The Catholic School: A Novel
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A semiautobiographical coming-of-age story, framed by the harrowing 1975 Circeo massacre
Edoardo Albinati’s The Catholic School, the winner of Italy’s most prestigious award, The Strega Prize, is a powerful investigation of the heart and soul of contemporary Italy.
Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat.
It is this environment, the halls of San Leone Magno in the late 1960s and the 1970s, that Edoardo Albinati takes as his subject. His experience at the school, reflections on his adolescence, and thoughts on the forces that produced contemporary Italy are painstakingly and thoughtfully rendered, producing a remarkable blend of memoir, coming-of-age novel, and true-crime story. Along with indelible portraits of his teachers and fellow classmates—the charming Arbus, the literature teacher Cosmos, and his only Fascist friend, Max—Albinati also gives us his nuanced reflections on the legacy of abuse, the Italian bourgeoisie, and the relationship between sex, violence, and masculinity.
Edoardo Albinati
Edoardo Albinati is a novelist, journalist, and screenwriter who lives in Rome. His novel Svenimenti won the Viareggio Literary Award, and The Catholic School won the Strega Prize.
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The Catholic School - Edoardo Albinati
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And that the unclean spirit, having left a body, might find seven others even worse.
—BLAISE PASCAL, Compendium of the Life of Jesus Christ
Part I
Christians and Lions
1
IT WAS ARBUS who opened my eyes. Not that I was keeping them shut, but I had no way of being certain of what my eyes were seeing—these might be images projected to deceive or reassure me—and I was incapable of fostering doubts about the spectacle that was presented to me every day and which we called life. On the one hand, I unquestioningly accepted everything that befalls a kid aged thirteen, fourteen, fifteen, and all the other years that follow in a row to bring to completion that phase
(I’ve always heard it described as a phase,
a moment,
even when it lasts for quite a while, a delicate moment,
or even a crisis,
which truth be told will be followed by other moments and phases every bit as delicate or critical, coming one on the heels of the other in an unbroken succession until you are grown up, an adult, old, and finally dead), I partook without objection of the daily meal where the table was set with all the things that happen to any adolescent, the business he’s surrounded by as he grows up, as he develops (there you go, development,
another keyword used by grown-ups to jimmy the padlocks of adolescence, the difficult age of development,
the development of a personality,
and then the horrible intransitive expression, he has already developed,
which puts an unctuous glob of sealing wax on the secrets of the genitals), and which may not follow in any exact order, but which form the inevitable courses of any adolescent’s meal: school, soccer, friends, frustrations and excitements, all of it punctuated by phone calls and filling up gas tanks and falling off mopeds—in other words, common experiences.
On the other hand, though, I was stung by a feeling of bafflement. Was this really life? That is, was this my life? Did I need to do something to make it mine, or was it being provided and guaranteed like this? Would I have to earn it and deserve it? Perhaps it was just a temporary life, and soon it would be replaced by the permanent one. But in that case, was it up to me to replace it, or would someone else see to that? Some external event? Life can be something extraordinary or something normal. What kind of life was mine? Until Arbus came into the story, these questions—which I am now at least capable of formulating, though I have long since given up all thought of answering them—didn’t even bob to the surface, because they dissolved before even emerging into my awareness, leaving behind only the faintest of tremors.
Even the idea of calling it awareness is an overstatement.
At the very most, the sentiment of being in the world. Of being there.
Whoever projected the images that were so comfortable for me and that wrapped so snugly around me was a magician, a genius. I have to give him that. His lamp unleashed dreams that were perfect, sweet, and crystal clear, inside which I walked rapt and, indeed at certain moments, practically ravished. In other words, I was truly happy and I was truly sad. I inhaled deeply the mysterious air of the stage sets that were built around me and hastily broken down again the minute I went by. Something made me think that sooner or later a decisive event would occur that, rather than explaining one by one the previous insignificant twists and turns, would stitch them together with an irresistible thread like the kind used to bind the pages of novels so that you keep turning them until you reach the end, unable to put the book down. And so, merely resembling a piece of fiction but also possessing the implacable coherence of a piece of fiction, my life and everyone else’s lives could finally be called true, and real …
They were moments that were precise and yet deeply troubling, I wouldn’t know how to put it any better, in which I perceived with painful clarity the confusion that took possession of me. All of me. It took hold of me and left no room for anything else—say, for ideas or thoughts. I was reduced to feeling and nothing more. To be exact, what I felt was the blood that flowed, amassing in my chest, my swollen, hurting heart, I mean to say, it actually hurt, really really hurt, as if it were about to leap out of my chest, to use the language of the novels of a bygone time, but though it hurt there was also a sweetness to it, strange, a truly strange sweetness, as strange as all the rest of it.
Arbus was in the same class as me from the first year of middle school, but I only began to notice him as middle school was about to end. Just a month before final exams …
STUDENTS ARE LEFT BEHIND by definition. All of them, with no exceptions. For that matter, teachers are also always left behind, too, they can never keep up with the study plans that they themselves drew up, and they put the blame for that on their students, which is right and wrong at the same time, since, let’s just imagine that their classes were made up exclusively of little geniuses, even then they wouldn’t be able to keep up, they’d still be left behind, maybe just by a page, or a line, or a millimeter. Their fate in any case is one of failure and giving up: for instance, giving up on the idea of covering all of Kant by the next-to-last year of high school. There’s no explanation for it and all we can do is fall back on the enigmatic expression the force of events.
Goals are created in the first place to fall short of, it’s in the exclusive nature of targets not to hit the bull’s-eye. Whether it’s because you run out of strength as the journey continues, or because the destination recedes imperceptibly as you go, or else because the plans were too optimistic or presumptuous or abstract in the first place, or the obstacles more daunting than expected, and the rain days or sick days or strike days or election days were just surprisingly numerous. I don’t know the field of science he pursued or what he based his findings on, but a certain expert calculated that any project we get under way is bound to cost an average of a third more than the starting budget, and will take at least a third again as long as we estimated to complete. And this appears to be an ineluctable factor. Only the rarest of exceptions escape the dictates of this law of intrinsic delay, and one of them was Arbus.
ARBUS, ARBUS, FRIEND, you skinny old fishbone. You were so skinny that the sight of your elbows when you pretended to play volleyball to keep from flunking gym sent a shiver down my spine. A shiver of pity or revulsion. To say nothing of your upper arms or your knees, whose sharp-edged bones practically poked through the black tracksuit with green-and-yellow trim that you had special permission to wear even as late as May, or the farther reaches of June, to protect your precarious state of health. However much you might pretend to focus on the game, everyone knew that if by some chance the ball ricocheted in your direction, into the narrow slice of the volleyball court to which we’d exiled you to make sure you did as little harm to the team as possible, you wouldn’t even see it hurtling downward because by then you’d be gazing in enchantment at the beams in the gymnasium roof, as if lost in calculations of the quantity of concrete required to hold it up. And if by chance, startled awake at the last instant by our shouts, you actually realized that you had to play (volleyball is a hysterical sport, a matter of crucial instants, in an entire game, you might or might not get your hands on the ball for a total of five seconds, and your turn comes unexpectedly), Arbus, come on! Pull it together!! Arbus, fuuuccckkk!! then you’d windmill your long, uncoordinated limbs, though it was unclear whether you were trying to return the ball with arms raised or loft it from below or even to catch it, which is what anyone is instinctively tempted to do when they’re not paying attention and they see something coming straight at them. And in fact that’s exactly what you did most of the time, you’d catch the ball in midflight and gather it to your chest, and then look around at your teammates as if hoping with a disoriented half smile for their approval in the very same instant that it was dawning on you that you’d screwed up for the umpteenth time, a hunch that was confirmed by the chorus of your impatient teammates, "Oh no, noooo, Arbus, what the fuck are you doing!?" And in fact, that was something that happened to you pretty regularly, that your face would have an expression sharply at variance with what you were thinking or feeling. You’d smile while people were insulting you.
The fantastic thing about Arbus was that he never got discouraged. He stayed impervious to events. Others couldn’t have put up with the constant ribbing and insults, and would have just thrown the ball at their teammates or lunged into physical combat or, as the ones we called little girls would do, burst into tears at their own undeniable inadequacies: reactions that I, for instance, gave in to on numerous occasions, incapable of putting up with the pressure of other people’s judgments, which always trigger a malaise or aggressivity in me even when they’re flattering, leave aside when they’re critical. I can’t say, however, that I ever saw Arbus looking crestfallen or worried. Anyone else would have suffered through this kind of situation and found it humiliating, but not Arbus, he maintained his equanimity as if none of it mattered to him or perhaps it did matter, but his face gave no sign of it, frozen as it was in a sort of delay, unable to keep up with his much faster mind. He took forever to register what was happening and to switch one mask for another. That’s it, maybe that’s really how Arbus was constructed, out of modular elements that weren’t synchronized each with the other, a lightning-fast mind, a cold heart, a face that was lazily incapable of shifting expression to suit the circumstance and was therefore often poised inappropriately (which is something that, as we shall see, brought him no small number of problems with his classmates, his teachers, and the authorities in general, who considered his expression to be insolent, irreverent, while his words sounded reasonable and obsequious, or the other way around).
And then of course there was his uncoordinated body. Arbus was tall and skinny, his vaguely Slavic-looking face framed by long locks of dark hair, oily as if he’d never shampooed in his life, a mouth with fleshy lips perennially arched in the half smile that proved so irritating, and then the deeply intelligent gaze behind a pair of eyeglasses that would have looked perfect on the scientist in a sci-fi or spy movie, that is, the kind of glasses that make your eyes look enormous behind lenses thick as the bottom of a glass bottle, especially if your eyes are the light blue of water as Arbus’s were, or I really ought to say, as they still are, because Arbus is alive, I know that for certain, I have proof, though I have no idea where he’s living or what he does.
IF HE WAS QUICK to learn (he took half the time I did, and a quarter or a tenth the time the others needed to absorb and translate theoretical lessons into practical exercises), he was every bit as good at instantly unlearning. It wasn’t that he forgot, it was simply that he moved on. Once he understood them, things suddenly ceased to be worthy of attention. At year’s end, he emptied out so he’d be ready to understand new things. Those who devour theories then go on to expel them. And those theories leave transparent traces of their passage through the mind, they seem to serve only to expand it, to make room for the transit of other, more complex schemes. When one’s understanding is so very rapid, one has no need to store up knowledge.
Already in the first two years of high school, Arbus flabbergasted both the priests and the rest of us by going up to the blackboard and rewriting point by point the entire array of steps in a theorem that had just been set forth by the teacher only minutes ago. He would draw histograms and rotate solids in isometric projection, giving us the impression that he was actually observing them simultaneously from all sides—Cubism was nothing in comparison! The minute he pulled away the stick of chalk he’d sent screeching across the blackboard with nervous little strokes, without so much as an instant’s hesitation, he remained there motionless, long arms dangling, clumps of hair covering his cheeks, silently staring into the void as if he were waiting to receive new instructions before venturing a movement or uttering a word. Like a robot that goes into standby mode until it receives the next command to execute. You couldn’t call it boredom or impatience, if anything the opposite of that: indifference. And in fact, once the problem was solved, what more was there to add? Given that we hadn’t grasped it even the first time it was set forth by our math teacher, we only realized that Arbus had replicated it exactly by the amazement painted on the priest’s pointy face. He wasn’t exactly pleased by how easy it was for Arbus. This facility might suggest that the teacher’s job was, all things considered, superfluous. People like Arbus could simply have stayed home, curled up in bed, to leaf through the textbook and run through a month’s curriculum in a comfortable half hour. There was no real difference between going to school and skipping it, after all.
Perhaps it would be better to have Arbus and the story of his well-understood genius written by someone at the bottom of the class, the behavioral problem, or the chronic underachiever, so as to bring out the full contrast. Instead the story is going to be written by me, intelligent, gifted, but not all that gifted, and most important of all, insufficiently endowed with the character needed to truly excel, like one of those young tennis players with enchanting backhands, for whom experts prophesy a spectacularly successful future, willing to swear up and down that they’re bound to become athletic phenomena, but instead as the years go by they never actually win major tournaments because there’s something they just lack. And what is it exactly that they lack? Determination? Courage? Tenacity? Balls? The killer instinct? What should we call that invisible quality without which the other, visible qualities are basically useless? Might it be no accident that we have the expression first in the class,
while no one has ever talked about the second or third, or the fifth in the class, which is what Zipoli, Zarattini, Lorco, and I were, that is, the ones who, depending on individual performance, would surge forward or fall back in the rankings, emerging into or dropping out of the top ten grinds, though never coming remotely close to threatening the number one leader of the class, Arbus, unfailingly at the top of every ranking, in spite of the few solid points that we scored with doctored classwork or oral exams in which by pure chance we were questioned on the only topic we had studied, or the one we’d studied last, and which was therefore still fresh. Hence our inevitable ups and downs. Arbus’s scores, in contrast, were stunning, his results never fell below the top quartile, and so in his case the teachers were often forced to violate the great school taboo of the old days—that is, the full ten, the Italian equivalent of the A-plus. A grade that is supposed to mean: perfection. The teachers went through a moral struggle at the very idea of writing a ten in their grade books, and in fact there wasn’t enough room to fit double digits into the appropriate space. But for Arbus, even the most conservative teachers understood, the ones who pointed out, But if I give you a ten, then how should I grade Manzoni?
Well, it was unthinkable to give Arbus anything less than the highest grade, no matter how they quibbled or made planetary comparisons with ancient Chinese sages or with Descartes. Personally, I was never one to pull all-nighters, but the great thing was that neither was Arbus, much less so, in fact; I believe that at home on his own he never studied at all. And after all, homework is boring.
LATER, a great deal later, I would learn that one of the few things that Arbus did study, and systematically, were the different ways of killing people. I don’t know where he got this singular passion, since he was the most mild-mannered and inoffensive young man you could ever hope to meet, especially in those years that, as we shall see in the course of the story, were marked by a very particular enthusiasm for violent abuse, an abuse that—rather than being exercised by the usual categories that are historically responsible for such abuse, that is, the rich (as a class prerogative), the poor (for survival), and criminals (by nature or profession)—was the province of just about everyone, on a scattered, individualized, personalized basis. You’d never call Arbus an aggressive or violent young man, and yet even then (though I learned of it only later, during our last years in high school) he cultivated a meticulous interest in killing, and let me be clear, killings of every kind and employing all methods or weapons—in war, of course, first and foremost, since war provides the greatest quantity and variety of killing—and then in ritual and sacrifice, in self-defense or for revenge, or else in the settling of accounts among gangsters or else to rid oneself of a boring husband or a cheating wife or out of sheer cruelty or else in the scrupulous implementation of a death sentence—in short, wherever there was a human being who for whatever reason or purpose chose to take the life of another human being, that was where Arbus turned his interest. In the pursuit of thoroughness, let me add that my classmate was also interested in the diametrically opposed situation (clearly, it was extremes that caught his attention): that is to say, not how one kills and is killed, but how one manages to survive.
As children, actually, we were immersed in a constant round of killings, for the most part imaginary but nonetheless quite appalling. Every time we went out to play, we rubbed out a vast number of enemies and almost always, at some point, our turn came to die. That was a prerequisite of the story. The scene that I believe I’ve played out the greatest number of times in my life is that of the gunslinger who crumples after being shot. There existed a vast array of speeds and manners of falling, bending one’s legs, staggering, clutching one’s chest or throwing one’s arms wide, and then flinging oneself or slowly tumbling over backwards, followed by writhing and one final attempt to return fire at one’s enemy before giving up the ghost. Nearly blinded as we were by blood and dust, it was hard to aim accurately and the gunshot often went wild. There is no escaping the destiny of games. Your hand would fall slack and the fingers that formed barrel and hammer would spread out empty after one last spasm, and for good. We shed rivers of blood, including our own, it was a full-fledged school of life, and now that I think back on it, it’s rather strange that so few of us, after all, actually translated simulation into reality, and went out to harvest flesh-and-blood victims. It astonishes me how rarely people have recourse to violence, considering how you hear nothing but exaltations of it in books, movies, and games, and you enjoy simulations of it for decades at a time, on TV. By age twelve I’d already seen thousands of people killed or else killed them myself. I had taken part in executions by firing squad and funerals. I’d been responsible for bloodbaths. Today, you can attain the same number of kills in a few sessions with any video game, and you can send all those bastards hunkered down in the bushes straight to hell. You wipe them off the screen. The enemy has proliferated a hundredfold and the means to destroy that enemy have been perfected.
I couldn’t say whether, as an adult, Arbus ever dedicated himself to these video games with their hyperrealistic graphics, which bring together the greatest imaginable verisimilitude with the sheer height of absurdity. If for no other reason than that I imagine he would like such an abstract and powerful blend, yet served up cold, by a computer. I’ve always thought that Arbus’s life was restricted to his mind, and was therefore expansive beyond all limits. In the secret circuits of the brain—that was where things materialized. All things. If the phrase had already been coined back then, the world my friend inhabited might very easily have been called a virtual world. Within the sheltering shell of his intelligence, a great many more things happened than in his everyday routine as a young prodigy, that is, a day in which there was time only for school, piano lessons, and the postural gymnastics that he had to do every day, with the assistance of machinery that resembled instruments of torture, with straps and steel springs, to keep his spinal cord in alignment in spite of his growth spurt. Yet another phenomenon of development and its collateral effects. Something ungovernable and deep down, unedifying, if at the very most it took the form of a mark on the wall a few inches higher than the one carved last year. How satisfying. But in Arbus’s mind there was sufficient space to contain all and every argument and adventure, and nothing was excluded from the outset because it might be too challenging or strange or dangerous or vicious. Arbus’s mind was boundless, it stopped at nothing, it recognized no limits, and it overcame them practically without realizing it. It might take any hypothesis under consideration, even the most horrifying ones.
I remember that one time in class we studied the theory of a writer who had proposed, as a sort of macabre joke formulated in a solemn language (it wasn’t all that clear, in other words, whether or not he meant what he said), that children be eaten as a way of alleviating the hunger of the masses. It’s well known that much of what is taught in school, starting with the humanities, at first glance appears to be senseless or exaggerated or tossed out just to elicit reactions. These people are out of their minds
is the phrase that springs to your lips every time you study a philosophical or literary doctrine, or else actual history: the emperor who had the sea whipped, the pineal gland, the theory that a cat might be simultaneously alive and dead, an excursion to the moon where the juice from the brains of men who’ve gone mad is kept in bottles, a chorus of mummies that sings at midnight, monads with no doors or windows,
and then the great political theorist who suggests you invite your adversaries to dinner and then have them strangled … Highly revered characters who hang themselves one after the other, who devour their children, have sex with their mothers, poison themselves in the belief that they can be brought back to life, the most and the least, the last who will be first, to be alive and to be dead are the same thing, and so on and so forth.
THEN WHEN THE TEACHER EXPLAINED that the author of this modest proposal was the same man who had written Gulliver’s Travels, we understood that it was someone accustomed to retailing tall tales and felt reassured with a dose of the typical skepticism that a student employs in the face of the umpteenth loony doctrine. It goes without saying that the only one of us who found this theory sensible, although difficult to put into practice, was Arbus, who in the end was forced to admit that it was absurd, but only for considerations of hygiene.
WE WERE RATHER UNIMAGINATIVE DREAMERS. Our chief sources of stimulation were television and dirty jokes, of which I have to admit I rarely got the point, I mean to say, the whole point. I would laugh, pretending I had gotten it, while all I had gotten was that this was when I was supposed to laugh. Just as there is full nudity, there is the whole point of a joke. Let’s say that I sensed it, that I did my best to guess at the point. My solitary efforts to interpret the unknown led me to original discoveries and colossal misunderstandings, some of which were never refuted and still survive today. The erotic autodidact is no better off than the scientific autodidact. At age twelve, for instance, ashamed of my ignorance but even more so of asking questions, I didn’t know the meaning of the word condom,
and for an entire summer and the autumn that followed I was convinced that it was a kind of lubricant that was kept in small smoked-glass bottles, just like nose drops. It was hard for me to guess its exact use. I don’t know how I deduced that piece of information. Certain of my classmates were well ahead of me in this field, but far behind me in others. The advancement of adolescents is irregular, in fact we might say that the age between twelve and fifteen doesn’t really exist as an age at all, with its standard prerequisites, given that in it there coexist attitudes and events and even before that bodies, physical bodies, of every size and appearance, and of every possible sex plus other improbable sexes that exist only during adolescence and then disappear, components that have nothing to do with each other, one being diametrically opposed to the other, pure contradiction: and in fact those years are lived with a barbaric spirit, assembling the shattered suits of armor of our childhood games with the fragments of a future that is always imagined as being far more a place of science fiction than it will actually prove to be.
All games call for prizes, but especially punishments. There’s usually only one prize, just as there’s only one winner, and it comes at the end, while the punishments are countless, almost everyone gets them, and they are inflicted progressively over the course of the game, and every season of life has its own: depending on what is dearest to us, that is what is taken away, while what we most fear or are most ashamed of stings and drowns us, amid choruses of laughter. This is a form of paying the penalty,
doing penitence. You can be punished in your pride, in your face, watching your snack money being stolen or being obliged to study the oboe; and when the sexual games begin, of course, the sexual punishments begin with them, the most horrific of which is sexual exclusion. Rejection, however friendly the terms in which it’s couched. Oh yes, even more than forced inclusion. Perhaps that’s why I was trying to keep pace with the vulgarities, with the pornography, verbal even before it became visual, at the cost of having to invent explanations for everything on my own. The times and the techniques. The secret, that is, which could be found in special magazine sex supplements, shrink-wrapped inside the issue to make sure that kids couldn’t peek at them on the newsstand. God, how ignorant and underdeveloped we were! The whole world conspired to keep us that way, and in the final analysis it was the priests alone, our archaic teachers, who lifted a finger to free us from that limbo. Willy nilly.
HOLD IT RIGHT THERE, all of you! Who gave you the condom?
That’s exactly what he said, condom,
in the singular. I thought that it must be a kind of medicine, or anyway, who knows why, something liquid, and precious or dangerous, contained in a small bottle from which it could be doled out with an eyedropper, like a poison or, perhaps, opium. When I later discovered, without any further details, that it was a contrivance that kept girls from getting pregnant, I insisted on believing for no good reason that it was some kind of liquid, I thought that the condom needed to be sparingly applied, drop by drop, on your dick …
IF I WERE ASKED to begin the story of Arbus from the very beginning, I would be hard put because, as I’ve explained before, for a long time his presence attracted no notice in class, more or less like a rock in the desert. Immobile, off-color, he hardly even breathed. If not a rock, then let us say a reptile. His priceless way of blending in functioned almost throughout middle school, which he passed through incognito. But then when little by little he became popular (well, let’s be clear on this, relatively popular: because in reality Arbus was never really loved at school, rather he was the object of morbid curiosity, rumor-mongering, looked upon as a phenomenon, in a certain sense, venerated, and therefore kept at arm’s length), in other words, when Arbus became famous for his monstrous intellectual capacities, he began to be enveloped in a blizzard of legends and such hyperbolic formulations as Arbus has no beginning nor will he ever have an end,
He is the Word,
and when we began our first lessons in philosophy, all the formulations from the textbook were pinned on him, rendering them finally understandable, among other things. The tag of unmoved mover,
taken from Aristotle, for instance, fit him to a T and perfectly rendered the idea of an imperturbable power. The teachers usually didn’t bother to test him, since they knew that he’d give all the right answers anyway. And the few times that they did test him, immediately after the exchange there was always someone in the back of the room who added in a solemn tone: Ipse dixit.
Moreover he was given nicknames with the most abstruse concepts, especially if expressed in Greek or foreign words, so that in correspondence with the curriculum he was called variously Apeiron, Mantissa, the Gnomon, Mummy, and Synapse.
High school students’ sense of humor isn’t (or wasn’t) particularly inspired. In the sense that it involves relatively little imagination and almost exclusively makes use of what comes to hand, that is, in textbooks and in class. It reduces the universe to the scope of a Cliff’s Notes and then continues to work on that to reduce it still smaller, miniaturizing, swept up in the same perfectionistic and caricatural delirium that led some, before classroom exercises, to copy over in characters scant microns across whole chapters on a scrap of paper that could be rolled up inside the shaft of a Bic ballpoint pen. It was a technique straight out of a spy movie, so labor-intensive that it would have been much less work simply to study those chapters. The result of this mind-set were ditties, bland parodies. Knock, knock. / Who’s there? / Euripides. / Euripides who? / Euripides trousers?
(the gags all had this dated, almost classical flavor) and Knock, knock. / Who’s there? / Eumenides. / Eumenides who? / Eumenides trousers?
The same kind of stuff that our fathers might have recited with an identical sophomoric snicker. This is Lavinia, your future bride / feel her down under, slip your finger inside.
School in my days and Arbus’s days was still in many ways as it had been in the postwar years (but how long did these blessed postwar years go on and, above all, when is it that they finally stopped stopping?), and it would change before our eyes, or perhaps I should say, under our feet—I mean to say, as children, we entered a school that seemed eternal, eternally unchanged, and when we got out, everything had changed from top to bottom, the world, the school, of course us, but even the priests who ran it were no longer the same, they were no longer the old stiff-necked bigots with the haggard faces of Spanish saints, their eyes burning with who knows what, perhaps in fact it was the priests who changed more than anything else. The only thing about them that remained the same was the tunic.
OUR SCHOOL, the SLM Institute, was a private school, religious in nature, with a monthly tuition and boarding fee, and teachers who were nearly all priests, especially in the elementary classes. In middle school and high school, the lay teachers became more and more numerous until, in the last couple of years, they were in the majority. You might deduce from this fact that the priests weren’t prepared to teach anything more complicated than the lowest or most generic levels of instruction (such as: reading, writing, and arithmetic); or that, quite the contrary, they reserved for themselves the first few years in their students’ education, since those are the most decisive from every point of view, including the religious sphere, which was near and dear to their own hearts and the hearts of the families (though not all of them, as we shall see). Probably both things were true. The Institute stood and still stands on Via Nomentana near the Basilica di Santa Costanza, and therefore on the eastern border of the Quartiere Trieste, a border that in fact runs along Via Nomentana, the long tree-lined boulevard, dense with traffic and romanticism, that ends at Porta Pia, where the Bersaglieri breached the walls and entered Rome. The salient events of our story will take place in the rectangle encompassed by Via Nomentana, the Tangenziale Est, or eastern bypass, Via Salaria, and Viale Regina Margherita. Nowadays the Institute, perhaps because of financial problems or for a lack of paying students, which amounts to the same thing, has been split up and reduced in size, and the buildings overlooking Via Nomentana, where the high school classes were once taught, are now occupied by a university that—before noticing the sign next to the gate, just a few yards away from the entrance to the pool where I now go to swim a couple of times a week—I had never even heard of. At the time in which this story takes place, the SLM Institute could fairly be called a very modern school.
2
THERE ARE THOSE who maintain that the cult of the Virgin Mary is an archaic holdover from the powerful and widespread matriarchal religions that came before the advent of male deities and also defied their dominion; others instead see in that cult the symbolic and highly effective reduction of a woman’s role to that of mother, exclusively mother—loving mother, sorrowful, dolorous mother; yet others view it as the sole and invaluable acknowledgment—within the context of a monotheism rigidly based upon such male figures as the father, the son, and the patriarch—of the decisive importance of the female half of the species, not only in ensuring that the world exists, but also that it be both humane and inhabitable. To put it in other words, let’s just be relieved that there’s a woman in that gallery of bearded, highly vocal men. At least we have Her. She at least is there to rehabilitate Her sex from the beginning of things, so badly ruined by the misbegotten actions of her foremother. The religious order of the brothers of SLM was dedicated to the Virgin for all these reasons, plus the other, more obvious one, namely to ensure that there be a Mother to worry about and watch over the rearing and education of children and young men, the loveliest and most attentive and patient and indulgent of mothers, but also (as in the wonderful painting by Max Ernst, La Vierge corrigeant l’Enfant Jésus, or Young Virgin Spanking the Infant Jesus in Front of Three Witnesses) a Mother capable of administering punishment when necessary, albeit in a perfectly lighthearted manner. It really is hard to imagine (in spite of the various schools of thought about child-rearing that were progressively establishing themselves in those years, to the point that they became a sort of unquestioned common sense, maintaining exactly this view) that there could be any form of education that called for no form of punishment whatsoever. And I say this because punishments, leaving aside any consideration of whether they are just and proper retribution and whether they actually result in deterrence—it is surely reasonable to question whether they are and whether they do—in any case serve to develop in those who are subjected to them, rightly or wrongly, an anger that might prove quite useful if it can only be turned to the purposes of the education in question. Punishments, then, are useful as a way of testing and developing an individual’s resistance rather than breaking it. Only those who are shattered by the punishments they receive actually transform them into pointless humiliations, which they will then proceed to resent and wallow in obsessively. For everyone else, punishments constitute merely so many ordeals to be overcome, much like the Labors of Hercules, calling upon inner resources that only in this fashion can one discover, to one’s astonishment, and make use of. Strength and intelligence and even personal dignity, then, begin to run in the veins of those who resist and react to punishment, qualities that would otherwise remain in a dormant state; one would never even know that one possessed them. In other words, it’s not sufficiently appreciated that morale precedes morality, but in time there is a complete confluence of the two, and that among the constituent elements of both morale and morality we should also count the resentments created by authority with its acts of repression. It’s a very simple chemical reaction in the soul. Neither revolutionaries nor patriots, scientists, or even ordinary bank clerks, much less nurses and lawyers and dermatologists, would ever develop into fully formed persons unless someone along their path, much like in the game of snakes and ladders, chose to hinder their progress from time to time, by sending them back to square one, inflicting a penalty, and often for contrived reasons or at the slightest misstep. Any initiation cannot help but be painful, at least in part.
THE PRIESTS of the SLM Institute were well acquainted with the virtues of the Virgin Mary and how to make the best use of them in the course of their teaching, a pursuit that was at the basis of their calling. Just as there are military orders and mendicant orders, so there were the brothers of SLM, an order predicated upon the mission of teaching. Certainly, it was a bizarre detail that the principles of their protrectress should be applied by a community consisting exclusively of men; and that the recipients of their loving efforts should also be only and exclusively male. Teachers and students at SLM: all males, with just one great Mother and Queen, like some sort of beehive. The priests’ objective—tenacious gardeners that they were, tilling a garden of pumpkins and tomatoes, was to raise young men to adulthood and eventually take them to ripe maturity as good Christians; the first of these goals was by no means an easy one, while the second, which may perhaps at the time of the order’s foundation (1816) have seemed obvious and straightforward, with the passing of time had become increasingly daunting, up to and including the period in which our story unfolds, when the very expression good Christian
had become indecipherable and everyone interpreted it as they saw fit, adding to it psychological or political shadings—the pope meant one thing by it, individual worshippers quite another, and even sinners could rightly proclaim themselves to be good Christians, indeed, perhaps the very best, seeing that they were the raw material, the ultimate evangelical resource, the latest generation of prodigal sons and potential Mary Magdalenes, an authentic seedbed worthy of tending for eventual redemption, in short, and in fact it was these last-mentioned paragons that the students of SLM wound up most closely resembling: aspiring young sinners.
According to the Eastern tradition, it is said that Mary never died but instead fell into a deep sleep, and in that state she abandoned earthly life.
I DON’T KNOW, I still don’t know, I still haven’t figured out what I think of priests. How I feel about them. It’s a deep and lasting controversy. There are a few aspects, indeed a great many, of the priestly way that I find within myself, starting with my shoes, those shiny black lace-ups, slightly elongated, that I’ve always bought, never varying the style, unfailingly prompting this comment—Once again, you’ve bought yourself a pair of priest shoes
—or else sandals, that’s right, sandals, which are so fashionable these days, albeit in rude and daring styles, and which can be found in all kinds of stores, though I used to go buy them from a shoemaker over near the Roman Ghetto, who made them expressly for monks, with the penitential strips of black leather that crucified your foot, bruised as any martyr in a Mannerist painting, the foot of the month of May when it sticks out, pale and skinny, from beneath a pair of winter socks, courageously exposing itself to view.
Many years ago, a young woman made me blush by telling me that you could see from my face
that I’d gone to a school run by priests, and however hard I tried to take it as a joke, wiping my forehead clean of that stain, consisting not of one scarlet letter but actually three, S, L, and M, I was actually cut to the quick. Stabbed in the heart. Indeed, for many years to come, like some young and evasive St. Peter, I concealed the truth that I had attended SLM, had been taught by priests, just as you might conceal a physical defect, avoiding the topic or outright lying, and I was lucky if the question was formulated, What school did you graduate from?
whereupon I’d promptly reply, Liceo Giulio Cesare!
a public high school on Corso Trieste. Neglecting to mention that I’d spent the previous twelve years at the Catholic school.
That was when I understood what it meant to be ashamed of one’s own identity, to the point of hating it. To be so embarrassed that you inwardly admit the right of others to hold you in unjustified contempt. The accusers generally ask for nothing better than to be offered good reasons by those they’ve targeted.
In time, though, I learned that the only way to avoid shame is not so much to accept oneself (impossible to do!), but rather to boast about it, to show off the very thing you once concealed. Toss out an open challenge of defiance. Like in a gay pride parade, in other words.
From that point on, the fact that I’d been taught by priests became a jolly joker, a wild card that could be played without warning. A self-accusation, a denunciation of my own education.
FOR MANY YEARS I have also imitated or worn other elements of priestly attire, more or less consciously, for instance, the black, square-cut overcoat. The rejection of color, mistrust when it comes to variety. Likewise, a vague aspiration to egalitarian garb, the forced brotherhood of the uniform that frees us from the anxious necessity of gauging ourselves, comparing each with the other, and therefore of choosing, judging, and suffering beneath the hammer of other people’s opinions of us. Of course, this aspiration is defensive by nature, it’s a way of protecting oneself. I confess that I am afflicted with a sort of obsession with comparison, but not on serious matters, rather on the most frivolous things, trivialities, a man who plunges endlessly into the abyss of details, and can suffer over a half-inch miscut on the hem of his trouser leg, just as he can rejoice at a brassiere that increases by a full measure the volume of its content. The only way to abolish this incessant turmoil would be not to multiply endlessly the differences, as libertarians insist, until it becomes impossible to compare individuals at all, each one unique in her or his singularity, but rather to eliminate those differences entirely and never give them another thought. One less thing to worry about. For starters, why don’t we all dress alike? A world without judgments and without controls is thus implemented once and for all, in the mornings we dress without reflecting, so that no young man or young woman suffers at the thought that their T-shirt might not be quite right, or feels superior because it is. Everyone in uniform, and not another word on the matter, wouldn’t that be great? A jumpsuit, a kaftan, a tunic, perhaps a hat topped with a feather. Just to make it clear who you’re dealing with, whether it’s a soldier a priest a fireman a factory worker a millionaire or a convict. These days, only gypsies and Carabinieri make it clear who they are …
Hey, this isn’t some regret I’m expressing. I regret nothing at all, because even in my day uniforms no longer existed, they’d all been converted without distinction into the one obligatory uniform of T-shirt and jeans, the straitjacket of casual wear (therefore, they were by no means a marker of grim conformity, uniforms—if anything, they were proud signs of one’s differences…), and when I did my required military service, the regulations had just been changed, which meant that off duty we could go out dressed just as we pleased. That meant that, while up until just a few months ago the city of Taranto was overrun at night by thousands of young sailors and air force men, clad in shapeless uniforms but still, somehow, dignified in their shared tawdry squalor, in the brotherhood of that ridiculous obligation, when our turn came (the draft contingent of September 1979), we were a tidal wave of oafish young men from every corner of Italy, but so very oafish … so grimly tumbled together and even more anonymous than if we’d all been in uniform.
A PRIEST’S TUNIC is an article of clothing that inspires respect in me, and by respect, I mean a recognition of diversity. Not a way of bridging this distance; if anything, of preserving it. Diversity is a factor of both attraction and repulsion. These days it is not generally tolerated. People say that in a faceless crowd no one pays attention to anyone else, but that’s not true, a priest, for instance, or even more so, a nun, is noticed, people pay attention to their clothing, which expresses a specific choice—and this choice, since it’s exclusive by nature, makes others feel uncomfortable. You’re tempted to tell the priest, Hey you, why are you showing off the fact that you’ve dedicated your life to God, huh? Do you realize that you’re offending me by making a show of how good and holy you are, or rather, claim to be? What are you trying to do, preach me a sermon? Well, listen up, you’re worse than me, or maybe I should say, you’re exactly like me, so why do you act like you’re so special?
In this Western world we live in, an environment totally dominated by and devoted to sex, where sex sprays out of the wrinkles of every topic and image, in private phone calls and public billboards, clothing, politics, exercise, sports, TV programs, comedy, and so on, the prominent presence of men who don’t have sex is inexplicable; or perhaps they do have sex, but only in secret, which makes hypocrites of them, or else they have no sex at all, which means they’re insane. Normally, people assume the former, and in fact, in all my life I’ve never heard anyone denounced as damned hypocrites the way I’ve heard priests being condemned. But at least, if that is the case, priests would be proving that deep down they’re no different from anyone else, and their alleged diversity is therefore nothing but a trick, a piece of buffoonery.
But what’s really intolerable is the thought of another individual’s actual chastity. First and foremost, I cannot bring myself to imagine it as anything more than a mutilation. And so, what moral authority ought I to acknowledge, for what reason on earth should I allow myself to be guided aided instructed or even just advised by a man who has so horribly mutilated himself? By giving up the only thing that makes this beastly life worth living at all, namely, love? Let’s not beat around the bush here: physical love, that’s right, carnal love, which includes within its domain celestial love. I don’t want to waste my time listening to refined theological arguments aimed at proving that even the renunciation of love is a form of love, indeed, is an even greater form of love, as one papal encyclical claims. You can’t renounce wife and children and then say: I am renouncing nothing. This is not a renunciation, ceci n’est pas une pipe: there are times when Catholicism appears to be a forerunner and subsequently an epigone of Surrealism. It takes any ordinary thing and then claims that that thing is the exact opposite of what it clearly and unmistakably actually is. Go to a funeral, you’re feeling sad because someone you care about has died, at least this seems like a point that’s beyond discussion, you just want to be left alone to mourn your loss in peace and quiet, and instead there’s always a priest at the pulpit—and when I say always, I mean always, like a recurring curse!—assuring you that your friend or your close relative, whose loss is a burden of sadness, isn’t actually dead at all. No, he’s not dead. Or she’s not dead. Enzo isn’t dead. Silvana isn’t dead. Cesare isn’t dead. Rocco is still alive. Wait, what, aren’t they dead?! Then what are we even doing here? No, he’s not dead, he lives on, and you should all put away your sadness, you should exult with him … for him … about him … rejoice with him … Certainly, he is in paradise, where he is now happier than before, and I see what they’re doing, I’m not as simple as all that: all the same, I feel that this philosophy is a mockery, a way of pulling the wool over our eyes. It triggers a boundless rage in me, I have to go outside, leave the church, I haven’t been able to sit through an entire funeral service in years, I’d rather just wait around on the street for the coffin to be brought out, on the shoulders of the pallbearers, a couple of red-faced relatives and friends and the people from the funeral parlor, with bulging biceps beneath their misshapen jackets. All it seems necessary to do is take the obvious facts and turn them on their heads, and boom, you have the solution. If you’re poor, then actually you’re rich; diseases are gifts of God; when someone dies it’s a benediction because now they’re rejoicing with the angels, the first will be last, the blasphemer unbeknownst to himself praises the Lord, if you turn your back on God that means you’re searching for Him, if there is no God then that surely means that He’s there …
Could it be that in this life there’s not a single thing laid down straight from the outset, that you don’t absolutely feel the urge to turn upside down? In the midst of all the, shall we say, active virtues, that push us to be more and better than what we are, those on the other hand that are based on renunciation remain enigmatic. From the respect that we feel for those who commit acts of self-sacrifice to repugnance and ridicule is often only a short step. The typical life of a saint, of the sort frequently narrated in hagiographies, with the customary succession of mortifications and suppurating wounds, would, if replicated nowadays, be the object of universal disgust and censure. But a priest ought to bring at least a crumb of holiness with him, in a corner of his heart, or of his mind, or of his clothing, otherwise what makes him different from the rest of us? If he doesn’t possess that speck of sanctity at all, then he’s just bluffing, and if instead he does, then we’re so unaccustomed to holiness that it frightens us or else it just bores us. The sacred is in fact a form of diversity. Those who are forty years younger than us and have yet to experience their first sexual relationship or get married are sacred, those whose skin is a different color than ours or who go barefoot are sacred, if we are male then women are sacred, if we are female then it is men who are sacred, anyone who wears a fez is sacred, or a turban or a bowler hat or a Bersagliere’s plumed hat, while even a top hat rented for a wedding confers the aura of a sacred vestment for the space of an evening upon the head of whoever wears it. The unpronounceable surname of a Sinhalese housecleaner is sacred. Yesterday evening it was sacred for me to glide silently in a boat down the canals of Castello, in Venice. And it is these crumbs of the sacred, these particles of the sacred, that annoy others, unleashing tides of resentment.
SO I SUPPOSE you’re someone who talks to God on a daily basis? we’re tempted to say to a priest. Show me this God of yours, then, let’s have a look at Him, do a miracle for me, here and now, on the spot. I realize that I often use, mentally, the same language that was used in the interrogations the earliest Christians were subjected to, to which Christ Himself was subjected, before He was nailed up on the cross. Hic Rhodus, hic salta. From every religious credo we demand, and not entirely without reason, that it prove itself immediately redemptive and healing: instead they all promise things far away and in the distant future, rewards that will come later, far too late, at the end of times, so that in the meantime we find ourselves settling for the lesser and propitiatory, semi-magical aspects, a smidgen of consolation from the harshness that we are forced to tolerate in the here and now, some miracle small or great, the chilly caress of the statue of a saint that protected you in some catastrophe, an airbag inflated with prayers.
One day when I happened to be in Padua, I left the hotel early in the morning and, turning the corner, realized that I was a hundred yards from the Basilica of St. Anthony (the night before, arriving half crocked in the taxi, I hadn’t noticed it). I entered the church, walked toward the urn that contained the saint’s remains, and I have to admit that as I got closer and closer, I could feel a powerful and inexplicable emotion growing inside me. It wasn’t as if the wave of this new sentiment in any way erased my prior skepticism, since I can’t even call myself a skeptic, nonbeliever, or atheist, as I’m not even any of those: I’m nothing. Personal convictions had little to do with it: perhaps it was just a kind of current, the magnetic ring formed of the vows that had been circulating around that stone structure for centuries. When I was close enough to the sepulcher that I could reach out and touch it, and did so, caressing one of its walls, I realized that the multicolored tiles that covered it were not marble inlay, as I had thought, but photographs stuck on with adhesive tape, dozens and dozens of photographs, and they were all pictures of crushed or gutted or burnt car wrecks, the kind of pictures you take after a car crash to send to the insurance company for a payout. Though, to judge from the seriousness of those wrecks, none of the cars would ever be repaired. There were cars whose entire hood had been shoved back into the passenger compartment as a result of a head-on collision, others with the roof smashed down all the way to the level of the backrests of the seats, leaving little room to the imagination of what must have become of the occupants of the vehicle. Instead, however, to my surprise, next to the photographs taken by the highway police, there were other, smaller and more recent, pictures, this time Polaroids, depicting a smiling man or woman, and a note thanking the saint for having saved them. I learned that by deciphering some of those messages, written in English or Spanish with the sort of childishly clear and rounded handwriting that, for instance, Filipinos tend to have, and in fact nearly all of the votive photographs belonged to immigrants, Asian or Hispanic, as if car crashes only befell them or else they alone, by now, in a country that is so unaccustomed to showing gratitude, felt the obligation to thank someone up there for having spared their lives. I was sorry not to have the photographs of the Honda 125 motorbike my daughter Adelaide had been riding just a few weeks earlier when she’d hit a car one morning speeding to school, and the accompanying photograph of her, smile on her face, and safe and sound. I was sorry, but I thought I might still do some good by saying a prayer, I thank you … I thank you … for having saved her,
but I didn’t know exactly whom to thank, who the you was that I was thanking. God is far away, the saint is too busy, and in anything he’s more likely to listen to those who truly believe in him. So I kept it vague, just like in one of those poems where you’re certain the poet is speaking to a woman he loves, but you don’t know who.
TAKING JESUS as your model doesn’t help. Jesus has always been the opposite of everything. Perhaps it is in fact from Him that issues