Dead Man’s Daughter
By Roz Watkins
4/5
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About this ebook
A gripping and powerful thriller set in the atmospheric Peak District that will have you on the edge of your seat. Perfect for fans of Val McDermid, Susie Steiner and Broadchurch.
***
She was racing towards the gorge. The place the locals knew as ‘Dead Girl's Drop’…
DI Meg Dalton is thrown headlong into her latest case when she finds a ten-year-old girl running barefoot through the woods in a blood-soaked nightdress. In the house nearby, the girl's father has been brutally stabbed to death.
At first Meg suspects a robbery gone tragically wrong, but something doesn’t add up. Why does the girl have no memory of what happened to her? And why has her behaviour changed so dramatically since her recent heart transplant?
The case takes a chilling turn when evidence points to the girl’s involvement in her own father’s murder. As unsettling family secrets emerge, Meg is forced to question her deepest beliefs to discover the shocking truth, before the killer strikes again…
***
**Roz Watkins’ compelling new DI Meg Dalton thriller, Cut to the Bone, is available for pre-order now!*****
‘[Roz Watkins is] a formidable newcomer to British crime writing’ Daily Mail
‘Outstanding’ Stephen Booth
'With Dead Man’s Daughter, Roz raises the crime fiction bar yet again. Superbly plotted, sinister and genuinely thought-provoking.’ Caz Frear
'An original, creepy, twisted tale. I loved it.’ C.J. Tudor
‘Absorbingly impressive.’ The Times
‘A fast-paced, atmospheric story.’ Candis
‘A clever, twisty conundrum… intelligent and provocative.’ Sophie Drapher
Roz Watkins
Roz Watkins is the author of the acclaimed DI Meg Dalton series. The Devil’s Dice, was shortlisted for the CWA Debut Dagger Award and was The Times Crime Book of the Month. Roz was previously a patent attorney, but this has absolutely nothing to do with a dead one appearing in her first book! She lives in Cornwall with two demanding cats, and likes to walk by the sea, scouting out good murder locations. The Red House, a standalone thriller, is her fourth novel.
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Dead Man’s Daughter - Roz Watkins
Prologue
She lay on her back, hard metal under her, so cold it felt like being punched. The smell of antiseptic scorched her throat. She couldn’t move.
She tried to scream. To tell them not to do it. She was still alive, still conscious, still feeling. It shouldn’t be happening. But no sound came.
The man had a knife. He was approaching with a knife. Silver glinted in the cold light. Why could she still see? This was wrong.
With all her will, she tried to shrink from him. He took a step closer.
Another man stood by. Dressed in green. Calm. They were all calm. How could they be so calm? She must be crying, tears streaming down her face, even if her voice and her legs and her arms wouldn’t work.
Please, please, please don’t. Inside her head she was begging. Please stop. I can feel. I’m still here. I’m still me. No words came out.
The terror filled her; filled the room.
The knife came closer. She couldn’t move. It was happening.
The touch of steel on her skin. Finally a scream.
One of the men placed his hand on her mouth.
The other man pushed towards her heart.
1.
The woman grabbed my hand and pulled me deeper into the woods. Her voice rasped with panic. ‘She was running towards the gorge. The place the locals call Dead Girl’s Drop.’
That didn’t sound good, particularly given the Derbyshire talent for understatement. I shouted over the wind and the cracking of frozen twigs underfoot. ‘What exactly did you see?’
‘I know what you’re thinking, but I didn’t imagine it.’ Strands of dark hair whipped her face. She must have only been in her forties, but she looked worn, like something that had been washed too many times or left out in the rain. She tugged a similarly faded, speckled greyhound behind her. ‘I was expecting proper police,’ she added.
‘I’m a detective. DI Meg Dalton, remember? We wear plain clothes.’ No matter what I wore, I seemed to exude shabbiness. I was clearly a disappointment to Elaine Grant. I sneaked a glance at my watch. I’d had a phone-call from my mum that I should have been returning.
Elaine tripped on a stump and turned to look accusingly at me, her edges unclear in the flat morning light. ‘Pale like a ghost. The dog saw her too.’
I glanced down at the dog. He panted and drooled a little. I wasn’t sure I’d rely on his testimony, but I couldn’t afford not to check this out. I shivered and pulled my scarf tighter around my neck.
‘Wearing white, you mean? But you saw blood?’
‘It was a nightdress, I think. Just a young girl. Streaking through the trees like she had the devil at her heels. And yes, there was red all over her.’
Branches rattled above us. Something flickered in the corner of my eye – shining pale in the distance. My breath stopped in my throat and I felt a twitch of anxiety. ‘Is there a house in these woods?’ I asked. ‘Approached down a lane?’
Elaine walked a few steps before answering. ‘Yes. Bellhurst House.’
I knew that place. The woman who lived there had kept calling the police, saying she was being watched and followed, but she’d had nothing concrete to report. After the first time, they’d joked that she had an over-active imagination. Possibly a fondness for men in uniform. And we hadn’t taken her seriously.
Elaine touched my arm. ‘Did you see the girl?’
We waited, eyes wide and ears straining. The dog let out a little affronted half-bark, more of a puff of the cheeks. A twig snapped and something white slipped through the trees.
‘That’s her,’ Elaine shouted. ‘Hurry! The gorge is over there. Children have fallen . . . ’
I re-ran in my mind the control room’s leisurely reaction to this call; our previous lacklustre responses to the woman in the house in these woods. A band of worry tightened around my chest. I pictured a little girl crashing over the side of the gorge into the frothing stream below, covered in blood, fleeing something – something we’d been told about but dismissed. Maybe this was the day the much-cried wolf actually showed up.
I broke into a limping run, cursing my bad ankle and my bad judgement for not passing this to someone else. I couldn’t take on anything new this week.
The dog ran alongside me, seeming to enjoy the chase. I glanced over my shoulder. If the girl had been running from someone, where were they?
I arrived at a fence. A sign. Private property. Dangerous drops.
Elaine came puffing up behind me.
I was already half over the fence, barbed wired snagging my crotch. ‘Did you see anyone else?’
‘I’m not sure . . . I don’t think so.’ She stood with arms on knees, panting. She wasn’t in good shape. ‘I can’t climb over that fence,’ she said. ‘I have a bad knee.’
‘You wait here.’ I set off towards where I’d seen the flash of white. The dog followed me, pulling his lead from Elaine’s hand and performing a spectacular jump over the fence.
The light was brighter ahead where the trees must have thinned out towards the gorge. I could hear the river rushing over rocks far below. My eyes flicked side to side. There was something to my left. Visible through the winter branches. ‘Hello,’ I shouted. ‘Are you alright?’ I moved a step closer. A figure in white. I hurried towards her. She was uncannily still.
I blinked. It was a statue, carved in pale stone. Settled into the ground, as if it had been there for centuries. A child, crying, stone tears frozen on grey cheeks. I swore under my breath, but felt my heart rate returning to normal.
Was that something else? It was hard to see in the dappled light.
A glimpse of pale cotton, the flash of an arm, a white figure shooting away. I followed. There in front of me another statue. Whereas the first child had been weeping, this one was screaming, mouth wide below terrified eyes. I shuddered.
I ran towards the noise of the river, imagining a child’s body, smashed to pieces by stone and current. I didn’t need a dead girl on my conscience. Not another one. I’d been good recently – not checking my ceilings for hanging sisters or hoarding sleeping pills. I wanted to keep it that way.
‘Hello,’ I shouted again. ‘Is there anyone there?’
A face nudged out from behind a tree which grew at the edge of the gorge.
It was a girl of about eight or nine. She was wearing only a white nightdress. Her face was bleached with fear and cold, her hair blonde. The paleness of her clothes, skin, and hair made the deep red stains even more shocking.
I took a step towards the girl. She shuffled back, but stayed facing me, the drop falling away behind her. She must have been freezing. I tried to soften my body to make myself look safe.
The dog was panting dramatically next to me, after his run. He took a couple of slow steps forward. I was about to call him back, but the girl seemed to relax a little.
The dog’s whole body wagged. The girl reached and touched him. I held my breath.
The girl shot me a suspicious look. ‘I like dogs.’ Her voice was rough as if she’d been shouting. ‘Not allowed dogs . . . Make me ill . . . ’
‘Are you running from someone?’ I had to get her away from the edge, but I didn’t want to risk moving closer. ‘I’m with the police. I can help you.’
She stared at me with huge owl eyes, too close to the drop behind.
Heart thumping, I said, ‘Shall we take him home for his breakfast?’ The dog’s tail wagged. ‘Is that okay?’
She shifted forward a little and touched the dog softly on the head. A stone splashed into the water below. ‘He needs a drink,’ she whispered.
Elaine had been right. The girl’s nightdress was smeared with blood. A lot of blood.
‘Okay,’ I said. ‘Let’s take him back for a drink and some breakfast. Shall we do that?’
The girl nodded and stepped away from the edge. I picked up the end of the lead and handed it to her, hoping the dog would be keen to get home. I wanted the girl inside and warmed up before she got hypothermia or frostbite, but I sensed I couldn’t rush it.
I walked slowly away from the gorge, and the dog followed, leading the girl. Her feet were bare, one of her toes bleeding.
‘What’s your name?’ I asked.
I thought she wasn’t going to answer. She shuffled along, looking down.
‘Abbie,’ she said, finally.
‘I’m Meg. Were you running from someone?’ I shot another look into the trees.
She whispered, ‘My dad . . . ’
‘Were you running from your dad?’
No answer.
I tried to remember the substance of the calls we’d had from the woman in the house in the woods. Someone following her. Nothing definite. Nothing anyone else had seen.
‘Are you hurt? Is it okay if I have a look?’
She nodded. I crouched and carefully checked for any wounds. She seemed unharmed, apart from the toe, but there were needle marks on her arms. I was used to seeing them on drug addicts, not on a young girl.
‘I have to get injected,’ Abbie said.
I wondered what was the matter with her. My panic about her welfare ratcheted up a notch. I grabbed my radio and called for paramedics and back-up.
‘There’s a stream,’ Abbie said. ‘He needs a drink.’ The dog was still panting hard.
‘No, Abbie. Let’s – ’
She veered off to the right, surprisingly fast.
‘Oh, Jesus,’ I muttered.
Abbie pulled the dog towards the pale statues, darting over the bone-numbing ground. I chased after her.
There were four statues in total, arranged around the edge of a clearing. They were children of about Abbie’s age or a little younger, two weeping and two screaming, glistening white in the winter light. I ran between them, spooked by them and somehow feeling it was disrespectful to race through their apparent torment, but Abbie was getting away from me.
I saw her ahead, stepping into a stream so cold there were icy patches on the banks. ‘No, Abbie, come this way!’ I ran to catch up, wincing at the sight of her skinny legs plunging into the glacial water.
She called over her shoulder. ‘He can drink better at this next bit.’ She clutched the dog-lead as if it were the only thing in the world. I was panicking about her feet, about hypothermia, about what the hell had happened to her, and who might still be in the woods with us. But she was determined to get the dog a drink. And I sensed if I did the wrong thing, she’d bolt.
‘Abbie, let me carry you to the drinking place, okay? Your feet must be really sore and cold. We’ll get him a quick drink, then head back and get warmed up.’
She looked at her feet, then up at me. Worried eyes, blood on her face. She nodded, and shifted towards me.
I reached for her, but she lurched sideways and fell, crashing into the freezing water. She screamed.
Heart pounding, I reached and scooped her up. She was drenched and shivering, teeth clacking together. I pulled her inside my coat, feeling the shock of the water soaking into my clothes. I took off my scarf and wound it loosely around her neck.
I stumbled through the mud, filling my boots with foetid bog water, and finally saw a larger stream ahead, flowing all bright and clear. The dog immersed his face in it, gulped for a few moments, and looked up to show he was done.
‘Right, let’s go.’ I shifted Abbie further up onto my hip and limped back in the direction we’d come, trousers dragging down, feet squelching in leaden boots. The dog pulled ahead, shifting me off-balance even more. Through the boggy bit again, past the cold gaze of the statues, and at last to the fence where Elaine was waiting.
‘Oh, thank goodness!’ Elaine said. ‘She’s alright.’
I gasped for breath. ‘Could you go on ahead and put your heating on high? It could take a while for the paramedics to get here. We might need to warm her up in your house. She’s frozen.’
‘Shall I run a bath? Not too hot. Like for a baby.’
‘No, it’s okay. Just the heating.’
‘Like for my baby.’ Her eyes seemed to go cloudy. ‘My poor baby.’
I touched her lightly on the arm. ‘I’ll bring the girl back. Just put the heating on high and get some blankets or fleeces or whatever you have, to wrap round her.’
Elaine nodded and helped me lift Abbie over the fence, before heading off at a frustratingly slow walk.
I picked Abbie up again. ‘Not far now,’ I said, as much to myself as her. ‘We’ll get you inside and warmed up.’
‘Thank you,’ she said in a tiny voice. ‘Thank you for letting me get a drink for the dog.’
Her ribs moved in and out, too fast. That could be the start of hypothermia. I clasped her to me, enveloping her in my jacket and pulling the scarf more snuggly around her neck.
My feet were throbbing, so I dreaded to think what hers felt like. ‘Where do you live, Abbie?’ I said.
‘In the woods.’ She held on to me with skinny arms, trusting in a way which brought a lump to my throat. She rested her head against my shoulder. Her voice was so quiet I could barely hear. ‘I’m tired. . . Will you make sure I’m okay?’
I swallowed, thinking of all that blood. I could smell it in her hair. ‘Yes,’ I whispered into the top of her head, ignoring all the reasons I couldn’t make any promises. ‘I’ll make sure you’re okay.’
*
We eventually arrived at the edge of the woods, and crossed the road to reach Elaine’s cottage. I hammered on the door and it flew straight open. I wrenched off my muddy boots and sodden socks, followed Elaine through to a faded living room, and lowered Abbie onto the sofa.
‘Get some blankets around her,’ I said. ‘I’ll be back.’ I dashed barefoot over the road to my car, grabbed some evidence bags, and slipped my feet into the spare trainers I’d shoved in there in a fit of sensibleness. My toes felt as if they’d been dipped in ice, rubbed with a cheese-grater, and held in front of a blow-torch.
Back at the house, Elaine had swaddled Abbie in a couple of towels and about five fleecy blankets that looked like they could be the dog’s. I decided it was best not to smell them.
‘Do you have anything she could wear?’ I asked. ‘So we can get that wet nightdress off her?’
Elaine hesitated. ‘I still have . . . ’
Abbie looked up from her nest of fleeces and mumbled, ‘Where’s the dog?’
Elaine called him, and Abbie stroked the top of his head gently, her eyelids drooping, while Elaine went to fetch some clothes.
The room was clean and tidy but had a museum feel, as if it had been abandoned years ago and not touched since. Something caught my eye beside the window behind the sofa. A collection of dolls, sitting in rows on a set of shelves. I’d never been a fan of dolls and had dismembered those I’d been given as a child, in the name of scientific and medical research. And there was something odd about these. I took a step towards them and looked more closely.
A floorboard creaked. I jumped and spun round. Elaine stood in the doorway, holding up some soft blue pyjamas. ‘These?’ They must have belonged to a child a little older than Abbie.
I nodded, walked over and took the pyjamas, then sat on the sofa next to Abbie. I opened my mouth to thank Elaine and ask if she had a child of her own, but I glanced first at her face. It was flat, as if her muscles had been paralysed. I closed my mouth again.
I persuaded Abbie to let me take off the sopping-wet, blood-soaked nightdress and replace it with the pyjamas. Her teeth chattered, and she clutched my scarf. I put the nightdress in an evidence bag.
‘My sister Carrie knitted that for me.’ I was better at saying her name now. ‘When I was very young. It’s the longest scarf I’ve ever seen.’
Abbie touched the scarf against her cheek, closed her eyes and sank back into the sofa.
I looked up at Elaine. ‘Do you know if she lives at Bellhurst House? She said she lived in the woods, but she’s pretty confused.’
Elaine stared blankly at me. ‘Yes, I suppose she must. They own the land that goes down to the gorge.’
A pitter-patter of my heart. The guilt that was so familiar. Again I tried to remember what the woman from Bellhurst House had reported. Someone in the woods, someone looking into their windows, someone following her. She hadn’t lived alone; I remembered that. There was definitely a husband, possibly children.
‘Is that your house, Abbie? Bellhurst House?’
She nodded.
‘A car went down there,’ Elaine said. ‘In the night. I couldn’t sleep. Down the lane. I didn’t think much of it at the time. But now I’m wondering . . . ’
‘What time?’
‘I’m not sure exactly. About three or four, I think.’
‘Okay,’ I said. ‘Police are on their way to the house. What colour was the car?’
‘I couldn’t see – it was too dark.’
I turned to Abbie. ‘Do you remember anything about what happened?’ I said. ‘Where the blood came from?’
She leant close to the dog and wrapped her arms around him. He gave me a long-suffering look. Abbie spoke softly into his ear, so I could barely make out the words. ‘Everyone always dies. Jess. And Dad . . . ’
I looked at her blood-stained hair. ‘Who’s Jess?’
‘My sister.’
I imagined her sister and her father bleeding to death in those dark woods, surrounded by statues of terrified children. ‘Where are your sister and your dad, Abbie?’
No answer. She closed her eyes and flopped sideways towards me.
I caught sight of the dolls again.
It felt as if someone had lightly touched the back of my neck with a cold hand.
It was the eyes.
In some of the dolls, the whole eye was white – no iris or pupil. In others, the iris was high, so you just saw the edge of it as if the eyes had rolled up inside the doll’s head.
I turned away, feeling Abbie’s soft weight against me.
2.
I skidded my car to a halt on an icy, stone-flagged courtyard in front of the pillared entrance of Bellhurst House. Back-up hadn’t yet arrived and the place was deserted. I’d left Abbie with a PC at Elaine’s, but my stomach was knotted with concern for her relatives. They could be lying inside, gasping for breath, blood pouring from their wounds. I jumped from the car.
The house was Victorian Gothic, in the style of a small lunatic asylum. The kind of place where you’d find inexplicable cold corners and notice the cats avoiding certain rooms. It had two spiky-roofed, bay-windowed halves, flanking a tower topped with a witches’ cap roof.
I bashed a brass lion-head knocker against the oak door. No answer, but when I shoved the door, it opened into a narrow hallway. A stained-glass window splashed colours onto the carpet. I stopped a moment and listened, aware that I shouldn’t go in alone.
I stepped into the hall. ‘Police! Is anyone there?’
Nothing. The house was so silent, it hurt my ears.
I checked downstairs. There was evidence of a break-in – a forced window and glass crunching underfoot in a utility room – but I didn’t stop to investigate.
The stairs were narrow and all slightly different heights, making it hard not to trip. They led onto a landing which smelt of library books and damp coins. I crossed the creaky-boarded floor and poked my head into the first bedroom. It must have been Abbie’s room, or possibly her sister’s – decorated in the pink and purple that some little girls seemed to insist on, to the horror of feminist mothers. I gave it a quick glance – no blood – and retreated onto the landing. Another door opened into a larger room.
I froze. A man lay sprawled on his back on a double bed. Blood had sprayed onto the white wall beside him – a jagged line of crimson blobs with tails trailing below. More blood smeared the white duvet, the sheets, and the cream carpet by the bed. It was fresh and vivid, its coppery smell filling my nostrils.
I rushed over and checked his pulse, but I knew he was dead. I felt a wave of despair for Abbie – so strong my knees went weak. Was this her father?
I could never get used to these moments. The visceral shock of someone being dead. The knowledge that his family would have to live forever with this. Abbie would always be the girl whose father was murdered. Possibly the girl who saw her father murdered. This would be with her for the rest of her life.
I took a moment to look at the man’s face. To think of him as a person, before he became a job, a problem to be solved, a puzzle to be pored over.
I let myself feel the sadness, then took a deep breath and forced myself into robotic mode.
I scanned the walls. The blood was arterial – you could see the tell-tale pattern produced by the pumping of his heart. I glanced at the man’s throat. The carotid had been slit. He lay on his white sheets surrounded by the spectacular crimson display, his head jerked back into the pillow.
I flicked my gaze around the room. A window was open. Drawers had been pulled out and upended, leaving T-shirts and underwear littering the floor. A photo by the bedside showed a couple grinning at the camera, blue sea behind them. It was this man. I pictured little Abbie, wrapped in fleeces, hugging the dog, blood smeared on her face. The room shifted as if I was on a boat. Had she seen this done to her father?
And where was the sister? And what about the mother?
I needed to get out. Get the scene secured. My mind was full of all the things I had to do – gripped by that familiar desperation to get this right. To get it right for the relatives. For little Abbie.
I carefully left the bedroom and checked the rest of the house, pushing each door with tight fingers, praying I wouldn’t find a dead sister or mother.
I didn’t. The house was empty. I called in what I’d found, spoke to the crime scene manager and media officer, and walked back out to my car.
I jumped. Tyres kicked up gravel. A silver four-wheel drive hurtled along the driveway and skidded sideways onto the paved area, almost hitting my car. A woman leapt out and ran towards me. She looked familiar. The woman from the photo by the bed, minus the sunniness. ‘What’s going on?’ she shouted. ‘Where’s Abbie? What have you done with her?’
I took a step towards her, trying to block her from going into the house. ‘Abbie’s fine. Wait a minute.’
She pushed past me.
I reached for her arm. ‘You can’t go – ’
She pulled away. ‘Where’s Abbie?’
‘Stop! You can’t go inside.’ I shot round her and blocked her path with my body. ‘Abbie’s fine. She’s not in there.’
She tried to shove past me, so hard I was forced to push her away. She caught her heel on a flagstone and fell backwards, landing with a thud. I reached down to her, but she jumped up without my help.
I saw her arm draw back and then my eye exploded. I collapsed onto the icy ground.
*
I opened my eyes. Wow, that hurt. Of course they all chose that moment to arrive. The pathologist, a herd of SOCOs, half of Derbyshire’s uniformed PCs, and DS Craig Cooper – the nastiest cop in town. I heaved myself up as quickly as possible and tried to look like someone who hadn’t been punched in the face.
Craig jumped out of his car. ‘Christ, what happened?’
I gestured into the house. ‘Victim’s wife’s in there. Get her out.’
I touched the skin above my cheekbone. There were types of people you expected to thump you, and she hadn’t been one of them. I’d allowed her through, and now she’d have messed up the scene.
I suited up in the shadow of the house. My ankle was throbbing. I’d injured it as a child and it hadn’t healed well. A big lump of callus stuck out and restricted movement, making me walk with a slight limp and minimising my chances of ever looking like a glamorous TV detective. I must have bashed it when I’d fallen.
Craig appeared, leading the wife by the arm. Her hair and clothes were smeared red, and she was hunched over, letting out gulping sobs. Craig gave a little shake of his head and rolled his eyes to the sky.
The woman pulled herself free of Craig and stood breathing heavily and seeming to get control of herself. She raised her head. ‘Where’s Abbie? Where’s my little girl?’
‘She’s with police at a neighbour’s. She’s fine.’
The woman sniffed loudly and took a couple more open-mouthed breaths. ‘I told the police someone was stalking us. I told you but nobody believed me. Oh God . . . ’ She folded forwards again and held her stomach.
‘We’ll need to ask you about that,’ I said gently, ignoring the implied criticism. ‘But I have to get a few things started. Then I’ll take you to Abbie.’
She leant against one of the pillars by the door.
‘Was anyone else in the house?’ I asked. ‘Abbie mentioned her sister.’
‘There’s no one else.’ The woman swallowed and seemed to shrink into herself. ‘Jess died. Years ago.’
I opened my mouth to say something, but nothing emerged. Craig took the woman’s arm and led her away.
I made sure inner and outer cordons were in place, and went back in for a careful look around.
The hallway led into a utility room that had an old-house smell of mould and mushrooms. Its window had been smashed, the catch released, and the sash shoved upwards, making a space big enough for someone to climb in. The house still had its original wooden windows, making it an easy target. One thing for hideous PVC double glazing – it did make breaking in a little harder, and prints showed up so much better on plastic than on wood.
The kitchen was terracotta-tiled and rustic, with a central butcher’s block fit for dismembering large animals. The room was tidy but lived in, the fridge adorned with magnetic letters and a rather competent drawing of a dog’s head. A calendar on the wall showed school trips and ballet lessons. I glanced at today’s date – Rachel back from Mum’s. They were so terribly sad, the calendars of dead people, full of assumptions of an ordinary life continued.
One of a collection of impressive chef’s knives was missing from a knife block on the countertop. If they were in order, it was the largest. I looked at the others – all throat-slittingly sharp.
There was no evidence of an intruder in the living room. The TV and a laptop were still there, and the normal clutter of a family. A sketch pad and pencils, a thriller involving submarines, a pile of tedious-looking paperwork, a pair of nasty trainers.
A small study next door had been substantially trashed. All the drawers in an antique-style desk had been emptied, leaving piles of papers strewn over the floor. I scanned the piles, not knowing what I was looking for, wondering what they’d been looking for. Trying to sense the murderer’s presence in the room amongst the mess they’d made.
I scrutinised the bookshelves. More man-thrillers, reference books, and a little cluster of self-help, including a book called You Become What You Believe, which seemed tragically ironic in the circumstances. A card was propped on a low shelf of a bookcase, a picture of a kitten on its front. I lifted it with a gloved hand and looked inside. Thank you for getting in touch. We appreciated it. We don’t know who you are and we can’t tell you who we are, but it is of comfort to us that something good has come out of this terrible tragedy. I stuck it in a bag.
I noticed a door in the corner. It was hard to picture the layout of this peculiar house. I walked over and pushed it, and found myself in a bright room with a bay window overlooking a garden. Green-tinted light flooded in. The walls were lined with benches, on which drawings lay scattered. I stepped over to look at them. A charcoal heart on cream paper, snakes’ heads projecting from it, the muscle of the heart melding seamlessly into the snakes’ necks, an optical illusion making the muscle seem to twitch. Another heart shown split in two, blood oozing from its red centre. A third with a single eye which stared out at me and seemed to follow me as I walked along by the bench. I felt goose pimples on my arms, and made a note to get the whole lot bagged up.
Upstairs, nothing was obviously wrong in the pink room. No blood that I could see. Just a normal kid’s room – another sketch book, pony pictures on the walls, a globe on a painted desk, a mauve duvet hanging over the side of the bed, a fluffy elephant on the floor. My eyes were drawn to a sparkling amethyst geode on the bedside table, its purple crystalline innards shining from inside a dark egg of stone. I’d loved crystals and minerals too when I was a child.
The air in the main bedroom had a metallic sweetness that touched the back of my throat. The pathologist had arrived. Mary Oliver. We’d bonded over a few corpses since I’d come to the Derbyshire force six months previously – we shared an interest in obscure medical conditions and a guilty Child Genius addiction.
A glimpse of bone shone through the dark slash in the man’s neck, reminding me of abattoir photographs from animal rights groups. ‘So, he was killed by cutting his throat?’ I said.
‘Almost certainly. The PM will confirm.’
‘Is the carotid severed?’
‘Yep, cut right through with an inward stabbing motion. Two stabs, by the look of it. That’s why we’ve got some nice spatter.’
‘Would someone need a knowledge of anatomy or would random stabbing do it?’
‘Random stabbing could do it, although you’d have to be lucky with the location of the knife.’ She paused and looked at me. ‘Or unlucky, depending on your point of view.’
‘Time of death?’
‘Can’t be accurate on that yet, as you know.’
‘But . . . ’
‘His underarms are cool. From his temperature and the lividity, I’d suggest somewhere between 2 a.m. and 5 a.m. He’s not been moved post mortem. This is all provisional, as you know.’
‘Okay. And he doesn’t seem to have struggled?’
‘I’d say he was fast asleep and he never