Field Guide to Gestures
By Nancy Armstrong and Melissa Wagner
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About this ebook
Here’s easy access to the essential information about common (and some not-so-common) gestures you may encounter at home or abroad. Field Guide to Gestures is organized into handy sections for quick reference when time is of the essence and interpretation is everything. If a man bends his torso forward when meeting you, turn to the “Arrival/Departure” chapter to learn more about the bowing gesture. When the woman at the end of the bar flips her hair and looks your way, turn to the “Mating” chapter to learn just what she’s trying to say. And if your friend has intertwined his index finger and middle fingers as the night’s lottery numbers are being read, go to “No Words Needed” to learn more about the crossed fingers gesture.
This practical guide includes more than 100 full-color photographs of the world’s most common gestures, plus cross-referenced descriptions throughout, including historical background and common usage. Helpful step-by-step directions and detailed line drawings teach you how to perform each gesture correctly.
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Field Guide to Gestures - Nancy Armstrong
DISCLAIMER
There are millions of gestures in the world and even more interpretations. While every care has been taken to represent the most popular gestures and to explain their meanings worldwide, the authors and publisher cannot guarantee that this guide addresses every variation of meaning or every gesture in the world.
Copyright © 2003 by Quirk Productions, Inc.
All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher.
Library of Congress Cataloging in Publication Number: 2002094026
eBook ISBN: 978-1-59474-849-3
Trade Paperback ISBN: 978-1-931686-20-4
Trade Paperback designed by Andrea Leigh Stephany
Illustrations by Judy Francis
Photography by William Drake (www.PhotoDrake.com)
All photographs copyright © 2003 by Quirk Productions, Inc.
Distributed in North America by Chronicle Books
85 Second Street
San Francisco, CA 94105
Quirk Books
215 Church Street
Philadelphia, PA 19106
www.quirkbooks.com
v3.1
Contents
Cover
Title Page
Copyright
Introduction
Field Guide to Gestures
I. ARRIVAL AND DEPARTURE
II. APPROVAL
III. DISAPPROVAL
IV. MATING
V. OFFENSIVE AND PROFANE
VI. JUST FOR EMPHASIS
VII. NO WORDS NEEDED
Sources
Index
Introduction
It is gestures that use us as their instruments, as their bearers and incarnations.
—Milan Kundera, Immortality
Gestures are fascinating things, at once wholly expressive and curiously mysterious. The flick of the wrist, the wave of a finger, or simply the movement of an eyelid can say more than a speech, and sometimes a subtle gesture can express a feeling more gracefully than words.
In this book, you will find out all there is to know about more than 100 gestures—from the hand purse to the horns to the point to the finger. Field Guide to Gestures invites you to explore the origins, uses, regional variations (in both meaning and performance), and environments where you would most often experience each gesture.
Confused by someone’s gesture? Refer to the color plates to find an example of the gesture in use. Then locate the gesture in one of the seven categories—Arrival/Departure, Approval, Disapproval, Mating, Offensive and Profane, Just for Emphasis, or No Words Needed—for a full description to shed light on your situation.
Field Guide to Gestures tells you when and where to avoid using particular gestures, where you’ll have the most success using each gesture, and how each gesture came to be. The step-by-step execution directions, with instructional line drawings, will help you incorporate the gesture into your body language lexicon.
Next time you’re out and about and come across an unfamiliar gesture, refer to Field Guide to Gestures and you’ll quickly learn what friends, coworkers, and passersby are really saying when they communicate nonverbally.
I. Arrival and Departure
Blown Kiss
The Bow
Fist-Chest Pound
Handshake
Hang Loose
Hug
Kiss
Live Long and Prosper
The Pound
The Salute
Tip of the Hat
Waving
1. blown kiss
1.
BLOWN KISS
Usage and Origins:
The fingers of one hand are brought to the lips, lightly kissed, turned palm up in front of the mouth, and blown on, as though launching the kiss into the air. Blowing a kiss is a way to send love and good wishes from a distance; it could be an enforced distance, such as across the gangway, or a space kept by those playing hard to get. In common, everyday use, the blown kiss gesture is a way to say goodbye.
While anthropologists have been unable to concretely explain the origins of the kiss, it is clear that the blown kiss gesture evolved from the actual act of kissing. (For more on the KISS itself.) While this long-distance kiss gesture is not as intimate or tender as a lip-to-lip or lip-to-cheek kiss, similar affection is certainly conveyed.
Region:
This gesture is popular throughout North America and Europe, where it is generally understood as affectionate but inoffensive.
Avoid blowing kisses in Islamic areas of the Middle East and Africa, where laws against public displays of affection are strict.
Environment:
Parades are a common venue for kiss-blowing, as beauty queens and other participants will use this gesture to greet onlookers. In black-and-white films, you will often see this gesture as lovers part tearfully on a crowded train platform, and celebratory cruisers can be seen blowing kisses into the crowd amassed to wish a bon voyage.
A blown kiss gesture can certainly also have a come-hither feel. The flirtatious kiss blown across a boisterous party or jam-packed bar leaves little room for interpretation; the kiss-blower has love on his mind and hope in his heart. A person on a subway platform might catch a glimpse of someone blowing a kiss as the train roars away; this might be considered a lost opportunity.
Execution:
1. Face the person to whom you would like to blow a kiss.
2. Bring your fingertips to your lips, holding the rest of your hand flat.
3. Kiss the tips of your fingers.
4. Rotate your wrist back to bring your fingers away from your mouth and to orient your palm straight up. Your hand should make an angle of between 45 and 90 degrees with your forearm.
5. If you are blowing the kiss toward a specific person, make eye contact.
6. Blow across the palm of your hand, aiming your fingertips in the direction of the other person.
Variations of Performance:
If you are blowing a kiss to a large crowd of people, it is acceptable to sweep the hand used away from your body dramatically and arc the entire arm over the group.
For the enthusiastic, and those blowing a kiss to the multitudes, you might bring both hands to your mouth simultaneously, kiss the fingertips of both hands at the same time, and then flamboyantly extend your arms out to either side.
2. the bow
2.
THE BOW
Usage and Origins:
The body is bent forward at the waist. Bowing is a submissive gesture that shows the utmost respect and humility toward the figure to whom one bows. During the fifteenth century, both men and women employed a bowing curtsey as a formal greeting; over time, the gesture became two gestures: the bow for men and the curtsey for women. These days in the West, bowing to show respect is primarily reserved for royalty, but even in this case convention dictates that it is not always necessary. For instance, if you’re not a British citizen you needn’t bow before the Queen, but it’s a good idea to do so if you are.
Around the world, the bow gesture can also be observed in the theater, where it has been a standard gesture for centuries, performed by both actors and actresses at the end of a show as a humble thanks to an appreciative audience. The phrase break a leg
originated as a reference to the bow—it comes from seventeenth-century English, in which break
meant bend.
Thus, to encourage someone to break a leg actually meant that you hoped he would be asked to bow to the audience after a good performance. The phrase survives today, but it is unlikely that most users equate its meaning with much more than good luck.
In Japan, bowing is the standard greeting: The depth and length of the bow indicate separate meanings. Generally, there are three types of bows in Japan: An informal 15-degree bow, a formal 30-degree bow, and a bow of greater than 30 degrees, which is strictly reserved for the imperial Japanese family. The rules of thumb are: When bowing to a person of high status, the 30-degree bow is required. If a person is bowing to you and they are of lower rank, make certain they bow first, and for a bit longer. The Japanese are very serious about the etiquette of the bow gesture—it is considered rude and improper even for a visiting Westerner to bow deeply to a person who is of lower status, despite the best intentions.
Region:
The bow is a gesture that is seen in theaters the world over, from Katmandu to Kansas City.
As a greeting, it is less common but will be seen in Asian countries and in Germany, where ordinary folk can still be seen bowing to say hello.
In the United States, you will rarely see this gesture outside the theater. In countries where sovereigns reign, this gesture is much more common, as it is still employed as a show of respect to royalty in most aristocracies.
Environment:
A street corner in Germany, a conference room in Japan, a high-school auditorium in Poughkeepsie, and a glamorous Broadway theater are all likely places to witness the bow gesture.
If used facetiously, as if to say Your wish is my command
to someone who is being bossy, this gesture might be practiced in private homes, or anywhere a friend or spouse might decide to bark orders.
Execution:
1. Stand straight and tall, feet together and shoulders back.
2. Clasp your hands behind your back or rest your palms flat against the sides of your thighs.
3. With your eyes lowered, bend forward at the waist. Lower your torso as far as is appropriate.
4. Straighten.
Variations of Performance:
The curtsey, or the woman’s bow,
is commonly known as a variant of bowing, since in the past the two were used together in the same gesture. The curtsey is, however, actually a variation of kneeling that in previous centuries was performed by both men and women. You’ll rarely see a man or a woman curtsey these days, but it is performed as follows: Position your feet so that your heels are together and your toes are pointed outward, then bend your knees slightly. For more of a flourish, bring one leg behind the other before bending them. This gesture is often accompanied by a slight lift of the skirt worn by the woman performing the curtsey.
The namaste is an Indian greeting wherein the hands are pressed with palms together as if in prayer, accompanied by a slight bow. It is used the way Westerners use the handshake gesture (see HANDSHAKE), and can also mean thank you
or I’m sorry.
The same gesture, conveying the same meaning, is also used in Thailand and is called the wai.
3a. fist-chest pound
3b. fist-chest pound
3.
FIST-CHEST POUND
Usage and Origins:
The hand, in the shape of a fist, pounds the chest in the area where the heart is located, then forms a peace sign. The fist-chest pound gesture, which roughly translates to peace out,
is mainly used as a farewell signal in cities by youths and those wanting to appear extremely cool. The pounding of the chest indicates that those being gestured to are close to the gesturer’s heart, and the peace sign is a symbol of well-wishing.
This gesture should be attempted only if the user is certain he or she can pull it off without seeming false. Those in suburban areas who have the urge to perform this hip gesture are advised that it has not yet become widely accepted outside urban environments.
Region:
The fist-chest pound gesture will be recognized and reciprocated in large cities throughout the United States, and perhaps in some bustling European cities as well.
Environment:
This form of farewell is solely appropriate in an urban environment; a busy street corner, a crowded subway platform, or by a kiosk are all places where you might see two friends use the fist-chest pound gesture as they take their leave.
Execution:
1. Make a fist with your right hand [FIG. A].
2. Bring the fist to your chest, near the heart, palm facing your body.
3. Strike your chest twice, rapidly. A soft thudding sound should be audible.
4. After the second pound, extend your index and middle finger into a V
[FIG. B]. Often the hand and arm are still angled across the body, and the top of the V
points to the upper left.
5. Drop your hand.
FIG. A
FIG. B
Variations of Performance:
The peace sign can be flashed without the chest pound. (For more on this gesture, see THE V
.)
4. handshake
4.
HANDSHAKE
Usage and Origins:
Two people grasp hands and pump. The handshake is a gesture that existed as early as the sixteenth century. The handshake gesture was originally used to bind a contract, and it was often accompanied by kneeling on the part of the subordinate party in the agreement. At that time, it was important to know whether a hand held a weapon, and shaking hands was a symbolic way to determine this.
For centuries, the handshake was not an appropriate greeting—it was unacceptable for someone of a lower rank to mirror the gesture of someone of higher status. However, in the early nineteenth century, as many Western countries embraced democracy, the gesture became widely used between people of all ranks and status.
Presently, the handshake gesture is used as a greeting, to show the acceptance of a contract, and to wish someone congratulations. It is one of the most popular gestures in existence.
Region:
The handshake exists all over the world, but there are nuances of the gesture in various lands that affect the meaning. In the United States, where aggressiveness in business and life are considered virtues, a firm grip