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Children of Blood and Bone
Children of Blood and Bone
Children of Blood and Bone
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Children of Blood and Bone

Rating: 4 out of 5 stars

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An Instant #1 New York Times Bestseller
A TIME Top 100 Fantasy Books of All Time
A New York Times Notable Children's Book
A Kirkus Prize Finalist

With five starred reviews, Tomi Adeyemi’s West African-inspired fantasy debut, and instant #1 New York Times Bestseller, conjures a world of magic and danger, perfect for fans of Leigh Bardugo and Sabaa Tahir.


They killed my mother.
They took our magic.
They tried to bury us.

Now we rise.


Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zélie’s Reaper mother summoned forth souls.

But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zélie without a mother and her people without hope.

Now Zélie has one chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zélie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good.

Danger lurks in Orïsha, where snow leoponaires prowl and vengeful spirits wait in the waters. Yet the greatest danger may be Zélie herself as she struggles to control her powers and her growing feelings for an enemy.

Praise for Children of Blood and Bone

"A phenomenon." Entertainment Weekly

“The epic I’ve been waiting for.” New York Times-bestselling author Marie Lu

“You will be changed. You will be ready to rise up and reclaim your own magic!” New York Times-bestselling author Dhonielle Clayton

“The next big thing in literature and film.” Ebony

“One of the biggest young adult fiction debut book deals of the year.” Teen Vogue

This title has Common Core connections.


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The Complete Legacy of Orïsha Series:


Children of Blood and Bone
(Book 1)
Children of Virtue and Vengeance (Book 2)
Children of Anguish and Anarchy (Book 3)

LanguageEnglish
Release dateMar 6, 2018
ISBN9781250170989
Children of Blood and Bone
Author

Tomi Adeyemi

Named one of TIME magazine's 100 most influential people, Tomi Adeyemi is a Hugo and Nebula Award-winning Nigerian-American writer and storyteller based in New York, NY. After graduating from Harvard University with an honors degree in English literature, she studied West African mythology, religion, and culture in Salvador, Brazil. In 2020, she was named one of Forbes 30 Under 30 in Media. Her first novel, Children of Blood and Bone, debuted at #1 on the New York Times Bestseller list, as did its critically acclaimed sequel, Children of Virtue and Vengeance. Children of Anguish and Anarchy, the highly-anticipated final book, will release in June 2024. The trilogy is being developed into a feature film with Paramount Pictures.

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Reviews for Children of Blood and Bone

Rating: 3.9225351441314547 out of 5 stars
4/5

1,065 ratings82 reviews

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  • Rating: 3 out of 5 stars
    3/5
    A fantasy story of a group of children trying to bring magic back to oppose the tyrannical emperor. The story can be brutal, as it focuses on oppression and mass violence. It is in the same vein as Avatar the Last Airbender's story, but less whimsical and silly. It was overall a decent book, but many of the characters are not written well and forced romance that doesn't really make sense. The parables of our current real life environment is evident, which does make the book more impactful.
  • Rating: 3 out of 5 stars
    3/5
    Orïsha lost its magic when a ruthless king killed all mature maji, leaving Zélie Adebola without a mother. She is a young untrained maji who pushes her limits while fulfilling her prophecy to restoring magic. Children of Blood and Bone takes place in Nigeria and draws inspiration from the traditional Yoruba religion. Meaning always gets lost in translation, especially with names. Tomi is diligent about incorporating the vigor that language has on people. Bahni Turpin was a great cast for the narrator, helping to immerse the listener into Nigeria. This book touches on topics of: sexism, prejudice, oppression, and racism.
  • Rating: 5 out of 5 stars
    5/5
    Very much in my wheelhouse - strong characters, intriguing worldbuilding and magic system, excellent prose. A touch of angsty romance, but the author uses it to further the plot, so it feels appropriate. While this is obviously a fantasy novel, it feels timely in its exploration of the damage that othering one group of people can do, and the fear that "the other" brings to the dominant group. Excellent start to a trilogy - will definitely read the entire series.
  • Rating: 4 out of 5 stars
    4/5
    Imaginative and exciting, this book openly pays homage to teen fantasies that came before, brandished with an earnest, real-world message about oppression and the power of Black Lives.
  • Rating: 3 out of 5 stars
    3/5
    I heard so much hype around this book for over a year. It won a Goodreads Award. It won a Nebula. It was put up for a Hugo this year. Over and over and over I heard that this book was beautiful and amazing and I kept feeling guilty for not having read it yet, when finally my school book club decreed we were reading it for the kids for December (as well as the sequel in early 2020).

    I really loved this book until almost exactly the 63% mark. I loved everything about the characters who were set up, the world it was describing, the horror past and the dark, deep, drive for a brighter future. I love the families of brothers and sisters on each side, so very different, trying to pick their ways through who they were as singular people, as family members to each other, and then as 'people' in more global sense (both religiously and politically).

    At the 63% mark, though, it suddenly shifts entirely in about a 2-3 day period where people go from hating each other and wanting to stab their enemies to claiming to be deeply in love, and having wanted 'to hold [the other person]' forever now. Then there's this extra-long party that suddenly happens in the middle of a handful of days countdown to D-Day to Save Magic, that makes no sense why they stopped for, and even less sense why they suddenly panic the next day about it.

    The main romance does not have any growth lead-up, and I honestly loved the girl's pillow talk midnight as an example of how one does risky growth with someone as the best display of it in this book.
  • Rating: 5 out of 5 stars
    5/5
    Spectacular addition both to fantasy canon and to conversations about race -- spectacular because there are so many themes packed into the book, but even more so because they don't bog the fast -moving plot or the world building down. It's very much in the tradition of great science fiction and fantasy of the past, where the writer creates a space to try out ideas and see where their logical conclusions go. It's also a traditional quest book, with characters that provoke strong emotion.I'm very interested to see where it goes next. Every time I think I can see the path, something twists.
  • Rating: 4 out of 5 stars
    4/5
    Whenever I listen to an audiobook and like it, I wonder whether the narrator had something to do with it. I realized, though, that the storytelling needs to be good as well. Bahni Turpin read this fantasy superbly complementing the excellent storytelling of the book. The ending...oh dear, what does it mean??
  • Rating: 2 out of 5 stars
    2/5
    I've struggled with this review, because in all fairness, I didn't finish the book. Maybe it got WAY BETTER. I'm really surprised by how much love this book has gotten. It felt like a Nigerian Twilight - which is maybe why it was so popular. The language was overwrought, the characters made irrational choices at every step and the plot couldn't pick a pace. Overall, disappointed and bored.
  • Rating: 2 out of 5 stars
    2/5
    I started reading with such enthusiasm. I sat with my cup of coffee and my book, but after a few chapters, my level of interest turned into sadness first and angered next. I am giving two stars because I think the author had a great idea and had potential in making a great fantasy story and the use of language was lovely. However, not much more redeems this book.

    For starters, I loved the African setting and the overall point of the story. The idea of merging YA with the local Nigerian lore was unique. However, the story lacked the actual depth of views that I was expecting, from all the hype the book had. I overlooked the overused YA plot, but I could not get over some of the issues that did not let me enjoy the story.
    First, what's up with the magic system, it is fantasy. So, establish your magic, set your rules, and give the readers the rules. Make me believe it. So, I was expected to pick them up out of the hat. Fine, okay, I decided to go with the punches and overlook this little detail. I figured the magic system as I went along with the story. But then the characters, Character arcs, and romance got in the way.
    At this point, I had to make me pick up the book and read so that I could know how it ended. This is the point where I wondered how a character would fall in love in a microsecond? That management to the romantic side of the story made the character arcs go crunch. I mean grown the characters romance throughout the story, not zap love in an instant. I had to put the book down several times.
    I wanted to give Zélie the benefit of the doubt, but I could not believe the stupidity. This story is supposed to be happening in Africa, but Zélie was as immature and stupid as any western kid. I liked Tzain, not so much Amari. Inan could not make his mind, and his indecision made me want to sharpy him out.
    But the end backed the cake, after an agonizing 500 plus pages, of hormonal Teenagers, redundant chapters with the Amari replay of events, and the Inan's Bipolar indecisions, my reaction to the end was, WTF.
    This book was a gift from a friend. I read parts of this book fast. I lost my patience several times. I may re-read the last few chapters. In the hope that maybe I might have misunderstood the ending. I love giving things and people the benefit of the doubt.
  • Rating: 3 out of 5 stars
    3/5
    What I like about this is the world. I like the magic system, the cultural structure, the cultural conflicts, and the motivations of the characters. Unfortunately, that wasn't enough to get me to the end of it. I will tolerate a certain amount of romance for good fantasy, but this has TWO romantic subplots plus pretty angsty platonic and familial ones. Specific to the audio, as good a narrator as Bahni Turpin is, and she is AMAZING, I don't like having multiple 1st person perspectives read by the same narrator.
  • Rating: 3 out of 5 stars
    3/5
    After all the hype, I expected something much more impressive. Not unreadable but meandering and clumsy.
  • Rating: 3 out of 5 stars
    3/5
    The “Black Panther with magic” hype is real—as long as you add, “for young adults”. Just the fact that I had to fill my head with a lineup of almost exclusively black characters was refreshing, but getting to see them in roles of power instead of the usual historical situations (slavery, colonialism) was pretty darn awesome.

    Adeyemi definitely has talent, and I look forward to seeing it develop. I was particularly impressed with the character development of the royal siblings, Prince Inan and Princess Amari. Though not perfectly smooth, their growth surprised me with their complexity: Amari was the one who inevitably rebelled against her father, but her rise to confidence was not immediate or quick—it still felt a bit abrupt when it came, but she did earn it. And Inan was a surprisingly complex villain: the arc I expected was the diehard enemy who is converted the moment meets (and swoons for) the heroine, but Inan’s reasons for obeying his father are complex, and his ultimate decision to betray Zelie and his sister is his own organic decision based on his lived experience.

    With all that said, the plot of this YA fantasy novel is pretty classic YA fantasy novel: There’s nothing super revolutionary here, and I think that’s in large part due to a lack of description. Adeymi sprinkles the text with Yoruba words (or so I believe, from other reviews), but there’s rarely an explanation of what those words mean: you might understand that it’s clothing, or a building of some kind, but unless you're more familiar with Nigerian culture than I am, you don’t know what kind of clothing, or how you should visualize the structure.

    For example, the very first chapter drops us in on the action, as Zelie squares off against an opponent in a martial arts class. I had absolutely no idea what kind of environment they were in: a stone building? an underground room like a kiva? a Bedouin-style tent? an adobe building? a wooden structure? I ran through all these ideas but didn't guess that it was wood until Zelie stepped outside, a whole chapter into the book. I still don’t know how I should have imagined the walls. Later, I had a decent idea of how to imagine the slums outside the capital city, but not really any image of the palace or the market. (I guiltily went with an ancient Egyptian look.) I assume that a Nigerian-inspired temple ruin would look very different from the temple ruins I might think of, but I felt like I didn’t get much to go. And I threw up my metaphorical hands entirely about a fantasy industrial city and fortress, especially when I couldn't figure out if the whole fortress was made of metal or just the room where Zelie was being held.

    I say all this as someone who absolutely loves world building and complex new cultures. I’m usually pretty good at envisioning new environments, but I struggled significantly with Children of Blood and Bone and it definitely impacted my enjoyment.

    The world building also didn’t quite seem to hold together with one of the fundamental elements of the story: the magic. Maybe I just read the book too quickly, but somehow it felt like not everything added up. I wasn’t totally clear on how magic completely disappeared in the first place, I didn’t understand why blood magic almost killed Zelie’s mother but untrained kids did it without requiring healing magic. I didn’t understand how or why Zelie just lost her magic, or how it came back again--it felt a bit too deus ex machina to me--and I don’t understand how or why Zelie was a good person to try to teach Inan how to control his powers when she could barely control hers (408). I mean, I know it was just a situation contrived to give them some alone time, only slightly less contrived than that some older teenagers with an urgent, save-the-world deadline would agree with a kid’s plan to party before they actually, you know, save the world (392). I mean, come on. And the epilogue stunner--that, apparently, everyone now has magic (or at least white hair)?--takes some of the wind out of Amari’s sails. Part of her character growth, to me, was that she was gaining confidence in herself even as those around her were getting more powerful. The big final reveal suggests that this might not be the case anymore.

    Finally, as you probably have guessed, a big way that this book was (to me) disappointingly like so many other YA novels is the insta-romance. Ugh. Hot and heavy and very much not my cup of tea at all. I just can’t fathom how someone who can hate the king so much for killing her family can just fall for the prince who killed all her neighbors just because she thinks he’s hot. I know I don’t totally understand how lust works, but there are some obstacles that just seem like they should be impossible to overcome.

    None of the negatives I’ve listed about this book take away how important it is that Children of Blood and Bone is showing teens images of powerful young black people, especially since not all of them get their power from magic. Social commentators much savvier than I am pointed out that when Tiana in Disney’s The Princess and the Frog spent most of the movie as a frog, it denied young black children a chance to see a strong black character in action. Children of Blood and Bone doesn’t seem to suffer this issue (though more savvy commentators might disagree—I’ll have to check), and even has characters with different shades of skin color, so that children have a better chance to find someone to identify with.

    I may not be totally on board with the plot, and I may kind of think that the level of description better suits the screenplay that is, apparently, being developed than a written book—but I think (I hope) that Children of Blood and Bone is part of a cultural wave that will start changing American culture for the better. That’s worth giving the sequel a read, in my book.


    Note
    I read an advanced reader’s copy of this book, and since school kept me from reading it until after the publication date, I went down to the Union Square Barnes & Noble to check out the final published version. I actually struggled to find it at first—it wasn’t prominently on display at the beginning of the YA section, and even though it’s still on multiple YA bestseller lists, it wasn’t on B&N’s YA bestseller shelf. I finally found it on one of the tables near the front of the YA section…but on a low shelf near the ground. I know publishers have to pay to place books in better positions, but given the book’s status, I was very surprised to find it there.

    The map that I’d longed for was present, though not particularly helpful, since the proportions didn’t seem to match the timeline of the story. (This is not at all unusual.) There wasn’t a glossary of Yoruba words to provide the details that I’d needed. There was, however, the longest and most perplexing acknowledgements section that I have ever read. I usually read all acknowledgements, even those that just list names, because I figure that nobody else will, and that’s a shame since the author thinks they’re worthy of mention. But the acknowledgements at the back of this book were several pages long, even when set in a smaller font than the rest of the book. Sections felt like fangirling about celebrities that, so far as I could tell, had no major personal influence on the author—which is cute if done sparingly, but the acknowledgements were so long and so jarring that I felt catapulted out of the mood that the book had cast…a couple days after I’d actually finished the book. We have blogs and social media for that kind of thing.


    Disclaimer: The opinions expressed in this review are my own and do not reflect those of my employer.
  • Rating: 4 out of 5 stars
    4/5
    4.5 Stars!

    Excellent YA fantasy that does what fantasy does best; tells a story about issues in our world but presents them through the lens of magic and fable. I love that we are seeing the rise and popularization of fantasy books that are not placed in middle ages Europe. By expanding how we view fantasy and how it can be portrayed we expand it's ability to be used as a tool to critique and examine sociological issues that affect our real lives. In the authors note, Adeyemi talks about how this work was influenced by the stories of police brutality against black men. Though I did not explicitly recognize that this was the issue that influenced the writing of this book, I can now see how that would have influenced the story and how the story is better for it.

    I thought the characters in this book were very well fleshed out. I especially liked Zelie and Amari. I thought that the examination of their differences really well fleshed out the themes of the story. I always appreciate it when characters grow and change as a result of their interactions with the other characters and I thought that was done very well here. Their brothers were also well done but I wasn't quite as connected to them. I thought their complexity was very well established but I thought the chemistry between Zelie and Amari was much stronger. One thing I didn't like as much was the romances. I thought they were just on the wrong side of being insta-love and I think if there was been more development with those relationships I would have believed it more. I know Adeyemi can write strong relationship because she did it so well with the familial bonds but the romances didn't connect in that way for me.

    I thought the plot was very well done and for the most part was fast paced. There is a bit of a "fetch-quest" element to the story which isn't something I always love but the character work made sure I was still interested. Though things can be seen as a little too perfectly coincidental, The religion in this story actually made that an enjoyable element for me so I didn't mind that some coincidences were very unrealistic. Without getting into spoilers, I didn't love how this one ended. The final conflict was fine but I thought it was lacking a little compared to the rest of the book.

    I think the ending will make it so I definitely want to read book two when it comes out. I thought this was excellent utilization of the best parts of YA fantasy and I'm excited to see what comes next!
  • Rating: 2 out of 5 stars
    2/5
    DNF.

    I made it about halfway through this book before deciding to abandon it. I was bored. The characters didn't feel like they were going anywhere and the adventure seemed frivolous. I think the unfamiliar West-African roots of the mythology and accent of the reader (I did the audiobook) kept me engaged far longer than I would have been normally. I thought it was hiding something deeper and more interesting, but at its heart this feels like a rather generic Y/A fantasy.
  • Rating: 3 out of 5 stars
    3/5
    teen fantasy/adventure (magical realism in a reimagined Africa)
    I liked this, though the romances (Zelie/Inan and Amari/Tzain) are more predictable than interesting, and the plot dragged a bit toward the end (even though it was action action action, there were so many things that unnecessarily delayed the ending).
    Parental notes: no language (though characters, depending on their religion, frequently invoke either the "Gods" or the "Skies"), quite a bit of violence (but not overly gory in description), and one dream sequence in which the main couple go beyond kissing, but not explicitly).
  • Rating: 2 out of 5 stars
    2/5
    If I had to use two words to describe this book they would be "overly dramatic" and this, I find, is a common pitfall of many books aimed at the young adult. The author built a very interesting and original world (how many more medieval settings do we need?) based, I believe, on western African culture. This was probably the best part of the whole book. I thought maybe a small glossary may have been helpful. As for the rest, the development of the characters was okay but I started to get annoyed with the extreme expressions of emotions throughout the book. The characters are soooooooooooooooo in love, soooooooooooooooo scared, soooooooooooooo self-doubting that after a while, I just wanted to strangle some of them. More nuance would have been better.The plot was a typical quest which was okay but I finished thebook not knowing how everything ended. Did they succeed or didn't they? I don't know and that, for me, is so annoying. Too bad, a lot of potential was wasted in this book and I won't continue the series.
  • Rating: 3 out of 5 stars
    3/5
    I liked this. There was a lot of running around in circles and rethinking everything.

    I'm a little frustrated that it is clearly the beginning of a series. I have enough of those going. I'm not sure I want to add another one to my collection.
  • Rating: 2 out of 5 stars
    2/5
    I really wanted to like this book, but it defeated me in the end. First: I liked the setting very much and the culture of the world. I did have a minor glitch in that my version of the book is ePub which didn't format the Yoruba language correctly. There were a lot of incantations that had wingdings and numerals in them which made me feel it was more like a computer language until I figured out it was the formatting.Anyway, I liked that it wasn't the usual fantasy medieval Europe-type setting. For example, I like reading fantasies by Naomi Novik or Leigh Bardugo (Slavic worlds), or Guy Guvriel Kay (Chinese and Byzantine). The author does a pretty good job of setting the tone of this world which seems to be based on Nigeria.Characters: They were generically awful. I'm not sure why the author wrote in three different POVs as they all sounded the same. I often had to go back to the beginning of a chapter to see if this was Zelie or Amari speaking, and honestly, Inan wasn't all that different either except for his dithering usually gave him away. It led to some repetition since often the characters were often together. They often acted much, much younger than their real ages (late teens) with their squabbling and immature decisions.Story: It was pretty much a general YA fantasy plot loaded with tropes: the sassy girl heroine, the conflicted hero(though I'm not sure Inan was actually heroic), the quest for objects, etc. I'm not against tropes, but an author needs to bring something to them that makes the story different (more likable characters, story twists). Everything step they made was telegraphed and often seemed too contrived. For example, why did they stay an extra day for the party in the settlement? They're on a schedule, people, and need to get to the island for the rite. But the minute they decided to stay, I knew it was for Zelie and Inan to get together and the group to get in trouble again by losing their items. Very predictable.The one interesting aspect, I thought, was the conflict between giving others magic vs. the military might. There was a few paragraphs between Inan and Zelie talking about this, but it never went any further. It's a morally gray area (magic = power) that should have been explored more, imho. And Zelie never expressed any regret that she didn't let the others at the settlement touch the scroll to increase their powers; in a way, she's responsible for their slaughter. Inconsistencies: There are a lot of these. The magic system is never really explained which other reviewers noted. This made me nuts; they were in a desert for four days, little water, sandy and hot, got to a city where they had to pay gold for one cup of water, but then found that the citizens are entertained by flooding a coliseum nightly enough to hold multiple wooden boats with cannons for a battle. Where is the water coming from? The wood for the boats? The cannons? It was the same with the settlement. In about a month, all these diviners from all over the country know to come to this hidden place where they build a settlement. How do they know? What's supporting them? Where do they get money for food, etc?Children of Blood and Bone was a big disappointment for me. I get that a lot of people liked it, but I won't bother to read the next books.
  • Rating: 4 out of 5 stars
    4/5
    Zelie and Amari are compelling protagonists, and the novel sparkles when the focus is on them. The setting is original in its afro-futuristic dystopian scene. Yet the middle sags and there are several paint-by-numbers YA tropes present. The ending is fantastic, however. I am curious to see where this series will go next.
  • Rating: 3 out of 5 stars
    3/5
    I found this to be very stereotypical and immaturely written, but the story was good. Not sure I liked it enough to read the sequel.
  • Rating: 4 out of 5 stars
    4/5
    Zelie is a young girl with powers, protected by her older brother Tzain who is without magic. Amari is the princess who defies her father and flees the palace after the death of her friend. Her brother, Inan, the heir apparent hides his magic from his father by supressing his gift and dying the white streak in his hair. Thee four characters essentially form the crux of the story with the king, the antagonist being largely absent, manipulating things in the background.The four characters go on a quest to bring magic back and defy the king. They will have their loyalties to family and each other tested as they journey to retrieve the artieacts they need to fulfil their mission.In terms of world building in this book the author has kept things very simple, opting for a more character-based approach. Village life appears simple with an autocratic monarchy levelling higher and higher taxes on the peasants who are unable to utilise magic to fight back. The fight in the arena reflects both the chariot race of Ben Hur and the second Hunger Games in its brutality and competition.The two female characters are especially well drawn. Both vulnerable and unsure in their own ways, both finding a stronger voice and inner strength through adversity. A journey for which Amari will challenge what she has been told which leads to a new understanding. Inan demonstrates the power of indoctrination and the difficulty of fighting values instilled over a lifetime.The dramatic conclusion is a fitting end to the struggle, but still leaves the door open for a sequel. Generally this is not a bad book, it lacks a little pace in places, but readers of YA and fantasy should find this interesting and different.
  • Rating: 4 out of 5 stars
    4/5
    I picked this book up because the reviews rate it as out-of-this-world, and that kept me going through the slow beginning. I also kept reading because that slow start does develop into something of a page turner. I like that the story does not follow a conventional path to the end and where other books would have decided to rest issues, this book took twists. I love the world, now that I'm more familiar with it(it was a bit tough to break into in the first few chapters). There are some awkward relationship problems in the book, but otherwise I really enjoyed it and will be moving on to the next book when it comes out. I want to see the fallout of the conclusion to this book play out. I hope it's not too long before the next one is released.
  • Rating: 3 out of 5 stars
    3/5
    I wanted to like this. It had everything I was looking for. I just found myself repeatedly putting this book down. I'm going to try again in a few months, but I didn't find it as engaging as I'd have liked.
  • Rating: 4 out of 5 stars
    4/5
    A fun (but violent) YA fantasy quest story with an interesting magic system. I got some Last Airbender vibes, although with a higher level of gore. I personally could have done without the romance, and I'm not sure how I feel about the cliffhanger, but I'm still interested to read the sequel(s).
  • Rating: 4 out of 5 stars
    4/5
    Oh, my goodness! I am emotionally exhausted having just finished this book. I can't believe it was a debut novel. Wow! Tomi Adeyemi is a natural story-teller. The world building was incredible and the more I read the more enthralling the story became until it was almost fever-pitched two-thirds of the way in. As for the drama and tension, I was nearly at breaking point near the end and found myself tearing through the pages as Zélie and Amari raced against time to thwart King Saran and restore magic to the kingdom of Orïsha.Even though I adored both Zélie and Amari and loved their personal growth and their developing friendship, it was Inan who won my heart. He was such a tortured soul, always struggling between duty and his heart, and never sure if magic was a gift of a curse. He was a great villain and an intense, complex character with lots of layers. His love and hatred of Zélie left him torn and confused.I can't praise "Children of Blood and Bone" enough. With beautiful writing, masterful world building, fabulous characters and action-packed adventure, it was difficult to put down once I had started it. However, it was more than an epic fantasy, it was also a story of struggles, pain, racism and oppression, but at its heart it was also a celebration of diversity and reinforced the truth that all children are of blood and bone. Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    An impressive debut.A massacre wiped out magic years ago, however, when a scroll lands in Zelie’s hands by way of runaway princess Amari, it sets in motion the possibility of restoring magic, returning power to those who have suffered without it, but the king has tasked the prince with fighting any uprising. There are so many parts of the world I know far too little about and so one of the things I most enjoyed about this book is how in addition to the fantasy world-building, there are aspects of actual African culture woven throughout, food, clothing, language, etc..Going into this one, I was weary of the length but happily the pacing held up really well, there was almost always something happening, forward momentum through action or emotion, so for the most part the large page count felt necessary. If anything, I would have welcomed a few more pages when it came to the development of romantic feelings between Zelie and a certain someone, not that I didn’t feel sparks, it’s just that considering where they started with one another their relationship turned a corner kind of quickly, with a little more time I probably would have bought into their love story to a greater degree. There was really only one other issue I had with this one. Twice the characters let down their guard, they stopped to have fun, which on the one hand with everyone having had little to celebrate in their lives it is understandable that they’d jump at an opportunity to have a rare good time, however, they struck me as so smart and determined that it was tough to believe that they’d make that same mistake a second time when the first time nearly led to tragedy, never mind the fast-approaching deadline they faced. As for the characters, Amari was probably my favorite, there was something about her coming out of her protected palace life and finding the courage within to step up that really appealed, but I very much liked Zelie, too, that she’s so cunning when it comes to trading and strategy yet she has inner doubts, too, so as tough and as brilliant as she is, there’s vulnerability underneath. Of the guys, Roen stood out most to me, unlike Tzain and Inan, who both see themselves as doing the right thing (which is actually wrong in Inan’s case), Roen is much more of a wild card, there’s an edge to him that’s intriguing, it doesn’t feel like a moral code guides him at all, and so I’m curious to learn more about him in the next book.Really though, I’m curious to see where everyone in the next book will go after such a strong start to this series.
  • Rating: 2 out of 5 stars
    2/5
    Children of Blood and Bone 2/5

    This book was very up and down for me. The magic system was good. The setting was good. I liked the African theme and setting and characters. The actions of the characters, on the other hand, weren’t very believable. A couple of events broke my suspension of disbelief. Also, their motivations were suspect. I wanted to like this one.
  • Rating: 4 out of 5 stars
    4/5
    This is a YA tale of magic lost that must be rekindled that has been told before in many ways. (May the force be with you!) One of its interesting aspects is that it is set in an African-like country. And, while the story feels familiar, I came to care for the characters by the end of the book, and I rooted for the success of their quest. There were enough plot twists to cause gasps and sorrow and one heck of a cliffhanger ending that makes me want to go on with the series.
  • Rating: 5 out of 5 stars
    5/5
    Wow! Amazing writing and such a wild ride in the end. And then......the worst cliffhanger ever! Worst as in, I need the second book NOW! I thought it was so good and then I read the Author’s Note and.......wow. I’m speechless! It makes total sense and I love the book even more! Amazing!
  • Rating: 3 out of 5 stars
    3/5
    Interesting plot and story line, but the characters weren't built up very much and the plot felt rushed. It felt like it occurred over 3 days, not a month. Zelie's sudden romance was silly and unnecessary, as was the death at the end. I'll still read the next book, I want to see where the rebellion leads and I like Roen.

Book preview

Children of Blood and Bone - Tomi Adeyemi

CHAPTER ONE

ZÉLIE

PICK ME.

It’s all I can do not to scream. I dig my nails into the marula oak of my staff and squeeze to keep from fidgeting. Beads of sweat drip down my back, but I can’t tell if it’s from dawn’s early heat or from my heart slamming against my chest. Moon after moon I’ve been passed over.

Today can’t be the same.

I tuck a lock of snow-white hair behind my ear and do my best to sit still. As always, Mama Agba makes the selection grueling, staring at each girl just long enough to make us squirm.

Her brows knit in concentration, deepening the creases in her shaved head. With her dark brown skin and muted kaftan, Mama Agba looks like any other elder in the village. You would never guess a woman her age could be so lethal.

Ahem. Yemi clears her throat at the front of the ahéré, a not-so-subtle reminder that she’s already passed this test. She smirks at us as she twirls her hand-carved staff, eager to see which one of us she gets to defeat in our graduation match. Most girls cower at the prospect of facing Yemi, but today I crave it. I’ve been practicing and I’m ready.

I know I can win.

Zélie.

Mama Agba’s weathered voice breaks through the silence. A collective exhale echoes from the fifteen other girls who weren’t chosen. The name bounces around the woven walls of the reed ahéré until I realize Mama Agba’s called me.

Really?

Mama Agba smacks her lips. I can choose someone else—

No! I scramble to my feet and bow quickly. Thank you, Mama. I’m ready.

The sea of brown faces parts as I move through the crowd. With each step, I focus on the way my bare feet drag against the reeds of Mama Agba’s floor, testing the friction I’ll need to win this match and finally graduate.

When I reach the black mat that marks the arena, Yemi is the first to bow. She waits for me to do the same, but her gaze only stokes the fire in my core. There’s no respect in her stance, no promise of a proper fight. She thinks because I’m a divîner, I’m beneath her.

She thinks I’m going to lose.

"Bow, Zélie." Though the warning is evident in Mama Agba’s voice, I can’t bring myself to move. This close to Yemi, the only thing I see is her luscious black hair, her coconut-brown skin, so much lighter than my own. Her complexion carries the soft brown of Orïshans who’ve never spent a day laboring in the sun, a privileged life funded by hush coin from a father she never met. Some noble who banished his bastard daughter to our village in shame.

I push my shoulders back and thrust my chest forward, straightening though I need to bend. Yemi’s features stand out in the crowd of divîners adorned with snow-white hair. Divîners who’ve been forced to bow to those who look like her time and time again.

Zélie, do not make me repeat myself.

But Mama—

Bow or leave the ring! You’re wasting everyone’s time.

With no other choice, I clench my jaw and bow, making Yemi’s insufferable smirk blossom. Was that so hard? Yemi bows again for good measure. If you’re going to lose, do it with pride.

Muffled giggles break out among the girls, quickly silenced by a sharp wave of Mama Agba’s hand. I shoot them a glare before focusing on my opponent.

We’ll see who’s giggling when I win.

Take position.

We back up to the edge of the mat and kick our staffs up from the ground. Yemi’s sneer disappears as her eyes narrow. Her killer instinct emerges.

We stare each other down, waiting for the signal to begin. I worry Mama Agba’ll drag this out forever when at last she shouts.

Commence!

And instantly I’m on the defensive.

Before I can even think of striking, Yemi whips around with the speed of a cheetanaire. Her staff swings over her head one moment and at my neck the next. Though the girls behind me gasp, I don’t miss a beat.

Yemi may be fast, but I can be faster.

When her staff nears, I arch as far as my back will bend, dodging her attack. I’m still arched when Yemi strikes again, this time slamming her weapon down with the force of a girl twice her size.

I throw myself to the side, rolling across the mat as her staff smacks against its reeds. Yemi rears back to strike again as I struggle to find my footing.

Zélie, Mama Agba warns, but I don’t need her help. In one smooth motion, I roll to my feet and thrust my shaft upward, blocking Yemi’s next blow.

Our staffs collide with a loud crack. The reed walls shudder. My weapon is still reverberating from the blow when Yemi pivots to strike at my knees.

I push off my front leg and swing my arms for momentum, cartwheeling in midair. As I flip over her outstretched staff, I see my first opening—my chance to be on the offensive.

Huh! I grunt, using the momentum of the aerial to land a strike of my own. Come on—

Yemi’s staff smacks against mine, stopping my attack before it even starts.

Patience, Zélie, Mama Agba calls out. It is not your time to attack. Observe. React. Wait for your opponent to strike.

I stifle my groan but nod, stepping back with my staff. You’ll have your chance, I coach myself. Just wait your tur—

That’s right, Zél. Yemi’s voice dips so low only I can hear it. Listen to Mama Agba. Be a good little maggot.

And there it is.

That word.

That miserable, degrading slur.

Whispered with no regard. Wrapped in that arrogant smirk.

Before I can stop myself, I thrust my staff forward, only a hair from Yemi’s gut. I’ll take one of Mama Agba’s infamous beatings for this later, but the fear in Yemi’s eyes is more than worth it.

Hey! Though Yemi turns to Mama Agba to intervene, she doesn’t have time to complain. I twirl my staff with a speed that makes her eyes widen before launching into another attack.

This isn’t the exercise! Yemi shrieks, jumping to evade my strike at her knees. Mama—

Must she fight your battles for you? I laugh. "Come on, Yem. If you’re going to lose, do it with pride!"

Rage flashes in Yemi’s eyes like a bull-horned lionaire ready to pounce. She clenches her staff with a vengeance.

Now the real fight begins.

The walls of Mama Agba’s ahéré hum as our staffs smack again and again. We trade blow for blow in search of an opening, a chance to land that crucial strike. I see an opportunity when—

Ugh!

I stumble back and hunch over, wheezing as nausea climbs up my throat. For a moment I worry Yemi’s crushed my ribs, but the ache in my abdomen quells that fear.

Halt—

No! I interrupt Mama Agba, voice hoarse. I force air into my lungs and use my staff to stand up straight. I’m okay.

I’m not done yet.

Zélie— Mama starts, but Yemi doesn’t wait for her to finish. She speeds toward me hot with fury, her staff only a finger’s breadth from my head. As she rears back to attack, I spin out of her range. Before she can pivot, I whip around, ramming my staff into her sternum.

"Ah!" Yemi gasps. Her face contorts in pain and shock as she reels backward from my blow. No one’s ever struck her in one of Mama Agba’s battles. She doesn’t know how it feels.

Before she can recover, I spin and thrust my staff into her stomach. I’m about to deliver the final blow when the russet sheets covering the ahéré’s entrance fly open.

Bisi runs through the doorway, her white hair flying behind her. Her small chest heaves up and down as she locks eyes with Mama Agba.

What is it? Mama asks.

Tears gather in Bisi’s eyes. I’m sorry, she whimpers, I fell asleep, I—I wasn’t—

Spit it out, child!

They’re coming! Bisi finally exclaims. They’re close, they’re almost here!

For a moment I can’t breathe. I don’t think anyone can. Fear paralyzes every inch of our beings.

Then the will to survive takes over.

Quickly, Mama Agba hisses. We don’t have much time!

I pull Yemi to her feet. She’s still wheezing, but there’s no time to make sure she’s okay. I grab her staff and rush to collect the others.

The ahéré erupts in a blur of chaos as everyone races to hide the truth. Meters of bright fabric fly through the air. An army of reed mannequins rises. With so much happening at once, there’s no way of knowing whether we’ll hide everything in time. All I can do is focus on my task: shoving each staff under the arena mat where they can’t be seen.

As I finish, Yemi thrusts a wooden needle into my hands. I’m still running to my designated station when the sheets covering the ahéré entrance open again.

Zélie! Mama Agba barks.

I freeze. Every eye in the ahéré turns to me. Before I can speak, Mama Agba slaps the back of my head; a sting only she can summon tears down my spine.

Stay at your station, she snaps. You need all the practice you can get.

Mama Agba, I…

She leans in as my pulse races, eyes glimmering with the truth.

A distraction …

A way to buy us time.

I’m sorry, Mama Agba. Forgive me.

Just get back to your station.

I bite back a smile and bow my head in apology, sweeping low enough to survey the guards who entered. Like most soldiers in Orïsha, the shorter of the two has a complexion that matches Yemi’s: brown like worn leather, framed with thick black hair. Though we’re only young girls, he keeps his hand on the pommel of his sword. His grip tightens, as if at any moment one of us could strike.

The other guard stands tall, solemn and serious, much darker than his counterpart. He stays near the entrance, eyes focused on the ground. Perhaps he has the decency to feel shame for whatever it is they’re about to do.

Both men flaunt the royal seal of King Saran, stark on their iron breastplates. Just a glance at the ornate snow leopanaire makes my stomach clench, a harsh reminder of the monarch who sent them.

I make a show of sulking back to my reed mannequin, legs nearly collapsing in relief. What once resembled an arena now plays the convincing part of a seamstress’s shop. Bright tribal fabric adorns the mannequins in front of each girl, cut and pinned in Mama Agba’s signature patterns. We stitch the hems of the same dashikis we’ve been stitching for years, sewing in silence as we wait for the guards to go away.

Mama Agba travels up and down the rows of girls, inspecting the work of her apprentices. Despite my nerves, I grin as she makes the guards wait, refusing to acknowledge their unwelcome presence.

Is there something I can help you with? she finally asks.

Tax time, the darker guard grunts. Pay up.

Mama Agba’s face drops like the heat at night. I paid my taxes last week.

This isn’t a trade tax. The other guard’s gaze combs over all the divîners with long white hair. Maggot rates went up. Since you’ve got so many, so have yours.

Of course. I grip the fabric on my mannequin so hard my fists ache. It’s not enough for the king to keep the divîners down. He has to break anyone who tries to help us.

My jaw clenches as I try to block out the guard, to block out the way maggot stung from his lips. It doesn’t matter that we’ll never become the maji we were meant to be. In their eyes we’re still maggots.

That’s all they’ll ever see.

Mama Agba’s mouth presses into a tight line. There’s no way she has the coin to spare. You already raised the divîner tax last moon, she argues. And the moon before that.

The lighter guard steps forward, reaching for his sword, ready to strike at the first sign of defiance. Maybe you shouldn’t keep company with maggots.

Maybe you should stop robbing us.

The words spill out of me before I can stop them. The room holds its breath. Mama Agba goes rigid, dark eyes begging me to be quiet.

Divîners aren’t making more coin. Where do you expect these new taxes to come from? I ask. You can’t just raise the rates again and again. If you keep raising them, we can’t pay!

The guard saunters over in a way that makes me itch for my staff. With the right blow I could knock him off his feet; with the right thrust I could crush his throat.

For the first time I realize that the guard doesn’t wield an ordinary sword. His black blade gleams in his sheath, a metal more precious than gold.

Majacite …

A weaponized alloy forged by King Saran before the Raid. Created to weaken our magic and burn through our flesh.

Just like the black chain they wrapped around Mama’s neck.

A powerful maji could fight through its influence, but the rare metal is debilitating for most of us. Though I have no magic to suppress, the proximity of the majacite blade still pricks at my skin as the guard boxes me in.

You would do well to keep your mouth shut, little girl.

And he’s right. I should. Keep my mouth shut, swallow my rage. Live to see another day.

But when he’s this close to my face, it’s all I can do not to jam my sewing needle into his beady brown eye. Maybe I should be quiet.

Or maybe he should die.

"You sh—"

Mama Agba shoves me aside with so much force I tumble to the ground.

Here, she interrupts with a handful of coins. Just take it.

Mama, don’t—

She whips around with a glare that turns my body to stone. I shut my mouth and crawl to my feet, shrinking into the patterned cloth of my mannequin.

Coins jingle as the guard counts the bronze pieces placed into his palm. He lets out a grunt when he finishes. It’s not enough.

It has to be, Mama Agba says, desperation breaking into her voice. This is it. This is everything I have.

Hatred simmers beneath my skin, prickling sharp and hot. This isn’t right. Mama Agba shouldn’t have to beg. I lift my gaze and catch the guard’s eye. A mistake. Before I can turn away or mask my disgust, he grabs me by the hair.

Ah! I cry out as pain lances through my skull. In an instant the guard slams me to the ground facedown, knocking the breath from my throat.

You may not have any money. The guard digs into my back with his knee. But you sure have your fair share of maggots. He grips my thigh with a rough hand. I’ll start with this one.

My skin grows hot as I gasp for breath, clenching my hands to hide the trembling. I want to scream, to break every bone in his body, but with each second I wither. His touch erases everything I am, everything I’ve fought so hard to become.

In this moment I’m that little girl again, helpless as the soldier drags my mother away.

That’s enough. Mama Agba pushes the guard back and pulls me to her chest, snarling like a bull-horned lionaire protecting her cub. You have my coin and that’s all you’re getting. Leave. Now.

The guard’s anger boils at her audacity. He moves to unsheathe his sword, but the other guard holds him back.

Come on. We’ve got to cover the village by dusk.

Though the darker guard keeps his voice light, his jaw sets in a tight line. Maybe in our faces he sees a mother or sister, a reminder of someone he’d want to protect.

The other soldier is still for a moment, so still I don’t know what he’ll do. Eventually he unhands his sword, cutting instead with his glare. Teach these maggots to stay in line, he warns Mama Agba. Or I will.

His gaze shifts to me; though my body drips with sweat, my insides freeze. The guard runs his eyes up and down my frame, a warning of what he can take.

Try it, I want to snap, but my mouth is too dry to speak. We stand in silence until the guards exit and the stomping of their metal-soled boots fades away.

Mama Agba’s strength disappears like a candle blown out by the wind. She grabs on to a mannequin for support, the lethal warrior I know diminishing into a frail, old stranger.

Mama…

I move to help her, but she slaps my hand away. "Òd5 !"

Fool, she scolds me in Yoruba, the maji tongue outlawed after the Raid. I haven’t heard our language in so long, it takes me a few moments to remember what the word even means.

What in the gods’ names is wrong with you?

Once again, every eye in the ahéré is on me. Even little Bisi stares me down. But how can Mama Agba yell at me? How is this my fault when those crooked guards are the thieves?

I was trying to protect you.

Protect me? Mama Agba repeats. You knew your lip wouldn’t change a damn thing. You could’ve gotten all of us killed!

I stumble, taken aback by the harshness of her words. I’ve never seen such disappointment in her eyes.

If I can’t fight them, why are we here? My voice cracks, but I choke down my tears. What’s the point of training if we can’t protect ourselves? Why do this if we can’t protect you?

"For gods’ sakes, think, Zélie. Think about someone other than yourself! Who would protect your father if you hurt those men? Who would keep Tzain safe when the guards come for blood?"

I open my mouth to retort, but there’s nothing I can say. She’s right. Even if I took down a few guards, I couldn’t take on the whole army. Sooner or later they would find me.

Sooner or later they would break the people I love.

Mama Agba? Bisi’s voice shrinks, small like a mouse. She clings to Yemi’s draped pants as tears well in her eyes. Why do they hate us?

A weariness settles on Mama’s frame. She opens her arms to Bisi. They don’t hate you, my child. They hate what you were meant to become.

Bisi buries herself inside the fabric of Mama’s kaftan, muffling her sobs. As she cries, Mama Agba surveys the room, seeing all the tears the other girls hold back.

"Zélie asked why we are here. It’s a valid question. We often talk of how you must fight, but we never talk about why. Mama sets Bisi down and motions for Yemi to bring her a stool. You girls have to remember that the world wasn’t always like this. There was a time when everyone was on the same side."

As Mama Agba settles herself onto the chair, the girls gather around, eager to listen. Each day, Mama’s lessons end with a tale or fable, a teaching from another time. Normally I would push myself to the front to savor each word. Today I stay on the outskirts, too ashamed to get close.

Mama Agba rubs her hands together, slow and methodical. Despite everything that’s happened, a thin smile hangs on her lips, a smile only one tale can summon. Unable to resist, I step in closer, pushing past a few girls. This is our story. Our history.

A truth the king tried to bury with our dead.

In the beginning, Orïsha was a land where the rare and sacred maji thrived. Each of the ten clans was gifted by the gods above and given a different power over the land. There were maji who could control water, others who commanded fire. There were maji with the power to read minds, maji who could even peer through time!

Though we’ve all heard this story at one point or another—from Mama Agba, from parents we no longer have—hearing it again doesn’t take the wonder away from its words. Our eyes light up as Mama Agba describes maji with the gift of healing and the ability to cause disease. We lean in when she speaks of maji who tamed the wild beasts of the land, of maji who wielded light and darkness in the palms of their hands.

Each maji was born with white hair, the sign of the gods’ touch. They used their gifts to care for the people of Orïsha and were revered throughout the nation. But not everyone was gifted by the gods. Mama Agba gestures around the room. "Because of this, every time new maji were born, entire provinces rejoiced, celebrating at the first sight of their white coils. The chosen children couldn’t do magic before they turned thirteen, so until their powers manifested, they were called the ibawi, ‘the divine.’"

Bisi lifts her chin and smiles, remembering the origin of our divîner title. Mama Agba reaches down and tugs on a strand of her white hair, a marker we’ve all been taught to hide.

The maji rose throughout Orïsha, becoming the first kings and queens. In that time everyone knew peace, but that peace didn’t last. Those in power began to abuse their magic, and as punishment, the gods stripped them of their gifts. When the magic leached from their blood, their white hair disappeared as a sign of their sin. Over generations, love of the maji turned into fear. Fear turned into hate. Hate transformed into violence, a desire to wipe the maji away.

The room dims in the echo of Mama Agba’s words. We all know what comes next; the night we never speak of, the night we will never be able to forget.

Until that night the maji were able to survive because they used their powers to defend themselves. But eleven years ago, magic disappeared. Only the gods know why. Mama Agba shuts her eyes and releases a heavy sigh. "One day magic breathed. The next, it died."

Only the gods know why?

Out of respect for Mama Agba, I bite back my words. She speaks the way all adults who lived through the Raid talk. Resigned, like the gods took magic to punish us, or they simply had a change of heart.

Deep down, I know the truth. I knew it the moment I saw the maji of Ibadan in chains. The gods died with our magic.

They’re never coming back.

On that fateful day, King Saran didn’t hesitate, Mama Agba continues. He used the maji’s moment of weakness to strike.

I close my eyes, fighting back the tears that want to fall. The chain they jerked around Mama’s neck. The blood dripping into the dirt.

The silent memories of the Raid fill the reed hut, drenching the air with grief.

All of us lost the maji members of our families that night.

Mama Agba sighs and stands up, gathering the strength we all know. She looks over every girl in the room like a general inspecting her troops.

I teach the way of the staff to any girl who wants to learn, because in this world there will always be men who wish you harm. But I started this training for the divîners, for all the children of the fallen maji. Though your ability to become maji has disappeared, the hatred and violence toward you remains. That is why we are here. That is why we train.

With a sharp flick, Mama removes her own compacted staff and smacks it against the floor. Your opponents carry swords. Why do I train you in the art of the staff?

Our voices echo the mantra Mama Agba has made us repeat time and time again. It avoids rather than hurts, it hurts rather than maims, it maims rather than kills—the staff does not destroy.

I teach you to be warriors in the garden so you will never be gardeners in the war. I give you the strength to fight, but you all must learn the strength of restraint. Mama turns to me, shoulders pinned back. You must protect those who can’t defend themselves. That is the way of the staff.

The girls nod, but all I can do is stare at the floor. Once again, I’ve almost ruined everything. Once again, I’ve let people down.

Alright, Mama Agba sighs. That’s enough for today. Gather your things. We’ll pick up where we left off tomorrow.

The girls file out of the hut, grateful to escape. I try to do the same, but Mama Agba’s wrinkled hand grips my shoulder.

Mama—

Silence, she orders. The last of the girls give me sympathetic looks. They rub their behinds, probably calculating how many lashes my own is about to get.

Twenty for ignoring the exercise … fifty for speaking out of turn … a hundred for almost getting us killed …

No. A hundred would be far too generous.

I stifle a sigh and brace myself for the sting. It’ll be quick, I coach myself. It’ll be over before it—

Sit, Zélie.

Mama Agba hands me a cup of tea and pours one for herself. The sweet scent wafts into my nose as the cup’s warmth heats my hands.

I scrunch my eyebrows. Did you poison this?

The corners of Mama Agba’s lips twitch, but she hides her amusement behind a stern face. I hide my own with a sip of the tea, savoring the splash of honey on my tongue. I turn the cup in my hands and finger the lavender beads embedded in its rim. Mama had a cup like this—its beads were silver, decorated in honor of Oya, the Goddess of Life and Death.

For a moment the memory distracts me from Mama Agba’s disappointment, but as the tea’s flavor fades, the sour taste of guilt seeps back in. She shouldn’t have to go through this. Not for a divîner like me.

I’m sorry. I pick at the beads along the cup to avoid looking up. I know … I know I don’t make things easy for you.

Like Yemi, Mama Agba is a kosidán, an Orïshan who doesn’t have the potential to do magic. Before the Raid we believed the gods chose who was born a divîner and who wasn’t, but now that magic’s gone, I don’t understand why the distinction matters.

Free of the white hair of divîners, Mama Agba could blend in with the other Orïshans, avoid the guards’ torture. If she didn’t associate with us, the guards might not bother her at all.

Part of me wishes she would abandon us, spare herself the pain. With her tailoring skills, she could probably become a merchant, get her fair share of coin instead of having them all ripped away.

You’re starting to look more like her, did you know that? Mama Agba takes a small sip of her tea and smiles. The resemblance is frightening when you yell. You inherited her rage.

My mouth falls open; Mama Agba doesn’t like to talk of those we’ve lost.

Few of us do.

I hide my surprise with another taste of tea and nod. I know.

I don’t remember when it happened, but the shift in Baba was undeniable. He stopped meeting my eyes, unable to look at me without seeing the face of his murdered wife.

That’s good. Mama Agba’s smile falters into a frown. You were just a child during the Raid. I worried you’d forget.

I couldn’t if I tried. Not when Mama had a face like the sun.

It’s that face I try to remember.

Not the corpse with blood trickling down her neck.

I know you fight for her. Mama Agba runs her hand through my white hair. But the king is ruthless, Zélie. He would sooner have the entire kingdom slaughtered than tolerate divîner dissent. When your opponent has no honor, you must fight in different ways, smarter ways.

Does one of those ways include smacking those bastards with my staff?

Mama Agba chuckles, skin crinkling around her mahogany eyes. Just promise me you’ll be careful. Promise you’ll choose the right moment to fight.

I grab Mama Agba’s hands and bow my head, diving deep to show my respect. I promise, Mama. I won’t let you down again.

Good, because I have something and I don’t want to regret showing it to you.

Mama Agba reaches into her kaftan and pulls out a sleek black rod. She gives it a sharp flick. I jump back as the rod expands into a gleaming metal staff.

Oh my gods, I breathe out, fighting the urge to clutch the masterpiece. Ancient symbols coat every meter of the black metal, each carving reminiscent of a lesson Mama Agba once taught. Like a bee to honey, my eyes find the akofena first, the crossed blades, the swords of war. Strength cannot always roar, she said that day. Valor does not always shine. My eyes drift to the akoma beside the swords next, the heart of patience and tolerance. On that day … I’m almost positive I got a beating that day.

Each symbol takes me back to another lesson, another story, another wisdom. I look at Mama, waiting. Is this a gift or what she’ll use to beat me?

Here. She places the smooth metal in my hand. Immediately, I sense its power. Iron-lined … weighted to crack skulls.

Is this really happening?

Mama nods. You fought like a warrior today. You deserve to graduate.

I rise to twirl the staff and marvel at its strength. The metal cuts through the air like a knife, more lethal than any oak staff I’ve ever carved.

Do you remember what I told you when we first started training?

I nod and mimic Mama Agba’s tired voice. "‘If you’re going to pick fights with the guards, you better learn how to win.’"

Though she slaps me over the head, her hearty laughter echoes against the reed walls. I hand her the staff and she rams it into the ground; the weapon collapses back into a metal rod.

You know how to win, she says. Just make sure you know when to fight.

Pride and honor and pain swirl in my chest when Mama Agba places the staff back into my palm. Not trusting myself to speak, I wrap my hands around her waist and inhale the familiar smell of freshly washed fabric and sweet tea.

Though Mama Agba stiffens at first, she holds me tight, squeezing away the pain. She pulls back to say more, but stops as the sheets of the ahéré open again.

I grab the metal rod, prepared to flick until I recognize my older brother, Tzain, standing in the entrance. The reed hut instantly shrinks in his massive presence, all muscle and strain. Tendons bulge against his dark skin. Sweat rains from his black hair down his forehead. His eyes catch mine and a sharp pressure clamps my heart.

It’s Baba.

CHAPTER TWO

ZÉLIE

THE LAST WORDS I ever wanted to hear.

It’s Baba means it’s over.

It’s Baba means he’s hurt, or worse—

No. I stop my thoughts as we sprint across the wooden planks of the merchant quarter. He’s okay, I promise myself. Whatever it is, he’s going to live.

Ilorin rises with the sun, bringing our ocean village to life. Waves crash against the wooden pillars that keep our settlement afloat, coating our feet with mist. Like a spider caught in the web of the sea, our village sits on eight legs of lumber all connected in the center. It’s that center we run to now. That center that brings us closer to Baba.

Watch it, a kosidán woman yells as I sprint past, almost knocking a basket of plantain off her black hair. Maybe if she realized my world is falling apart, she’d find the heart to forgive.

What happened? I pant.

I don’t know, Tzain rushes out. Ndulu came to agbön practice. Said Baba was in trouble. I was headed home, but Yemi told me you had a problem with the guards?

Oh gods, what if it’s the one from Mama Agba’s hut? Fear creeps into my consciousness as we zip through the tradeswomen and craftsmen crowding the wooden walkway. The guard who attacked me could’ve gone after Baba. And soon he’ll go after—

Zélie! Tzain shouts with an edge that indicates this isn’t his first attempt to grab my attention. Why’d you leave him? It was your turn to stay!

Today was the graduation match! If I missed it—

Dammit, Zél! Tzain’s roar makes the other villagers turn. Are you serious? You left Baba for your stupid stick?

It’s not a stick, it’s a weapon, I shoot back. And I didn’t abandon him. Baba overslept. He needed to rest. And I’ve stayed every day this week—

Because I stayed every day last week! Tzain leaps over a crawling child, muscles rippling when he lands. A kosidán girl smiles as he runs past, hoping a flirtatious wave will break his stride. Even now, villagers gravitate to Tzain like magnets finding their way home. I have no need to push others out of my way—one look at my white hair, and people avoid me like I’m an infectious plague.

The Orïshan Games are only two moons away, Tzain continues. "You know what winning that kind of coin could do for us? When I practice, you have to stay with Baba. What part of that’s so hard to understand? Dammit."

Tzain skids to a stop before the floating market in the center of Ilorin. Surrounded by a rectangular walkway, the stretch of open sea swells with villagers haggling inside their round coconut boats. Before the daily trades begin, we can run across the night bridge to our home in the fishermen’s sector. But the market’s opened early and the bridge is nowhere to be seen. We’ll have to go the long way.

Ever the athlete, Tzain takes off, sprinting down the walkway surrounding the market to make it back to Baba. I begin to follow him but pause when I see the coconut boats.

Merchants and fishermen barter, trading fresh fruit for the best of that day’s catch. When times are good, the trades are kind—everyone accepts a little less to give others a little more. But today everyone bickers, demanding bronze and silver over promises and fish.

The taxes …

The wretched face of the guard fills my mind as the ghost of his grip burns my thigh. The memory of his glare propels me. I leap into the first boat.

Zélie, watch out! Kana cries, cradling her precious fruit. Our village gardener adjusts her headwrap and scowls as I hop onto a wooden barge teeming with blue moonfish.

Sorry!

I yell apology after apology, leaping from boat to boat like a red-nosed frogger. As soon as I land on the deck of the fishermen’s sector, I’m off, relishing the sensation of my feet pounding against the wooden planks. Though Tzain trails behind me, I keep going. I need to reach Baba first. If it’s bad, Tzain’ll need a warning.

If Baba’s dead …

The thought turns my legs to lead. He can’t be dead. It’s half past dawn; we need to load our boat and sail out to sea. By the time we lay out our nets, the prime catch will have passed. Who’ll scold me for that if Baba’s gone?

I picture the way he was before I left, passed out in the emptiness of our ahéré. Even asleep, he looked worn, like the longest slumber couldn’t grant him rest. I had hoped he wouldn’t wake until I returned, but I should’ve known better. In stillness, he has to deal with his pain, his regrets.

And me …

Me and my stupid mistakes.

The crowd gathered outside my ahéré makes me stumble to a halt. People block my view of the ocean, pointing and shouting at something I can’t see. Before I can push my way in, Tzain barrels through the crowd. As a path clears, my heart stops.

Almost half a kilometer out at sea, a man flails, his dark hands thrashing in desperation. Powerful waves ram against the poor soul’s head, drowning him with each impact. The man cries out for help, voice choked and weak. But it’s a voice I’d know anywhere.

The voice of my father.

Two fishermen row toward him, frantic as they paddle in their coconut boats. But the force of the waves pushes them back. They’ll never reach him in time.

No, I cry in horror as a current pulls Baba below the water. Though I wait for him to surface, nothing breaks through the vengeful waves. We’re too late.

Baba’s gone.

It hits me like a staff to the chest. To the head. To the heart.

In an instant the air vanishes from my world and I forget how to breathe.

But while I struggle to stand, Tzain launches into action. I scream as he dives into the water, cutting through the waves with the power of a dual-finned shark.

Tzain swims with a frenzy I’ve never seen. Within moments he overtakes the boats. Seconds later he reaches the area where Baba went under and dives down.

Come on. My chest tightens so much I swear I feel my ribs crack. But when Tzain reemerges, his hands are empty. No body.

No Baba.

Panting, Tzain dives again, kicking harder this time. The seconds without him stretch into an eternity. Oh my gods …

I could lose them both.

Come on, I whisper again as I stare at the waves where Tzain and Baba have disappeared. "Come back."

I’ve whispered these words before.

As a kid, I once watched Baba haul Tzain from the depths of a lake, ripping him from the seaweed that had trapped him underwater. He pumped on his fragile chest, but when Baba failed to make him breathe, it was Mama and her magic who saved him. She risked everything, violating maji law to call on the forbidden powers in her blood. She wove her incantations into Tzain like a thread, pulling him back to life with the magic of the dead.

I wish Mama was alive every day, but never more than this moment. I wish the magic that coursed through her body ran through mine.

I wish I could keep Tzain and Baba alive.

Please. Despite everything I believe, I close my eyes and pray, just like I did that day. If even one god is still up there, I need her to hear me now.

Please! Tears leak through my lashes. Hope shrivels inside my chest. Bring them back. Please, Oya, don’t take them, too—

Ugh!

My eyes snap open as Tzain bursts out of the ocean, one arm around Baba’s chest. A liter of water seems to escape Baba’s throat as he coughs, but he’s here.

He’s alive.

I fall to my knees, nearly collapsing on the wooden

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