The Amber Shadows: A Novel
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About this ebook
Bletchley Park, 1942: As World War II rages on, Honey Deschamps sits at her type-x machine, tediously transcribing decrypted signals from the German Army, doing her part to assist the British war effort. Halfway across the world, Hitler’s armies are marching into Leningrad, leaving a trail of destruction and pillaging the country’s most treasured artworks, including the famous Amber Room—the eighth wonder of the world.
As reports begin filtering into Bletchley Park about the stolen loot, Honey receives a mysterious package, hand-delivered from a man that she has never seen before who claims that he works at the Park as well. The package is postmarked from Russia, and inside is a small piece of amber. It is just the first of several such packages, and when she examines them together she realizes that someone, relying on her abilities to unravel codes, is trying to tell her something.
Honey can’t help but fear that the packages are a trap set by the authorities to test her loyalties—surely nothing so valuable could get through the mail during a time of war. And yet, something about the packages reminds her of stories that her brother used to tell her about her absent father, and when her brother is found brutally murdered on his way to visit Honey, she can’t help but assume that the events are connected. But at Bletchley Park, secrecy reigns supreme, and she has nowhere to turn for help . . .
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Reviews for The Amber Shadows
23 ratings4 reviews
- Rating: 3 out of 5 stars3/5Good prose and characterisation but rather a limp plot. Not much happens until near the end and then it is all rather preposterous and disappointing. Much better use could have been made of the fascinating people and activities of Bletchley Park. Not really recommeded.
- Rating: 4 out of 5 stars4/5For some reason I had always pictured Bletchley Park as a single hut full of mathematicians - maybe 20 or so of them. This book has re-educated me and for that I am grateful. There were of course many more huts and many many more people. And despite having read many wartime books, few have really brought home as well as this one the realities of the blackout and the lack of signage. It's a well researched book brought together with a brisk and bouncy writing style I admired very much. The only issue I had was it was the length - towards the end scenes became so long winded that I was tempted to speed-read, and I can't help thinking I would have enjoyed it more if it had been snappier and more to-the-point.
- Rating: 3 out of 5 stars3/5I came to The Amber Shadows with a great deal of anticipation. So many things to like: the World War II setting of Bletchley Park, code breaking, the fabled Amber Room that was dismantled by the Nazis and still hasn't been found.... The author did deliver on one important part: the setting. Of all the books I've read, Lucy Ribchester has done the best job of showing readers what it was like to live in England through the Blitz-- trying to navigate in pitch darkness with no street signs for guidance, how to dress or eat with strict rationing going on, and how miserable it could be when you're billeted with people who don't want you in their house. This part of the book is excellent.However, I didn't find much to like about the rest. One of the major themes of the book was the real versus the artificial and the danger of creating a fantasy when you don't like the life you've been dealt. The way it was handled seemed very muddled to me, and it was difficult for me to keep my mind on the story. It also didn't help one iota when the only characters who seemed to have any real intelligence and/or common sense were secondary ones who were seldom seen.The Amber Shadows is a slow-moving tale that I just couldn't warm up to. Hopefully, your mileage will differ.
- Rating: 2 out of 5 stars2/5The Amber Shadows by Lucy Ribchester starts off in December of 1942 at Bletchley Park. Honey Deschamps is on her way to her lodgings when she is stopped by Felix Plaidstow and his dog, Nijinksy. Felix states he works in Hut 6 in the park and he has a package for Honey that was misdelivered. Honey examines the package in the privacy of her room at Mr. & Mrs. Steadman’s (her skinflint landlors). The postmark has Cyrillic letters on it (Russian), and she finds a small square piece of amber inside. Honey ends up tossing the package into the trash. The next day she is at her desk decoding messages on her Typex machine when she receives another similar package. The amber reminds Honey about a missive she saw about a year ago regarding the Germans dismantling the Amber Room from the Catherine Palace and a story her brother told her about their father being its curator. Honey receives more of the mysterious amber packages. Are they from a lost treasure or is Honey being tested? Honey is unsure of who she should trust and turns to the mysterious Felix. Can they unravel the clues and solve the amber puzzle?The Amber Shadows sounded like such an intriguing story. World War II, amber, coded messages, Bletchley Park, and a mystery. Unfortunately, the blurb was better than the novel. The book wandered and rambled on forever. It lacked focus. I was not a fan of the authors writing style (believe she is trying to set an atmosphere). Honey kept making comparisons between her situation and the movie Suspicion (with Cary Grant). I found it distracting (odd) and it did not enhance the story. I do wish to commend the author on her research and realistic portrayal of life at Bletchely. My rating for The Amber Shadows is 2 out of 5 stars (I did not like it). The mystery was lacking. It can easily be solved early in the story (it is obvious). Honey is lacking in her investigative skills. She makes very little progress until the end of the story when all is revealed. I struggled to wade through The Amber Shadows. I was never able to get into the story. The ending is very unsatisfying (made the whole mystery seem pointless). I was not a fan of the main character (I disliked Honey), mystery or writing.
Book preview
The Amber Shadows - Lucy Ribchester
Chapter 1
The air was December cold, and Honey Deschamps turned the collar of her coat up as she left the Ritzy’s soggy warmth. If she hadn’t been quite so self-conscious, sitting between the courting couple in RAF and WAAF uniforms and the old smoker with the phlegmy cough, she’d have stayed for a third viewing. Partly because she had paid for a ticket, and merry-go-rounding it at the flicks was a way of staying out of the cold. Partly to put off thinking about work the next day. But mainly to reassure herself just one more time that Joan Fontaine was right to stay with Cary Grant and he wasn’t trying to murder her after all. Because the first time around Honey hadn’t been convinced.
Mr Hitchcock had ended it all so abruptly, on the edge of that cliff. That happy little twist, after all that suspicion Grant wasn’t a bad fellow after all. Honey thought that really, really if Mr Hitchcock had played the movie out for just another ten minutes, if you could have only seen the two merry lovers after The End credit, after they’d rounded the corner of that sea-top road and were on their way back to town, just when Joan Fontaine really was satisfied that Cary Grant wasn’t about to kill her, that is when Honey thought he would have made his murderous move. Perhaps taken out a pistol, or simply shoved her over the edge.
She had kept a closer eye on him the second time around but even then she wasn’t convinced. She thought that if it had been her in Joan Fontaine’s position, she might have just played along with him for a while longer, let him drive back down that winding road, perhaps even all the way home. But she certainly wouldn’t have trusted him. She’d have made her plans to get out at the earliest possible chance.
Oh, it was only a silly film. But then, she thought, as she crossed the street – just missing the bumper of a car that had sped up with its slatted blackout lights dipped – that was what happened to you now: that was what had been happening a lot recently. The most important thing in the world was going on all around and all she could do was fixate on a silly film. She dodged her way past a line of Home Guard soldiers and her mind looped again in tangles over whether Fontaine had been right or wrong to stay with him. And what it probably was, at the end of the day, it was probably actually if she thought about it, the fault of the writer. They had over-salted the sauce, made Cary Grant too villainous for cheap effect. There, it had backfired. They should have had Gregory Peck instead. She was not convinced of Cary Grant’s innocence, and Joan Fontaine couldn’t be that much of a fool.
She ducked into the grocer’s on the corner of the high street, fumbled for the coupons Mrs Steadman had given her, bought bread and bacon for the household, and started off down the little Bletchley lane towards her billet. The town was quiet. There was a neat winter stillness in the air, a dogged calm that turned a blind eye to war anxiety, and lit its candles and drew its blackouts and sent warm smells fogging out of red-brick chimneys no matter how much rationing of food was going on.
Honey’s eyes had grown more and more accustomed to the dark over the past few years. Was it the carrots? Mrs Steadman certainly seemed to think so, boiling them into pulp, mashing them into soups, baking them into cakes. She could see her own ice-breath as she strode, and it was curiously pleasing. It reminded her of childhood and Christmas, snow and pantomimes. She remembered the poster she had seen for the Park’s Christmas revue, and like a magic trick it dropped the curtain on her happiness, the frosty pleasure of the walk, the finicky problems of Joan Fontaine.
Tomorrow she was back on day shift. She would be back at the Typex machine, trying to block out the tower of paper that fluttered taller the more she churned through it, filtering out footsteps and noises, curt calls from one room to another, the shunt of the wood pulley dragging messages between huts, tweed legs, ladies’ chatter.
She sighed. Not all days were frantic, not all tweed-wearers were curt.
She had passed the dusty terracotta brickworkers’ houses and was almost at the front gate to the cottage. The wobbling weft of the thatched roof was swimming out of the dark. Ridiculous billet. Like something Lewis Carroll would have imagined. It was called Yew Tree Cottage and was set in a clutch of three ancient buildings huddled together like witches, all wattle and daub, probably tradesmen’s dwellings when built, but swelled through time into antique curiosities. How an odd couple like the Steadmans had ended up in such a place she had no idea.
She was so deep in her own thoughts that she almost didn’t see the figure leaning against the blacked-out lamppost in front of the gate. In fact she didn’t see him until he coughed and said ‘Excuse me’ in a soft voice. And even then it was not his face but the sense of another face much lower down that Honey’s gaze was drawn to. Two bold wet eyes and a worried expression gazed at her from either side of a thin pointing nose.
‘Dear me.’
‘Sorry, Miss Deschamps, I didn’t mean to startle you.’ The man took a step closer and Honey saw in the glaze of cloudy moonlight that he was dressed in an overcoat, with a frayed trilby shadowing his brow. At his feet, on the end of a long ribbon, was a greyhound, sniffing the air in short bursts as if tasting the smoke from nearby chimneys.
The first thought that came flooding in was that they were hauling her in for an emergency midnight shift. It would just be the night for it to happen, when her brain was foggy from too long at the Ritzy. The second was that there was a problem with Dickie. Every time some stranger called her name or startled her, she assumed it must be some hot water or pickle her brother had got into. And thirdly at the back of her mind were warnings about fifth columnists and perverts. But this man had a dog, and villains didn’t usually have greyhounds.
‘What a darling thing.’ She dropped to her haunches, pulled her gloves off and ran her fingers into the silk behind the dog’s ears. It turned its worried eyes on her, stuck its nose close and began sniffing her breath.
‘Nijinksy.’ The man smiled and tugged gently on the ribbon. ‘He is something of a tart, you know.’
‘Nijinsky.’ She almost snorted. She gave a little shivering laugh. ‘I never heard that for a dog. But it’s perfect. Have you ever seen the real one?’
‘As a matter of fact, yes. With the Ballets Russes. Could only have been two or three at the time.’
‘Really?’
‘Really. Look, I’m sorry I startled you.’ The man reached under the belt of his coat, ran his hand up his torso and pulled out a brown paper package. Even in the gloom she saw the faded red of an airmail stamp and the black crown of the censor smearing its top surface.
‘You are Honey Deschamps? I mean Miss Deschamps?’ ‘You’re an odd sort of postman. Is that for me?’ He didn’t seem in a hurry to hand it over.
‘Sorry,’ he said again. ‘I just rather thought it might be urgent, and was finishing a shift anyway.’
He must have seen the confusion on her face. ‘It came to our hut, by mistake. You know that messenger girl. The one with the . . . I’m terribly sorry, I should have introduced myself. It’s just I’ve seen you around the Park so very much I sort of feel I know you a little already, isn’t that strange?’ He spoke quickly, his eyes flicking to and fro. He still hadn’t yet introduced himself, but she clocked him right then and there for who he was.
It would just be like one of the Hut 3 boys to call his greyhound Nijinsky. Very well, at least he wasn’t Cary Grant come to murder her.
She drew in a breath and extended her hand for the package. This time he gave it to her. It was too dark to see anything properly but the government stamps, a faint address in a flourishing hand and the traces of a postmark in the top corner. It was heavier than she expected for something the size of a bar of shortbread, and there was a faint scent about it. Or perhaps that was coming off him. Most likely it was broken soap samples from her stepfather’s factory.
His mission complete, the man looked lost. ‘I got your billet address from Winman, in 6. I hope you don’t mind.’
‘Ah.’ Winman was Head of her hut.
‘It’s a funny little cottage, that.’ He peered past her down the garden path. The dog had taken an interest in the gate, sniffing it thoroughly with a low whine.
‘Rabbits.’ She pointed backwards with her thumb. ‘They keep them in the hutch.’
‘Ah. Lean times.’
‘Well, not really with a hutch full of rabbits. And they breed like . . .’
‘Badgers?’
‘Exactly. Badgers. I was going to say bears.’ The silence was awkward. ‘But rabbit pie does get a little dull after a while. Do you hunt with him?’
‘No, he belonged to the man in the farm where I was first billeted. He didn’t want him. Nijinksy, wait.’ The dog was pulling towards the edge of the garden fence, roused by the rabbity scent.
‘I bet he didn’t give him that name either.’
The man smiled. His face was blurred by the dark, but he looked handsome underneath the shadows of that hat. The muscles of his face were exaggerated, clinging to his cheekbones like gristle. Honey thought for a tiny second, with the cold and the late hour and the act of kindness, that she might invite him for a cup of cocoa. But as soon as the thought hit her she batted it away. Ridiculous. Hut 3 man, steady on, Deschamps, she told herself. Smelly tweed most likely lurking beneath the coat. A chessman’s brain, a mathematician? Worse, a classicist? Added to that Mrs Steadman would most likely hound him back down the street as far as the Eight Bells, holding her broom at a threatening angle.
‘Well, thank you very much for coming out of your way. For a parcel. I mean, I could quite have got it tomorrow morning.’
‘Pleasure.’ He touched his frayed hat brim, and tugged on the ribbon of the dog, and they both walked away in the direction of the brickworkers’ cottages. She watched the funny dainty jog of the greyhound’s hindquarters making double-step with the man. What an odd couple they were. It was as his pace quickened into its natural rhythm that it struck Honey she had seen him before. There was something in his walk. But she couldn’t think where. It wasn’t the Park, she was certain. But Bletchley was tiny. It could have been the station or the butcher’s or outside the Eight Bells.
‘Oh,’ she cried out. ‘Excuse me, wait, will you?’ A short trot in her corkboard heels and she had closed the distance between them. The parcel hung heavy in her left hand while she reached into her pocket with the right. She felt her fingers touch brown paper, then grease. With her fingernail she split off a tiny sliver of bacon rind. The dog had smelled it already and perked up. Honey dropped it into his mouth. The ridges of his teeth snagged on her fingers but he took it gently, swallowing it with a snap.
From the short run, her cheeks felt hot against the cold air. ‘Can’t resist a hound. My grandfather used to race them. Bigger ones, mind.’
The man was smiling, a fond, tight smile. First he looked at Honey, then at the dog. He suddenly extended his hand. ‘Felix, by the way. Felix Plaidstow.’
She accepted his clutch. His palm was textured and dry, dead cold. ‘Honey Deschamps. Well, you know that.’ She wiggled the parcel. As they touched she became aware of the bacon grease still on her fingers. He really had very handsome eyes, the sort of eyes she imagined Russian men might have, cut like gems. Blue perhaps. The thought made her begin to witter. ‘Of course you know my name, from the parcel. Or you wouldn’t have sought me out, which was extremely nice of you. I’m excited to see what’s inside. Must be better than rations. Early Christmas present, I don’t doubt.’
She let go. For a second his hand stayed poised where she had left it. Then it faded back into the gloom by his side.
‘I really had best be home, I just wanted to give the bacon to the dog. It was extremely, awfully nice of you. People do such small kindnesses these days, I mean, if one was to say the war had a silver—’ She finally managed to rein in her tongue. He was staring at her with an unreadable, tiltheaded amusement.
‘Goodnight,’ she said, brightly like an idiot. ‘Thank you again.’
‘My pleasure. Again.’
The dog looked back at her over its shoulder this time, as they marched off.
Nijinksy, she thought. And he was so like a ballet dancer with his high-stepping paws and his moody eyes. Dickie would love that; she would have to write to him. But what a name for a hunting dog. So very typical of Hut 3, she thought, turning towards the cottage gate. The intelligence hut. If she’d been asked that night to make a play of Hut 3 she would have her cast already mapped out. A stout army man with a bristling moustache whose plain clothes weren’t fooling anyone. Two or three Felixes — handsome Cambridge boys, wanting for soap but sensitive enough, good at languages. Not codebreakers. An American, some impossibly leggy eighteen-year-old girls, gooey. Then she wondered what the Hut 3 watch would come up with if asked to make a play of 6.
Mathematicians, male and female, tweed, fearsome women with the keys to the indexes round their necks. And in the Decoding Room, a frazzled typist with scarlet hair. That would be her. They would have to hire a costumier to pick holes in the woollen jumpers of the actors playing the cryptanalysts. There was a man in Honey’s hut – Geoffrey Bald, his name was – who sometimes came to work in his pyjamas.
She held the parcel close to her face. The postmark was foreign; that was what was different about it, the alphabet. She looked up the street to see if she could spot Felix Plaidstow or the dog but they had melted into the blackout.
At the front door she turned her latchkey stealthily. The smell in the hall was moist and sharp; tinned mandarins and suet. There would be a tray left in the kitchen, that was the evening meal way. She jumped, as she always did, when she caught the glow of Mrs Steadman’s luminous bird hanging on the hatstand. It was removable and could be pinned to any number of headpieces, or, in an emergency, used as an enormous brooch; a precautionary measure to being run over by cars or bicycles in the blackout, government advised.
Mr Steadman was lurking under the stairs in his dark overalls, fiddling with one of the narrow shelves that served as bunks in case of air raids. Bletchley had taken only three hits during the months London was battered, none of them this far south. But every night Mr Steadman muddled with his sandbags and his bullseye lamps and his ration boxes under the stairs. In those three raids, Mrs Steadman had crowded them all into that poky cupboard armed with bowlfuls of raw carrots. She held no truck with the Anderson shelter in the garden or the Morrison shelter in the kitchen. She didn’t believe in corrugated iron or wire cages. Her aunt had been killed in an Anderson shelter that took a direct hit in Southampton. Going to the communal shelter at the brickworks was out of the question. The Steadmans despised their neighbours.
Mr Steadman grunted something that might have been a question, and Honey muttered back something about the Ritzy being full and made towards the kitchen. She took the slippery bacon in its brown paper from her pocket and left it in the cold cupboard. From the front parlour she could hear the hum of the wireless, and the crack of knitting needles. On the hall table was a pile of balaclavas, every shade of pink going, next to a box labelled up with a War Office postal address. She wondered how the soldiers in the African desert would take to magenta.
On the upstairs landing she noticed a sliver of pale light coming from underneath Rebecca’s doorframe, and wondered whether she should knock for once, but hadn’t the energy.
Her own room was freezing, its spartan space filled only by a bed, a wardrobe, a small table and a chest of drawers. There was little upholstery to keep in the heat and it always felt cool, which was a boon in summertime but not now. The parcel still in her hand, her coat still on, she turned up the gaslight. She flicked with her foot the coloured rag-knot rug that lay across the centre of the room. It shifted back easily from the polished boards. One thing that could be said for Mrs Steadman, she kept a charwoman and she kept the place spotless. But that was where her hospitality ended. Honey dropped to her knees, then her bottom, then extended her long legs along the floor. The wood was warm, an oasis in the cold room, sitting directly above the parlour hearth. Downstairs Mrs Steadman nursed a glowing fire every night for herself and her husband at which ‘guests’, as she called her billettees, were not welcome.
Honey stretched out until she was lying flat on her back, the heat seeping through the wool of her coat. It was growing thready in patches but the clothing ration meant she couldn’t purchase another until the New Year. She would have to ask her friend Moira to help mend it, she was clueless with a needle.
After a few minutes she had thawed enough to undo the belt. She sat up and took the parcel onto her knee. Its wrapper was an odd sort, thicker than British brown parcel paper, and with that strange postmark in the corner that she now saw bore Cyrillic lettering. The paper had been stamped twice, by two separate censors, one of them British, the other with the same Cyrillic. For a second it popped into her head that it might be a bomb. She took it gingerly to her ear, to her face. The phrase curiosity killed the cat entered her mind very slowly. But there was no ticking, only the sweet woody smell.
She slid her finger under the corner and carefully tore the top rim. Whatever was inside was wedged tight. She could feel the soft smudge of newspaper padding under her fingertip. Tearing the rest of the wrapper off, she found herself holding a tin; a gaudy red and white thing with nothing front or back but a picture of coloured pencils fanned out as if inviting you to select one.
She frowned. Pins and needles had begun to settle in her legs and she shifted her weight. Moving sent a shiver of cool draught down from the window. She ran her finger round the rim of the tin but it was sealed. Funny, because there was something a little old-fashioned about it. Perhaps the design looked dated, or perhaps it was faded, she couldn’t tell in the light. She dug her nail into the sealant, just as she had done with the bacon in her pocket, and sliced efficiently around it. With a small pop came that smell again, sweet and musty; an older woman’s perfume, almost like her mother’s.
She pulled away the lid and saw more paper; this time carefully pressed tissue. Thinking it to be the strangest game of pass the parcel she had ever played, she smiled as she tore the final wrapper off, the thought of the man in the dark coat, with his greyhound at heel, melting into her mind.
In her palms was a cold, solid lump.
It looked like a square of glass, heavily smoked, shattered, then mosaicked back together, and brown, held together by a thin foil square of steel or tin as the sandwich filling in the middle. It was only slightly larger than the width of a deck of cards, and about a quarter of an inch thick. She turned it over. On one side it was hard and glossed to a shine, on the other the surface was softer and more pliable.
She snorted in disbelief. Was it some sort of giant brooch without backing? An ornament someone had forgotten to carve?
The packaging sat at her feet, and she reached for it. The Russian alphabet, the boxy backwards R’s and diagonal H’s and hard Y’s. She saw it now in the postmark ‘
.’One of the few Russian words they all knew in Hut 6 from books and newspaper reports. Leningrad. Where the Nazi army had arrived over a year ago. Where they had begun their assault on the structure of the east. So many decrypted signals had travelled through her hands bearing that name, it had become a keyword for the cribsters in the room across the corridor. But who in Leningrad would know her name, let alone have the will or wherewithal to smuggle a parcel past the censors and onto international post routes? And what the devil was it? Just a slab of broken smoked glass?
She turned it in her hands, still half-fearful that it might after all be some kind of ingenious bomb, bracing the sharp corners of the square rather than the flat sides. She raised it to her nose to breathe in more of the scent. On the way up it caught the glow of the gaslamp, and a silent firework of mosaic red sprang to life; a network of cracks and veins, bubbles and pools, an impeccable tawny jewel. And that was when the pieces dropped into place in her mind, and she suddenly felt – even if she did not yet know – what she was looking at.
Chapter 2
There were two things that separated the Park estate, that sat along the lane from Bletchley station, from others like it. The first was the eight-foot chain-link fence that surrounded the perimeter, topped by curls of barbed-wire. The second was the people.
The Park buzzed like a university campus at most times of day, but it was something else to watch at changeover time, which came every eight hours. Quarter to eight in the morning and a patch of land no bigger than the Buckingham Palace grounds would be transformed into the like of London’s Piccadilly Circus. In each direction, to and fro, close to a thousand people poured past the gates, on foot and bicycle, waving papers at the red-capped staff of the Military Police, spilling out of khaki rusting buses and grey jeeps and old glossy black Rollers requisitioned for the purpose. When the incoming buses had emptied, the night- shifters would spill onto them in the opposite direction. It was exactly like a spilling, coming off night shift, the feeling of pouring your jellied limbs into a leatherette seat, turning down the bus blind and cranking down the dirt roads to the out-of-town billets.
You could tell the ones coming off night shift even before they got onto the buses by their faces: brains leeched of energy but still doing the jitterbug overtime. Their clothes would smell of the coke stoves kept inside the Park’s huts and sometimes the steak and kidney pudding they’d been offered at three a.m. break in the cafeteria. The Wrens — the Women’s Royal Navy Service – could be picked out by their blue uniform, skewed after a night doing whatever furtive and noisy things they did inside the wood walls of Hut 11.
The entrance gates stood to the left of the estate, and led sidelong towards the mansion. To get the proper postcard view of the house – the sepia one that had sneaked into gift shops while the old aristocratic owners still had it — you had to wander down past the lake, towards the front perimeter. Standing, looking across the water’s cool surface, you could see the red-brick and sandstone building emerge hodgepodge beyond a bank of lawns. It was oddly shaped, made from memories of its owners’ travels: a loon-eyed gryphon, a half-barrel of faux-ancient windows, a little bit of medieval cloister taking up part of the front wall. A nub of conservatory came poking out at one side and somewhere behind it a bronze roof dome had faded into a frivolous mint green hat.
Honey had joined the Park in late spring 1941, a year and a half ago. Then, the odd angles had looked beautiful and eccentric; Sahara gold and hot red. But in winter, on an overcast day like today, it had the look of a joke out of season; a jester’s costume in an old wardrobe. Soon after she’d arrived she’d found herself pressed at lunch between a debutante scandalised at its vulgarity and a messenger girl gaping at its glamour.
It was to the right of the mansion, as you stared at it, that most of the wooden huts had sprung up; giant rabbit hutches for burrowing workers. Everyone employed at the Park had to stay within their own creosoted boundaries; to go into any hut other than your own was forbidden, except to the beer hut for refreshments, the administration hut with permission, or the mansion, to dine, for recreation or because you had been summoned.
Winman, Head of 6 — Honey’s hut — liked to paste on a noticeboard in the entrance to the hut morale-boosting achievements that came from their work, and because of this Honey did have a vague mental map of what went on where. But it had its limits.
Everything started with the raw intercepted signals that came in to Hut 6 from listening stations around the country, brought by motorcycle – she knew this as she’d had a brief stint as a motorcycle dispatch rider early in the war that had ended in tears when the roads became frosty. Or sometimes they came in by teleprinter. After the messages were logged, the ciphers were broken using cribs — snippets of messages deduced through guesswork – and other cryptanalytical hocus-pocus. It was then that the stack of intercepts would come to Honey and her colleagues in the Decoding Room. Usually there were four or five of them on shift, each with a Typex machine rigged up to the decryption settings of that particular broken key — for there were many German keys in a day — and they would churn their way as fast as they could through the pile of intercepts. Hut 3 was where the final decoded messages went, for assessment or analysis for action in the field. Sometimes the men from Hut 3 would come through looking for a duplicate or missing message. More often than not the two huts communicated only by a wooden pulley and box, linking them.
Between them 3 and 6 dealt with army and Luftwaffe signals. Hut 2 was where the beer was found. Or black tea or powdered milk or sometimes horrid scones made with currants — dry fly cakes. Hut 1 was where you went if you had a problem with your billet. Hut 11 was the noisy hut. (No one knew what the machines did but according to a cribster called Wilf the Wrens who operated them all got so hot in there that they worked in their underwear. This had not been verified.) Huts 4 and 8 were connected in the same way 3 and 6 were. Huts 5, 7, 9 and 10 did God knows what. She didn’t think there was a Hut 12, but there were other small toilet huts and garages and cots at the back of the mansion where they kept pigeons. Perhaps Hut 7 was for the pigeon boys.
She creaked open the door to Hut 6. The air inside was even colder than outside, a stale coldness like a cheese store. The windows in the hut were closed and blacked out, and coke stove fumes seeped out from under each room door into the main corridor in acrid channels. On the notice-board directly in front of her a blotter sheet had been torn out and in pink pencil was written in capitals, ‘SOUTHHAMPTON RAID DIVERTED’, and below ‘intelligence from the YELLOW 12 December allowed RAF from Chicksands to be scrambled and German targets foiled. Winman.’
Like everything in Britain now, signage was the enemy and the doors that branched off the hut’s main corridor were blank — you simply needed to know where you were going. Honey’s room was last on the left. There were four women in already, bent over cups of black tea steaming perfumed ribbons. At the end of the room Miss Mooden, Head of Room, sat at her neatly stacked desk beside a black Bakelite telephone. Honey took the desk nearest the door. Beside her Typex, underneath the lamp, someone had left a magazine open: ‘Ask Sister Mary: Headaches and Boils.’
No one had started yet. The machine in front of her sat like a grumpy toad, waiting. The Typexes were clumpy plastic-and-steel typewriters, about three and a half feet wide, with extra cogs sprouting from the sides and a reel on top that formed the toad’s hump. Coiled around this reel was a roll of thin white tape that spat out the letters as you typed. She ran her fingers around the mechanics to check nothing was loose and everything was oiled. The in-trays were empty, which meant the night shift had worked through the previous day’s keys, and no one had broken into the next day’s yet.
In a quiet voice Mooden was explaining the work to a new girl standing by her desk. ‘You can do the pasting today. It’ll be very fast once they get typing. But the pasting’s easy. You don’t need to think about anything, just cut the tape they give you into strips and stick them to a piece of paper with that brush.’
‘Can I ask what’s a crib? And is it the same as a menu?’ the girl asked.
‘Oh.’ Mooden’s face froze. She looked round to see if anyone would jump in to help her, or perhaps if anyone was going to listen in while she muddled through an explanation. Honey saw her eyes land on Moira Draper, sitting at the next station.
‘Moira, could you . . .?’
‘I’ve not even had my tea yet.’ Moira had her hand round the back of her own machine, straightening out the wires. ‘You don’t need to know what those are, love, it’ll come with time.’
‘We’ll just stick with the pasting today, I think, since it’s your first day. Don’t worry if you hear any funny words. Moira can help you if you get stuck.’
‘Anyway,’ Beatrix Loughborough — Lady if you believed the rumours – was saying, across the table from Honey. ‘What I heard was that she was followed by a man all the way from the station. No one knows whether he’d come into the town from outside, or if he was from town.’ Beatrix was at the machine directly opposite, bent forward whispering to the others. Next to her Sylvia, a quiet girl from Aberdeen, was picking around the edges of her cuticles, pressing back the skin.
‘But surely . . .’ interrupted Moira, then trailed off as Beatrix steamed on.
‘She said, or rather what I heard she said was that she knew he was following her for