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King of Scars
King of Scars
King of Scars
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King of Scars

Rating: 4 out of 5 stars

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A 2020 LOCUS AWARD FINALIST!

See the Grishaverse come to life on screen with the Netflix series, Shadow and Bone -- Season 2 streaming now!

Discover what comes next for daring rogue Nikolai in King of Scars, the start of this captivating new duology from #1 bestselling author, Leigh Bardugo.

"[Bardugo] touches on religion, class, family, love — all organically, all effortlessly, all cloaked in the weight of a post-war reckoning with the cost (literal and figurative) of surviving the events that shape both people and nations." —NPR

"The story exists at an intersection of past and future selves, and in the dawning understanding that what you most fear may be what you most need." —Washington Post

Face your demons...or feed them. The dashing young king, Nikolai Lantsov, has always had a gift for the impossible. No one knows what he endured in his country’s bloody civil war—and he intends to keep it that way. Now, as enemies gather at his weakened borders, Nikolai must find a way to refill Ravka’s coffers, forge new alliances, and stop a rising threat to the once-great Grisha Army.

Yet with every day a dark magic within him grows stronger, threatening to destroy all he has built. With the help of a young monk and a legendary Grisha general, Nikolai will journey to the places in Ravka where the deepest magic survives to vanquish the terrible legacy inside him. He will risk everything to save his country and himself. But some secrets aren’t meant to stay buried—and some wounds aren’t meant to heal.

Read all the books in the Grishaverse!

The Shadow and Bone Trilogy
(previously published as The Grisha Trilogy)
Shadow and Bone
Siege and Storm
Ruin and Rising

The Six of Crows Duology
Six of Crows
Crooked Kingdom

The King of Scars Duology
King of Scars
Rule of Wolves


The Language of Thorns: Midnight Tales and Dangerous Magic
The Severed Moon: A Year-Long Journal of Magic
The Lives of Saints
Demon in the Wood Graphic Novel


Praise for the Grishaverse

“A master of fantasy.” —The Huffington Post
“Utterly, extremely bewitching.” —The Guardian
“This is what fantasy is for.” —The New York Times Book Review
“A world that feels real enough to have its own passport stamp.” —NPR
“The darker it gets for the good guys, the better.” —Entertainment Weekly
“Sultry, sweeping and picturesque. . . . Impossible to put down.” —USA Today
“There’s a level of emotional and historical sophistication within Bardugo’s original epic fantasy that sets it apart.” —Vanity Fair
“Unlike anything I’ve ever read.” —Veronica Roth, bestselling author of Divergent
“Bardugo crafts a first-rate adventure, a poignant romance, and an intriguing mystery!” —Rick Riordan, bestselling author of the Percy Jackson series

LanguageEnglish
Release dateJan 29, 2019
ISBN9781250142276
King of Scars
Author

Leigh Bardugo

Leigh Bardugo is a #1 New York Times bestselling author and the creator of the Grishaverse (now a Netflix series) which spans the Shadow and Bone trilogy, the Six of Crows duology, The Language of Thorns, and the King of Scars duology—with more to come. Her other works include Wonder Woman: Warbringer and Ninth House (Goodreads Choice Winner for Best Fantasy 2019). She lives in Los Angeles and is an Associate Fellow of Pauli Murray College at Yale University.

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Reviews for King of Scars

Rating: 4.128723180851064 out of 5 stars
4/5

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  • Rating: 5 out of 5 stars
    5/5
    One of my all time favorite books! Highly recommend for anyone who loves fantasy books. The characters are amazing.
  • Rating: 3 out of 5 stars
    3/5
    I was quite impressed that I was able to follow this story so many years after reading the first 2 series, and there wasn't a huge info-dump at the beginning to facilitate it -- that takes some skill, to roll out reminders as the plot moves along. I also like Nikolai's character and enjoyed getting to know the new Zoya. Like some of the other reviewers, I struggle to care -- I get that the adventures in the two previous series would not have substantively changed the political realities for Ravka, but in many ways it feels like the same story told again, and as a reader I want some story lines to truly end and new ones to begin -- maybe it's a little too realistic for me, and I want more hope? Anyway. It's solid. If I had read it sooner, I might have enjoyed it more. I'm in two minds about picking up the sequel. Love that there are openly gay characters.
  • Rating: 4 out of 5 stars
    4/5
    TW/CW: Death, fantasy violence, talk of sexual assault, torture, warRATING: 4/5REVIEW: King of Scars takes place after the main Grishaverse trilogy, and after the Six of Crows duology. It follows Nikolai Lantsov as he struggles to fight a war against Ravka from three sides and deals with the aftermath of the wounds given to him by the Darkling.I enjoyed this book a great deal! Probably better than the main trilogy, since I actually liked the main character in this one. I also enjoyed the secondary characters – the Grisha Triumvirate, Nina Zenik, and all the characters that made this into a fascinating and fast moving book.I recommend for fans of fantasy and YA fantasy.
  • Rating: 3 out of 5 stars
    3/5
    After reading all about the Crows in the previous duology, I cannot say I am a fan of Leigh Bardugo’s King of Scars. I found the entire book very repetitive and slow. Once I finished, I had to take a moment to question just what happened to warrant the 545 pages. The answer is not much. Also, I wasn’t happy to see Nina once again become a major player in the novel as she already had more than enough presence in the previous duology. I’m not certain what her part brings to the overarching story. I’ll finish the duology because that is what I do, but I think this is my least favorite of all of Bardugo’s Grishaverse books to date.
  • Rating: 4 out of 5 stars
    4/5
    King of Scars could also be called book four of the Shadow and Bone Trilogy although you need to read the Six of Crows duology.As it's further in the series, I prefer not to say a whole lot because it gives away too much from the previous books. Alina is no longer around (read book 3), so Nikolai has the Grisha left who fought against the Darkling at his side. He must now rule the kingdom that some believe he has no right to rule. He, however, was born to rule. He knows exactly how to present himself depending upon the audience. He believes in change and sacrifice in order to do what is best for Ravka. Of course, he has the small problem of the darkness within him from the Darkling. Will it take over and the country has no king or can he remove it without dying and rid the world of the darkness? He also needs to marry in order to secure the future of the kingdom with children in case he were to die. Zoya, his general, offers strength and power. Her job and goal is to protect Nikolai in order to save the country. She has her own demons and hopes NIkolai can survive and save everyone.Meanwhile, Nina, Andrik and Leoni support the effort by doing some spy work. It's while they are out that they discover that girls are disappearing. Undercover, they try to discover what is going on only to find a nemesis from Nina's past (see Six of Crows). Nina doesn't always work well with others. Dangerous foes can outwit even the best of the Grisha.I really enjoyed this novel and can't wait to read the second book in the duology, Rule of Wolves. I have it on hold! Enjoy! If you haven't read Shadow and Bone trilogy and the Six of Crows duology, do so. They are a lot of fun!
  • Rating: 4 out of 5 stars
    4/5
    Amazingly well-thought fantasy world, and while this does reference back to previous GrishaVerse novels, it can definitely be an entry point into the world.
  • Rating: 4 out of 5 stars
    4/5
    King of Scars picks up where the Shadows and Bones and Six of Crows series left off. Nikolai is king of an impoverished Ravka and his monster is getting worse, Zoya is his loyal general, and Nina is on a spy mission in Fjerda to rescue Grisha and bury Matthias.I thought Nina's story was the best, showcasing the talents learned in both previous series. Nikolai and Zoya's is a combined story as they attempt to destroy the monster inside Nikolai. I admit, I wasn't a huge fan of Zoya, but I'm definitely warming up to her. Isaac, the poor soldier, also has a part to play.The pace is slower than Six of Crows, understandably as that was a heist story while this one is a bit more convoluted, closer to the Shadow and Bones series. It's a good read and fun to be back in the Grishaverse once more.
  • Rating: 5 out of 5 stars
    5/5
    Spoilers. I love the world she has created. I slipped right back into it with great pleasure. I like the challenges she gives to her characters. The storylines and prose are mostly fresh. She has a great sense of pacing and as alway the dialogue zings. The world building is incomparable. My only small qualms are that the Nina storyline felt very separate from the Nikolai/Zoya storyline, she name- and event-dropped from the other books a little too much, and I prefer for vanquished enemies not to rise again.
  • Rating: 4 out of 5 stars
    4/5
    Zoya is the real star of this show and Nikolai is mostly just doing the best he can. His struggles really made me like him as a character whereas I couldn't care what happened to him either way before. The story (while it has plenty of plot) is more character driven than plot driven this time around. A lot of people are complaining about this book not being accessible for those new to the Grishaverse, but my mom read this along with me without reading the Grisha series (though she read Six of Crows) and had no issue. If you're not great on context clues, maybe go back and start the others first.
  • Rating: 4 out of 5 stars
    4/5
    All I can say right.........OMG he's back.. I am shocked.
  • Rating: 3 out of 5 stars
    3/5
    I am so disappointed, I didn't have the experience I expected after reading the previous books. I rushed through them to get to this one. I struggled to stay involved in the stories from the beginning. I read it during the world wide lock down from the Coronavirus, so I had plenty of time. I admit to being stressed who isn't ? But I've read other books and not felt so disconnected. There were too many POV's going on that didn't connect. it was crazy frustraiting for me. I couldn't get into one storyline before it switched to another. The worst for me was that each storyline was so different, I was thrown out into a new world at each change. I loved Nicolai, in the past books but here he felt like a shadow. Romance ? There were hints at a romance brewing, but I never felt it, or hoped for them. I didn't get the wanting, can't even see them together. Okay I will stop whining. bottom line, it didn't work for me.
  • Rating: 5 out of 5 stars
    5/5
    Wonderful return to the world of Grisha. Don't mind me weeping in the corner, it was an emotional experience.
  • Rating: 4 out of 5 stars
    4/5
    I picked this book up at Barnes and Noble when shopping for Christmas books, mainly for its cover. I was in the mood at the first of March for escapist fiction. The characters are believable, and their stories are connected with each other, although I did not read any of the author's previous fiction, and I am missing many things that do connect. The king is cursed with a flying, baboon like beast that sometimes takes him over, like Mr. Hyde takes over Dr. Jekyll. His chief general, a beautiful but cold, untouchable and magically endowed Voya, is his protector. Their plot involves traveling to a darkness in the land to rid the king of the curse through magic, that is powerful enough to lay waste to the land around it and kill some of the gods. The other character is a woman spy in a Gilead like Kingdom that kills all of the adept of the magicians. There are complex subplots, and the setting and background is Russian folklore based. Enjoyable.
  • Rating: 5 out of 5 stars
    5/5
    I believe that Ms. Bardugo is the greatest writer of our time. Her intelligent ams witty writing not is refreshing, her characters come time life like old friends you see very little but miss so much. In this first book of her new duology brings friends back from The Grosha series that we all love. I mean not really ALL loved!!
  • Rating: 4 out of 5 stars
    4/5
    This is the first of a new fantasy duology taking place in the author’s “Grishaverse.” [Grisha are gifted people who can manipulate matter at its most fundamental levels. They mainly employ their extraordinary abilities to help people, but their talents can be used for ill as well as good.] I don’t think it should be read apart from the author’s previous books set in this world; there is too much unexplained backstory that would be confusing to new readers. In this book, three years have passed since the end of the last story set in the Grishaverse, Ruin and Rising. The focus is now on Nikolai Lantsov, the rakish and irresistibly charming King of Ravka. During the Civil War, he was tortured by the Darkling, a powerful Grisha who used his skill for evil purposes. Nikolai was “infected” by the Darkling’s creature, a monster that has subsequently grown in strength inside Nikolai. Now, Zoya Nazyalensky, head of the Grisha army and Nikolai's general, must lock him up every night so the creature doesn’t overtake Nikolai and drive him to go out seeking blood. Both Nikolai and Zoya are dedicated to restoring stability to the Kingdom after the devastation of war, but Nikolai’s condition imperils that goal. Zoya is lobbying for Nikolai to take a bride, so that someone else can take over making sure that Nikolai’s beast is at bay. Nikolai is not so sure: “Zoya, I can’t very well court a bride if there’s a chance I may turn her into dinner.”Simmering under the surface are the feelings that Nikolai and Zoya have for one another, but neither will admit to them, fearing their professional relationship would be jeopardized.Meanwhile, a number of “miracles” have been reported throughout the Kingdom, and Nikolai and Zoya need to investigate them. Could these strange happenings, they wonder, be tied to the dark being that lives inside Nikolai? One thing is certain: the miracles are empowering the religious element in the Kingdom, and both the Apparat, or chief priest, and a man called Yuri who is heading a movement worshipping the Darkling, are gaining followers and influence because of these supernatural occurrences.Nikolai and Zoya want to keep an eye on Yuri, so they bring him along to visit the site of the miracles. Thus the three of them enter the Fold, the dreaded area full of horrors created by the Darkling. With the Darkling dead, they assume it is now safe to enter, but other forces in the Fold overpower them. As far as the Kingdom of Ravka knows, they have disappeared. Alternate chapters relate what is happening to Nina Zenik. Nikolai sent her, along with two other Grisha, on a secret mission to Fjerda to help endangered Grisha escape that country. The Fjerdans have been capturing Grisha and experimenting on them with Jurda parem. This drug can transform and enhance a Grisha’s power into something new and dangerous so the Grisha could be used as “weapons.” But the price for the Grisha was addiction and after a short time, death.Nina is also trying to overcome the loss of her love Matthias, but her heart has so far refused to let him go. In addition, since her own bout with Jurda parem, she hears the whisperings of the dead, and those voices are pulling her east to the river cities. She insists her two companions go with her to Kejerut, from whence the dead are calling her. They sojourn at a nearby convent, where Nina forges a bond with Hanne, one of the novitiates with secrets of her own.As the story builds to its dénouement, all of the main characters are confronted with life-and-death choices that will change their very natures. Moreover, the lives of many others depend on what they choose to do. These factors add monumental gravitas to the decisions they need to make In the process of weighing their options, we learn a great deal about how and why they became who they are. Each of them has scars from pain earlier in life, and each endeavors to forget them, deny them, or hide them from view. But the memories won’t always stay buried, and the resulting vulnerability weakens them.There is a huge build-up of tension at the end, and a number of unresolved issues that will make readers eager for the second installment.Evaluation: Bardugo makes human passions come alive on the page. You can feel and taste the hungers of her characters, and experience the pain of loss and thrill of young love as if you were going through those emotions yourself. I also appreciate the fact that Bardugo's characters are so idealistic and noble. We need that so much right now in the world! The dialogue is intelligent and emotionally resonant, and the political intrigue and challenges seem realistic and significant. This is an engaging book that gives you a lot to think about, as well as a lot to savor.
  • Rating: 5 out of 5 stars
    5/5
    have come to except nothing but great stories for Ms. Bardugo and King Os Scars did not disappoint me. Great cast of characters. I loved that she had characters from both the Six of Crows duology as well as her triliogy. She tied everything together nicely. As always her world building is spot on. I don't know if I can stand the wait for her next book.
  • Rating: 4 out of 5 stars
    4/5
    In this return to the Grishaverse, Nikolai, King of Ravka, is inhabited by a demon. Trying to exorcise the demon, and preserve his nation's security leads to danger and the possible return of dark powers.
  • Rating: 5 out of 5 stars
    5/5
    Ravka has defeated the Darkling, but trouble still threatens from all sides. King Nikolai has a monster inside him and sets out on a dangerous journey to try to defeat it, while back at the capital his friends scheme to prevent his absence from being noticed—which is difficult since he’s having a festival to select a bride. Meanwhile, Nina and her compatriots are spying, trying to figure out what new atrocities the Fjerdans are up to—and there are a lot of missing girls and women to account for, which might have something to do with the strange voices Nina is hearing. It took a while to get going, but ultimately was a very satisfying addition to the series.
  • Rating: 5 out of 5 stars
    5/5
    The war with the Darkling may be over but Ravka is far from safe. Nikolai has his work cut out for him, trying to keep the countries surrounding Ravka from tearing it apart. But keeping the peace isn't the only thing Nikolai has to worry about. Scars left over from the Darkling riddle Nikolai's body and mind, filling him with dark magic. His nights are plagued by nightmares and the magic is beginning to take control of his mind. While Zoya and the others are doing all they can to keep Nikolai safe, he must find a cure as the darkness inside him digs its claws deeper.Nina has been struggling to find a purpose in her life. Across the sea, she is working in secret to save Grisha and return them to Ravka. She is drawn to a munitions factory in Gafvalle, where the dead are calling to her. What she will find, will bring a whole new horror to the Grisha and she will have to come face to face with her worst enemy.I will admit this book started off a bit slow. I was worried that after devouring the previous novels this one would let me down. I shouldn't have worried, because once again Leigh Bardugo created a story that takes hold of you and makes you continue reading.Of course, I was excited to read this one because of Nikolai. A whole book dedicated to Nikolai? Hell yes! Throughout the Grishaverse he has stolen quite a few hearts, mine included. His first few scenes show a man who is losing hope. A man who has been battling for so long time and just wants it to be over. I was disheartened and thought the man I fell in love with was gone. But then as he begins to plot and scheme, the old Nikolai begins to shine through.Now there's Zoya, a character I have absolutely hated since she first appeared. The minute I saw she had chapters I was appalled. Her cold attitude, her cockiness, everything about her grated on my nerves. But then something amazing happened. Leigh Bardugo painted Zoya in an entirely new light and gave her a storyline where I actually began attaching myself to her and enjoying her chapters. Now that takes talent.On top of the talent Bardugo has with character development, she never hesitates to throw her characters into tight situations. You'll be on the edge of your seat knowing all hell is breaking loose and guessing how the characters are going to save themselves. Once the story gets rolling, there is never a dull moment. She also doesn't hesitate to throw the floor out from underneath of you with her ending. Seriously, get ready for a hell of a next novel because she just upended everything!
  • Rating: 5 out of 5 stars
    5/5
    Absolutely LOVED this book!! (As expected from any grishaverse thing I read, I may be a bit blinded by love for the series right now :p)Going off topic to start, this book is BEAUTIFUL. The hardback details are so nice I am a huge fan of that, and the cover is nice too!Anyways, about the actual book. I was a big fan of the multiple perspectives and I felt like it kept the book going where I may have otherwise been a bit bored. No matter what, there was something interesting coming up on the horizon.And boy oh boy that ending!! Really looking forward to the second book. Bardugo is amazing at creating a compelling universe, and I adored the references to previous books in the grishaverse!!
  • Rating: 5 out of 5 stars
    5/5
    Nikolai is King of Ravka, where nothing ever goes right, or easily. He needs to find a wife and have an heir to secure his position. But Nikolai is dealing with the aftermath of his exposure to the Darkling and can't imagine saddling a young wife with his demons. Meanwhile, Nina has been sent on a mission to find and save Grisha who are in hiding. She's still grieving the loss of Matthias and coping with the change in her magical abilities which now have a much darker side. Bardugo delivers one deadly adventure after another. The relationship between Nikolai and his fiercest ally, Zoya, is very entertaining and Nina's story is emotional and compelling. The plot veers into some weird territory to accomplish the end goal - the incredible set up for the finale.
  • Rating: 5 out of 5 stars
    5/5
    When the dark magical force within him challenges his effort to forge new alliances and build a defense against a new threat, Nikolai Lantsov, the young king of Ravka, embarks on a journey to his country's most magical places to vanquish it.
  • Rating: 3 out of 5 stars
    3/5
    I never expected to feel conflicted about this book. Having enjoyed the Grisha trilogy and seriously loved the Six of Crows duology, I was sure the first in Nikolai's duology, King of Scars was going to be a win. Leigh Bardugo is a great writer and I especially love her character interactions and dialogue. In that respect, this book is in line with the others. Where this book has problems is with serious pacing issues. The book dragged so bad that what should have taken maybe 3-4 days to read ended up taking a week. The plot meanders and felt unfocused. It wasn't until the last 10% of the story where I felt really grabbed by events.Nikolai Lantsov has always had a gift for the impossible. Through much hard work Ravka has enjoyed a short period of relative peace and stability. Now that peace is being threatened as enemies gather at Ravka's borders. As if that's not enough, Nikolai is also battling the darkness inside himself as it tries to re-emerge, posing a danger to the kingdom, it's people and Nikolai's soul. Meanwhile, Nina has returned to Fjerda on a mission to rescue as many Grisha as she can and recruit them to Ravka's cause. The story is told primarily from three alternating points of view: Nikolai, Zoya and Nina's. While all three are interesting, and I truly felt bad for Nikolai's dilemma, it is Zoya who ended up as my favorite. Her character gains so much depth that she ends up easily outshining the other two characters. I found it hard to connect with Nina's mission. At this point it's about waiting to see how it will all link back with what I assume is the main story line as it feels disconnected currently. As to Nikolai, I can't say much without spoilers. Needless to say he's as charming as ever and now had a pretty big problem to solve if he wants to keep himself and the kingdom together.The story ends on a rather big, if annoying, bombshell. I think a lot of her fans will be excited but it just annoyed me to no end. Sometimes the dead need to stay dead.This is not a bad book. I love these characters, especially Zoya. And I will be reading the second half once it releases, though with lowered expectations.

Book preview

King of Scars - Leigh Bardugo

THE DROWNING MAN

1

DIMA

DIMA HEARD THE BARN DOORS slam before anyone else did. Inside the little farmhouse, the kitchen bubbled like a pot on the stove, its windows shut tight against the storm, the air in the room warm and moist. The walls rattled with the rowdy din of Dima’s brothers talking over one another, as his mother hummed and thumped her foot to a song Dima didn’t know. She held the torn sleeve of one of his father’s shirts taut in her lap, her needle pecking at the fabric in the uneven rhythm of an eager sparrow, a skein of wool thread trailing between her fingers like a choice worm.

Dima was the youngest of six boys, the baby who had arrived late to his mother, long after the doctor who came through their village every summer had told her there would be no more children. An unexpected blessing, Mama liked to say, holding Dima close and fussing over him when the others had gone off to their chores. An unwanted mouth to feed, his older brother Pyotr would sneer.

Because Dima was so small, he was often left out of his brothers’ jokes, forgotten in the noisy arguments of the household, and that was why, on that autumn night, standing by the basin, soaping the last of the pots that his brothers had made sure to leave for him, only he heard the damning thunk of the barn doors. Dima set to scrubbing harder, determined to finish his work and get to bed before anyone could think to send him out into the dark. He could hear their dog, Molniya, whining on the kitchen stoop, begging for scraps and a warm place to sleep as the wind rose on an angry howl.

Branches lashed the windows. Mama lifted her head, the grim furrows around her mouth deepening. She scowled as if she could send the wind to bed without supper. Winter comes early and stays too long.

Hmm, said Papa, like your mother. Mama gave him a kick with her boot.

She’d left a little glass of kvas behind the stove that night, a gift for the household ghosts who watched over the farm and who slept behind the old iron stove to keep warm. Or so Mama said. Papa only rolled his eyes and complained it was a waste of good kvas.

Dima knew that when everyone had gone to bed, Pyotr would slurp it down and eat the slice of honey cake Mama left wrapped in cloth. Great-grandma’s ghost will haunt you, Dima sometimes warned. But Pyotr would just wipe his sleeve across his chin and say, There is no ghost, you little idiot. Baba Galina was lunch for the cemetery worms, and the same thing will happen to you if you don’t keep your mouth shut.

Now Pyotr leaned down and gave Dima a hard jab. Dima often wondered if Pyotr did special exercises to make his elbows more pointy. Do you hear that? his brother asked.

There’s nothing to hear, said Dima as his heart sank. The barn door …

Something is out there, riding the storm.

So his brother was just trying to scare him. Don’t be stupid, Dima said, but he was relieved.

Listen, said Pyotr, and as the wind shook the roof of the house and the fire sputtered in the grate, Dima thought he heard something more than the storm—a high, distant cry, like the yowl of a hungry animal or the wailing of a child. "When the wind blows through the graveyard, it wakes the spirits of all the babies who died before they could be given their Saints’ names. Malenchki. They go looking for souls to steal so they can barter their way into heaven. Pyotr leaned down and poked his finger into Dima’s shoulder. They always take the youngest."

Dima was eight now, old enough to know better, but still his eyes strayed to the dark windows, out to the moonlit yard, where the trees bowed and shook in the wind. He flinched. He could have sworn—just for a moment, he could have sworn he saw a shadow streak across the yard, the dark blot of something much larger than a bird.

Pyotr laughed and splashed him with soapy water. I swear you get more witless with every passing day. Who would want your little nothing of a soul?

Pyotr is only angry because, before you, he was the baby, Mama always told Dima. You must try to be kind to your brother even when he is older but not wiser. Dima tried. He truly did. But sometimes he just wanted to knock Pyotr on his bottom and see how he liked feeling small.

The wind dropped, and in the sudden gust of silence, there was no disguising the sharp slam that echoed across the yard.

Who left the barn doors open? Papa asked.

It was Dima’s job to see to the stalls tonight, Pyotr said virtuously, and his brothers, gathered around the table, clucked like flustered hens.

I closed it, protested Dima. I set the bar fast!

Papa leaned back in his chair. Then do I imagine that sound?

He probably thinks a ghost did it, said Pyotr.

Mama looked up from her mending. Dima, you must go close and bar the doors.

I will do it, said Pyotr with a resigned sigh. We all know Dima is afraid of the dark.

But Dima sensed this was a test. Papa would expect him to take responsibility. I am not afraid, he said. Of course I will go close the doors.

Dima ignored Pyotr’s smug look; he wiped his hands and put on his coat and hat. Mama handed him a tin lantern. Hurry now, she said, pushing up his collar to keep his neck warm. Scurry back and I’ll tuck you in and tell you a story.

A new one?

Yes, and a good one, about the mermaids of the north.

Does it have magic in it?

Plenty. Go on, now.

Dima cast his eyes once to the icon of Sankt Feliks on the wall by the door, candlelight flickering over his sorrowful face, his gaze full of sympathy as if he knew just how cold it was outside. Feliks had been impaled on a spit of apple boughs and cooked alive just hours after he’d performed the miracle of the orchards. He hadn’t screamed or cried, only suggested that the villagers turn him so the flames could reach his other side. Feliks wouldn’t be afraid of a storm.

As soon as Dima opened the kitchen door, the wind tried to snatch it from his grip. He slammed it behind him and heard the latch turn from the other side. He knew it was temporary, a necessity, but it still felt like he was being punished. He looked back at the glowing windows as he forced his feet down the steps to the dry scrabble of the yard, and had the awful thought that as soon as he’d left the warmth of the kitchen his family had forgotten him, that if he never returned, no one would cry out or raise the alarm. The wind would wipe Dima from their memory.

He considered the long moonlit stretch he would have to traverse past the chicken coops and the goose shed to the barn, where they sheltered their old horse, Gerasim, and their cow, Mathilde.

Faced with steel saw blades, he whispered, brushing his hand over the new plow as he passed, as if it were a lucky talisman. He wasn’t sure why the blades were better, but when the plow had arrived, those were the words his father had proudly repeated to their neighbors, and Dima liked the strong sound of them. There had been long arguments at the kitchen table about the plow, along with all the king’s agricultural reforms and what trouble or hope they might bring.

We’re on our way to another civil war, Mama had grumbled. The king is too rash.

But Papa was pleased. How can you worry with your belly full and the roof patched with fresh tar? This was the first year we were able to harvest enough of our crops to sell at market instead of just keeping ourselves fed.

Because the king cut Duke Radimov’s tithe to a scrap of what it was! Mama exclaimed.

And we should be sorry?

We will be when the duke and his noble friends murder the king in his bed.

King Nikolai is a war hero! said Papa, waving his hand through the air as if trouble could be banished like pipe smoke. There will be no coup without the army to back it.

They talked in circles, debating the same things night after night. Dima didn’t understand much of it, only that he was to keep the young king in his prayers.

The geese honked and rustled in their shed, riled by the weather or Dima’s nervous footsteps as he passed. Ahead, he saw the big wooden barn doors swaying open and shut as if the building were sighing, as if the doorway were a mouth that might suck him in with a single breath. He liked the barn in the daytime, when sunlight fell through the slats of the roof and everything was hay smells, Gerasim’s snorting, Mathilde’s disapproving moo. But at night, the barn became a hollow shell, waiting for some terrible creature to fill it—some cunning thing that might let the doors blow open to lure a foolish boy outside. Because Dima knew he had closed those doors. He felt certain of it, and he could not help but think of Pyotr’s malenchki, little ghosts hunting for a soul to steal.

Stop it, Dima scolded himself. Pyotr unbarred the doors himself just so you would have to go out in the cold or shame yourself by refusing. But Dima had shown his brothers and his father he could be brave, and that thought warmed him even as he yanked his collar up around his ears and shivered at the bite of the wind. Only then did he realize he couldn’t hear Molniya barking anymore. She hadn’t been by the door, trying to nose her way into the kitchen, when Dima ventured outside.

Molniya? he said, and the wind seized his voice, casting it away. Molniya! he called—but only a bit louder. In case something other than his dog was out there listening.

Step by step he crossed the yard, the shadows from the trees leaping and shuddering over the ground. Beyond the woods he could see the wide ribbon of the road. It led all the way to the town, all the way to the churchyard. Dima did not let his eyes follow it. It was too easy to imagine some shambling body dressed in ragged clothes traveling that road, trailing clods of cemetery earth behind it.

He heard a soft whine from somewhere in the trees. Dima shrieked. Yellow eyes stared back at him from the dark. The glow from his lantern fell on black paws, ruffled fur, bared teeth.

Molniya! he said on a relieved sigh. He was grateful for the loud moan of the storm. The thought of his brothers hearing his high, shameful yelp and running outside just to find their poor dog cowering in the brush was too horrible to contemplate. Come here, girl, he coaxed. Molniya had pressed her belly to the ground, her ears flat against her head. She did not move.

Dima looked back at the barn. The plank that should have lain across the doors and kept them in place lay smashed to bits in the brush. From somewhere inside, he heard a soft, wet snuffling. Had a wounded animal found its way into the barn? Or a wolf?

The golden light of the farmhouse windows seemed impossibly far away. Maybe he should go back and get help. Surely he couldn’t be expected to face a wolf by himself. But what if there was nothing inside? Or some harmless cat that Molniya had gotten a piece of? Then all his brothers would laugh, not just Pyotr.

Dima shuffled forward, keeping his lantern far out in front of him. He waited for the storm to quiet and grabbed the heavy door by its edge so it would not strike him as he entered.

The barn was dark, barely touched by slats of moonlight. Dima edged a little deeper into the blackness. He thought of Sankt Feliks’ gentle eyes, the thorny apple bough piercing his heart. Then, as if the storm had just been catching its breath, the wind leapt. The doors behind Dima slammed shut, and the weak light of his lantern sputtered to nothing.

Outside, he could hear the storm raging, but the barn was quiet. The animals had gone silent as if waiting, and he could smell their sour fear over the sweetness of the hay—and something else. Dima knew that smell from when they slaughtered the geese for the holiday table: the hot copper tang of blood.

Go back, he told himself.

In the darkness, something moved. Dima caught a glint of moonlight, the shine of what might have been eyes. And then it was as if a piece of shadow broke away and came sliding across the barn.

Dima took a step backward, clutching the useless lantern to his chest. The shadow wore the shredded remains of what might have once been fine clothes, and for a brief, hopeful moment, Dima thought a traveler had stumbled into the barn to sleep out the storm. But it did not move like a man. It was too graceful, too silent, its body unwinding in a low crouch. Dima whimpered as the shadow prowled closer. Its eyes were mirror black, and dark veins spread from its clawed fingertips as if its hands had been dipped in ink. The tendrils of shadow tracing its skin seemed to pulse.

Run, Dima told himself. Scream. He thought of the way the geese came to Pyotr so trustingly, how they made no sound of protest in the scant seconds before his brother broke their necks. Stupid, Dima had thought at the time, but now he understood.

The thing rose from its haunches, a black silhouette, and two vast wings unfurled from its back, their edges curling like smoke.

Papa! Dima tried to cry, but the word came out as little more than a puff of breath.

The thing paused as if the word was somehow familiar. It listened, head cocked to the side, and Dima took another step backward, then another.

The monster’s eyes snapped to Dima, and the creature was suddenly bare inches away, looming over him. With the gray moonlight falling over its body, Dima could see that the dark stains around its mouth and on its chest were blood.

The creature leaned forward, inhaling deeply. Up close it had the features of a young man—until its lips parted, the corners of its mouth pulling back to reveal long black fangs.

It was smiling. The monster was smiling—because it knew it would soon be well fed. Dima felt something warm slide down his leg and realized he had wet himself.

The monster lunged.

The doors behind Dima blew open, the storm demanding entry. A loud crack sounded as the gust knocked the creature from its clawed feet and hurled its winged body against the far wall. The wooden beams splintered with the force, and the thing slumped to the floor in a heap.

A figure strode into the barn in a drab gray coat, a strange wind lifting her long black hair. The moon caught her features, and Dima cried harder, because she was too beautiful to be any ordinary person, and that meant she must be a Saint. He had died, and she had come to escort him to the bright lands.

But she did not stoop to take him in her arms or speak soft prayers or words of comfort. Instead she approached the monster, hands held out before her. She was a warrior Saint, then, like Sankt Juris, like Sankta Alina of the Fold.

Be careful, Dima managed to whisper, afraid she would be harmed. It has … such teeth.

But his Saint was unafraid. She nudged the monster with the toe of her boot and rolled it onto its side. The creature snarled as it came awake, and Dima clutched his lantern tighter as if it might become a shield.

In a few swift movements, the Saint had secured the creature’s clawed hands in heavy shackles. She yanked hard on the chain, forcing the monster to its feet. It snapped its teeth at her, but she did not scream or cringe. She swatted the creature on its nose as if it were a misbehaving pet.

The thing hissed, pulling futilely on its restraints. Its wings swept once, twice, trying to lift her off her feet, but she gripped the chain in her fist and thrust her other hand forward. Another gust of wind struck the monster, slamming it into the barn wall. It hit the ground, fell to its knees, stumbled back up, weaving and unsteady in a way that made it seem curiously human, like Papa when he had been out late at the tavern. The Saint tugged on the chain. She murmured something, and the creature hissed again as the wind eddied around them.

Not a Saint, Dima realized. Grisha. A soldier of the Second Army. A Squaller who could control wind.

She took the shawl from her shoulders and tossed it over the creature’s head and shoulders, leading her captured prey past Dima, the monster still struggling and snapping.

She tossed Dima a silver coin. For the damage, she said, her eyes bright as jewels in the moonlight. You saw nothing tonight, understood? Hold your tongue or next time I won’t keep him on his leash.

Dima nodded, feeling fresh tears spill down his cheeks. The Grisha raised a brow. He’d never seen a face like hers, more lovely than any painted icon, blue eyes like the deepest waters of the river. She tossed him another coin, and he just managed to snatch it from the air.

That one’s for you. Don’t share it with your brothers.

Dima watched as she sailed through the barn doors. He forced his feet to move. He wanted to return to the house, find his mother, and bury himself in her skirts, but he was desperate for one last look at the Grisha and her monster. He trailed after them as silently as he could. In the shadows of the moonlit road, a large coach waited, its driver cloaked in black. A coachman jumped down and seized the chain, helping to drag the creature inside.

Dima knew he must be dreaming, despite the cool weight of silver in his palm, because the coachman did not look at the monster and say Go on, you beast! or You’ll never trouble these people again! as a hero would in a story.

Instead, in the deep shadows cast by the swaying pines, Dima thought he heard the coachman say, Watch your head, Your Highness.

2

ZOYA

THE STINK OF BLOOD HUNG heavy in the coach. Zoya pressed her sleeve to her nose to ward off the smell, but the musty odor of dirty wool wasn’t much improvement.

Vile. It was bad enough that she had to go tearing off across the Ravkan countryside in the dead of night in a borrowed, badly sprung coach, but that she had to do so in a garment like this? Unacceptable. She stripped the coat from her body. The stench still clung to the silk of her embroidered blue kefta beneath, but she felt a bit more like herself now.

They were ten miles outside Ivets, nearly one hundred miles from the safety of the capital, racing along the narrow roads that would lead them back to the estate of their host for the trade summit, Duke Radimov. Zoya wasn’t much for praying, so she could only hope no one had seen Nikolai escape his chambers and take to the skies. If they’d been back home, back in Os Alta, this never would have happened. She’d thought they’d taken enough precautions. She couldn’t have been more wrong.

The horse’s hooves thundered, the wheels of the coach clattering and jouncing, as beside her the king of Ravka gnashed his needle-sharp teeth and pulled at his chains.

Zoya kept her distance. She’d seen what one of Nikolai’s bites could do when he was in this state, and she had no interest in losing a limb or worse. Part of her had wanted to ask Tolya or Tamar, the brother and sister who served as the king’s personal guards, to ride inside the carriage with her until Nikolai resumed his human form. Their father had been a Shu mercenary who had trained them to fight, their mother a Grisha from whom they’d both inherited Heartrender gifts. The presence of either twin would have been welcome. But her pride prevented it, and she also knew what it would cost the king. One witness to his misery was bad enough.

Outside, the wind howled. It was less the baying of a beast than the high, wild laugh of an old friend, driving them on. The wind did what she willed it, had since she was a child. Yet on nights like these, she couldn’t help but feel that it was not her servant but her ally: a storm that rose to mask a creature’s snarls, to hide the sounds of a fight in a rickety barn, to whip up trouble in streets and village taverns. This was the western wind, Adezku the mischief-maker, a worthy companion. Even if that farm boy told everyone in Ivets what he’d seen, the townspeople would chalk it up to Adezku, the rascal wind that drove women into their neighbors’ beds and made mad thoughts skitter in men’s heads like whorls of dead leaves.

A mile later, the snarls in the coach had quieted. The clanking of the chains dwindled as the creature seemed to sink farther and farther into the shadows of the seat. At last, a voice, hoarse and beleaguered, said, I don’t suppose you brought me a fresh shirt?

Zoya took the pack from the coach floor and pulled out a clean white shirt and fur-lined coat, both finely made but thoroughly rumpled—appropriate attire for a royal who had spent the night carousing.

Without a word, Nikolai held up his shackled wrists. The talons had retracted, but his hands were still scarred with the faint black lines he had borne since the end of the civil war three years ago. The king often wore gloves to hide them, and Zoya thought that was a mistake. The scars were a reminder of the torture he had endured at the hands of the Darkling—and the price he had paid alongside his country. Of course, that was only part of the story, but it was the part the Ravkan people were best equipped to handle.

Zoya unlocked the chains with the heavy key she wore around her neck. She hoped it was her imagination, but the scars on Nikolai’s hands seemed darker lately, as if determined not to fade.

Once his hands were free, the king peeled the ruined shirt from his body. He used the linen and water from the flask she handed him to wash the blood from his chest and mouth, then splashed more over his hands and ran them through his hair. The water trickled down his neck and shoulders. He was shaking badly, but he looked like Nikolai again—hazel eyes clear, the damp gold of his hair pushed back from his forehead.

Where did you find me this time? he asked, keeping most of the tremor from his voice.

Zoya wrinkled her nose at the memory. A goose farm.

I hope it was one of the more fashionable goose farms. He fumbled with the buttons of his clean shirt, fingers still shaking. Do we know what I killed?

Or who? The question hung unspoken in the air.

Zoya batted Nikolai’s quaking hands away from his buttons and took up the work herself. Through the thin cotton, she could feel the chill the night had left on his skin.

What an excellent valet you make, he murmured. But she knew he hated submitting to these small attentions, hated that he was weak enough to require them.

Sympathy would only make it worse, so she kept her voice brusque. I presume you killed a great deal of geese. Possibly a shaggy pony. But had that been all? Zoya had no way of knowing what the monster might have gotten into before they’d found him. You remember nothing?

Only flashes.

They would just have to wait for any reports of deaths or mutilations.

The trouble had begun six months earlier, when Nikolai had woken in a field nearly thirty miles from Os Alta, bloodied and covered in bruises, with no memory of how he’d gotten out of the palace or what he’d done in the night. I seem to have taken up sleepwalking, he’d declared to Zoya and the rest of the Grisha Triumvirate when he’d sauntered in late to their morning meeting, a long scratch down his cheek.

They’d been concerned but baffled. Tolya and Tamar were hardly the type to just let Nikolai slip by. How did you get past them? Zoya had asked as Genya tailored away the scratch and David carried on about somnambulism. But if Nikolai had been troubled, he hadn’t shown it. I excel at most things, he’d said. Why not unlikely escapes too? He’d had new locks placed on his bedroom doors and insisted they move on to the business of the day and the odd report of an earthquake in Ryevost that had released thousands of silver hummingbirds from a crack in the earth.

A little over a month later, Tolya had been reading in a chair outside the king’s bedchamber when he’d heard the sound of breaking glass and burst through the door to see Nikolai leap from the window ledge, his back split by wings of curling shadow. Tolya had woken Zoya and they’d tracked the king to the roof of a granary fifteen miles away.

After that, they had started chaining the king to his bed—an effective solution, workable only because Nikolai’s servants were not permitted inside his palace bedchamber. The king was a war hero, after all, and known to suffer nightmares. Zoya had locked him in every night since and released him every morning, and they’d kept Nikolai’s secret safe. Only Tolya, Tamar, and the Triumvirate knew the truth. If anyone discovered the king of Ravka spent his nights trussed up in chains, he’d be a perfect target for assassination or coup, not to mention a laughingstock.

That was what made travel so dangerous. But Nikolai couldn’t stay sequestered behind the walls of Os Alta forever.

A king cannot remain locked up in his own castle, he’d declared when he’d decided to resume travel away from the palace. One risks looking less like a monarch and more like a hostage.

You have emissaries to manage these matters of state, Zoya had argued, ambassadors, underlings.

The public may forget how handsome I am.

I doubt it. Your face is on the money.

Nikolai had refused to relent, and Zoya could admit he wasn’t entirely wrong. His father had made the mistake of letting others conduct the business of ruling, and it had cost him. There was a balance to be struck, she supposed, between caution and daring, tiresome as compromise tended to be. Life just ran more smoothly when she got her way.

Because Nikolai and Zoya couldn’t very well travel with a trunk full of chains for inquisitive servants to discover, whenever they were away from the safety of the palace, they relied on a powerful sedative to keep Nikolai tucked into bed and the monster at bay.

Genya will have to mix my tonic stronger, he said now, shrugging into his coat.

Or you could stay in the capital and cease taking these foolish risks.

So far the monster had been content with attacks on livestock, his casualties limited to gutted sheep and drained cattle. But they both knew it was only a question of time. Whatever the Darkling’s power had left seething within Nikolai hungered for more than animal flesh.

The last incident was barely a week ago. He scrubbed a hand over his face. I thought I had more time.

It’s getting worse.

I like to keep you on your toes, Nazyalensky. Constant anxiety does wonders for the complexion.

I’ll send you a thank-you card.

Make sure of it. You’re positively glowing.

He’s faring worse than he’s letting on, thought Zoya. Nikolai was always freer with compliments when he was fatigued. It was true, she did look splendid, even after a harrowing night, but Zoya knew the king couldn’t care less about her appearance.

They heard a sharp whistle from outside as the carriage slowed.

We’re approaching the bridge, Zoya said.

The trade summit in Ivets had been essential to their negotiations with the nations of Kerch and Novyi Zem, but the business of tariffs and taxes had also provided cover for their true mission: a visit to the site of Ravka’s latest supposed miracle.

A week ago, the villagers of Ivets had set out behind Duke Radimov’s ribbon-festooned cart to celebrate the Festival of Sankt Grigori, banging drums and playing little harps meant to mimic the instrument Grigori had fashioned to soothe the beasts of the forest before his martyrdom. But when they’d reached the Obol, the wooden bridge that spanned the river gorge had given way. Before the duke and his vassals could plummet to the raging whitewater below, another bridge had sprung up beneath them, seeming to bloom from the very walls of the chasm and the jagged rocks of the canyon floor. Or so the reports had claimed. Zoya had put little stock in the tales, chalked them up to exaggeration, maybe even mass delusion—until she’d seen the bridge for herself.

She peered out the coach window as they rounded the bend in the road and the bridge came into view, its tall, slender pillars and long girders gleaming white in the moonlight. Though she’d seen it before and walked its length with the king, the sight was still astonishing. From a distance, it looked like something wrought in alabaster. It was only when one drew closer that it became clear the bridge was not stone at all.

Nikolai shook his head. As a man who regularly turns into a monster, I realize I shouldn’t be making judgments about stability, but are we sure it’s safe?

Not at all, admitted Zoya, trying to ignore the knot in her stomach. When she’d crossed over it with the twins earlier that night, she’d been too focused on finding Nikolai to worry about the bridge holding up. But it’s the only way across the gorge.

Perhaps I should have brushed up on my prayers.

The sound of the wheels changed as the coach rolled onto the bridge, from the rumble of the road to a steady thump, thump, thump. The bridge that had so miraculously sprung up from nothing was not stone or brick or wooden beam. Its white girders and transoms were bone and tendon, its abutments and piers bound together with ropy bundles of gristle. Thump, thump, thump. They were traveling over a spine.

I don’t care for that sound, said Zoya.

Agreed. A miracle should sound more dignified. Some chimes, perhaps, or a choir of heavenly voices.

Don’t call it that, snapped Zoya.

A choir?

A miracle. Zoya had whispered enough futile prayers in her childhood to know the Saints never answered. The bridge had to be Grisha craft, and there was a rational explanation for its appearance, one she intended to find.

What would you call a bridge made of bones appearing just in time to save an entire town from death? asked Nikolai.

It wasn’t an entire town.

Half a town, he amended.

An unexpected occurrence.

The people might feel that description falls short of this marvel.

And it was a marvel—at once elegant and grotesque, a mass of crossing beams and soaring arches. Since it had appeared, pilgrims had camped at either end of it, holding vigil day and night. They did not raise their heads as the coach rolled by.

What would you call the earthquake in Ryevost? Nikolai continued. Or the statue of Sankta Anastasia weeping tears of blood outside Tsemna?

Trouble, Zoya said.

"You still think it’s the work of Grisha using parem?"

How else could someone create such a bridge or an earthquake on demand?

Jurda parem. Zoya wished she’d never heard the words. The drug was the product of experimentation in a Shu lab. It could take a Grisha’s power and transform it into something wholly new and wholly dangerous, but the price for that brief bit of glory was addiction and eventually death. It might make it possible for a rogue Fabrikator to shake the earth or for a Corporalnik to make a bridge out of a body. But to what end? Could the Shu be using Grisha slaves to destabilize Ravka? Could the Apparat, the supposed spiritual counselor to the crown, be involved? Thus far, he had only declared that he was praying over the incidents and planned to stage a pilgrimage to the sites. Zoya had never trusted the priest, and she had no doubt that if he could find a way to stage a miracle, he could also find a way to use the spectacle to his own advantage.

But the real question, the question that had brought them to Ivets, was whether these strange happenings around Ravka were tied to the dark power that sheltered inside Nikolai. The occurrences had begun right around the same time as Nikolai’s night spells. It might be a coincidence, but they had come to Ivets in the hope of finding some clue, some connection that would help them rid Nikolai of the monster’s will.

They reached the other side of the bridge, and the reassuringly ordinary rumble of the dirt road filled the coach once more. It was as if a spell had lifted.

We’ll have to leave Duke Radimov’s today, said Nikolai. And hope no one saw me flapping around the grounds.

Zoya wanted to agree, but since they’d made the journey … I can double your dose of Genya’s tonic. There’s another day left in negotiations.

Let Ulyashin handle them. I want to get back to the capital. We have samples from the bridge for David. He may be able to learn something we can use to deal with my…

Affliction?

Uninvited guest.

Zoya rolled her eyes. He spoke as if he were being plagued by a bilious aunt. But there was an important reason for them to stay in Ivets. She had been wary of the trip, skeptical of the bridge, fearful of the risks, but she’d also known the trade summit presented them with a good opportunity—a certain Hiram Schenck and his two marriageable daughters.

She tapped her fingers against the velvet seat, uncertain of how to proceed. She’d hoped to orchestrate a meeting between Nikolai and the Schenck girls without him realizing that she was meddling. The king did not like to be led, and when he sensed he was being pushed, he could be just as stubborn as … well, as Zoya herself.

Speak, Nazyalensky. When you purse your lips like that, you look like you’ve made love to a lemon.

Lucky lemon, Zoya said with a sniff. She smoothed the fabric of her kefta over her lap. Hiram Schenck’s family accompanied him to Ivets.

And?

He has two daughters.

Nikolai laughed. Is that why you agreed to this trip? So that you could indulge in your matchmaking?

"I agreed because someone has to make sure you don’t eat anyone when your uninvited guest gets peckish in the middle of the night. And I am not some interfering mama who wants to see her darling son wed. I am trying to protect your throne. Hiram Schenck is a senior member of the Merchant Council. He could all but guarantee leniency on Ravka’s loans from Kerch, to say nothing of the massive fortune one of his pretty daughters will inherit."

How pretty?

Who cares?

Not me, certainly. But two years working with you has worn away my pride. I want to make sure I won’t spend my life watching other men ogle my wife.

If they do, you can have them beheaded.

The men or my wife? said Nikolai.

Both. Just make sure to get her dowry first.

Ruthless.

Practical. If we stayed another night—

Zoya, I can’t very well court a bride if there’s a chance I may turn her into dinner.

You’re a king. You don’t have to court anyone. That’s what the throne and the jewels and the title are for, and once you’re married, your queen will become your ally.

Or she may run screaming from our wedding bower and tell her father I began by nibbling on her earlobe and then tried to consume her actual ear. She could start a war.

But she won’t, Nikolai. Because by the time you two have said your vows, you’ll have charmed her into loving you, and then you’ll be her problem to take care of.

"Even my charm has its limits, Zoya."

If so, she had yet to encounter them. Zoya cast the king a disbelieving glance. A handsome monster husband who put a crown on her head? It’s a perfect fairy tale to sell to some starry-eyed girl. She can lock you in at night and kiss you sweetly in the morning, and Ravka will be secure.

Why do you never kiss me sweetly in the morning, Zoya?

I do nothing sweetly, Your Highness. She shook out her cuffs. Why do you hesitate? Until you marry, until you have an heir, Ravka will remain vulnerable.

Nikolai’s glib demeanor vanished. I cannot take a wife while I am in this state. I cannot forge a marriage founded on lies.

Aren’t most?

Ever the romantic.

"Ever practical."

"Kerch bridal prospects aside, we need to escape before Schenck can question me more closely about the izmars’ya."

Zoya cursed. So the twins were right—there was a leak at our old research facility. The izmars’ya were ships that traveled beneath the surface of the water. They would be vital to Ravka’s survival as the Fjerdan navy grew, especially if Nikolai could arm them as he had planned.

It seems so. But the Kerch don’t know how far along we are, at least not yet.

Those words did little to cheer Zoya. The Kerch already had enough leverage against Ravka. Schenck wouldn’t have raised the topic of the izmars’ya with the king lightly. What did he intend to do with this new intelligence?

Another sharp whistle sounded from outside the carriage, two quick notes—Tolya’s signal that they were approaching the gatehouse.

Zoya knew there would be some confusion among the guards. No one had seen the coach ride out, and it bore no royal seal. Tolya and Tamar had kept it at the ready well outside the duke’s estate just in case Nikolai slipped his leash. She’d gone to find them as soon as she realized he was missing.

They’d gotten lucky tonight. They’d found the king before he’d strayed too far. When Nikolai flew, Zoya could sense him riding the winds and use the disruption in their pattern to track his movements. But if she hadn’t gotten to that farm when she had, what might have happened? Would Nikolai have killed that boy? The thing inside him was not just a hungry animal but something far worse, and she knew with absolute surety that it longed for human prey.

We cannot go on this way, Nikolai. Eventually they would be found out. Eventually these evening hunts and sleepless nights would get the best of them. We must all do what is required.

Nikolai sighed and opened his arms to her as the coach rattled to a stop. Then come here, Zoya, and kiss me sweetly as a new bride would.

So much for propriety. Thanks to Zoya’s late-night visits to make sure the king was safely restrained in his chambers, the gossip was already thick that their relationship was more than political. Kings took mistresses, and worse things had been rumored about leaders before. Zoya just hoped the Schenck girls were the open-minded sort. The king’s reputation could withstand a bit of scandal; it would not survive the truth.

Zoya took a second flask from the pack and dabbed whiskey at her pulse points like perfume before handing it to Nikolai, who took a long swig, then splashed the rest liberally over his coat. Zoya ruffled her hair, let her kefta slip from one shoulder, and eased into the king’s arms. The charade was necessary, and it was an easy role to play, sometimes too easy.

He buried his face in her hair, inhaling deeply. How is it I smell like goose shit and cheap whiskey and you smell like you just ran through a meadow of wildflowers?

Ruthlessness.

He breathed in again. "What is that scent? It reminds me of something, but I can’t place what."

The last child you tried to eat?

That must be it.

The door to the coach flew open.

Your Highness, we hadn’t realized you’d gone out tonight.

Zoya couldn’t see the guard’s face, but she could hear the suspicion in his voice.

Your king is not in the habit of asking for anything, least of all permission, said Nikolai, his voice lazy but with the disdainful edge of a monarch who knew nothing but easy gratification.

Of course, of course, said the guard. We had only your safety in mind, my king.

Zoya doubted it. Western Ravka had bridled under the new taxes and laws that had come with unification. These guards might wear the double eagle, but their loyalty belonged to the duke who ran this estate and who had thrown up opposition to Nikolai’s rule at every turn. No doubt their master would be thrilled to uncover the king’s secrets.

Zoya summoned her most plaintive tone and said, "Why aren’t we

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