1
JEPTHA TAYLOR HAD BEEN in love with Lucy Kilgore since he was sixteen and her smile was the reason why. She had a smile that made people feel safe. Jeptha, particularly. He wasn’t sure why exactly—he just knew a warm, contented feeling stole over him that struck him as exactly the kind of silent bliss a newborn baby feels when his mama feeds him. But when Jeptha pulled his Camaro, dark and shiny as a pond at midnight, into the parking lot behind Judy’s Bar on a hot Friday night in June, he had no idea that Lucy’s smile would be for him tonight, that it would spark through him and spread to her like a hay blaze—fiery, fast, and destructive.
No, as far as Jeptha was concerned, tonight was only about bluegrass and ass, if he could get it. It was his first time at Judy’s Bar, and he felt a bit disloyal for being there. The bar had been open for four months and—being run by a Yankee—had been in disfavor for all those months with the local drinkers. Except for the real drunks, neighbors all, whose loyalty extended only to Jack, Jim, and whatever bar gave them the best shot at driving home shit-faced without getting caught. For those who could afford to be principled in their place of vice, the bar of choice was Avery’s Place, owned by a hometown boy named Avery who had spent ten years fighting the Pentecostals and the Baptists, both Freewill and Southern, for the right to open a bar in what previously had been a dry county. That a Yankee swooped in five years after Avery’s long fight finally ended and made use of the same provisions he had fought so hard to establish was enough for Jeptha, his friends, and the rest of the town to stay well clear of Judy’s Bar. Until, that is, four boys, so far unnamed in the paper even though everyone in town knew who they were, got high behind Avery’s Place one night in early June, lit a small fire in a patch of grass already dried out in the summer’s drought, and ran like hell when it whooshed into a patch of wiring that snaked up the outer wall of the bar. The fire caught hold in the electrical system and sparked its way from wire to wire, finally nesting in a box of receipts that Avery kept under a couple of bottles of 151-proof Everclear, reserved for the worst of the worst drunks. Within minutes, there was only a wall of flame where once there had been a bar, and Avery’s customers ran, taking their principles with them.
Jeptha, not being a subscriber to the Review, the town paper, or really much of a reader generally, heard about the fire two days later from his friend Cody. Jeptha and Cody were bandmates in A Boy Named Sue, a bluegrass group that played Friday nights at Avery’s—Cody sang and played banjo, with Jeptha on mandolin. After a respectful period of silence, in which they thought of the drunken nights—both good and bad—they had enjoyed at Avery’s, Cody explained that Judy had called him two days after the fire (Typical Yankee. Didn’t even wait for the damn ashes to stop smoking.
) and offered the band a job playing Friday nights at her place. Cody was principled, yes, but a fool? No. He’d accepted and gone on to call his bandmates. Jeptha was happy to keep the gig, and all too happy to forget any moral stand he’d once had. He’d agreed to be there on Friday.
And so, Jeptha pulled his mandolin off the passenger seat of his car and made for the front door. He was showered for the first time in two drunken days, and most of the stink had worn off. He wondered if the girl who’d been in his bed last night—Brandy? Brandy Anne? She’d been bendy for sure, that one—would be in the bar and up for another go. Bluegrass and sex wouldn’t be such a bad Friday. He wondered if he’d need to remember her actual name to get her back to his place.
Occupied as his mind was, he hadn’t absorbed the fact of the full parking lot, so when he opened the door—happy to smell the right scent of beer, sweat, and leather that came flooding out—he was shocked to see the place packed to the rafters. He wasn’t sure he’d ever played in front of so many people. A trickle of fear gnawed at his belly. He elbowed his way through the crowd. He gave a quick nod and half smile to the girl from last night. She laughed and looked down at the table, but not before Jeptha saw a blush creep up her cheeks. He smiled to himself, pretty damn sure she’d be up for it again, assuming he could finesse the fact that she was sitting with a girl he’d slept with a few months back and never called again. He gripped his mandolin case and worked his way into line, feeling content. It had the makings of a good night.
Jeptha finally caught the eye of the bartender and owner, Judy. She was in her sixties and, rumor was, had moved down to Tennessee to run this bar with a local man she’d met up in Boston. Jeptha was hard pressed to imagine why someone would move to Boston in the first place, and then, having flown the coop, decide to come back and with a Yankee in tow, no less. Still, here they were. Jeptha couldn’t say that Judy appeared happy about it. Her gray hair, which looked to have never seen the inside of a beauty salon, was pulled into a loose bun from which haphazard chunks escaped, and her t-shirt, wet in spots from the ice she dumped into glasses without so much as an attempt at aim, strained over a set of sagging, ponderous boobs.
She widened her eyes at Jeptha. Yeah?
she said.
Hi. How’re you?
What do you want?
Um, I’ll have a Bud Light, ma’am.
Jeptha shut his mouth. She was clearly a Yankee with no time for formalities.
A Bud Light and what?
Just the beer, ma’am.
Don’t call me ma’am.
Okay, ma—
Jeptha cut himself off when her lips pursed and her eyes narrowed. Just a beer, please.
You guys are too damn polite for your own good.
She slid the bottle across the bar and nodded at the stage. You with the band?
Yes, ma—
Jeptha stopped. Yes.
If you guys need anything tonight, grab Lucy. She’s helping out with the tables.
Jeptha turned to see the Lucy she was pointing at with her chin, and the trickle of fear in his belly grew to a flood. There she was—the wavy blond hair tickling her waist where her shirt rode up from bending over to take people’s orders; the pert little nose, turned up at the end in a way that was more cute than beautiful; and her cut-off skirt hugging curves he never got to see in church, back when he used to go. Most of all, there was her smile. Every time he saw it, he fell a little bit more in love.
Jeptha knew Lucy’s smile didn’t mean anything when it was turned to him—birth had given her a nice one and she was polite enough to use it often, but Jeptha had never been able to help the feeling he got the few times she flashed it his way. Even though her smile made others feel safe, she rarely looked as if she felt that way. She instead sported a hunted look, as wary as a deer stopping to nose through a leaf pile for acorns in the fall, the kind of deer that looked so nervous, so ready to bolt, that Jeptha could never bring himself to even sight his rifle on it. Every time, a few seconds after warmth flowed through him at the sight of her smile, he’d see that wariness on her face and realize that he may as well have been standing in the woods without a gun, for all the chance he had of getting her. Especially now. He’d heard from his sister that Lucy was leaving town, moving to Knoxville to work and go to school. At least he wouldn’t have to see her anymore, though his stomach bottomed out at the thought.
Jeptha grabbed his beer off the counter for a much-needed sip of courage. Despite the pulsing needs of the crowd, he could feel Judy’s eyes still on him. Her lips flickered. It looked like her last real smile had occurred sometime in the 1970s, and yet here were her lips, the edges moving up subtly toward her eyes. Jeptha mumbled thanks and walked toward the stage, uncomfortably aware of being watched. He kept his head down, trying to avoid making eye contact with Lucy. If he looked at her, the fear he was feeling would travel out to his hands and make them as useful as an arthritic bird dog.
Y’all ready?
Cody asked, as Jeptha stepped up on the stage and wedged his beer between two amps.
Cody nodded once and then tapped his foot—one and a two and a here we go—and launched into a riff on his banjo, which Jeptha and the fiddler and the drummer raced to catch up with. His fingers were stiff and stumbling. His stage fright, which usually decreased as he played, grew into an untamable creature, fed by the fear of playing poorly in front of Lucy. He played like he was eight years old, holding the mandolin for the first time—his fingers glancing off the strings, missing his intros and staring into the crowd at Lucy during what was supposed to be a solo. It was the kind of pitiful performance that makes a pick-up band think they ought to start practicing. The crowd had quieted with the first bars of the song but gradually ratcheted up until the conversations nearly drowned out the band completely. Jeptha was grateful, hoping the noise would keep Lucy from hearing how bad they were.
During the fourth song, he watched, mesmerized, as Lucy’s hips snaked this way and that through the crowd toward the band. She had a small tray in her hands, on which rested five shot glasses, full of what looked tantalizingly like whiskey. She waited at the left side of the stage a few feet from Jeptha until the song ended.
Hey,
she said after they wound the song to a half-hearted close. It’s Jeptha, right? Deanna’s brother?
Unfortunately.
You said it, not me,
she said, her eyebrow raised. Judy told me to bring these over. Said y’all couldn’t sound any worse drunk than you did sober.
Jeptha winced. I was hoping y’all couldn’t hear that,
he said, passing out shots to Cody and the other guys. He nodded at the tray. Who’s that one for?
Me, I think.
You get to drink on the job?
You are.
She wrinkled her nose at him and straightened her shoulders, clearly annoyed. Jeptha felt like a fool. Besides, Judy said I needed to loosen up, get some better tips.
You look to be doing all right to me.
If you count slaps on the ass as tips, then yeah, I’m rich as hell. Cheers,
she said and tipped the shot down her throat. In his hurry to keep up with her, a few drops of whiskey went down the wrong pipe, and he coughed so hard tears welled in the corners of his eyes.
Lucy cocked her head at him, a teasing smile on her lips. Jeptha’s insides fizzed with a longing so fierce he felt it in his fingertips. I’ll tell Judy to make the next one a lemon drop,
she said.
Hey, that ain’t nice,
he said to her, but in his head he was thinking, Do it again. Please, God, do it again.
All trace of teasing dropped off Lucy’s face, and she nodded seriously. You’ll be great. I heard you play at church back when.
You did?
Yep. Besides, if you get nervous, imagine all these people naked. Not me, though. I want no part of that, thank you.
It was the longest conversation Jeptha had ever had with Lucy. She walked away as Jeptha tried and failed to keep his mind off the much-nourished fantasy of her naked. Finally, he shook his head and tore his gaze away. He nodded thanks to Judy, who mouthed, For what?
followed by the tiniest, coolest of smiles. He relaxed under the influence of the whiskey and the image of a naked Delnor Gilliam tapping his foot against the floor, his gray, straggly beard bouncing off his belly in time to the music. He nodded at Cody, ready to play again.
The next forty-five minutes belonged to Jeptha in a way that no other moment in his life had. He was on fire, ready to take on the devil at any minute. His band was the first to notice. They kept punting solos his way on three different songs that had never had solos before. The crowd quieted to listen, roaring to cheer him on when his solos ended. But Jeptha only had eyes for his mandolin and for Lucy. He stumbled only once in his playing, when he looked up from a complex part and didn’t spot her anywhere in the crowd. His hands momentarily ceased all movement until he saw the bathroom door open and Lucy stood in the hall watching him play for a minute. The light glowed off her hair and the sheen of sweat on her nose. He picked right up playing again, joy coursing through him and out his fingertips.
When their set ended, Jeptha bounded off the stage, mandolin in hand, pushing through the crowd until he stood in front of Lucy, his body bouncing with the energy of a set well-played.
You were amazing!
she said, her smile huge, well past polite. Jeptha could tell she meant it. He had to grip his mandolin with both hands to keep from crushing her to him, sweaty t-shirt and all.
You don’t have to say that.
I’m not saying it because I have to; I’m saying it because it’s true,
she said, her fingers toying with a wisp of hair that hung over her shoulder.
Jeptha had joined the band because Cody had promised him they’d rarely practice and there might be groupies. No practice and the possibility of sex? Jeptha was in. But he had never expected the girl in thrall to be the one he’d been in love with since he was sixteen.
No one had ever looked at him like Lucy did then—like she was a kid spying the newest Christmas toy for the first time. He flashed to his mother’s face, searching for one memory where she looked at him like he was something special. None surfaced. Rather, her face was lined with the disappointments of having married a man who couldn’t stop being mean long enough to direct a little bit of his paycheck toward the upbringing of his kids rather than to alcohol and drugs and gas for the many affairs he conducted across the county. His mother had never had the time or the inclination to shower admiration on her children. If Jeptha or his siblings had demonstrated any talents, they were more likely to be squashed as a dangerous rebellion against the Taylor norm. For generations, his family had worked as hard as they could at doing as little as possible outside of making moonshine, stealing cars, and collecting as much social security as they could con the government into giving them. Jeptha’s grandfather had been arrested more times than anyone could count, and his father only slightly less. If there was a break-in, or a bar fight, or a drunken accident on the road, everyone in town expected a Taylor to be involved. So far, no Taylor had killed a person, but it wasn’t for lack of trying. His father had been so drunk the day he had tried to kill Jeptha’s grandfather that all six shots he’d fired had missed the old man, who stood stock still, as if getting shot at happened every day. When his dad had thrown the gun away in disgust, the old man shook his head and walked back into the house to finish his drink.
Jeptha’s mom had married in and tried for the first few years to make the future something other than an unedited rewrite of the past. However, by the time Jeptha was born, her spirit had been worn to a nub and her skin to an ever-present mottled green sheen in trying to fight against her husband, and she had come to learn that putting her head down and getting through each day was best for everyone. It was no way to be happy, but it was a sure way to survive. The only thing she wouldn’t concede was church—there was no sin so great that church on Sunday couldn’t atone for it.
Even though the church ladies like Mrs. Slocum were nice to him, Jeptha had long understood it was only because it was their Christian duty to do so. He’d been ten when he snuck out of the sanctuary one Sunday and down into the fellowship hall where the church ladies were preparing the after-service snack. There, hidden under a card table covered in a floral paper tablecloth eating a stolen donut, he had heard Mrs. Gilliam whisper to Mrs. Slocum, Them Taylors now, they is as direct a rebuttal of that evolution nonsense as anything Pastor Terrance says. He is mean as a snake like his dad and his dad before him and, bless her heart, she’s dumb as a bag of rocks. Them kids don’t seem no better. Ain’t a one of them evolving.
Mrs. Slocum had hushed her quickly, but not before Jeptha’s cheeks flared with the heat of shame. He was suddenly aware that other families weren’t like his. He understood the looks and whispered conversations when his dad walked into a store; recognized that near-weekly visits from the sheriff weren’t the norm for other families; and saw with sudden and painful clarity why the kids laughed even harder than usual when he stumbled over a word in reading.
Everything changed in that moment. No matter what he did, he’d always be a Taylor. He’d become a man then, huddled under that card table. He sometimes wished it had made him a different kind of one. But if he was going to be a Taylor no matter what he did, he’d quickly decided he might as well enjoy the reputation. He’d stopped trying in school, dropped out as soon as he could, and got his own visits from the sheriff. He’d gone to church with his mom until he was seventeen, but when she died of lung cancer that summer, he’d looked around during the funeral service and realized that no one much cared if he came to church anymore, nor did they much want him there. It was much easier to hate the sin and love the sinner when he wasn’t standing among you every week. For the last five years, he’d worked only when he had to, drunk as much as he could afford, and taken advantage of the loose morals of any number of girls named Chastity and Honor. He reckoned he had been as happy as any Taylor could expect to be. But now, drinking in the look on Lucy’s face that made him remember his name was Jeptha, not just Taylor, his sweaty fingers cradling the neck of his mandolin in the way his hand wanted to be holding the back of her neck, he understood for the first time in his life the value of giving a damn.
Jeptha?
Lucy said, touching his arm lightly.
Oh, God. Sorry. I … I guess I spaced out for a second.
He blushed, embarrassed to think how he must have looked.
It’s all right. Judy wanted me to ask if y’all want another round?
She buying again?
Lucy nodded. On the house.
I’d be a damn fool to say no to that.
I’ll tell her you’re not a fool then,
Lucy said, and walked toward the bar.
Lucy! Hey, Lucy,
Jeptha yelled until she turned to him. Only if you have one too.
She weaved her way back to him and stood on her tiptoes, her lips lingering by his ear. "I’ll tell you one thing I’m not, Jeptha Taylor, and that’s a fool," she whispered.
She walked to the bar, not looking back once. Jeptha stood stock still, his face on fire with the recent nearness of her touch. A second, a minute, a day later—Jeptha wasn’t sure—Delnor Gilliam tapped him on the elbow. Hey, ain’t you gonna get up there and play with them boys no more?
THERE’D BEEN SEVERAL more shots after that second one. At the end of the last set, when he saw Lucy walk out the back door, looking at him before staggering against the doorframe, he knew this was his last chance before she left his life for good. He followed her out and kissed her before either of them had a chance to say anything. To his surprise, she kissed him back. What started as a drunken whim quickly grew too heated for the wall of a bar. They stumble-kissed their way to his car, where he clawed open the door and followed her into the back seat. By the time he got there, he was too drunk and too excited to listen to the quiet voice in his head wondering if drunken sex with Lucy Kilgore was a good idea.
After a few minutes of awkward tangling in which his boots caught in the straps of his rifle’s case, he sat firmly in one seat and slid Lucy onto his lap, pulling her shirt off as she undid the five tiny buttons on his fly with one strong pull and shimmied his pants down. Her mouth tasted like hot whiskey and fried food, and all he wanted to do was kiss her forever. And get her skirt hiked up. He had never done anything in this back seat that felt remotely as good as this did. Jeptha’s mind flashed to the fire at Avery’s place and the way it had leapt from wire to wire and finally exploded into flame. He gripped the headrest of the seat in front of him and yelled into Lucy’s hair. As he caught his breath, he bowed his head against her chest, suddenly aware of the sweat and the silence and the fact that the small, perfect breasts moving up and down in front of him belonged to Lucy Kilgore.
Wow,
he whispered.
Did you …
Her voice trailed off as she pulled back and glanced down to where her denim skirt lapped against his belly.
Yeah.
Oh.
Lucy widened her legs, their sweat-slick skin unsticking with a smack, and heaved herself over to the other seat. She groped around underneath Jeptha’s feet for her shirt.
Jeptha’s heart, still thumping with joy, came to a sudden, deflated halt. But he forged on. As he hitched his pants up onto his hips and elbowed his way back into his shirt, he took a deep breath and asked, Do you want to go get something to eat? Maybe Waffle House?
I’m at work, remember? I gotta get back in there and clean up.
Oh, right.
Lucy suddenly bolted toward the door, her hand scrabbling desperately for the handle. She wrenched it open and dry-heaved. Jeptha stared. Finally, he reached out his hand and rubbed her back in a way that he suspected was more awkward than comforting.
Are you okay?
he asked.
No. I shouldn’t have had so much to drink. I feel like shit,
she said, pulling her head back into the car and closing her eyes.
I’m sorry,
he said. He wasn’t, though, not really. He didn’t want her throwing up, of course, but if drinking had got her in his car, it seemed worth it to him.
I should go. Judy’ll be wondering what happened to me. My last day’s not for a few more weeks.
I heard you’re moving,
he said.
She nodded as she extended her leg into the air to pull on her red cowboy boot. He watched as her tanned calf slipped into the shaft with a sudden pop as her heel slid into place. He wanted to run his hand up her leg, feel that smooth skin against his fingertips, all the way up to the fringe of her skirt. He shook his head and shifted in his seat.
Can I see you? You know, sometime?
he asked. All the drunken confidence of fifteen minutes ago had fizzled, leaving his voice breaking like he was in fourth grade.
I work here. You play here. You’ll see me.
I meant for, like, a date.
Jeptha, I’ve got to go. I can’t talk about this now. I’ll see you later, okay?
I can drive you around front,
Jeptha offered. He knew it was ridiculous as soon as it was out of his mouth, but he couldn’t help it. He wanted as much time with her as he could get.
It’s fine. I can go in this door. Might be better if you went around the front though.
She got out of the car and leaned down to the window. Bye, Jeptha.
She didn’t look back at him as she walked away this time, but unlike an hour before, when her whisper still shivered within him, Jeptha sensed no promise in her refusal to turn around. The sight of her shuffling back toward the bar—her body bathed in a sickly orange glow from the parking lot lights, her hair a mess of tangles in the back from where he’d run his hands through it, and her denim skirt hanging hunker-jawed off her hips—produced in Jeptha only a deep sense of sadness.
If someone had told him that he would have sex with Lucy Kilgore and feel worse after the fact than before, he’d have called that man a liar. And yet, here he was, having been closer to her than ever before and somehow, he felt farther away from getting her than at any point in his life.
2
DAMN. DAMN. DAMN,
LUCY said, punctuating the words with elbow-jarring smacks of her palm against the rim of the porcelain tub on which she sat. She stared at the tidy collection of plastic wands arrayed on the sink’s edge and watched as, one after another, the line indicating the pregnancy test had worked grew a faint twin, both lines pink and parallel in their certainty that her life, never so great to start with, was now officially ruined.
Until the fourth test turned pink, she hoped the positives were the result of Clear Blues gone clear wrong. As wrong as the decision—if one could call it that—she had made three weeks ago to have sex with Jeptha Taylor. Whiskey had obliterated every objection she ordinarily would have had, scouring out the institutional memory everyone in town was born with where it concerned the Taylors. She’d forgotten all about the rumors of the girls he’d slept with; how he’d dropped out of school; how he had no parents (not that she could hold that against him, not having any herself) and spent his days drunk and wild. She even, for a moment, forgot that it had been his dad whom everyone first suspected when her parents had been killed by a drunk driver when she was only thirteen. Even after the trucker—so drunk he would maintain for years afterward that it wasn’t me, officer, it was my pig
—came forward, no one quite believed that Jimmy Taylor wasn’t the real culprit. But that night, drunk on whiskey and full of an addled sort of awe at how good Jeptha’s mandolin playing was, every single one of those reasons had escaped her mind, like chickens flying the coop.
She had spent the next three weeks alternately berating herself and praying, hoping contrition and begging would be enough to spare her the consequences of not only sleeping with Jeptha Taylor, but doing it without a condom. Staring at the tests in front of her, she knew with certainty that God, that old Peeping Tom, figured any girl who had sex in the back seat of a car deserved to get pregnant—even He could see that the sex back there wasn’t that great.
She had known Jeptha to say hello to for much of her life. She’d even had a moment or two when she caught his eye and felt something for him— it wasn’t interest, so much as appreciation for his good looks and the hungry way his eyes devoured her. But she had never found herself moved to such wanton behavior until that whiskey-fueled night when she had seen something new in him as he played