All's Well That Ends Well
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About this ebook
The plot of the play is based on the novel by Giovanni Boccaccio. This is a story about the feelings of the clever and gifted commoner Helena to the noble Count Bertram, who, reciprocating her, is nevertheless very afraid to tie herself up by marriage ... This newly edited version of the play includes essay questioning identity of Shakespeare based on two most authoritative books of the century.
William Shakespeare
William Shakespeare is widely regarded as the greatest playwright the world has seen. He produced an astonishing amount of work; 37 plays, 154 sonnets, and 5 poems. He died on 23rd April 1616, aged 52, and was buried in the Holy Trinity Church, Stratford.
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All's Well That Ends Well - William Shakespeare
TABLE OF CONTENTS
DRAMATIS PERSONAE
ACT I
SCENE I
SCENE II
SCENE III
ACT II
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
ACT III
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
ACT V
SCENE I
SCENE II
SCENE III
SHAKESPEARE – IS HE A REAL AUTHOR?
OUR OTHER BOOKS
DRAMATIS PERSONAE
HELEN, a gentlewoman of Rossillion
BERTRAM, Count of Rossillion
COUNTESS of Rossillion, Bertram’s mother
STEWARD, FOOL, PAGE, in the Countess’s household
PAROLLES, companion to Bertram
KING of France
LAFEU, a French lord
FIRST LORD, SECOND LORD, later Captains in the
army of the Duke of Florence
Other LORDS in the court of the King of France
FIRST GENTLEMAN, SECOND GENTLEMAN,
GENTLEMAN, a gentle Astringer
, from the court of
the King of France
FIRST SOLDIER, interpreter
The DUKE of Florence
A WIDOW of Florence
DIANA, the Widow’s daughter
MARIANA, the Widow’s neighbor
Attendants, Soldiers, Citizens of Florence, Servants
ACT I
SCENE I. Rousillon. The COUNT's palace.
Enter BERTRAM, the COUNTESS of Rousillon, HELENA, and LAFEU, all in black
COUNTESS
In delivering my son from me, I bury a second husband.
BERTRAM
And I in going, madam, weep o'er my father's death
anew: but I must attend his majesty's command, to
whom I am now in ward, evermore in subjection.
LAFEU
You shall find of the king a husband, madam; you,
sir, a father: he that so generally is at all times
good must of necessity hold his virtue to you; whose
worthiness would stir it up where it wanted rather
than lack it where there is such abundance.
COUNTESS
What hope is there of his majesty's amendment?
LAFEU
He hath abandoned his physicians, madam; under whose
practises he hath persecuted time with hope, and
finds no other advantage in the process but only the
losing of hope by time.
COUNTESS
This young gentlewoman had a father,--O, that
'had'! how sad a passage 'tis!--whose skill was
almost as great as his honesty; had it stretched so
far, would have made nature immortal, and death
should have play for lack of work. Would, for the
king's sake, he were living! I think it would be
the death of the king's disease.
LAFEU
How called you the man you speak of, madam?
COUNTESS
He was famous, sir, in his profession, and it was
his great right to be so: Gerard de Narbon.
LAFEU
He was excellent indeed, madam: the king very
lately spoke of him admiringly and mourningly: he
was skilful enough to have lived still, if knowledge
could be set up against mortality.
BERTRAM
What is it, my good lord, the king languishes of?
LAFEU
A fistula, my lord.
BERTRAM
I heard not of it before.
LAFEU
I would it were not notorious. Was this gentlewoman
the daughter of Gerard de Narbon?
COUNTESS
His sole child, my lord, and bequeathed to my
overlooking. I have those hopes of her good that
her education promises; her dispositions she
inherits, which makes fair gifts fairer; for where
an unclean mind carries virtuous qualities, there
commendations go with pity; they are virtues and
traitors too; in her they are the better for their
simpleness; she derives her honesty and achieves her goodness.
LAFEU
Your commendations, madam, get from her tears.
COUNTESS
'Tis the best brine a maiden can season her praise
in. The remembrance of her father never approaches
her heart but the tyranny of her sorrows takes all
livelihood from her cheek. No more of this, Helena;
go to, no more; lest it be rather thought you affect
a sorrow than have it.
HELENA
I do affect a sorrow indeed, but I have it too.
LAFEU
Moderate lamentation is the right of the dead,
excessive grief the enemy to the living.
COUNTESS
If the living be enemy to the grief, the excess
makes it soon mortal.
BERTRAM
Madam, I desire your holy wishes.
LAFEU
How understand we that?
COUNTESS
Be thou blest, Bertram, and succeed thy father
In manners, as in shape! thy blood and virtue
Contend for empire in thee, and thy goodness
Share with thy birthright! Love all, trust a few,
Do wrong to none: be able for thine enemy
Rather in power than use, and keep thy friend
Under thy own life's key: be cheque'd for silence,
But never tax'd for speech. What heaven more will,
That thee may furnish and my prayers pluck down,
Fall on thy head! Farewell, my lord;
'Tis an unseason'd courtier; good my lord,
Advise him.
LAFEU
He cannot want the best
That shall attend his love.
COUNTESS
Heaven bless him! Farewell, Bertram.
Exit
BERTRAM
[To HELENA] The best wishes that can be forged in
your thoughts be servants to you! Be comfortable
to my mother, your mistress, and make much of her.
LAFEU
Farewell, pretty lady: you must hold the credit of
your father.
Exeunt BERTRAM and LAFEU
HELENA
O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
Enter PAROLLES
Aside
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.
PAROLLES
Save you, fair queen!
HELENA
And you, monarch!
PAROLLES
No.
HELENA
And no.
PAROLLES
Are you meditating on virginity?
HELENA
Ay. You have some stain of soldier in you: let me
ask you a question. Man is enemy to virginity; how
may we barricado it against him?
PAROLLES
Keep him out.
HELENA
But he assails; and our virginity, though valiant,
in the defence yet is weak: unfold to us some
warlike resistance.
PAROLLES
There is none: man, sitting down before you, will
undermine you and blow you up.
HELENA
Bless our poor virginity from underminers and
blowers up! Is there no military policy, how
virgins might blow up men?
PAROLLES
Virginity being blown down, man will quicklier be
blown up: marry, in blowing him down again, with
the breach yourselves made, you lose your city. It
is not politic in the commonwealth of nature to
preserve virginity. Loss of virginity is rational
increase and there was never virgin got till
virginity was first lost. That you were made of is
metal to make virgins. Virginity by being once lost
may be ten times found; by being ever kept, it is
ever lost: 'tis too cold a companion; away with 't!
HELENA
I will stand for 't a little, though therefore I die a virgin.
PAROLLES
There's little can be said in 't; 'tis against the
rule of nature. To speak on the part of virginity,
is to accuse your mothers; which is most infallible
disobedience. He that hangs himself is a virgin:
virginity murders itself and should be buried in
highways out of all sanctified