Four Princesses from Provence
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During the Middle Ages noble women were often pawns in the great game of dynastic politics. But some of them were important players in their own right. The four daughters of the Count of Provence used their charms, beauty, and intelligence to move from their father’s small kingdom in the south of France to positions of power across Europe.
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Four Princesses from Provence - Rogers V. Rogers
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A Lady Crowned with Fleurs-de-lys
Copyright © 2017 by Amelia V. Rogers
ISBN: 978-1-63524-158-7
All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher or author, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.
Although every precaution has been taken to verify the accuracy of the information contained herein, the author and publisher assume no responsibility for any errors or omissions. No liability is assumed for damages that may result from the use of information contained within.
Printed in the United States of America
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A Lady Crowned with Fleurs-de-lys
ornament7.jpgA Historical Novel
Amelia V. Rogers
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A Lady Crowned with Fleur-de-Lys
Essential Genealogy
genealogy%202-14-2017.jpgA Lady Crowned
ornament7.jpgBetween 1337 and 1453 France and England were involved in a succession of wars, truces, invasions, and armistices that go under the name of Hundred Years’ Wars. The most recent cause for this turmoil was the inheritance of the French throne, which the English claimed as their king was the direct descendant of the king of France, but the French rejected because they recognized only male lineage and the English claim was based on a French Princess.
France was devastated by the wars because the battles were all fought on its territory and eventually a civil war ensued that led to the coronation of an English king. The country was saved and the rightful French king crowned thanks to that famous French heroine that the Church considers a saint: Joan of Arc.
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The King Is Dead
ornament7.jpgThe bells of Paris filled the luminous October air with a slow, sorrowful sound. Charles of Valois, the mad King was dead and his people, in Paris and in the most remote corners of his country mourned for him. They loved their sovereign, even if his long malady had precipitated France into an abyss of war, famine and destruction. In him they had seen their last frail bulwark against the English; with his death the infamous Treaty of Troyes became a reality and a foreign Prince would sit on the throne of the fleurs-de-lis. More ruin loomed on the horizon of the unhappy country because the foreign Prince was only an infant and his uncle, the rightful heir of the dead King, would certainly not renounce what he considered his sacred inheritance.
Once again the Queen’s name came to the people’s lips and the tone of their voices was angry, contemptuous. It’s Isabeau’s fault ....,
they would say. It’s her, the German woman....God is punishing us for her sins. We bore too long with her greediness, her lust, her lewdness; God will bear with us no more...
The sad tolling of the bells seemed to underline the magnificent yet gloomy funeral procession. Slowly dusk was descending both on it and on the whole of France and soon the shadows would cover that world completely.
Forgotten and perhaps forgiven, villains and heroes would become only names indifferent to the listeners of future ages, but while the sun still lingered on the glass windows of Notre Dame de Paris the ghosts from the past would crowd on the scene, eager to talk, justify, explain. Once again, yet briefly, the stage is occupied by the main actors that convulsed France and England for one hundred years: King Charles, Queen Isabelle, the Duke of Orleans, Valentina Visconti, and Henry of England. Minor characters appear as well —they too want to be heard, they too have their insignificant lines to read.
Frozen for eternity, all the actors wear the smiles and colors of their youth, when the drama started and their lives changed forever.
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A Princess From Germany
ornament7.jpgThe castle of Ludwigsburg was large, imposing and gloomy. It had been built by Elizabeth’s great-grandfather and every room, tower, gallery still seemed to bear the mark of that brave, illustrious man. Its halls were huge, with long narrow windows and cool stone floors. Everywhere armors, trophies, shields, hanging on the walls, bore testimony to the valor and love of war of the Wittelsbach.
Catherine loved the old castle, its high vaults and ceilings, the vast halls that her imagination filled with the heroes of the chansons-de-geste that the troubadours narrated in the long winter nights. It was the only home she could remember as her father, one of the noblemen in Duke Stephen’s retinue, had brought Catherine there when the death of her mother had left her the only member of his family. Little Princess Elizabeth was Catherine’s age and the child joined her household, sharing her nurses, her dolls, her life.
Catherine’s father was absent from Munich most of the time, as he followed his lord everywhere the Duke’s expeditions took him and his small army of two-hundred knights. They would go from Alsace to Italy, from Germany to Poland, wherever there was a war or a skirmish, wherever the Pope or a Prince needed the services of the Bavarian troop to quell an insurrection or start a war on a neighbor country.
Stephen, Duke of Bavaria, loved adventure, but he also loved and needed money, as he was extremely generous, extravagant, and his coffers were permanently empty. He was tall, fair and very handsome, he loved hunting and drinking with his comrades and was never at a loss to find a word or compliment for a lady. The Duke’s brothers, John and Frederick, took part in his campaigns, and that very often left the Duchess to preside over Ludwigsburg alone, helped by her sisters-in-law, Anne and Catherine.
Elizabeth’s mother, Taddea Visconti, was a small thin woman with olive skin and very dark piercing eyes. She came from Milan, an Italian city renowned for its beautiful churches, palaces, and the refined life that Taddea’s father, Barnabo, led among the artists and poets that gathered at his court.
The coat-of-arms of the Visconti, a viper with a naked child in its open jaws, seemed very appropriate to the fame of cruelty and despotism that surrounded the family, and especially the redoubtable Barnabo. At Ludwigsburg it was whispered that he was deeply irreligious and scorned any civil law to which he did not consider himself bound. The list of his murders was apparently endless, as was that of his mistresses and bastards.
Catherine learned these things only many years later because every time Elizabeth’s grandfather’s name was pronounced aloud, it was done so with the respect that the Duchess demanded for a beloved father. The Lady Taddea herself, like the rooms she inhabited, had a great charm and attraction for Catherine. The dresses she wore were different from those of her sisters-in-law, simpler, but more refined, richer in their hues, softer in their textures. She was often cold and wrapped herself up in warm fur capes of beaver and ermine trimmed with gold braids, hid her hands in muffs and gloves. A heavy, heady scent of jasmine and roses perfumed her dresses and permeated her apartment. The cold flagstones were covered with soft carpets woven with threads of gold and silver, the rough drafty walls disappeared under precious Flemish tapestries depicting scenes of falcon hunting, where pretty flowers, charming rabbits and birds enlivened the brown background with their bright colors.
It was a thrill for Catherine to be asked to join Elizabeth in her visits to her mother, and the smiling lady, on whose lips German sounded so soft and different, always had a kind word or an interested question for the little girl.
On a warm June day, when Catherine and Elizabeth were still adolescent, the palace had been in a flurry of activities from dawn. The Duke Stephen and his knights had returned a few days previously from a successful campaign in Northern Italy and a banquet had been planned in his honor for that evening in the great hall of the castle. A poet had been asked to the festivities to entertain the noble company playing the flute and singing poems of love and war for them.
The servants were working hard, slaughtering the animals to be roasted and stuffed for the banquet, carrying vats of ale and cider from the depths of the cellars, setting up trestle-tables, filling sconces and candelabra with sweet-scented candles.
The first rays of the sun streaming through the windows had stirred the girls awake, and soon Elizabeth, her cousins Margaret, Jacqueline and her friend, Catherine, donned light summer dresses and ran outdoors. The park of red-barked fir trees that surrounded Ludwigsburg was dark and cool, but the green grass of the garden, with bright spots of red roses and orange marigolds, yellow honeysuckle climbing over the dove-cotes where Elizabeth’s favorite birds cooed, was more inviting. The four girls sat under the shade of a tree and chatted merrily of the night festivities, the dresses they would be wearing, the food the servants were preparing, the guests attending the banquet.
Even when the Duke, his brothers and his men were away, Ludwigsburg was hardly deserted, because a multitude of pages, equerries, servants, ladies-in-waiting, maids, were left behind to minister to the princes’ families. Young children were numerous too—besides her older brother, Ludwig, Elizabeth had several cousins, boys and girls her age, who were her best companions. The young princes and princesses shared many of their daily activities, including the study of Latin, the language of their prayer books and a hateful task that the strictness of the Duchess would not allow them to avoid. But today was a day of celebration; their teachers would not make their appearance until the morrow, and that enhanced the carefree mood pervading the young people.
Later, Catherine accompanied Elizabeth to her mother’s rooms. They found the Lady Taddea intently observing a small painting framed in gilded wood that hung over her carved prie-dieu. She looked up when they entered and smiled fondly at Elizabeth.
I am glad you came, my dear, and you too, Catherine,
she said, because I want you to admire this pretty picture my father gave to the Duke for me. Is it not beautiful?
The oval painting represented the Annunciation, set in a white-columned porch opening onto a green garden. The divine messenger was kneeling, in front of a blond Virgin absorbed in her prayers. The splendor of his variegated wings, shimmering with hues of blue, pink, green, made him similar to a beautiful bird ready to fly up and contrasted with the simplicity of Mary’s plain attire. The scene had a charm and freshness the girls loved and they agreed with the Duchess on the beauty of the gift.
Elizabeth was standing next to her mother and though she was barely- twelve, she was as tall as Taddea. The two women looked a lot like each other, but if Elizabeth had inherited the Visconti dark hair and eyes, she resembled the Wittelsbach in her more robust figure and creamy complexion. Her face was round, her mouth large and fleshy, her nose too wide to make her beautiful, but there was mischievousness in her eyes, warmth in her smile that added attraction to her features. The way she bore herself, too, very erect and proud, made her look taller than she was.
The little Annunciation that an unknown Italian artist had painted for her grandfather later became one of Elizabeth’s favorite possessions, forever linked with memories of a beloved mother.
* * *
The Duke of Bavaria and his lady were sitting together at the table of honor under a red canopy, his handsome fairness contrasting with her dark colors, the light blue of his cape set off by the soft waves of her red dress. Her dark hair was held tightly against her head by a gold circlet encrusted with hanging pearls, and her laughter was merry and infectious. At the same table set Elizabeth’s uncles, the noble, gregarious Frederick with his wife Anne, and the more solemn, grave John, whose wife, Catherine, was the most beautiful woman in Bavaria.
Catherine of Fastavarin’s place was at the end of the hall, with the younger members of the Wittelsbach clan, and there she sat, too thrilled by the noise, music, laughter, drinking, to do more than nibble at the different dishes displayed in front of her. Something else was adding to her excitement, something she had never experienced before and did not know how to define. All through the evening, Elizabeth’s brother, Prince Ludwig, had been looking at her with soft admiring eyes that held no reflection of the arrogance that was so much part of his personality. Catherine had felt her cheeks blush and there was a new confusion in her heart.
Ludwig was a couple of years older than Catherine. A tall, thin boy with a shock of blond hair and bright blue eyes, he decide favored the German part of the family. He had never shown interest in any of the numerous girls in the Wittelsbach household; his passionate love went to horse-riding, weapons, hunting. Ludwig hero-worshipped his father, whom he imitated in the proud bearing and arrogance, and seemed fond enough of his mother and only sister.
His cousins and their friends had given signs aplenty of their admiration for the handsome heir to the Duchy, but Ludwig had seemed to ignore all the girls with perfect equanimity and they soon directed their attentions elsewhere. Good looking polite pages were not lacking at the court of Munich and flirting was one of the most enjoyable pastimes.
Catherine could not understand her excitement—she was not one of the silly girls that talked nothing but boys and blushed and squirmed every time a page addressed them. After all, boys were just the boisterous companions of your games—were they not?
If Ludwig had never exactly been a companion, it was because he considered girls, all girls, uninteresting and was too dignified a young man to take part in the childish pastimes of Elizabeth and her young friends.
Still, she was confused. In the depths of her pocket lay a crumpled piece of paper. It was a note, the third one, that a page, an intense looking youth with passionate eyes and curly hair had sent her. He begged Catherine to meet him secretly that night. He wanted to talk to her, confess his longing and desire for the prettiest girl in Bavaria.
The-prettiest girl in Bavaria...Catherine liked the words, and this added to her confusion. Was she going to meet him? What would she say to him, what if he tried to kiss her?
She lifted her eyes to the table where the Duke and his family were seated. Christian stood behind the Duchess’ chair, a dutiful page ready to obey his mistress’ command, but Catherine knew how often his gaze had wandered to where she sat, and their eyes had met.
The stewards removing the tables and making room for the minstrel that was going to entertain the company, distracted Catherine from her reverie and, together with the other young people, she sat on one side of the hall where soft goat skins and pillows had been piled up.
The poet took his stand in the center of the room, strumming on a lute. He was a tall, thin man, with a short blond beard and hair the color of ripe wheat. He wore a short violet doublet, and tight green hose. His eyes were sad, the voice as sweet and gentle as the words of the love songs that filled the hall.
The Minnesanger were a hymn to love; they spoke of unhappiness and solitude without the loved one, they exalted a noble and courteous woman who was God’s masterpiece and whose love was not sinful. Catherine looked around her. The minstrel’s words seemed to find an echo in everyone’s heat; the men’s eyes became ardent, the smile on the ladies’ lips soft and yielding.
All of a sudden a hand touched hers, eager fingers, a strong palm. Instinctively she returned the pressure. She knew it was not Christian—the young page was still attending the Duchess, Catherine could see his tall figure half-hidden by a column. The pressure on her hand became stronger, more demanding. She had to turn her head and meet the eyes of the boy that had come behind her and whose strong, body leaned so close and warm next to hers.
It was Ludwig. He was staring at her and smiled when she returned his look. An all-encompassing wave of happiness rushed through her, leaving her languid and exhausted.
The hall and its inhabitants blurred in front of her eyes, the sound of the poet’s voice became as indistinct as the far-away barking of the Duke’s hounds.
Perhaps aware of her confusion and wanting to reassure her, Ludwig held her nearer to his body.
Catherine felt everybody’s eyes on them. Certainly Elizabeth had noticed her brother’s movement; surely Christian had seen how willingly her body had yielded to Ludwig’s pressure….
Just then though, the minstrel started the first lines of The Hunt
an epic poem that celebrated the joys of that manly sport, and the mood in the hall seemed to change, become merry and carefree. The Duke and his gentlemen joined in the refrain; their voices were loud and fierce, their faces flushed, their eyes exalted.
Ludwig let go of Catherine’s hand and stood up. He was not a boy any longer, but a young man, a hunter, a killer of the wild boar that roamed through the woods, and the spear he carried was red with the blood of the slain animal.
But he had not forgotten her.
I want to see you, Catherine,
he said. Meet me later, when the celebrations are over, in that corner of the garden where my sister keeps her dovecotes.
But what shall I tell Elizabeth? And your cousins? You know we share the same room.
Catherine,
he smiled ironically, You are no longer a child. No doubt you know how you can leave your room without Elizabeth and my cousins noticing it. Besides,
he added imperiously, what if they do notice? Jacqueline, Margaret and my sister as well, no doubt meet their friends secretly. So, you do not have to worry, my pretty Catherine. But, please, do not keep me waiting too long,
he added more gently and was quickly gone, without giving her time to protest his assertion.
Catherine knew that Elizabeth never met anybody secretly. They were so close that Elizabeth would have confided in her, as now she herself had the urge to do the same with her friend.
For the remainder of the evening Catherine did her best to avoid both Elizabeth and Christian. Fortunately, the page was in continuous attendance on the Duchess and could only follow her with longing eyes.
Elizabeth did not seem eager to be with her friend that night. Her cousin Johann was constantly at her side—a tall, strapping boy with hazel eyes and brown hair, who had just returned from the Italian expedition with the Duke his uncle.
The June evening seemed to linger forever and when at last night a fell over the castle of Ludwigsburg, and Catherine joined the other girls in their room; she found them quiet and sleepy. They undressed quickly, commenting briefly on the night’s festivities, and crept silently into the canopied bed they shared.
Soon their regular breathing convinced Catherine that her friends were asleep. She stole quietly out of bed and reached for her dress. The room was dark but for the rays of the half-moon streaming through the window.
Where are you going?
The voice startled Catherine, and she had to suppress a cry of fear.
Oh, Elizabeth,
she whispered, approaching the bed, You scared me out of my wits. I thought you were asleep.
‘Elizabeth chuckled. How can you think you can deceive me, Catherine? Both you and my brother think you are so clever, do you not? Well, you are not. I kept my eyes on you, and saw all of Ludwig’s sly maneuvering while that poor minstrel was pouring his heart out.
You did?’ Catherine marveled.
You seemed so engrossed in Johann that I am surprised that you had eyes for somebody else."
Elizabeth seemed to hesitate. You know, my friend,
she confided breathlessly, Johann says that he loves me, and he gave me an enamel cross he bought for me in Italy. I will show it to you tomorrow. But you have not answered my question. Where are you going?
she repeated.
Ludwig wants to see me, Elizabeth. But, please, do not tell Margaret, or Jacqueline, or anybody else, will you?
I will not, I promise. Besides, you are so fickle, Catherine, that in two days my poor brother will have been forgotten and your faith pledged to somebody else.
You are wrong, you are wrong, Elizabeth,
sang Catherine’s heart, as she found her way in the maze of corridors, halls, staircases, that led from her room to a little door opening onto the garden. I love Ludwig, I know it now, and I always will.
Here you are, at last!
he said impatiently. It was dark under the leafy oak tree, and Catherine could hardly make out his figure leaning against the trunk. I was almost despairing of your coming tonight, Catherine, and yet you must know how anxious I am to talk to you alone.
Anxious, Ludwig?
she said. Until tonight you paid no attention to me, you always made me feel that neither you nor your friends had any interest for the girls at court, and now it is hard for me to believe your words.
Perhaps I have changed, Catherine. You certainly have, you have become the prettiest girl I have ever seen and I have been thinking about you constantly.
He pulled her to him and lifted her face to his.
The moon was high above the trees, and its beams, filtering through the leaves, lent a pale glow to the trunk and the thick grass underneath. She could see Ludwig’s face more clearly—he seemed in earnest, and on his white face his eyes stood out like dark mysterious pools.
Catherine was light-headed and confused, yet strangely aware of her power—his happiness depended upon her. She could make smile, tremble with desire or, if she rejected him, she would sadden and upset him. She was the stronger.
Or was she? When he kissed her, she felt instinctively that she depended on him as much as he on her. If it was a game that they were playing, they were equal partners at it.
His lips were soft and strong on hers, his arms held her tightly to his chest—Catherine could smell the different scent of his skin, feel the smooth silk of his shirt. He made her lie on the grass and lay down beside her, one arm around her waist.
In the stillness of the night, the perfume of the flowers was intoxicating. No sound to be heard but the hesitant cooing of a dove or the faraway neigh of a horse.
I could stay here forever,
she murmured. I do not want to think that in a few hours the sun will be up and everybody will be stirring about and destroy this marvelous quiet and solitude.
But later the moon will rise in the sky, again, my darling. I will meet you here and the night will belong to us once more.
Will you always love me, Ludwig, and be faithful to me?
Oh, Catherine, how many love songs have you ever read? You do believe that love is eternal and everlasting happiness is sealed by a kiss, do you not?
he laughed. Remember, my dear, that the words of the love poems have no bearing to reality. You are beautiful: Catherine, and mine is not the only heart you will break. As for me, I can only promise you that
now my heart is yours, green-eyed witch, and that is what matters.
He leaned over and started kissing her again, covering her lips, eyes, cheeks with long passionate kisses that left her weak and trembling.
I will make you love me forever, she silently promised herself, trying to dispel the pain that his words had given her. Then her fears, dreams, anxieties were silenced as she was swept away by the intensity of her passion.
* * *
A couple of months after the festivities that had celebrated her husband’s homecoming, the Duchess died suddenly.
A long, black-clad procession accompanied her to her last rest in the church of Our Lady. She was buried in the ornate Wittelsbach tomb, near the altar the proud ancestor of the family, the Emperor Ludwig, had built in honor of the Virgin and the Holy Cross.
Elizabeth went back to the silent rooms that had been her mother’s, trying to find her among the silks and brocades that had wrapped her body, in the polished mirrors that had reflected her beloved features. But it was in vain. The Lady Taddea was no more; the perfume of roses and jasmine that still floated in the air was the last ephemeral trace of her existence.
Elizabeth mourned her for a long, time and became more fiercely possessive of her father than she had ever been before. Then, her Aunt Anne died a few months after the Lady Taddea, and not long afterwards, her uncle, Prince Frederick, brought a new bride to Ludwigsburg.
Elizabeth was shattered. "He seemed to love his wife so dearly. How could he replace her with another woman, how could he? Tell me, Catherine, you must know: is love like this then? Is it so frail that it can only last as long as the person we love is with us? Vows do not count—separation and death are more powerful than any pledge of love. It is not true, though, is it? Certainly you will love Ludwig forever, will you not?"
How can I answer these questions, Elizabeth? I know that I will love him as long as I live, but he is not pledged to me, he has never promised me that he will be faithful to our love. He never says that he loves me,
she added quietly, as if to herself.
Elizabeth was silent for an instant. I must admit that I have often noticed the way Ludwig behaves with you, Catherine,
she went on, and I assure you that I would not let Johann or any other boy treat me in such a fashion. Why, he even kissed Jacqueline in front of you once, and you did not say a word but just ran away.
Catherine blushed. Ludwig is the heir to the Duchy, Elizabeth. Do you think he will be allowed to marry a poor courtier’s daughter, when he can choose among the noblest and richest princesses in Europe? I have no claims on him; he has told me this from the beginning.
Poor Catherine,
sighed her friend, but do not despair. Perhaps I will marry a very wealthy prince, you know. This is highly possible, there are so many powerful and rich lords ruling over the lands of Germany who would he overjoyed at an alliance with the Wittelsbach. Then I would ask my husband, to grant you a most generous dowry, and Ludwig would have no objections to marrying you.
Catherine smiled sadly. I do not think that wealth is the main obstacle to my marrying your brother, Elizabeth, but I thank you for your thoughtfulness. But does this mean that you do not intend to marry Johann, after all? I thought you were devoted to each other!
If truth be known, my friend,
she frowned, "I think that Johann is slightly uninspiring and dull. Soldiering and