Poems from The Divan of Hafiz
By Gertrude Bell and E. Denison Ross
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About this ebook
Gertrude Margaret Lowthian Bell, CBE (1868–1926) was an English writer, political officer, traveller, archaeologist, and administrator. She became an important policy-maker in the British Empire as a result of her extensive knowledge and contacts, which she built up through her numerous travels in Mesopotamia, Greater Syria, Asia Minor, and Arabia. Other notable works by this author include: “Poems from the Divan of Hafiz” (1892), “The Desert and the Sown” (1907), and “Mountains of the Servants of God” (1910). This classic work is being republished now in a new edition with specially curated introductory material.
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Poems from The Divan of Hafiz - Gertrude Bell
PREFACE
The letters of Gertrude Lowthian Bell are so fresh in the public mind, and seem so clearly destined to become a classic, that there is little need in this place for biographical details.
It will suffice to say that she was born on July 14, 1868, at Washington Hall, Durham, the the residence of her grandfather, the late Sir Lowthian Bell. In 1885 she entered Lady Margaret Hall, Oxford, and in 1887 took a brilliant First in History. During her student days in Oxford, when she indulged in games with no less zeal than in her studies, she seems to have caught the fever of the Orient, so that when in 1891 her uncle Sir Frank Lascelles was appointed Minister in Teheran we find her declaring that the great ambition of her life was to visit Persia. Thus it came about that in the spring of 1892 Gertrude Bell set out for Teheran with Lady Lascelles.
In 1897 Miss Bell published her Poems from the Divan of Hafiz, under her name. In this she gave evidence not only of the scholarly knowledge of Persian she had by this time acquired, but also of rare poetic gift. This book also was well received, but did not attain the wide publicity it deserved, and, like the Persian Pictures, it is only being reprinted after Gertrude's Bell's death. Not till 1907 did Miss Bell produce her first work on a large scale, The Desert and the Sown, which at last brought her due recognition as a scholar and traveler, went through two editions and was translated into German.
It is a matter of great regret that her letters from Persia, of which there were a good many, cannot be found. One, however, addressed to her cousin Horace Marshall and dated Gulahek, June 18, 1892, has been preserved and was printed in the Letters of Gertrude Bell. Seeing that it makes so characteristic a supplement to the Persian Pictures, the opportunity has been taken of reproducing it in this place.
'Are we the same people I wonder when all our surroundings, association, acquaintances are changed? Here that which is me, which womanlike is an empty jar that the passer by fills at pleasure, is filled with such wine as in England I had never heard of, now the wine is more important than the jar when one is thirsty, therefore I conclude, cousin mine, that it is not the person who danced with you at Mansfield St. that writes to you to-day from Persia. -Yet there are dregs, English sediments at the bottom of my sherbet, and perhaps they flavour it more than I think. Anyhow I remember you as a dear person in a former existence, whom I should like to drag into this one and to guide whose spiritual coming I will draw paths in ink. And others there are whom I remember yet not with regret but as one might remember people one knew when one was an inhabitant of Mars 20 centuries ago. How big the world is, how big and how wonderful. It comes to me as a ridiculously presumptuous that I should dare to carry my little personality half across it and boldly attempt to measure with it things for which it has no table of measurements that can possibly apply. So under protest I write to you of Persia: I am not me, that is my only excuse. I am merely pouring out for you some of what I have received during the last two months.
'Well in this country the men wear flowing robes of green and white and brown, the women lift the veil of Raphael Madonna to look at you as you pass; wherever there is water a luxuriant vegetation springs up and where there is not there is nothing but stone and desert. Oh the desert round Teheran! miles and miles of it with nothing, nothing growing; ringed in with bleak bare mountains snow crowned and furrowed with the deep courses of torrents. I never knew what desert was till I came here; it is a very wonderful thing to see; and suddenly in the middle of it all, out of nothing, out of a little cold water, springs up a garden. Such a garden! trees, fountains, tanks, roses and a house in it, the houses which we heard of in fairy tales when we were little: inlaid with tiny slabs of looking-glass in lovely patterns, blue tiled, carpeted, echoing with the sound of running water and fountains. Here sits the enchanted prince, solemn, dignified, clothed in long robes. He comes down to meet you as you enter, his house is yours, so are his kalyans (but I think kalyans are a horrid form of smoke, they taste to me of charcoal and paint and nothing else.) By the grace of God your slave hopes that the health of your nobility is well? It is very well out of his great kindness. Will your magnificence carry itself on to this cushion? Your magnificence sits down and spends ten minutes bandying florid compliments through an interpreter while ices are served and coffee, after which you ride home refreshed, charmed, and with many blessings on your fortunate head. And all the time your host was probably a perfect stranger into whose privacy you had forced yourself in this unblushing way. Ah, we have no hospitality in the west and no manners. I felt ashamed almost before the beggars in the street-They wear their rags with a better grace than I my most becoming habit, and the veils of the commonest women (now the veil is the touchstone on which to try a woman's toilette) are far better put on than mine. A veil should fall from the top of your head to the soles of your feet, of that I feel convinced, and it should not be transparent.
'Say, is it not rather refreshing to the spirit to lie in a hammock strung between the plane trees of a Persian garden and read the poems Hafiz -in the original mark you!- out of a book curiously bound in stamped leather which you have bought in the bazaars. That is how I spend my mornings here: a stream murmurs past me with Zoroastrian gardeners guide with long handled spades into tiny sluices leading into the flower beds all around. The dictionary which is also in my hammock is not perhaps so poetic as the other attributes-let us hide it under our muslin petticoats! This also is pleasant: to come in at 7 o'clock in the morning after a two hours ride, hot and dusty, and find one's cold bath waiting for one scented with delicious rose water, and after it an excellent and longed breakfast spread in a tent in the garden.
'What else can I give you but fleeting impressions caught and hardened out of all knowing? I can tell you a Persian merchant in whose garden, stretching all up the mountain side, we spent a long day, from dawn to sunset, breakfasting, lunching, teaing on nothing but Persian foods. He is noted for his hospitality: every evening parties of friends arrive unexpectedly, he goes out, entertains them,
said the Persian who told me about it, he spreads a banquet before them and relates to them stories half through the night. Then cushions are brought and carpeted mattresses and they lie down in one of the guest houses in the garden and sleep till dawn when they rise and repair to the bath in the village.
Isn't it charmingly like the Arabian Nights! but that is the charm of it all and it has none of it changed; every day I meet our aged kalendars and ladies who I am sure have suits of swan's feathers laid up in a chest at home, and some time when I open a new jar of rose water I know that instead of sweet smell, the great smoke of one of Suleiman's afreets will come out of its neck.
'In the garden there are big deep tanks where in the evenings between tennis and dinner I often swim in the coldest of cold water. Before we left Teheran when it was too hot to sleep, I used to go out at dawn and swim under the shadow of the willows. We were very glad to leave Taheran though we like the house there. It began to be very stuffy and airless: here, though we are only 6 miles away, there is always air, except perhaps between two and four in the afternoon when one generally sleeps. We are much higher up and much nearer the hills and all round us are watered fields where the corn is almost ripe for cutting.
The joy of this climate! I don't think an English summer will be very nice after it.
'I learn Persian, not with great energy, one does nothing with energy here. My teacher is a delightful old person with bright eyes and a white turban who knows so little French-French is our medium- that he can neither translate the poets to me nor explain any grammatical difficulties. But we get on admirably nevertheless and spend much of our time in long philosophic discussions carried on by me in French and by him in Persian. His point of view is very much that of an oriental Gibbon, though with this truly oriental distinction, that he would never dream of acknowledging in words or acts his skepticism to one of his own countrymen. It would be tacitly understood between them and their intercourse would be continued on the basis of perfect agreement. Now this is a great simplification and promotes, I should image, the best of good manners. . . '
This letter reminds us of the magic influence which the Arabian Nights exercises over us all and which for every traveler colours the Islamic East with romance. It is sufficient that he should have read the Nights for him to find every turn the scenario of familiar tales or an approximate setting for imaginary adventures.
The debt of the world to old Galland, who discovered and translated the Nights at the end of the seventeenth century, cannot be over-estimated. Gertrude Bell was drawn to the East by this spirit of romance; she found what she sought, and everything she saw on her first journey was coloured by the pictures she had previously conceived as a result of her reading of Persian poetry and the Arabian tales. Not till later in her life was she to find herself confronted with the East as a modern reality-as an element in world politics; and compelled by necessity to treat these picturesque and romantic denizens of Oriental towns and deserts as ordinary mortals.
The strenuous years in Baghdad, where most of her work was far from romantic, never wrought any change in her enthusiasm for the East, and it was perhaps fitting that she should end her days-though alas! all too soon-in the land she knew and among the people she loved with so much understanding.