Fiebre Tropical: A Novel
4/5
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About this ebook
Winner for the 2021 Lambda Literary Award for Lesbian Fiction
Winner of the 2021 Ferro-Grumley Literary Award for LGBTQ Fiction
Finalist for the 2020 Kirkus Prize for Fiction
Lit by the hormonal neon glow of Miami, this debut novel follows a Colombian teenager's coming-of-age as she plunges headfirst into lust and evangelism.
Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, fifteen-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead.
But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls more and more intensely in love with Carmen. To get closer to her, Francisca turns to Jesus to be saved, even as their relationship hurtles toward a shattering conclusion.
“Ebullient and assertive.” —New York Times
"Julián Delgado Lopera—remember that name—is an irreverent, shameless and disarming new novelist. They are a merciless satirist in control of a pitch-perfect voice that makes an indisputable case for Spanglish as the perfect vehicle to express what we are really like right now." —NBC News
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Reviews for Fiebre Tropical
15 ratings3 reviews
- Rating: 5 out of 5 stars5/5Such a fun read. Fell in love with all the characters. Wanted it to keep on and on… brilliant.
- Rating: 4 out of 5 stars4/5I think this would be a great book to read if you knew both English and Spanish, and were interested in Queer youth issues. Lopera writes in "Spanglish" with a heavy sprinkling of Colombian slang. My Spanish is very elementary, and I started out with Google translate by my side. That was too cumbersome, and also with the slang did not always work. So I ended up just reading, and I did miss some Spanish, but could follow the book in general. It was a bit frustrating for me, but worthwhile in the end. Francisca is a teenage, Colombian immigrant; figuring out her own sexuality, her family, and her relationship to the fundamentalist Christianity and to the charismatic Carmen, the preacher's daughter. Her voice is great, young and brash. The second half of the book covers the stories of relatives in Colombia, and was not as interesting and somewhat hard to follow. Here is a quote to give an idea of the voice:“Outside, the sky in all its fury released buckets of water that swayed with the palm trees. El cielo gris, oscuro. Talk about goth. Right at noon the sky transformed itself from orange light to chunky black clouds that gave zero fucks about your beach plans or the three hours you spent ironing that hair, splaying all its sadness right in front of you.”
- Rating: 5 out of 5 stars5/5loved the stuffing out of this moving and beautiful coming of age story about a young queer girl growing up in miami. beautiful language, unforgettable voice.for readers of kristin arnett and carson mccullers.
Book preview
Fiebre Tropical - Julián Delgado Lopera
CHAPTER UNO
Buenos días, mi reina. Immigrant criolla here reporting desde los Mayamis from our ant-infested townhouse. The broken air conditioner above the TV, the flowery couch, La Tata half-drunk directing me in this holy radionovela brought to you by Female Sadness Incorporated. That morning as we unpacked the last of our bags, we’d found Tata’s old radio. So the two of us practiced our latest melodrama in the living room while on the TV Don Francisco saluted el pueblo de Miami ¡damas y caballeros! and Tata—at her age!—to Mami’s exasperation and my delight, went girl crazy over his manly voice.
Y como quien no quiere la cosa, Mami angrily turned off the stove, where La Tata had left the bacalao frying unattended, then Lysol-sprayed the countertops, smashing the dark trail of ants hustling some pancito for their colony behind the fridge. Girlfriend was pissed. She hadn’t come to the U S of A to kill ants and smell like puto pescado, and how lovely would it have been if the housekeeper could have joined us on the plane? Then Mami could leave her to the household duties and concentrate on the execution of this Migration Project. Pero, ¿aló? Is she the only person awake en esta berraca casa?
On the TV, another commercial for Inglés sin Barreras and Lucía, La Tata, and I chuckled at the white people teaching brown people how to say, Hello My Name Is. Hello, I am going to the store. Hello, what is this swamp please come rescue us. It was April and hot. Not that the heat dissipated in June or July or August or September or even November, for that matter. The heat, I would come to learn the hard way, is a constant in Miami. El calorcito didn’t get the impermanence memo, didn’t understand how change works. The heat is a stubborn bitch breathing its humid mouth on your every pore, reminding you this hell is inescapable, and in another language.
We’d been here for a month, newly arrived, still saladitas, and I already wanted to go back home to Colombia, return to my panela land, its mountains, and that constant anxiety that comes just from living in Bogotá. That anxiety that I nonetheless understood better than this new terrifying one. But Mami explained to me over and over again with a smirk that, look around you, Francisca, this is your home now.
Our to-do list that doomed Saturday of the ants and the bacalao included helping Mami with the preparations for the celebration of the death, or the baptism or the rebirth or the something, of her miscarried dead baby, Sebastián. It has been argued—by the only people who care to argue: La Tata and her hermanas—that my dead brother’s baptism was the most exciting event in the Martínez Juan family that year. This mainly because La Tata drank half a bottle of rum a day, couldn’t tell Monday from Friday, so obviously a fake baby’s baptism at a pastor’s pool was more important to her than, say, the fact that by the end of that month my younger sister, Lucía, was regularly waking in the middle of the night to pray over me. Or the fact that I would eventually remember this time, the first months after our arrival, as Mami’s most sane, grounded moment.
Pero we’re getting ahead of ourselves, cachaco. Primero la primaria.
We’d been prepping for the baptism celebration even before departing from our apartment on the third floor down in Bogotá. Inside the six Samsonite bags that Mami, Lucía, and Yours Truly were allowed to bring into this new! exciting! think-of-it-as-moving-up-the-social-ladder! life were black-and-gold tablecloths, handcrafted invitations, and other various baptism paraphernalia. There wasn’t enough space for the box of letters from my friends or our photo albums, but we nonetheless packed two jars of holy water (instead of my collection of CDs—The Cure, The Velvet Underground, The Ramones, Salserín) blessed three days before by our neighborhood priest, water that was confiscated for hours by customs (You don’t think we got water in the States?) then quickly flushed down the toilet by Tía Milagros, who now, soaking in Jesús’s Evangelical Christian blessing, believed, like the rest of the Miami matriarchy, that Catholic priests were a bunch of degenerados, buenos para nada. Catholicism is a fake and boring religion. Christianity is the true exciting path to a blessed life in the name of Jesucristo nuestro Señor, ¿okey?
Now Mami hustled her bare butt around the dining room, head tilted hugging the telephone, wearing only shorts and a push-up bra, fanning herself with a thick envelope from the stack of unopened bills. Anxiously phoning the Pastores, the incompetent flower people (Colombianos tenían que ser), the two lloronas in black—Tía Milagros’s idea—who would professionally mourn Sebastián while charging Mami fifteen dollars an hour.
Miami wanted a dead baby’s baptism, motherfucker, and Mami was gonna give it.
Homegirl didn’t see anything wrong with chipping away—I would find out later—at our life savings by buying tears and feeding the congregation.
Pero—óyeme—you couldn’t fight her.
Esa plática ya se había perdido. Esta costeña estaba montada en el bus already. Mami never got a break. Never stopped to smell the flowers. Cómo se te ocurre. From the moment we arrived, Myriam del Socorro Juan was on her crazed trip to get shit done. We were handed to-do lists; we were yelled at, directed; we were told what to do every single step of the way.
We were obedient. What else could we do? Where else could we go?
The outskirts of Miami are dead land. It is lago sucio after dirty lake with highways and billboards advertising diet pills and breast implants. With almost nonexistent public transportation, no sidewalks, but a glorious Walmart and a Publix Sabor where a herd of colombianos, who came all the way from their land, buy frozen arepas and microwavable Goya plantains. Lucía wasn’t complaining. La Tata barely had strength to fight Mami. The surrounding swamp collaborated with Mami to make every single day excruciating.
Pero, mi reina, siéntate pa’trás—we’re only getting started.
For the last month, we’d been pushed around from this church service to that church dinner to that church barbecue. Meeting this hermano, that hermana, and that very important youth leader. We’d listened to our tías spill all the church tea over and over again during lunch and dinner. Even during onces they wouldn’t shut up. Everyone arguing over who was a true Christian and who was just calentando silla. I quickly figured out that there’s a lot to being an aleluya daughter of Jesucristo and that attending church on Sundays was just the tiniest tip of the faith iceberg.
My dead brother’s baptism was part of the iceberg. Dead babies need to be baptized, mourned, and named so their souls don’t linger, so they too join the fiesta celestial. This was part of La Pastora’s explanation, and Mami just nodded with her hand on her chest saying, Ay sí, el dolor es tan grande.
Now La Tata and I eyed each other as we watched Mami’s frenzied torbellino around the living room. Mami going on and on about all the items on the to-do list that we still hadn’t done or didn’t do the way she wanted. Tata and I wanted to hold Mami’s hand, tell her, Ya ya, Mami. Come on now, Myriam, carajo, deja el berrinche. We wanted to slap her a little because we still believed that underneath this new layer of holiness there was the pious Catholic neurotic we’d known so well. Tata and I had some serious eye-to-eye magical power going on. I knew she needed a rum refill when her left eye went Give me a break, and she knew I was this close to slapping Mami when my eyes went Buddha shut. After signing the divorce papers, Mami had rolled around for three days with the same crazed energy she had now, painting our entire apartment in Bogotá a tacky red then crying because her house resembled a traqueto’s wife’s. And when that wasn’t sufficient to kill her mojo, this cartagenera costeñita de Dios bleached Lucía’s and my hair with hydrogen peroxide because na-ah! no hombre is going to ruin Mami’s life, not even your father. In those moments she was too gone inside herself, too deep in her darkness. Glassy-eyed, pale, making endless to-do lists, and yet her hair was always blow-dried, impeccable.
Y ahora there was no man but a dead baby who needed to be baptized inmediatamente. Y ahora Lucía helping Mami with the final touches on the cake: the black-and-gold icing underneath the Jesús in the plastic cradle retrieved from the pesebre box. Tata frying the bacalao in the kitchen, yelling at no one (but of course at Mami) that pero claro, Myriam doesn’t have any birthing hips no wonder she lost a baby. If she heard her, Mami se hizo la loca. If she heard her, Mami did her usual deep breathing, deep sighing, did not bother with Tata.
Then Lucía sat next to me on the couch. Her tiny legs next to mine. The TV still on, but we paid no attention. We sat staring at the ceiling fan, drooling, captivated by its speed; the hum of the blades both terrifying and quieting, drowning out the sound of Mami and La Tata, giving us a break. The possibility of it breaking and cutting us all to shreds. Lucía and I did this often. We never had a ceiling fan in our house in Bogotá, we never needed one. But here we sat side by side in silence staring at it, mesmerized by its movement. I concentrated on the sound, a little motor promising wind. A short relief from the heat. Lucía smiled at me and I felt a sudden rush, wanting to hold her tight, kiss her curls, place my head on her shoulder. Instead I just turned around, closed my eyes, pretended I was somewhere else.
~
Between phone calls Mami gave us The Eye: the ultimate authoritative wide-open flickering of lashes with an almost imperceptible tilt of the head that had us on our feet and running. She did the same thing whenever the nuns sent home a disciplinary letter back in Bogotá, searching for my guilt, and I tried to resist, daring myself to withstand The Eye for as long as I could but always failing. This time, we were too exhausted to resist. We were exhausted from moving our shit around. Exhausted from meeting this youth leader, that former-junkie church woman (¡La drogadicta encontró al Señor!); every señora de Dios fixing our hair, squeezing our cheeks, commenting that we were either too skinny, too fat, too pale, or—my very favorite—too Colombian (Cómo se les nota que acaban de llegar, tan colombianas).
The too Colombian
comment offended Mami. Being too Colombian meant it was evident that her hair wasn’t blow-dried every other day; our rough edges were showing, o sea, criollas, o sea, Mami didn’t even understand ni pío of English and that threw her in the bottomest of the bottoms of the hierarchy. All she could say was, Yes yes cómo no. But I was fifteen, coño, qué carajo too Colombian. I didn’t care if I was too Colombian. To me, everyone was too Colombian and that in itself was part of the problem. All I wanted were my girlfriends back home, cigarettes, and a good black eyeliner. None of which Miami was giving me. Instead it gifted you with an infierno that crawled deep into your bones and burned its own fogata there. A surreal heat that veiled everything, like looking through gas, all of it a mirage that never dissipated. A stove burning from within. I didn’t want to admit it to myself or anyone but I was pure Soledad Realness, pure loneliness eating at my core. Dándome duro. Did living with La Tata help? Did living close to Milagros and my other tías and primos and the freaking Pastores and that señora from the congregation who always brought us arepas and called me La Viuda (Toda negro siempre, Francisquita, como La Viuda) on Sundays? Did this aid the transition in any way?
Falso.
It made it worse. Their enthusiasm was unbearable.
Because this wasn’t a Choose Your Own Migration multiple-choice adventure with (a), (b), and (c) laid out at the end of each page and you could simply choose (b) Stay in Bogotá, you idiot. Cachaco, please. This was militant Mamá Colombiana popping Zoloft, begging your daddy to sign papers, then finger-waving at you to pack your bags while she sold your remaining books, CDs, the porcelain dolls nobody wanted; as she donated your Catholic school uniform (that you hated, but still), locked herself for hours inside the bathroom with the phone and a calculator and then emerged puffy eyed informing Lucía and your sorry ass that ni por el chiras, you were not leaving in six months but next week because Milagros got Mami a job (that never materialized), and then boom boom boom some Cuban guy speaking condescending English stamped your passport, shot Mami a smirk-smirk for those boobs—he literally said boobs—and when she asked you to translate you simply said, Ay Mami, pero you didn’t know people speak English in the U S of A?
Óyeme, la cosa no termina ahí.
Porque what did we really know about migration, mi reina?
I knew nada before forever jumping across the Caribbean charco. You kidding? This homegirl lived in the same apartment on 135th Street, next to the same tiny green patch that passed for a park, next to the chapel where I got fingered by two boyfriends; the same Cafam supermarket, the same corner store where Doña Marta sold me cigarettes religiously under the same excruciating smoggy Bogotá clouds. Complaining about traffic every single day for the entirety of my fifteen years. We were so anchored in Bogotá, so used to our homogeneity, that the girl in school from Barranquilla—the only girl in school from outside the city—was an exotic commodity. The girls at school made fun of her ñera ways, the way her mouth ate all the vowels as if only for our amusement. And although Mami is originally from Cartagena, she moved to La Capital when she was sixteen, losing her costeña accent. We only traveled to the Cartagena coast on vacation once a year, which in itself was the Event of the Year (planned for months) and caused enough commotion to last until our next visit: ¡Las maletas! ¡El pancito for your tía from that special panadería! ¡El sunblock! etc. New haircut, blow-dried hair, and new (awful, hated forever) sunflower dress with matching gold communion studs worn to impress the epicenter of the matriarchy.
Every trip felt so painful because Mami didn’t (and still doesn’t) like change. She likes to stay put and, if possible, very still so nothing moves. Anything new sends her on a roller coaster of anxiety that she, por supuesto, denies and hides very well. She’s obsessed with routines and systems, lists and crossing things out with a red pen when they get done. The day we left Bogotá the stress casi se la comió, a rash of tiny red bumps grew on her back and she didn’t stop scratching until the señorita flight attendant said, Welcome to Miami.
~
A few days before the baptism, Mami arrived with a huge yellow dress for me. Yellow is such an ugly color. Plus I hated dresses. Mami knew I hated yellow—and red and orange and all warm colors. You know what was yellow? My Catholic school uniform. Freaking pollito yellow with orange stripes and a green sweater embroidered with the initials of the school and a tiny brown cross. The nuns made sure there wasn’t the slightest possibility of provocation or desire that could awaken the evils of boy temptation, which only existed outside of school, while we respectable teenagers—an endangered species—were protected by the tackiest most unfashionable pieces of clothing ever invented. As if someone’s barf had become the color palette of choice. Men didn’t piss on us to mark territory, we had the nuns to thank for that. And now here it was, that dreaded color popping up in my life again in the form of a baptism dress inside a Ross bag coming to me via Mami’s exhausted joy.
Le dije, Mami ni muerta am I wearing that dress—
She stopped me halfway and said, You haven’t even looked at it closely. It is so bello, ¿verdad, Lucía? Look how bello y en descuento. You haven’t tried it on, nena. Try it on, ven pa’ acá.
Ay Mami. In my heart I knew the dissonance my body felt every time I wore a dress, a kind of stickiness. But Mami’s face is Mami’s face, so I nonetheless removed my black shirt, my shorts, and right there in the living room, surrounded by all the porcelain bailarinas and their broken pinkies, I became once more a sad yellowing sunshine. I looked like a lost kid at a parade. Yellow dress, dirty white Converse.
Mami first said, Francisca, why aren’t you wearing a bra? Horrible se ve eso. Followed by, Who taught you not to wear a bra? And then, Ay pero mírala, how pretty. Your grandma can fix the sides but it fits you perfectly.
Tata and Mami discussed the alterations on the dresses. Mami bought a pink one for Lucía and a black mermaid one for herself, a gorgeous piece, but with tiny holes around the neck pointing at its 50 percent discount. It is true that Tata and Mami shared an unimaginable love for Jesucristo, but it is also true that their deepest connection was the sale racks at Ross, the coupons at Walmart, and the impossible variety of pendejadas para el hogar at the dollar store. And, reinita, don’t even get me started on Sedano’s. The discounted world of chain stores a sudden miraculous revelation. The world may be coming to an end but at least there was nada nadita nada you couldn’t get for under five dollars if you looked hard enough, if you knew where to go, on what dates, and what coupons to bring. Mami and Tata memorized the entire sales calendars of all their favorite stores, and once a week out they went in Milagros’s borrowed van to do the family’s shopping, which brought us stale bread, rice with tiny squirmy friends, and pompous dresses from Ross with holes around the armpits.
Tata will fix those was Mami’s answer as I stared into my dotted armpits. She dismissed my concerns, treating the needle-and-thread process as her own personal designer moment; as if the holes were not there because part of the dress had literally been eaten by moths but because it was an unfinished masterpiece waiting to be completed by Mami’s unique fashion vision.
Parezco un cake, I said.
She chuckled. You look bella, like you used to when Tata sewed your dresses, remember?
I didn’t say anything because it was pointless to fight her over this, plus as much as Mami angered me back then, there was also that face of hers suddenly brightened by the baptism. Still, I stood in the living room—as Tata took measurements, placed pins in the dress—staring at the horizonte in front of me with the martyr look I’d learned from my tías: my eyes looking to the side slightly, as if about to cry but holding it all inside; it was Virgen María’s suffering meets Daniela Romo’s anger meets a Zoloft commercial. A pose that I will use over and over again throughout my life. A pose passed down through the generations of Female Sadness stacked inside my bones, all the way back to Tata’s mother’s mother. A pose that says: I’m here suffering pero no no no I do not want your help; I want you to stand there and watch me suffer—witness what you have done—and let me suffer silently, with my discount glam.
~
Outside, the sky in all its fury released buckets of water that swayed with the palm trees. El cielo gris, oscuro. Talk about goth. Right at noon the sky transformed itself from orange light to chunky black clouds that gave zero fucks about your beach plans or the three hours you spent ironing that hair, splaying all its sadness right in front of you. Washing you with its darkness. Right before the rain the humidity intensified, the soil-smell mixed with garbage-smell almost unbearable. Sweat a constant, all the way to my butthole. Dampened skin, fishlike. Water came from all places: the ocean, the sky, the puddles, our armpits, our hands, our asses. Our eyes. Lluvia tropical is nature’s violence. And here it was a lluvia tropical on acid, a fiebre tropical. Tropical fever for days. Nature soltándose las trenzas, drowning the ground so that by the evening, when the rain subsided, the land had turned into a puzzle of tiny rivers, small ponds where worms and frogs alike built homes and where Mami’s feet and pantyhose sadly met their demise several times. More than once she arrived at the door mojadita de arriba abajo, not wanting any help but just yelling at me, por favor por favor, to look at her feet and remove any animalitos.
¡Tengo bichos por todas partes! she’d say, disgusted. And I would try to help even though she said she didn’t need any, but of course I’d remove the worms and beetles stuck to her pantyhose; I’d bring a towel, dry her hair, comb and braid it. All the while she kept saying she didn’t need anything.
What I need right now is for you to look at this sorpresa I found, said Mami toda happy, all the attention on the larger-than-life Ross bag.
Out of the bag she pulled a naked baby doll with blue eyes and a swirl of plastic black hair. A beat-up Cabbage Patch Kid like the ones I begged for when I was younger, but this baby had seen some truly rough days: the cheeks shadowed with dirt, the left eye missing part of its blue, the skin a worn light brown.
Pero this was only the beginning, cachaco.
Then came the tiny set of little boys’ clothes: pants, shirt, even a black tie.
Why ask her? Why ask her when you already knew the answer? Nevertheless there was an urgency inside